Common Denominators of Great Leadership
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Center 6 Research Reports and Record of Activities
National Gallery of Art Center 6 Research Reports and Record of Activities I~::':,~''~'~'~ y~ii)i!ili!i.~ f , ".,~ ~ - '~ ' ~' "-'- : '-" ~'~" J:~.-<~ lit "~-~-k'~" / I :-~--' %g I .," ,~_-~ ~i,','~! e 1~,.~ " ~" " -~ '~" "~''~ J a ,k National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 6 Research Reports and Record of Activities June 1985--May 1986 Washington, 1986 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1986 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: James Gillray. A Cognocenti Contemplating ye Beauties of ye Antique, 1801. Prints Division, New York Public Library. Astor, Lenox and Tilden Foun- dations. CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 13 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1985-1986 (June 1985-May 1986) Board of Advisors 16 Staff 16 Architectural Drawings Advisory Group 16 Members 17 Meetings 21 Lecture Abstracts 34 Members' Research Reports Reports 38 ~~/3 !i' tTION~ r i I ~ ~. .... ~,~.~.... iiI !~ ~ HE CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars. -
The End of Détente* a Case Study of the 1980 Moscow Olympics
The End of Détente* A Case Study of the 1980 Moscow Olympics By Thomas Smith After the election of autonomous and must resist all pressure of any Jimmy Carter as US kind whatsoever, whether of a political, religious President, Prime or economic nature.”1 With British government Minister Margaret documents from 1980 recently released under the Thatcher flew to Thirty Year Rule, the time seems apt to evaluate the Washington on 17th debate about the Olympic boycott, and to ask the December 1979 for question: to what extent was the call by the British her first official visit. government for a boycott of the 1980 Moscow Five days later NATO Olympics an appropriate response to the invasion of announced the de- Afghanistan? ployment of a new Before the argument of the essay is established, it generation of American is first necessary to provide a brief narrative of the rockets and Cruise main events. Thatcher’s government began discussing missiles in Western the idea of a boycott in early January 1980; however, Europe. On the 25th their first action was to call for the Olympics to be December Soviet moved to a different location. Once the IOC declared troops marched into that relocating the Olympics was out of the question, Afghanistan. Thatcher told the House of Commons that she was now advising athletes not to go to Moscow and wrote Photo: U.S. Government to Sir Denis Follows, Chairman of the BOA, informing Introduction him of the government’s decision. The BOA, which was Britain’s NOC and the organisation that could During the 1970s, relations between the West and the accept or decline the invitation to the Olympics, Soviet Union were marked by an era of détente. -
Mattia & Marianovella Romano
Mattia & MariaNovella Romano A Selection of Master Drawings A Selection of Master Drawings Mattia & Maria Novella Romano A Selection of Drawings are sold mounted but not framed. Master Drawings © Copyright Mattia & Maria Novelaa Romano, 2015 Designed by Mattia & Maria Novella Romano and Saverio Fontini 2015 Mattia & Maria Novella Romano 36, Borgo Ognissanti 50123 Florence – Italy Telephone +39 055 239 60 06 Email: [email protected] www.antiksimoneromanoefigli.com Mattia & Maria Novella Romano A Selection of Master Drawings 2015 F R FRATELLI ROMANO 36, Borgo Ognissanti Florence - Italy Acknowledgements Index of Artists We would like to thank Luisa Berretti, Carlo Falciani, Catherine Gouguel, Martin Hirschoeck, Ellida Minelli, Cristiana Romalli, Annalisa Scarpa and Julien Stock for their help in the preparation of this catalogue. Index of Artists 15 1 3 BARGHEER EDUARD BERTANI GIOVAN BAttISTA BRIZIO FRANCESCO (?) 