Last and First Men Stapledon, William Olaf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Last and First Men
LAST AND FIRST MEN A STORY OF THE NEAR AND FAR FUTURE by W. Olaf Stapledon Project Gutenburg PREFACE THIS is a work of fiction. I have tried to invent a story which may seem a possible, or at least not wholly impossible, account of the future of man; and I have tried to make that story relevant to the change that is taking place today in man's outlook. To romance of the future may seem to be indulgence in ungoverned speculation for the sake of the marvellous. Yet controlled imagination in this sphere can be a very valuable exercise for minds bewildered about the present and its potentialities. Today we should welcome, and even study, every serious attempt to envisage the future of our race; not merely in order to grasp the very diverse and often tragic possibilities that confront us, but also that we may familiarize ourselves with the certainty that many of our most cherished ideals would seem puerile to more developed minds. To romance of the far future, then, is to attempt to see the human race in its cosmic setting, and to mould our hearts to entertain new values. But if such imaginative construction of possible futures is to be at all potent, our imagination must be strictly disciplined. We must endeavour not to go beyond the bounds of possibility set by the particular state of culture within which we live. The merely fantastic has only minor power. Not that we should seek actually to prophesy what will as a matter of fact occur; for in our present state such prophecy is certainly futile, save in the simplest matters. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Odd John: a Story Between Jest and Earnest
Odd John: A Story Between Jest and Earnest William Olaf Stapledon Published: 1935 Categorie(s): Fiction, Science Fiction Source: http://gutenberg.net.au About Stapledon: He was born in Seacombe, Wallasey, on the Wirral peninsula near Liverpool, the only son of William Clibbert Stapledon and Emmeline Miller. The first six years of his life were spent with his parents at Port Said. He was educated at Abbotsholme School and Balliol College, Oxford, where he acquired a BA in Modern History in 1909 and a Master's degree in 1913[citation needed]. After a brief stint as a teacher at Manchester Grammar School, he worked in shipping offices in Liverpool and Port Said from 1910 to 1913. During World War I he served with the Friends' Ambulance Unit in France and Belgium from July 1915 to January 1919. On 16 July 1919 he married Agnes Zena Miller (1894-1984), an Australian cousin whom he had first met in 1903, and who maintained a correspondence with him throughout the war from her home in Sydney. They had a daughter, Mary Sydney Stapledon (1920-), and a son, John David Stapledon (1923-). In 1920 they moved to West Kirby, and in 1925 Stapledon was awarded a PhD in philosophy from the University of Liverpool. He wrote A Modern Theory of Ethics, which was published in 1929. However he soon turned to fiction to present his ideas to a wider public. Last and First Men was very successful and prompted him to become a full-time writer. He wrote a sequel, and followed it up with many more books on subjects associated with what is now called Transhumanism. -
Scratch Pad 23 May 1997
Scratch Pad 23 May 1997 Graphic by Ditmar Scratch Pad 23 Based on The Great Cosmic Donut of Life No. 11, a magazine written and published by Bruce Gillespie, 59 Keele Street, Victoria 3066, Australia (phone (03) 9419-4797; email: [email protected]) for the May 1997 mailing of Acnestis. Cover graphic by Ditmar. Contents 2 ‘IF YOU DO NOT LOVE WORDS’: THE PLEAS- 7 DISCOVERING OLAF STAPLEDON by Bruce URE OF READING R. A. LAFFERTY by Elaine Gillespie Cochrane ‘IF YOU DO NOT LOVE WORDS’: THE PLEASURE OF READING R. A. LAFFERTY by Elaine Cochrane (Author’s note: The following was written for presentation but many of the early short stories appeared in the Orbit to the Nova Mob (Melbourne’s SF discussion group), 2 collections and Galaxy, If and F&SF; the anthology Nine October 1996, and was not intended for publication. I don’t Hundred Grandmothers was published by Ace and Strange even get around to listing my favourite Lafferty stories.) Doings and Does Anyone Else Have Something Further to Add? by Scribners, and the novels were published by Avon, Ace, Scribners and Berkley. The anthologies and novels since Because I make no attempt to keep up with what’s new, my then have been small press publications, and many of the subject for this talk had to be someone who has been short stories are still to be collected into anthologies, sug- around for long enough for me to have read some of his or gesting that a declining output has coincided with a declin- her work, and to know that he or she was someone I liked ing market. -
Stapledon Chapter
“Stapledon and Cosmic Evolution” Draft of Chapter Seven for the Forthcoming Book Science Fiction: The Evolutionary Mythology of the Future Volume II: The Time Machine to Star Maker © Thomas Lombardo Center for Future Consciousness “Beside his [Stapledon’s] stupendous panorama, his vision of worlds and galaxies, of cosmos piled upon cosmos, the glimpses of the future that Mr. Wells and others have provided for us are no more than penny peepshows.” Christian Science Monitor Olaf Stapledon (1886-1950) earned a Ph.D. in philosophy in 1925 from the University of Liverpool, and his first published book was in philosophy, titled A Modern Theory of Ethics (1929). From very early in his life, he showed an intense passion for writing and the thoughtful exploration of the deepest questions of life, which generated both a set of “modern psalms,” as well as a study of Joan of Arc, in which he argued that her inspirational visions were neither hallucinations nor a product of psychological hysteria, but due to “natural causes.” Indeed, also from his early years, Stapledon was fascinated with mystical and psychic topics, searching for some new doorway into the “way of the spirit,” having come to the conclusion that contemporary religion, which is based on a hope in personal immortality, was neither credible nor inspiring. Of relevance to his later science fiction writings, during these early formative years Stapledon appears to have explored the unorthodox idea of an “evolving God.” See Robert Crossleyʼs Olaf Stapledon: Speaking for the Future (1994) for an in-depth biography of Stapledonʼs early life and education. -
