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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Bayou City Music Series Continues This Fall with Concerts at Buffalo Bayou Park, Discovery Greenâ and Emancipation Park
MEDIA CONTACTS Discovery Green: Whitney Radley, The CKP Group [email protected] / 832-930-4065 x 106 Emancipation Park: Lucy Bremond [email protected] / 832-883-1872 Buffalo Bayou Partnership: Trudi Smith [email protected] / 713-752-0314 x 103 FOR IMMEDIATE RELEASE August 15, 2018 BAYOU CITY MUSIC SERIES CONTINUES THIS FALL WITH CONCERTS AT BUFFALO BAYOU PARK, DISCOVERY GREENâ AND EMANCIPATION PARK HOUSTON, TX — The Bayou City Music Series resumes this fall with free performances at Discovery Green, Emancipation Park and The Water Works in Buffalo Bayou Park. The concert series, made possible by the Kinder Foundation, honors the great jazz, blues and zydeco musicians of Houston. The fall series kicks off with “The Soundtrack of the Gulf” at The Water Works in Buffalo Bayou Park on Saturday, Sept. 15. The great zydeco accordionist C.J. Chenier—son of the “King of Zydeco” Clifton Chenier—headlines this concert, which features opening performances by vocalist Annika Chambers, an - MORE - Page 2 Bayou City Music Series continues this fall Iraq war veteran whose powerful voice blurs lines between jazz and blues, and Archie Bell, former lead singer of Archie Bell & The Drells, whose early funk single “Tighten Up” topped Billboard’s R&B and pop charts in 1968. On Saturday, Oct. 13, the series continues with “Jazz in the Tre” at Emancipation Park. Acclaimed jazz pianist and composer Jason Moran headlines this concert. Moran, who grew up in Houston’s Third Ward, is Artistic Director for Jazz at the Kennedy Center in Washington D.C. and a 2010 MacArthur Fellow. -
Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA
1 Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA Índice Directorio PORTADA Blues Shock: Billy Branch & The Son Of Blues. Imagen cortesía de Blind Pig Records. Agradecimientos para el diseñador del arte: Eduardo Barrera Arambarri y al autor de la foto: Cultura Blues. La revista electrónica Tony Manguillo (1) ..………………………………………………………………….…………….. 1 “Un concepto distinto del blues y algo más…” www.culturablues.com ÍNDICE - DIRECTORIO ……..…………………………………………..….… 2 Esta revista es producida gracias al Programa EDITORIAL To blues or not to blues (2) ..…..………………….………… 3 “Edmundo Valadés” de Apoyo a la Edición de HUELLA AZUL Billy Branch. Entrevista exclusiva (3 y 4) .….….…. 4 Revistas Independientes 2013 del Fondo Nacional para la Cultura y las Artes DE COLECCIÓN Un disco, un video y un libro (5) ………………...... 7 EL ESCAPE DEL CONVICTO 20 grandes slides del blues eléctrico. Primera Parte (6) ................. 11 Año 4 Núm. 33 – febrero de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Clapton está de vuelta, retrospectiva en doce capítulos. Capítulo once (5) ……………………………………………….………………………... 16 Director general y editor: José Luis García Fernández PERSONAJES DEL BLUES XI Nominados a los premios de la Blues Foundation (5) ………….......…..21 Subdirector general: José Alfredo Reyes Palacios LÍNEA A-DORADA Llegará la Paz (7) ....................................... 26 Diseñador: José Luis García Vázquez COLABORACIÓN ESPECIAL I Tres festivales de Blues en el centro del país Pt. III (8)…………...…..….29 Consejo Editorial: CULTURA BLUES EN… Luis Eduardo Alcántara Cruz Hospital de Pediatría. CMN Siglo XXI. Un camino acústico por Mario Martínez Valdez el blues. - Multiforo Cultural Alicia. Presentación del libro de María Luisa Méndez Flores Juan Pablo Proal: “Voy a morir. -
Seit Vier Jahren Besteht Das Quartett Um Jodok Hess