5 9 7 8 CANTARINI SIMONE CONCA SEBASTIANO DE FERRARI GREGORIO DE MAttEIS PAOLO 12 10 14 6 FISCHEttI FEDELE FONTEBASSO FRANCESCO GEMITO VINCENZO GIORDANO LUCA 2 11 13 4 MARCHEttI MARCO MENESCARDI GIUSTINO SABATELLI LUIGI TASSI AGOSTINO 1. GIOVAN BAttISTA BERTANI Mantua c. 1516 – 1576 Bacchus and Erigone Pen, ink and watercoloured ink on watermarked laid paper squared in chalk 208 x 163 mm. (8 ¼ x 6 ⅜ in.) PROVENANCE Private collection. Giovan Battista Bertani was the successor to Giulio At the centre of the composition a man with long hair Romano in the prestigious work site of the Ducal Palace seems to be holding a woman close to him. She is seen in Mantua.1 His name is first mentioned in documents of from behind, with vines clinging to her; to the sides of 1531 as ‘pictor’, under the direction of the master, during the central group, there are two pairs of little erotes who the construction works of the “Palazzina della Paleologa”, play among themselves, passing bunches of grapes to each which no longer exists, in the Ducal Palace.2 According other. -
Mrs. Thatcher's Return to Victorian Values
proceedings of the British Academy, 78, 9-29 Mrs. Thatcher’s Return to Victorian Values RAPHAEL SAMUEL University of Oxford I ‘VICTORIAN’was still being used as a routine term of opprobrium when, in the run-up to the 1983 election, Mrs. Thatcher annexed ‘Victorian values’ to her Party’s platform and turned them into a talisman for lost stabilities. It is still commonly used today as a byword for the repressive just as (a strange neologism of the 1940s) ‘Dickensian’ is used as a short-hand expression to describe conditions of squalor and want. In Mrs. Thatcher’s lexicon, ‘Victorian’ seems to have been an interchangeable term for the traditional and the old-fashioned, though when the occasion demanded she was not averse to using it in a perjorative sense. Marxism, she liked to say, was a Victorian, (or mid-Victorian) ideo1ogy;l and she criticised ninetenth-century paternalism as propounded by Disraeli as anachronistic.2 Read 12 December 1990. 0 The British Academy 1992. Thanks are due to Jonathan Clark and Christopher Smout for a critical reading of the first draft of this piece; to Fran Bennett of Child Poverty Action for advice on the ‘Scroungermania’ scare of 1975-6; and to the historians taking part in the ‘History Workshop’ symposium on ‘Victorian Values’ in 1983: Gareth Stedman Jones; Michael Ignatieff; Leonore Davidoff and Catherine Hall. Margaret Thatcher, Address to the Bow Group, 6 May 1978, reprinted in Bow Group, The Right Angle, London, 1979. ‘The Healthy State’, address to a Social Services Conference at Liverpool, 3 December 1976, in Margaret Thatcher, Let Our Children Grow Tall, London, 1977, p. -
François Mitterrand, of Germany and France
François Mitterrand, Of Germany and France Caption: In 1996, François Mitterrand, President of France from 1981 to 1995, recalls the negative attitude of Margaret Thatcher, British Prime Minister, towards German reunification. Source: MITTERRAND, François. De l'Allemagne. De la France. Paris: Odile Jacob, 1996. 247 p. ISBN 2- 7381-0403-7. p. 39-44. Copyright: (c) Translation CVCE.EU by UNI.LU All rights of reproduction, of public communication, of adaptation, of distribution or of dissemination via Internet, internal network or any other means are strictly reserved in all countries. Consult the legal notice and the terms and conditions of use regarding this site. URL: http://www.cvce.eu/obj/francois_mitterrand_of_germany_and_france-en- 33ae0d5e-f55b-4476-aa6b-549648111114.html Last updated: 05/07/2016 1/3 François Mitterrand, Of Germany and France […] In Great Britain, on 10 November 1989, the Prime Minister’s Press Office published a statement in which Mrs Thatcher welcomed the lifting of the restrictions on movements of the population of East Germany towards the West, hoped that this would be a prelude to the dismantling of the Berlin Wall, looked forward to the installation of a democratic government in the German Democratic Republic and warned, ‘You have to take these things step by step.’ On the subject of unification, however, she said not a word. Three days later, at the Lord Mayor’s Banquet at the Guildhall in the City of London, she spoke about free elections and a multiparty system in East Germany, cooperation with the emerging democracies of Central Europe and the new role which NATO would have to play. -
The Men of Letters and the Teaching Artists: Guattani, Minardi, and the Discourse on Art at the Accademia Di San Luca in Rome in the Nineteenth Century
