Sineokaya Yu.V. the Project of a “New Man” in the Russian Nietzscheanism
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Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
Art Without Death: Conversations on Russian Cosmism Contents
e-flux journal Art without Death: Conversations on Russian Cosmism Contents 5 Introduction 9 Hito Steyerl and Anton Vidokle Cosmic Catwalk and the Production of Time 41 Elena Shaposhnikova and Arseny Zhilyaev Art without Death 57 Anton Vidokle and Arseny Zhilyaev Factories of Resurrection 73 Franco “Bifo” Berardi and Anton Vidokle Chaos and Cosmos 93 Boris Groys and Arseny Zhilyaev Contemporary Art Is the Theology of the Museum 109 Marina Simakova, Anton Vidokle, and Arseny Zhilyaev Cosmic Doubts 133 Bart De Baere, Arseny Zhilyaev, and Esther Zonsheim Wahlverwandtschaft Introduction For those who still benefit from colonial wealth, the indigenous lifeworlds destroyed by the steamroller of modernity are always somewhere far away. It is important that they remain so. It is important that the centers of power remain places where healthy 5 state infrastructure and decent industry produce forward-thinking and empowered individuals with enough energy in their bodies and money in the bank to believe all of it had to be for the best. After all, progress always comes at a price. The heroes of modernity can never be allowed to waver in this, for they have learned the important lesson that trium- phalism can be the only entry to the modern. And their job is to give life to those poor souls whose his- tories were usurped, who can only traffic in death, whose victimhood disallows ever reimagining their own conditions. But what if the heroes of moder- nity are also paying the price? What if, behind the veneer of triumphalism and pity—pity for others, pity for oneself—we have all lost? What if we are all victims, not only of modernity’s great redistribution of wealth, but of its wholesale reformatting of life in relation to death? But what if another kind of modernity had been developed which was even more radical—so much so that its forward arrow actually sought to conserve and preserve previous lifeworlds against the ravages not of vanguardist reforms but of time itself? And reanimate those worlds. -
Islam in Apocalyptic Perspective the History of American Apocalyptic Thought Offers Much Reason for Discouragement
Islam in Apocalyptic Perspective The history of American apocalyptic thought offers much reason for discouragement. Christians have been too eager to gloss biblical prophecy with extra-biblical assertions and morbid scenarios of Islam’s demise. Christian Reflection Prayer A Series in Faith and Ethics Scripture Reading: Mark 13:28-37 Meditation† There is certainly a shadowy and sinister side to apocalyptic, or should we say pseudo-apocalyptic,…[that encourages] sectarian- ism and exclusivism…. Focus Article: Here we can appeal to the apocalyptic vision itself, which is Islam in Apocalyptic universal and cosmic. God’s redemptive act in Jesus Christ Perspective restores humanity and the entire created order, and we move (Apocalyptic Vision, toward the end of history not aimlessly, but with the renewing pp. 46-53) and transforming of divine energies within us…. What is God’s intent? The redemption of humanity and the cosmos. That should be our interpretive lens. There is nothing in apocalyptic theology that demands that our outlook be sectarian or exclusive. Scott M. Lewis, S.J. Reflection Many Christians want to know more about Islamic practices, the Prophet Muhammad, the Qur’an, and how Muslim societies are organized. They may be ministering to Muslim immigrants or meeting new coworkers, guiding missionary projects or organizing business activities around the world, traveling more widely or retreating in fear of jihadist violence. Unfortunately, looming over their newfound interest are the terrorist attacks of 9/11. Some are misconstruing Islam through events in Revelation. “The horrific collapse of the World Trade Center towers might well turn one’s thoughts to the apocalypse, but something more than horror is What do you think? at work,” Thomas Kidd writes. -
Bible Verses: 1 John 4:1-6 Beloved, Do Not Trust Every Spirit but Test The
