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Design of a 45 Circuit Duct Bank
ReturnClose and to SessionReturn DESIGN OF A 45 CIRCUIT DUCT BANK Mark COATES, ERA Technology Ltd, (UK), [email protected] Liam G O’SULLIVAN, EDF Energy Networks, (UK), liam.o’[email protected] ABSTRACT CIRCUIT REQUIREMENTS Bankside power station in London, closed in 1981 but the The duct block was designed to carry the following XLPE substation that is housed in the same building has remained insulated cable circuits without exceeding the operating operational. The remainder of the building has housed the temperature of any cable within the duct block. Tate Modern art gallery since 2000. EDF Energy Networks is now engaged in a project to upgrade and modernise o Four 400/230V circuits with a cyclic loading of 300A. Bankside substation. Part of this work involves the o Twenty 11kV circuits with a cyclic loading of 400A. diversion of about 45 cable circuits into a duct block within o Sixteen 20kV circuits with a cyclic loading of 400A the basement of the substation. The circuits include pilot o Four 66kV circuits with a cyclic loading of 300A circuits, LV circuits and 11 kV, 22 kV, 66kV and 132 kV o Two 132kV circuits with a cyclic loading of 700A circuits. This paper describes the process involved in o Six pilot circuits. designing the duct bank. The cyclic load was taken to be a step wave with 100 % load factor from 08.00hrs to 20.00hrs and 0.8pu from KEYWORDS 20.00hrs to 08.00hrs. Duct bank, Magnetic field, Surface temperature, Cable rating. The cables selected for this installation were of types commonly used by distribution companies in the UK. -
Bankside Power Station’S Former Design Effect the Restoration and What Effect Did the Changes Have?
INTERNATIONAL BACCALAUREATE EXTENDED ESSAY An Exploration into how Herzog & de Meuron designed the Tate Modern by considering the industrial attributes that affect the function of the museum. How did the Bankside Power Station’s former design effect the restoration and what effect did the changes have? Name: Maxim Goldau Student Number: Subject: Visual Arts King William’s College Centre Number: 26th September 2014 Word Count: 3791 1 Abstract: This essay explores the approach Herzog & de Meuron took to restore and design the Tate Modern. The building being restored was the Bankside Power Station, designed by Giles Gilbert Scott in 1947. The Power Station was designed with an industrial purpose at its heart. I wanted to discover what procedure was necessary to adapt a former industrial building to serve a very opposing purpose, which led me to my research question: “How did the Bankside Power Station’s former design effected the restoration and what effect did the changes have?” I proceeded by analysing the original structure of the Bankside Power Station and in which ways Herzog & de Meuron changed elements of the building; especially the reasons for changing sections of the building. I analysed the single parts of the former Power Station were investigated to gather information about the approach, ideas and intended effects. To investigate the structure of the Tate Modern, I was analysed various layouts and images. My main sources were online articles, essays and the homepages of the artists, the Tate and Herzog & de Meuron. Most articles were just documenting and informing the readers with the very basic information, but I found the website of Herzog& de Meuron reflected their thinking process. -
Design of a 45 Circuit Duct Bank
ReturnClose and to SessionReturn DESIGN OF A 45 CIRCUIT DUCT BANK Mark COATES, ERA Technology Ltd, (UK), [email protected] Liam G O’SULLIVAN, EDF Energy Networks, (UK), liam.o’[email protected] ABSTRACT CIRCUIT REQUIREMENTS Bankside power station in London, closed in 1981 but the The duct block was designed to carry the following XLPE substation that is housed in the same building has remained insulated cable circuits without exceeding the operating operational. The remainder of the building has housed the temperature of any cable within the duct block. Tate Modern art gallery since 2000. EDF Energy Networks is now engaged in a project to upgrade and modernise o Four 400/230V circuits with a cyclic loading of 300A. Bankside substation. Part of this work involves the o Twenty 11kV circuits with a cyclic loading of 400A. diversion of about 45 cable circuits into a duct block within o Sixteen 20kV circuits with a cyclic loading of 400A the basement of the substation. The circuits include pilot o Four 66kV circuits with a cyclic loading of 300A circuits, LV circuits and 11 kV, 22 kV, 66kV and 132 kV o Two 132kV circuits with a cyclic loading of 700A circuits. This paper describes the process involved in o Six pilot circuits. designing the duct bank. The cyclic load was taken to be a step wave with 100 % load factor from 08.00hrs to 20.00hrs and 0.8pu from KEYWORDS 20.00hrs to 08.00hrs. Duct bank, Magnetic field, Surface temperature, Cable rating. The cables selected for this installation were of types commonly used by distribution companies in the UK. -