Artificial Intelligence for Interstellar Travel
Artificial Intelligence for Interstellar Travel Andreas M. Hein1 and Stephen Baxter2 1Initiative for Interstellar Studies, Bone Mill, New Street, Charfield, GL12 8ES, United Kingdom 2c/o Christopher Schelling, Selectric Artists, 9 Union Square 123, Southbury, CT 06488, USA. November 20, 2018 Abstract The large distances involved in interstellar travel require a high degree of spacecraft autonomy, realized by artificial intelligence. The breadth of tasks artificial intelligence could perform on such spacecraft involves maintenance, data collection, designing and constructing an infrastructure using in-situ resources. Despite its importance, exist- ing publications on artificial intelligence and interstellar travel are limited to cursory descriptions where little detail is given about the nature of the artificial intelligence. This article explores the role of artificial intelligence for interstellar travel by compiling use cases, exploring capabilities, and proposing typologies, system and mission archi- tectures. Estimations for the required intelligence level for specific types of interstellar probes are given, along with potential system and mission architectures, covering those proposed in the literature but also presenting novel ones. Finally, a generic design for interstellar probes with an AI payload is proposed. Given current levels of increase in computational power, a spacecraft with a similar computational power as the human brain would have a mass from dozens to hundreds of tons in a 2050 { 2060 timeframe. Given that the advent of the first interstellar missions and artificial general intelligence are estimated to be by the mid-21st century, a more in-depth exploration of the re- lationship between the two should be attempted, focusing on neglected areas such as protecting the artificial intelligence payload from radiation in interstellar space and the role of artificial intelligence in self-replication. -
Nanotech Ideas in Science-Fiction-Literature
Nanotech Ideas in Science-Fiction-Literature Nanotech Ideas in Science-Fiction-Literature Text: Thomas Le Blanc Research: Svenja Partheil and Verena Knorpp Translation: Klaudia Seibel Phantastische Bibliothek Wetzlar Special thanks to the authors Karl-Ulrich Burgdorf and Friedhelm Schneidewind for the kind permission to publish and translate their two short stories Imprint Nanotech Ideas in Science-Fiction-Literature German original: Vol. 24 of the Hessen-Nanotech series by the Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Compiled and written by Thomas Le Blanc Svenja Partheil, Verena Knorpp (research) Phantastische Bibliothek Wetzlar Turmstrasse 20 35578 Wetzlar, Germany Edited by Sebastian Hummel, Ulrike Niedner-Kalthoff (Ministry of Economics, Energy, Transport and Regional Development, State of Hessen) Dr. David Eckensberger, Nicole Holderbaum (Hessen Trade & Invest GmbH, Hessen-Nanotech) Editor For NANORA, the Nano Regions Alliance: Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany Phone: +49 (0) 611 815 2471 Fax: +49 (0) 611 815 49 2471 www.wirtschaft.hessen.de The editor is not responsible for the truthfulness, accuracy and completeness of this information nor for observing the individual rights of third parties. The views and opinions rendered herein do not necessarily reflect the opinion of the editor. © Ministry of Economics, Energy, Transport and Regional Development, State of Hessen Kaiser-Friedrich-Ring 75 65185 Wiesbaden, Germany wirtschaft.hessen.de All rights reserved. No part of this brochure may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior permission in writing from the publisher. -
Terraforming
TERRAFORMING Liverpool Science Fiction Texts and Studies, 55 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Download Star Maker, Olaf Stapledon, Penguin Books, Limited
Star Maker, Olaf Stapledon, Penguin Books, Limited, 1988, 0140101527, 9780140101522, . DOWNLOAD HERE An Olaf Stapledon Reader , Olaf Stapledon, 1997, Biography & Autobiography, 314 pages. Olaf Stapledon (1886-1950) - philosopher, novelist, educator, and social activist - had an imagination unlike that of any other author. Along with H. G. Wells he is remembered .... Analog Science Fact/science Fiction , John Wood Campbell, 1960, Fiction, . Across the sea of stars an omnibus containing the complete novels of Childhood's end and Earthlight and eighteen short stories, Arthur Charles Clarke, 1959, Fiction, 584 pages. Darkness and the Light , Olaf Stapledon, 2008, Fiction, 192 pages. Stapledon projects two separate futures for humanity, depending not on the outcome of World War II but on the failure or success of a future "Tibetan Renaissance" to influence .... Faster Than Light An Original Anthology about Interstellar Travel, Jack Dann, George Zebrowski, 1976, Fiction, 321 pages. The Visual encyclopedia of science fiction , Brian Ash, Nov 1, 1977, Fiction, 352 pages. Includes information on science-fiction writers, illustrators, and publishers, developments in comics, movies, radio, and television, and the psychology and philosophy of the genre. Galactic dreamers science fiction as visionary literature, Robert Silverberg, Jun 12, 1977, Fiction, 275 pages. Eight stories by Blish, Aldiss, Ballard, and others explore the visionary, mystical, and psychedelic dimensions of science fiction. To the end of time the best of Olaf Stepledon, Olaf Stapledon, 1953, , 775 pages. Away and beyond , Alfred Elton Van Vogt, 1952, Fiction, 309 pages. Cryoburn , Lois McMaster Bujold, Oct 19, 2010, Fiction, 352 pages. Dispatched to investigate an immortality company's attempt to expand into the Barrayaran Empire, troubleshooter Miles discovers a generational conflict over resources before ... -