Overcoming the Spirit of the Antichrist Bible verses: 1 John 4:1-6 Beloved, do not trust every spirit but test the spirits to see whether they belong to God, because many false prophets have gone out into the world. This is how you can know the Spirit of God: every spirit that acknowledges Jesus Christ come in the flesh belongs to God, and every spirit that does not acknowledge Jesus* does not belong to God. This is the spirit of the antichrist that, as you heard, is to come, but in fact is already in the world. You belong to God, children, and you have conquered them, for the one who is in you is greater than the one who is in the world. They belong to the world; accordingly, their teaching belongs to the world, and the world listens to them. We belong to God, and anyone who knows God listens to us, while anyone who does not belong to God refuses to hear us. This is how we know the spirit of truth and the spirit of deceit. Ask everyone in the group to have their Bibles with them. Ask one person to read the passage out loud. Encourage them to have their pens and to underline things that strike them, especially later when you go through the key words and phrases. Also, encourage them to make notes. After the reading of the passage is complete, explain the context. Context “The Community of the Beloved Disciple” had the Jews to reject them. They had the Romans to reject them. -
Solov'ev, the Late Tolstoi, and the Early Bakhtin on the Problem of Shame and Love Author(S): Caryl Emerson Source: Slavic Review, Vol
Solov'ev, the Late Tolstoi, and the Early Bakhtin on the Problem of Shame and Love Author(s): Caryl Emerson Source: Slavic Review, Vol. 50, No. 3 (Autumn, 1991), pp. 663-671 Published by: Cambridge University Press Stable URL: https://www.jstor.org/stable/2499862 Accessed: 04-02-2019 23:03 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Slavic Review This content downloaded from 136.142.143.34 on Mon, 04 Feb 2019 23:03:17 UTC All use subject to https://about.jstor.org/terms CARYL EMERSON Solov'ev, the Late Tolstoi, and the Early Bakhtin on the Problem of Shame and Love This paper is part of a larger project, an attempt to understand Mikhail Bakhtin's early writings on ethics and aesthetics in their native, rather than their west European, context. The task is a complex one. Bakhtin's polemic with (and debt to) Immanuel Kant, Henri Bergson, Edmund Husserl, and other European philosophers is directly expressed in his texts and well documented; his Russian sources of inspiration are much more muted and elusive.' But Bakhtin's early writ- ings surely qualify him as an heir to those great and maverick nineteenth century Russian think- ers who, while concurrently literary critics and moral philosophers, brought about a spiritual revival in the Russian creative intelligentsia between 1880 and World War I. -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
Vyacheslav I. Ivanov's Poem “Nudus Salta!” and the Purpose of Art1
Vyacheslav I. Ivanov’s Poem “nudus salta!” and The Purpose of art 1 How painful to walk among people And pretend to those who have not perished, And talk about the game of tragic passions To those who have not lived as yet. And, peering into one’s own dark nightmare, To find order in the disordered whirlwind of feelings, So that by art’s pale glow They would learn of life’s fatal fire! [Kak tiazhelo khodit’ sredi liudei I pritvoriat’sia nepogibshim, I ob igre tragicheskoi strastei Povestvovat’ eshche ne zhivshim. I, vgliadyvaias’ v svoi nochnoi koshmar, Stroi nakhodit’ v nestroinom vikhre chuvstva, Chtoby po blednym zarevam iskusstva Uznali zhizni gibel’noi pozhar!] —Alexandr Blok, May 10, 1910 I heard a call from heaven: “Abandon, priest, the temple decorated by devils.” And I fled . [Ia slyshal s neba zov: “Pokin’, sluzhitel’, khram ukrashennyi besov.” I ia bezhal . .] —Vyacheslav I. Ivanov, “Palinodiia,” 1937 1 From Russian Literature 44 (October, 1998): 289-302. 306 Critical Perspectives “Nudus salta! The purpose of art— Uncovered, unfettered To show what you are, To relate the dark sensations Of hidden sanctuaries— All that swarms in potholes Under the glittering, smooth ice— To unseal the dead house, Where hides from light of day Unconscious Sodom.” Sacred to me is the enclosure of the Muses. To the fires of pure altars My gift—the best lamb of the herd And fruits, the first of the garden, Not a nest of bats. Dear to the Muses are the mountain rock spring And in the deserts of nature Caraway and thyme and wild grass. -