The men of letters and the teaching artists: Guattani, Minardi, and the discourse on art at the Accademia di San Luca in Rome in the nineteenth century Pier Paolo Racioppi The argument of whether a non-artist was qualified to write about art famously dates back as far as the Renaissance.1 Through their writings, Cennino Cennini (c. 1360-before 1427), Leonardo da Vinci (1452-1519), and Giorgio Vasari (1511-1574) consolidated the auctoritas of artists by developing a theoretical discourse on art.2 Two centuries later, Anton Raphael Mengs (1728-1779), who was also Prince of the Accademia di San Luca between 1771 and 1772, even achieved the title of ‘philosopher-painter.’3 As for men of letters, the classicist theory of the Horatian ut pictura poesis, the analogy of painting and poetry, allowed them to enter the field of art criticism. From the Renaissance onwards, the literary component came to prevail over the visual one. As Cristopher Braider writes, the two terms of the equation ‘as painting, so poetry’ were ultimately reversed in ‘as poetry, so painting’,4 and consequently ‘it is to this reversal that we owe the most salient and far-reaching features of ut pictura aesthetics’.5 Invention, a purely intellectual operation of conceiving the subject (as in Aristotle’s Poetics and Rhetoric), thus rests at the base of the creative process for both poetry and painting. Consequently, due to its complex inherent features, history painting became the highest form of invention and the pinnacle of painting genres, according to the Aristotelian scheme of the Poetics (ranging from the representation of the inanimate nature to that of the human actions) as applied to the visual arts.6 I am grateful to Angela Cipriani and Stefania Ventra for their comments and suggestions. -
KGB Boss Says Robert Maxwell Was the Second Kissinger
Click here for Full Issue of EIR Volume 21, Number 32, August 12, 1994 boss says Robert axwe KGB M ll was the second Kissinger by Mark Burdman On the evening of July 28, Germany's ARD television net Margaret Thatcher, who was frantically trying to prevent work broadcast an extraordinary documentary on the life German reunification. and death of the late Robert Maxwell, the British publishing Stanislav Sorokin was one of several top-level former magnate and sleazy wheeler-and-dealer who died under mys Soviet intelligence and political insiders who freely com terious circumstances, his body found floating in the waters mented on Maxwell during the broadcast. For their own rea off Tenerife in the Canary Islands, on Nov. 5, 1991. The sons, these Russians are evidently intent on provoking an show, "Man Overboard," was co-produced by the firm Mit international discussion of, and investigation into, the mys teldeutscher Rundfunk, headquartered in Leipzig in eastern teries of capital flight operations out of the U.S.S.R. in the Germany, and Austria's Oesterreicher Rundfunk. It relied late 1980s-early 1990s. Former Soviet KGB chief Vladimir primarily on interviews with senior officials of the former Kryuchkov, a partner of Maxwell in numerous underhanded Soviet KGB and GRU intelligence services, who helped ventures who went to jail for his role in the failed August build the case that the circumstances of Maxwell's death 1991 putsch against Gorbachov, suggests in the concluding must have been intimately linked to efforts to cover up sensi moments of the broadcast, that f'the English-American [sic] tive Soviet Communist Party capital flightand capital transfer secret services, who are experienced enough, could, if they to the West in the last days of the U.S.S.R. -
Margaret Thatcher, Thatcherism and Education