Bankside Power Station: Planning, Politics and Pollution
BANKSIDE POWER STATION: PLANNING, POLITICS AND POLLUTION Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Stephen Andrew Murray Centre for Urban History University of Leicester 2014 Bankside Power Station ii Bankside Power Station: Planning, Politics and Pollution Stephen Andrew Murray Abstract Electricity has been a feature of the British urban landscape since the 1890s. Yet there are few accounts of urban electricity undertakings or their generating stations. This history of Bankside power station uses government and company records to analyse the supply, development and use of electricity in the City of London, and the political, economic and social contexts in which the power station was planned, designed and operated. The close-focus adopted reveals issues that are not identified in, or are qualifying or counter-examples to, the existing macro-scale accounts of the wider electricity industry. Contrary to the perceived backwardness of the industry in the inter-war period this study demonstrates that Bankside was part of an efficient and profitable private company which was increasingly subject to bureaucratic centralised control. Significant decision-making processes are examined including post-war urban planning by local and central government and technological decision-making in the electricity industry. The study contributes to the history of technology and the environment through an analysis of the technologies that were proposed or deployed at the post-war power station, including those intended to mitigate its impact, together with an examination of their long-term effectiveness. Bankside made a valuable contribution to electricity supplies in London until the 1973 Middle East oil crisis compromised its economic viability. -
THE VIEW from MY WINDOW by GLYN ENGLAND
SUPPLEMENT TO THE HISTELEC NEWS AUGUST 2004 THE VIEW FROM MY WINDOW An historical perspective of the Electricity Supply Industry. by Glyn England JP, BSc(Eng), Hon.DSc(Bath), FEng,FIEE,CBIM Extracted from a Presidential Address given by Glyn England, then Chairman of the CEGB, on 2nd April 1982 to the Metals and Materials Association meeting at Bath University. ------------------------------------------------------------------------------------------------------------------------------------------------ INTRODUCTION I propose to interpret this title metaphorically as well as literally, using a few landmarks, past and present, as pegs for : - reflections on some aspects of the history of electricity supply in this country; considering some lessons that can be learnt from that past experience; and a few personal thoughts about the future, together with a mention of some of the CEGB's present preoccupations. In other words, I intend to think aloud about how things seem to me, from where I sit in my office on the fifteenth floor of the CEGB's headquarters building, Sudbury House, in one of the most historic parts of the City of London. Indeed, the industry as we know it today was really started by a big step forward in high-temperature materials technology which took place about 100 years ago. It was the development, by Swan and Edison, of a filament of carbon, which could be heated in a vacuum to incandescent temperatures that resulted in the production of the first practical incandescent lamp. We all know what a great impetus that gave to electrical technology. SPATE OF CENTENARIES I have mentioned one centenary. In fact, we in electricity supply are having quite a spate of centenaries about this time. -
England's Atomic Age. Securing Its Architectural and Technological Legacy
77 England’s Atomic Age. Securing its Architectural and Technological Legacy Wayne D. Cocroft Introduction Wales where a pilot uranium isotope separation plant was constructed.3 The building has been listed by Cadw. This paper presents a brief overview of places in England For many reasons, including cost, the threat from aerial that have been associated with atomic research, including the bombing and concerns that vital resources would be drawn early nuclear weapons programme, and especially those plac- away from more pressing tasks British knowledge and sci- es that have been afforded statutory protection. It describes entists were transferred to the US atomic bomb project – the the infrastructure of the civil nuclear power industry and how Manhattan Project. But, after the passing of the McMahon this legacy is being remediated to release land for new us- Act in 1946 the UK was denied access to US atomic work es. It concludes with a discussion of how Historic England‘s and embarked on its own nuclear weapons programme. Dur- strategy for the documentation of post-war coal and oil-fired ing this period the weapons and civil research programmes power stations that might be applied to the nuclear sector. often worked closely together drawing on a relatively small pool of scientific experts. Early history The development of the British atomic bomb From the late 19th century scientists in the United King- dom were part of an international community of pioneers The early research facilities allocated to the project were working to understand the structure of the atom. Important modest and included a small section of the Royal Arsenal, centres included the physics building at the University of Woolwich, and a redundant 19th century fortification, Fort Manchester, built in1900, where Ernest Rutherford, a New Halstead, Kent. -