Honors 1 Page Syllabus
THE HONORS COLLEGE DUQUESNE UNIVERSITY SPRING 2018 HONORS SEMINAR IN CREATIVE ARTS Thinking Through Art HONR 204-01 Tuesdays & Thursdays 1:40-2:55 pm Dr. Daniel Selcer (Philosophy) [email protected] J.W. von Goethe, Farbenkreis (1809) What is art, and what does it do to or for us? A philosophical approach to these questions offers a useful battery of concepts for thinking them through: aisthesis (sensation or feeling), mimesis (representation or imitation), catharsis (release or purification), agon (struggle or contest), and krisis (distinction, judgment). We’ll use these tools to ask theoretical questions about art in relation to sensation, thought, judgment, and criticism, as well as image, sound, and concept. We’ll consider traditional aesthetic questions such as the nature of beauty, the meaning of aesthetic judgment, and the definition of art. We will also engage more recent critiques or complications of traditional aesthetic theory: challenges associated with the cultural specificity of aesthetic traditions and definitions of art; the fraught relationship between art and money; the explosion of possibilities for aesthetic communication offered by new media technologies and platforms; the intensification of issues connected to borrowing, imitation, and originality. Those of you who are practitioners may find our study useful for thinking about your own approaches to art-making. You are welcome in this class! The texts and works of art we examine will be both historical and contemporary, and include or address images, sound, mixed media, site-specific installation, and performance. In addition to engaging texts and classroom-projectable or playable art, students will visit and write about works in local museums, galleries, theaters, performance venues, and similar spaces. -
The Sarmatian Review
THE SARMATIAN REVIEW Vol. XXIX, No. 2 April 2009 Tradition and the Contemporary Talent The first page (in the original Latin) of Polish historian Wincenty Kadłubek’s History of Poland (13th c.) The first printed edition by Jan Szcz∏sny Herburt (1612) was reprinted without changes by Heinrich Huyssen in 1712, as reproduced above. Courtesy of the Woodson Research Center at Rice University. Photo by Philip Montgomery. 1460 SARMATIAN REVIEW April 2009 The Sarmatian Review (ISSN 1059- BOOKS Books . .1481 scholar’s labor. The second seeks 5872) is a triannual publication of the Polish Institute Kimitaka Matsuzato, History and innovation in the work discussed, and of Houston. The journal deals with Polish, Central, the possibility of a new interpretation. and Eastern European affairs, and it explores their Geopolitics: A Contest for Eastern implications for the United States. We specialize in Europe (review). .1481 Professor McQuillen’s analysis of the translation of documents.Sarmatian Review is Stanisław Wyspiaƒski’s monumental indexed in the American Bibliography of Slavic and James E. Reid, Katyƒ: A film East European Studies, EBSCO, and P.A.I.S. directed and written by Andrzej play offers a nontraditional International Database. From January 1998 on, files Wajda (review) . .1483 interpretation; mutatis mutandis, it in PDF format are available at the Central and Eastern plays the same role regarding that play European Online Library (www.ceeol.com). Theresa Kurk McGinley, Ameri- Subscription price is $21.00 per year for individuals, can Betrayal (review) . .1485 that the hero of Gombrowicz’s $28.00 for institutions and libraries ($28.00 for About the Authors . -
1 Unit 3: Friedrich Nietzsche (1844-1900)