Commentary Reginald Edwards McGill University Margaret Thatcher, Thatcherism and Education The changes in educational policy in Britain that are being promoted by Margaret Thatcher's government are of such significance that educators in North America might be well advised to take notice of them. Professor Buck, in the Win ter issue of this journal, detailed many of these changes and compared them to the policies of Matthew Arnold. In this commentary, an attempt is made to examine the personal and political background of Margaret Thatcher and to draw sorne inferences about the origin of her ideas and policies, which have come to be known commonlyas "Thatcherism." Thatcher's personal background Margaret Roberts, born in Grantham, Lincolnshire, in 1925, began her education in a local primary school, and at the age of eleven began secondary education at the Kestevan and Grantham Grammar School for Girls. Admitted to Somerville College, Oxford, in 1943, she graduated in Science in 1946. In her final year she was the President of the Oxford University Conservative Association and, in this capacity, was invited to her first Annual Conference of the Conservative Party in 1946. She attended her second conference in 1948, as the representative of the Graduates' Association, and met representatives of the Dartford constituency. Asking to submit her name as a candidate for nomination, she was accepted, and she contested, unsuccessfully, the elections of 1950 and 1951 for that constituency. Through her political activities she met Dennis Thatcher, whom she married in an East London Methodist Chapel in December 1951. After marriage she began to study law, specializing in taxation law, and was adJTJitted to the Bar in 1954, one year after giving birth to twins. -
The Soviet Collapse and the Charm of Hindsight 75
The Soviet Collapse and the Charm of Hindsight 75 Chapter 4 The Soviet Collapse and the Charm of Hindsight Rodric Braithwaite Those on the spot always get some things wrong: memory later be- trays them. Those who subsequently try to disentangle the story always miss part of the context. In politics, perceptions and emotions are as important as reason. The theme of what follows is that we cannot un- derstand the causes and consequences of the Soviet collapse unless we take every account of its deep roots in the past and the strong emotions that accompanied it. It is of course imprudent, or even impertinent, for foreigners to pontificate about how “most Russians” think or feel. But it is an essential part of the story. In this deliberately personal account I attempt to recreate how the collapse looked to me at the time and in the aftermath, drawing on a detailed diary, my reporting to London, and on later writings. I. How it Looked at the Time A Kind of Democracy Poland shows the way I witnessed two attempts to bring a kind of democracy to the com- munist world. The Polish experiment of the late 1950s and the Soviet experiment of the late 1980s are now largely forgotten or ignored. Both are significant for the history of the time, and for an understanding of the events of today. In October 1956 the Poles expelled their Soviet advisers, abolished the collective farms, allowed people to travel abroad, and gave a de- gree of freedom to the press. They were encouraged by Khrushchev’s denunciation of Stalin, and driven by a combination of patriotism, a 75 76 exiting the cold war, entering a new world liberal faction inside the Party, and an alliance between students and workers. -
Ronald Reagan and Margaret Thatcher: a Political Marriage Pdf, Epub, Ebook
RONALD REAGAN AND MARGARET THATCHER: A POLITICAL MARRIAGE PDF, EPUB, EBOOK Nicholas Wapshott | 336 pages | 01 Dec 2008 | Penguin Putnam Inc | 9781595230539 | English | New York, United States Ronald Reagan and Margaret Thatcher: A Political Marriage PDF Book The Reagan Files This book tells the rise to power of these two great leaders in the English-Speaking world. Thanks for telling us about the problem. Thatcher and Reagan had a very close relationship and shared a vision they pursued together. Learn how to enable JavaScript on your browser. A few things did bother me though I would still recommend this to any political wonk. This book is not yet featured on Listopia. Apr 09, Sherri rated it really liked it. Read more On the surface they had little in common, in either background or personality. This was a fascinating character study on two indelible figures in conservative politics. President Reagan uses this letter to urge Prime Minister Thatcher to not prematurely remove British forces from Belize as Reagan argues doing so, before negotiations with Guatemala could be concluded, would negatively influence