the blue goat quartet The blue goat quartet has existed for seven years. Hess, working as a sideman for Rodrigo Botter Maio (among others) presents his own ideas in this group, and they are ingeniously interpreted and melted into one stunning unity by the band, amongst the best in Contemporary Jazz! The group won the Contemporary Patterns Competition sponsored by Migros in 2001. In the same year they also won the first prize at the Jazz Festival Zurich, Switzerland. the blue goat quartet Costi Topalidis, ts&ss Saxophonist Costi Topalidis studied with George Robert and Andy Scherrer. In 2001, playing with the Daniel Woodtli Sextet, he won the first prize at the Chrysler Competition held at the Montreux Jazz Festival 2000. Playing with the blue goat quartet at the Jazz Festival Zurich 2001, Topalidis won an award as outstanding soloist. He regularly played on TV (Night Moor Show) and plays regularly with George Gruntz. the blue goat quartet Jodok Hess, p Jodok Hess studied at the Berklee College of Music with Tim Ray. As the pianist of the Swiss Youth Jazz Orchestra, he played with Franco Ambrosetti, Jerry Bergonzi, Mike Richmond, among others. He started composing in his own trio with Peter Hunziker and Pit Gutmann, and played his music with Roli v. Flue, Christoph Grab, Tony Renold, Dominic Egli, Raetus Flisch, Peter Frei, and Fabian Gisler. He composes all the songs played by the blue goat quartet. Playing with the band at the Jazz Festival Zurich, Hess won an award as outstanding soloist. He currently plays as a sideman with Rodrigo Botter Maio in ‘The Return of the Bossa Nova’ and ‘Gafiera Alpina’. -
Professor Doctor FRIEDRICH GULDA Called to the Waiter, Member to Qualify for the Final Eliminations
DOWN BEAT, august 1966 VIENNESE COOKING written by Willis Conover Professor Doctor FRIEDRICH GULDA called to the waiter, member to qualify for the final eliminations. Then he'd have to "Dry martini!'' The waiter, thinking he said "Drei martini|'' go through it all again. brought three drinks. It's the only time Gulda's wishes have The jurors were altoist Cannonball Adderley, trombonist J. J. ever been unclear or unsatisfied. Johnson, fluegelhornist Art Farmer, pianist Joe Zawinul, The whole city of Vienna, Austria snapped to attention when drummer Mel Lewis and bassist Ron Carter. The jury Gulda, the local Leonard Bernstein decided to run an chairman who wouldn't vote except in a tie, was critic Roman international competition for modern jazz. Waschko. The jury's refreshments were mineral water, king- For patrons he got the Minister of Foreign Affair, the Minister size cokes, and Viennese coffee. For three days that was all of Education, the Lord Mayor of Vienna and the they drank from 9:30 am till early evening. The jury took la Amtsfuhrender fur Kultur, Volksbildung und Schulverwaltung duties seriously. der Bundeshauptstadt Wien. For his committee of honor he A dialog across the screen might go like this. enlisted the diplomatic representatives of 20 countries, the Young lady in the organization (escorting contestant): "Mr. directors of 28 music organizations, and Duke Ellington. For Watschko?" expenses he obtained an estimated $80,000. For contestants Watschko: "Yes?" he got close to 100 young jazz musicians from 19 countries- Young lady: "Candidate No. 14 " some as distant as Uruguay and Brazil. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
WBS Bluesletter Or Online at Www
In This Issue... Tony Fredericison and BB Award Nominee Billy Stoops at the March Blues Bash Sammy Eubanks at the March Blues Bash Mary McPage (Photo by Paul Brown) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 SJB 2016 European Tour 6 Flat 5 Blues Cartoon 13 On the Cover: Little Bill 2 Photo/Art of Dan Hill 8 Membership Opportunities 14 Letter from the Editor 3 2017 IBC Guidelines 10 What is Victory Music 14 Officers and Directors 4 2017 IBC Application Form 11 Jam Preview: Razzal’s Jam 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, there and at the after party down at Hector’s!! Joe Seamons, Billy Stoops & the Dirt Angels, More music and more fun, great food and tasty Trevalyan Blue, and tons of others! 31 bands total: What a whirlwind the first four months of libations! Don’t forget Sunday, April 3rd at the the weekend promises to be a jam-packed three 2016 have been! From the International Blues Kirkland Performance Center, doors open at 2:30! days of fun! This event may sell out, so get online Challenge and the exciting win by Ben Hunter and Check our Facebook page or your members-only and get your tickets and pop down to the charming Joe Seamons the Solo/Duo winners, the Best in e-mail for additional details! little town of Walla Walla! Great wine, cold beers the Blues nomination and voting process, finding and good food plus excellent music make for a a new home for our Second Tuesday Blues Bash Did I mention that this year’s Washington Blues memory filled weekend! See the ad in this issue at the Sound Check Bar & Grill in Lynnwood; Society Best of the Blues Show has no additional for more information. -