UNIT 3: FRIEDRICH NIETZSCHE (1844-1900) Contents 3.0 Objectives 3.1 Introduction 3.2 Life 3.3 Main Works 3.4 Nietzsche’s Philosophy 3.5 Nihilism 3.6 Will to Power 3.7 The Death of God 3.8 The Overman or Superman 3.9 Let Us Sum Up 3.10 Key Words 3.11 Further Readings and References 3.12 Answers to Check Your Progress 3.0 OBJECTIVES The main objective of this Unit is to understand the philosophy of Nietzsche. Though we will not be doing a detailed study of the philosophy of Nietzsche, we will be getting familiar with the salient features of his philosophy. We begin with his life and works and proceed directly to his philosophy. The first section explains his notion of Nihilism, wherein we will explain the general understanding of active nihilism and passive nihilism. The second section elucidates the ‘will to power.’ We shall analyze how it is understood as ‘life’ itself and how it is the essence of every willing being. The third section delineates the ‘death of God.’ We shall see how the announcement of ‘death of God’ was used against Christianity and against the traditional morality. The fourth section enumerates characteristics of the Overman and explains about the concept of Eternal Recurrence. Thus by the end of this Unit you should be able to: • Have a basic understanding about the life, works and the personality of Nietzsche • Figure out the notion of nihilism (active and passive) 1 • Know what is ‘will to power’ • Comprehend the announcement of ‘death of God’ • Specify the characteristics of Overman or Superman and the necessary points regarding Eternal Recurrence. -
Romantic Bureaucracy Alexander Kojève’S Post-Historical Wisdom
Romantic bureaucracy Alexander Kojève’s post-historical wisdom Boris Groys Alexandre Kojève became famous primarily for ontologically different from the world and opposed his discourse on the end of history and the post- to the world, as Plato or Descartes believed it to historical condition – the discourse that he developed be. But Kojève develops his discourse in the post- in his seminar on Hegel’s Phenomenology of the Spirit metaphysical, post-religious age. He wants to be at the École des Hautes Études in Paris between radically atheistic; and that means for him that under 1933 and 1939. This seminar was regularly attended ‘normal conditions’ man is a part of the world and by leading figures of French intellectual life at that human consciousness is completely captured by the time, such as Georges Bataille, Jacques Lacan, André world. ‘The subject’ does not have the ontological Breton, Maurice Merleau-Ponty and Raymond Aron. status and resources of energy that are needed to The transcripts of Kojève’s lectures circulated in turn it from being immersed in the world to con- Parisian intellectual circles and were widely read templation of itself – to effectuate phenomenological there, by Sartre and Camus among others.1 The end epoché in the Husserlian sense. Self-consciousness of history as it is understood by Kojève is, of course, can emerge only when man finds himself opposed not the end of historical processes and events. Rather, to the world. And one is opposed to the world only if Kojève believed that history is not merely a chain one’s own life is put at risk – and is endangered by the of events but has a telos, and that this telos can be world. -
33536 SP WEB FM 00I-Xii.Indd
Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind Edited by MICHEL WEBER AND ANDERSON WEEKES Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind SUNY series in Philosophy George R. Lucas Jr., editor Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind Edited by Michel Weber and Anderson Weekes Published by State University of New York Press, Albany © 2009 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Cathleen Collins Marketing by Anne M. Valentine Library of Congress Cataloging-in-Publication Data Process approaches to consciousness in psychology, neuroscience, and philosophy of mind / edited by Michel Weber and Anderson Weekes. p. cm. — (SUNY series in philosophy) Includes bibliographical references and index. ISBN 978-1-4384-2941-0 (hardcover : alk. paper) 1. Consciousness. 2. Process philosophy. 3. Psychology. 4. Neurosciences. 5. Philosophy of mind. I. Weber, Michel. II. Weekes, Anderson, 1960– B808.9.P77 2010 126—dc22 2009010131 10 9 8 7 6 5 4 3 2 1 In memoria ingentis ingenii, dedicamus librum hunc ad Alecem MDCDLXXVI – MMVII vi Contents For much of the twentieth century, all sciences, including biology, were obsessed with reductionism: viewing the world at all levels, from the smallest to the largest, as merely a machine made of parts.