Chronological List of Works Discussed
Chronological List of Works Discussed This is a selected list, limited to those novels, movies, and other creative works that I have discussed more than in passing. Unfortunately, there is no ideal way to set out such a list. I have settled on chronological order, except that I have grouped items by the same author or in the same movie franchise. When in doubt, I have erred on the side of including inherently important works if they receive more than a mention in the text. The number of works listed for a particular author is not necessarily an indication of the relative space given to discussion of the author in the main text. For example, I list only two works for Samuel R. Delany, but one of them, Stars in My Pocket Like Grains of Sand, is discussed at substantial length. Although the works I have chosen for discussion have been strongly influenced by my particular focus on science fiction and moral philosophy, what follows could function as a reasonable introductory reading and viewing list for people wishing to immerse themselves in the SF genre. Early Modernity Johannes Kepler. Somnium, Sive Astronomia Lunaris (completed c. 1608– 1609, but not formally published until 1634). Jonathan Swift. Gulliver’s Travels (1726; full original title Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships). © Springer International Publishing AG 2017 195 R. Blackford, Science Fiction and the Moral Imagination, Science and Fiction, DOI 10.1007/978-3-319-61685-8 196 Chronological List of Works Discussed From Shelley to Wells Mary Shelley. -
Olaf Stapledon, Star Maker, and Totality Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 7-1-2016 "A Dread Mystery, Compelling Adoration": Olaf Stapledon, Star Maker, and Totality Gerry Canavan Marquette University, [email protected] Published version. Science Fiction Studies, Vol. 43, No. 2 (July 2016): 310-330. DOI. © 2016 DePauw University. Used with permission. 310 SCIENCE FICTION STUDIES, VOLUME 43 (2016) Gerry Canavan “A Dread Mystery, Compelling Adoration”: Olaf Stapledon, Star Maker, and Totality “And yet I worshipped!”—Olaf Stapledon, Star Maker 256 Science-fictional efforts to model history in terms graspable by the human mind often become hyperbolized as attempts to narrate the full billion-year history of the entire cosmos—in the process reducing the history of the human species, and even the history of the Earth itself, to a small and unremarkable moment, a footnote to a footnote. Few texts have taken up this paradoxical tug-of-war between humanistic significance and anti-humanistic insignificance with more enthusiasm than Olaf Stapledon’s Star Maker (1937), which seeks to schematize all possible systems for social organization that might ever exist in the universe precisely by imagining Homo sapiens as only one very marginal and very unhappy case in the larger cosmic order. Star Maker has long enjoyed well-deserved admiration for the incredible scope and scale of its cosmic imagination; the novel, undoubtedly, is transcendent, a dizzying achievement, and rightly beloved. But Star Maker’s unflinching -
Science Fiction As the Mythology of the Future
Science Fiction as the Mythology of the Future “The universe is made of stories, not of atoms.” Muriel Rukeyser Introduction Science fiction is clearly the most visible and influential contemporary form of futurist thinking in the modern world. Why is science fiction so popular? As I will argue, one main reason for the popularity of science fiction is that it resonates with all the fundamental dimensions of the human mind and human experience. It speaks to the total person about the future. At the outset, let me provide a working definition of science fiction. Although not all science fiction deals with the future, its primary focus has been on the possibilities of the future. In this regard, science fiction can be defined as a literary and narrative approach to the future, involving plots, story lines and action sequences, specific settings, dramatic resolutions, and varied and unique characters, human and otherwise. It is imaginative, concrete, and often highly detailed scenario-building about the future set in the form of stories. In this chapter I describe the historical development of science fiction as an approach to the future tracing its origins to science and evolutionary theory, secular philosophy, technological forecasting, mythology, and the philosophy of Romanticism.1 Within this historical review, I consider the rich array of futurist themes and issues examined in science fiction. I also describe the diverse functions and innumerable strengths of science fiction as a mode of future consciousness. My central arguments are: • Science fiction engages all the fundamental capacities of the human mind; it generates holistic future consciousness.