Preservation and Innovation in the Intertheatrum Period, 1642-1660: the Survival of the London Theatre Community
Preservation and Innovation in the Intertheatrum Period, 1642-1660: The Survival of the London Theatre Community By Mary Alex Staude Honors Thesis Department of English and Comparative Literature University of North Carolina at Chapel Hill 2018 Approved: (Signature of Advisor) Acknowledgements I would like to thank Reid Barbour for his support, guidance, and advice throughout this process. Without his help, this project would not be what it is today. Thanks also to Laura Pates, Adam Maxfield, Alex LaGrand, Aubrey Snowden, Paul Smith, and Playmakers Repertory Company. Also to Diane Naylor at Chatsworth Settlement Trustees. Much love to friends and family for encouraging my excitement about this project. Particular thanks to Nell Ovitt for her gracious enthusiasm, and to Hannah Dent for her unyielding support. I am grateful for the community around me and for the communities that came before my time. Preface Mary Alex Staude worked on Twelfth Night 2017 with Alex LaGrand who worked on King Lear 2016 with Zack Powell who worked on Henry IV Part II 2015 with John Ahlin who worked on Macbeth 2000 with Jerry Hands who worked on Much Ado About Nothing 1984 with Derek Jacobi who worked on Othello 1964 with Laurence Olivier who worked on Romeo and Juliet 1935 with Edith Evans who worked on The Merry Wives of Windsor 1918 with Ellen Terry who worked on The Winter’s Tale 1856 with Charles Kean who worked on Richard III 1776 with David Garrick who worked on Hamlet 1747 with Charles Macklin who worked on Henry IV 1738 with Colley Cibber who worked on Julius Caesar 1707 with Thomas Betterton who worked on Hamlet 1661 with William Davenant who worked on Henry VIII 1637 with John Lowin who worked on Henry VIII 1613 with John Heminges who worked on Hamlet 1603 with William Shakespeare. -
See a Full List of the National Youth
Past Productions National Youth Theatre '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes -
(Public Pack)Agenda Document for Cabinet, 15/09/2015 16:00
Open Agenda Cabinet Tuesday 15 September 2015 4.00 pm Ground Floor Meeting Room GO2A, 160 Tooley Street, London SE1 2QH Membership Portfolio Councillor Peter John Leader of the Council Councillor Ian Wingfield Deputy Leader and Cabinet Member for Business, Employment and Culture Councillor Fiona Colley Finance, Modernisation and Performance Councillor Stephanie Cryan Adult Care and Financial Inclusion Councillor Barrie Hargrove Public Health, Parks and Leisure Councillor Richard Livingstone Housing Councillor Darren Merrill Environment and the Public Realm Councillor Victoria Mills Children and Schools Councillor Michael Situ Communities and Safety Councillor Mark Williams Regeneration and New Homes INFORMATION FOR MEMBERS OF THE PUBLIC Access to information You have the right to request to inspect copies of minutes and reports on this agenda as well as the background documents used in the preparation of these reports. Babysitting/Carers allowances If you are a resident of the borough and have paid someone to look after your children, an elderly dependant or a dependant with disabilities so that you could attend this meeting, you may claim an allowance from the council. Please collect a claim form at the meeting. Access The council is committed to making its meetings accessible. Further details on building access, translation, provision of signers etc for this meeting are on the council’s web site: www.southwark.gov.uk or please contact the person below. Contact Virginia Wynn-Jones 020 7525 7055 or Paula Thornton 020 7525 4395 Or email: [email protected] ; [email protected] Members of the committee are summoned to attend this meeting Councillor Peter John Leader of the Council Date: 7 September 2015 Cabinet Tuesday 15 September 2015 4.00 pm Ground Floor Meeting Room GO2A, 160 Tooley Street, London SE1 2QH Order of Business Item No. -
25, Playhouses and Other Early Modern Playing Venues Leslie Thomson, University of Toronto