the outcome of those negotiations. In this short letter Prime Minister Thatcher "deplores" the terrorist incident in Lebanon. Get A Copy. Stock photo. No trivia or quizzes yet. Ex: I remember in grade school when they announced that Reagan had been shot and in high school when the Berlin Wall came down. First, it was very dry at times. National Library of Australia. Lady Thatcher spoke to the Virginia General Assembly. I enjoyed the stories that demonstrate how leaders of countries communicate and what they discuss in personal meetings, especially the conversations and relationships between Russian leaders and Regan and Thatcher. -
Margaret Thatcher and Conservative Politics in England
Click Here to Rate This Resource MARGARET THATCHER AND CONSERVATIVE POLITICS IN ENGLAND Wikimedia Commons Wikimedia Nicknamed the “Iron Lady,” Margaret Thatcher (1925–2013) served longer than any other UK prime minister in the 20th century. IN A HISTORIC ELECTION IN 1979, VOTERS The Conservative Party, also cation secretary, part of his Cabinet IN THE UNITED KINGDOM (UK) ELECTED called the Tory Party, is one of two (government officials in charge of de- MARGARET THATCHER TO BE PRIME MIN- major parties in England along with partments). As secretary, she made a ISTER. SHE WAS THE FIRST WOMAN the more liberal-left Labour Party (in controversial decision to end the gov- ELECTED TO THAT OFFICE. SHE WENT ON the UK, the word “labor“ is spelled ernment’s distribution of free milk to TO BE THE LONGEST-SERVING PRIME labour). Conservatism is a political schoolchildren aged 7 to 11. The press MINISTER IN THE 20TH CENTURY. AS ideology that generally supports pri- revealed that she privately opposed HEAD OF THE UK GOVERNMENT AND vate property rights, a limited govern- ending the free-milk policy, but the LEADER OF THE CONSERVATIVE PARTY, ment, a strong national defense, and Treasury Department had pressured THATCHER PROVOKED CONTROVERSY. EVEN AFTER HER DEATH IN 2013, SHE the importance of tradition in society. her to cut government spending. REMAINS A HERO TO SOME AND A The Labour Party grew out of the VILLAIN TO OTHERS. trade union movement in the 19th ‘Who Governs Britain?’ century, and it traditionally supports Struggles between the UK govern- Born in 1925, Thatcher was the the interests of working people, who ment and trade unions marked daughter of Alfred Roberts, a middle- want better wages, working condi- Thatcher’s career. -
Selected Works from 18Th to 20Th Century
SELECTED WORKS From 18th to 20th CENTURY GALLERIA CARLO VIRGILIO & C0. GALLERIA CARLO VIRGILIO & Co. ARTE ANTICA MODERNA E CONTEMPORANEA Edition curated by Stefano Grandesso in collaboration with Eugenio Maria Costantini Aknowledgements Franco Barbieri, Bernardo Falconi, Massimo Negri English Translations Daniel Godfrey, Michael Sullivan Photo Credits Photographs were provided by the owners of the works, both institutions and individuals. Additional information on photograph sources follows. Arte Fotografica, Rome, pp. 4, 7, 9, 13-19, 25, 27, 29, 31, 33, 43, 45, 47, 57, 61-63, 67, 69, 71, 73, 75, 77-79, 81, 83, 85, 88 Foto Claudio Falcucci, p. 25 Foto Giusti Claudio, Lastra a Signa, p. 35 Giulio Archinà per StudioPrimoPiano, p. 23 Paolo e Federico Manusardi, Milano, pp. 39, 41 The editor will be pleased to honor any outstanding royalties concerning the use of photographic images that it has so far not been possible to ascertain. ISBN 978-88-942099-4-5 © Edizioni del Borghetto Tel. + 39 06 6871093 - Fax +39 06 68130028 e-mail: [email protected] http//www.carlovirgilio.it SELECTED WORKS From 18th to 20th CENTURY Catalogue entries Adriano Amendola, Manuel Carrera, Eugenio Maria Costantini, Federica Giacomini, Cristiano Giometti, Stefano Grandesso, Silvia Massari, Fernando Mazzocca, Hermann Mildenberger, Giuseppe Porzio, Serenella Rolfi Ožvald, Valeria Rotili, Annalisa Scarpa, Ilaria Sgarbozza, Ettore Spalletti, Nicola Spinosa TEFAF Maastricht March 16–24, 2019 e GALLERIA CARLO VIRGILIO & Co. ARTE ANTICA MODERNA E CONTEMPORANEA ISBN 978-88-942099-4-5 Via della Lupa, 10 - 00186 Roma 59 Jermyn Street, Flat 5 - London SW1Y 6LX Tel. +39 06 6871093 [email protected] - [email protected] www.carlovirgilio.it Detail of cat.