March 2021 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans! Proud Recipient of a 2009 I just finished watching our Keeping the Blues Alive Award 2021 Musicians Relief Fund/ HART Fundraiser and I must 2021 OFFICERS say I thought it was great. I am President, Tony Frederickson [email protected]@wablues.org so grateful for the generous Vice President, Rick Bowen [email protected]@wablues.org donation of the musical talents Secretary, Marisue Thomas [email protected]@wablues.org of John Nemeth & the Blues Treasurer, Ray Kurth [email protected]@wablues.org Dreamers, Theresa James, Terry Editor, Eric Steiner [email protected]@wablues.org Wilson & the Rhythm Tramps and Too Slim & the Taildraggers! 2021 DIRECTORS It was a good show and well worth reviewing again and again if Music Director, Open [email protected]@wablues.org you missed it! Also, a big shout out to Rick Bowen and Jeff Menteer Membership, Chad Creamer [email protected]@wablues.org for their talents for the production of this event. I also want to say Education, Open [email protected]@wablues.org “Thank You” to all of you who made donations! If you are looking Volunteers, Rhea Rolfe [email protected]@wablues.org for a little music to fill some time this would be a great three-hour Merchandise, Tony Frederickson [email protected]@wablues.org window and any donations you might be able to make would be very Advertising, Open [email protected]@wablues.org much appreciated. If you are interested go to our new YouTube page (Washington Blues Society) and check it out. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Bad 6 4 Alchemy
BAD 64 ALCHEMY 1 BA GOODIES 2009 CHEER-ACCIDENT – FEAR DRAWS MISFORTUNE (CUNEIFORM) CIRCULASIONE TOTALE ORCHESTRA – BANDWIDTH (RUNE GRAMMOFON) FLAT EARTH SOCIETY - CHEER ME, PERVERTS! (CRAMMED DISCS) FRED FRITH – IMPUR II (ReR MEGACORP/FRED RECORDS) LAND OF KUSH – AGAINST THE DAY (CONSTELLATION) METALYCÉE – IT IS NOT (MOSZ) NIOBE – BLACKBIRD’S EYE (TOMLAB) QUINTE & SENS – COPEAUX (MADRECORDZ) GEDHALIA TAZARTES – REPAS FROID (TANZPROCESZ) WHEN – YOU ARE SILENT (JESTER) A musician is: a cartographer, a cook, a scavenger, a diviner, a preacher, an auctioneer, a hoarder, a thief, a diplomat, a dictator, an historian, an oracle, a travel agent, an organizer, a storyteller, a chemist, an alchemist, an epiphanist. Carla Kihlstedt: Confessions of a Sensualist Der WÜRZBURGER HAFENSOMMER lockte am 31.07.2009 allerhand Volk an, das sich im Midlifealltag nicht ungern zurück in Teenagerzeiten versetzen lässt. Was sind schon 40 Jahre? ‚Hendrix in Woodstock‘ war angesagt. Als Zeitmaschine stand das HENDRIX PROJECT auf der schwimmenden Bühne - STUCKY, DO- RAN, STUDER, TACUMA. Allesamt sind das Würzburg-vertraute Gestalten, der Bassist Jamaaladeen Tacuma war erst im März mit Brewed By Noon im Omnibus, wo Christy Doran & Fredy Studer schon vor Jahrzehnten öfters mit - kein Witz - mit OM gespielt hatten, 1972 - 1982 das Schweizer Electricjazzspitzenprodukt; die Stucky trieb das dritte Jahr hintereinander ihr exaltiertes Unwesen auf der Ha- fenbühne. Und: Wo Stucky drauf steht, ist auch Stucky drin. Ist ein größerer Gegensatz zu Jimi denk- bar? Oder ist dieses wie per UFO oder auf einem Besen aus dem Electric Ladyland angeflogene We- sen nicht auch die konsequente Er- füllung seiner Beschwörungen? Hendrix-Fans bekamen jedenfalls Einiges zu schlucken: Ein ‚Voodoo Child‘, das als Droge nur Musik und sich selber braucht - Stucky verkör- pert jeden Ton als hip-shaking Mama im swingenden Fransenkleid.