Audiences at the Red Bull: A Review of the Evidence Recently, the view that the Red Bull audience consisted largely of “unlettered” members of the lower classes has been challenged by several scholars, notably Marta Straznicky, Tom Rutter and Eva Griffith. On the other hand, Mark Bayer seems to confirm the traditional view, though he rejects the assumption that this meant the performances were of low artistic value. In this paper I look carefully at the very limited amount of evidence that survives about the patrons of the Red Bull, focusing especially on the period prior to 1625. This evidence consists essentially of a few contemporary references and a group of extant plays believed with varying degrees of certainty to have been performed there. My thesis is that all the above-mentioned scholars are partially right. Early modern theatre companies had to appeal to several different audiences at the same time; while there certainly were apprentices and artisans in the yard, the higher-paying, more numerous, and more socially-prestigious audience in the galleries was likely the main focus of the company’s attention. This audience may have contained a higher proportion of “citizens” than at the Globe, but its main distinguishing feature was a more conservative world view and theatrical taste. Douglas Arrell, University of Winnipeg ******************** Catherine Clifford SAA 2015: Playhouses and Other Early Modern Playing Venues University of Texas at Arlington [email protected] Anne of Denmark’s Temporary Courtyard Theatre and the Consecration of a New Court at Somerset House in 1614 On February 2, 1614, upon the near-completion of extensive renovations at Somerset House, soon to be known as Denmark House, Anne of Denmark hosted a wedding celebration for one of her ladies-in-waiting at her palace. -
Tate Modern in the London Borough of Southwark Planning Application No
planning report PDU/1464a/01 4 March 2009 Tate Modern in the London Borough of Southwark planning application no. 09-AP-0039 Strategic planning application stage 1 referral (new powers) Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 and 2007; Town & Country Planning (Mayor of London) Order 2008 The proposal Construction of an 11-storey building for use as an extension to the existing Tate Modern. The applicant The applicant is The Board of Trustees of the Tate Gallery, and the architect is Herzog & De Meuron. Strategic issues The extension to the Tate is supported by London Plan policies relating to London’s world city status; cultural and tourism facilities. The design is welcomed with the use of brick providing a different but successful approach to the ‘glass boxes’ of the 2008 approval. However, the matter of ‘active’ frontages on the southern elevation needs further examination as well as detailing relating to the junction between the existing and new buildings. There are outstanding concern relating to access/equal opportunities. Further discussions are required to ensure that the building fully meets the principles of inclusive design. The application meets London Plan policies for transport and climate change. Recommendation That Southwark Council be advised that the application does not comply with the London Plan, for the reasons set out in paragraph 87 of this report; but that the possible remedies set out in paragraph 89 of this report could address these deficiencies. Context 1 On 26 January 2009 the Mayor of London received documents from Southwark Council notifying him of a planning application of potential strategic importance to develop the above site for the above uses. -
The Anchor Public House, Bankside, London Borough of Southwark
The Anchor Public House, Bankside, London Borough of Southwark An Archaeological Desk-Based Assessment for The Spirit Group by Steve Preston Thames Valley Archaeological Services Ltd Site Code ABS07/86 July 2007 Summary Site name: The Anchor Public House, Bankside, London Borough of Southwark Grid reference: TQ3244 8040 Site activity: Desk-based assessment Project manager: Steve Ford Site supervisor: Steve Preston Site code: ABS07/86 Area of site: c. 850 sq m Summary of results: The site is in an area of considerable archaeological potential and is occupied by a listed building. Previous evaluation trenching on the site exposed elements of 17th-century building (made ground layers, a cobbled surface and a cess pit) and later (18th- to 20th-century) works interpreted as possibly part of a waterworks, but nothing from any earlier period. This report may be copied for bona fide research or planning purposes without the explicit permission of the copyright holder Report edited/checked by: Steve Ford9 31.07.07 Jennifer Lowe9 02.08.07 i Thames Valley Archaeological Services Ltd, 47–49 De Beauvoir Road, Reading RG1 5NR Tel. (0118) 926 0552; Fax (0118) 926 0553; email [email protected]; website : www.tvas.co.uk The Anchor Public House, Bankside, London Borough of Southwark An Archaeological Desk-Based Assessment by Steve Preston Report 07/86 Introduction This desk-based study is an assessment of the archaeological potential of approximately 850 sq m of land located on Bankside in Southwark (TQ 3244 8040) (Fig. 1). The project was commissioned by Mr Mark Thackeray of Cliff Walsingham and Company, Bourne House, Cores End Road, Bourne End, Buckinghamshire SL8 5AR on behalf of The Spirit Group, and comprises the first stage of a process to determine the presence/absence, extent, character, quality and date of any archaeological remains which may be affected by redevelopment of the area.