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S T Design & Layout Principles U D Proportion E size or amount of a design object in relation to the other objects in the N document T

V Balance O appearance of having equal visual weights C A Symmetrical B creating balance by using the same objects, shapes, colors or movement on U L each half of a design so it appears one side of the design is a reflection of the A other R Y Asymmetrical creating balance in a design using a variety of objects, shapes, colors, H movement or white space which have equal visual weight but are not the exact A N same on each half D O Hierarchy U organization structure which ranks objects by importance T

Emphasis use of design elements to draw attention to a focal

Repetition use of repeated design elements, such as size, color, , spacing or grid structure

Harmony feeling of cohesiveness between all design elements in a design

Medium method used to deliver content to audiences

Single- Layouts any documents which are viewed at once on one page or screen

Multi-page Layouts any documents which contain multiple pages or screens

Headings short bursts of text which provide important information about content

Subheading used to break long body text into shorter segments

Accompanies: Design & Layout Principles 1 S T Design & Layout Principles U D Kicker E small headline which helps classify information N T

Hammer V larger headline than main headlines meant to draw attention to a main article O C Deck A summary of important information in an article B U L A larger quote pulled from the body text and emphasized R Y BodyText main segment of text which communicates information H A N Frames D lines which enclose another design element O U White Space T any space which is not occupied by design elements

Grids system for laying out design elements consistently using a series of vertical, horizontal and diagonal lines; used only when creating a document and will be invisible when the design is published

Guides individual lines within a grid which content should be aligned; can also be added individually as designers need

Margins area surrounding any design element

Columns vertical divisions of content

Gutters margins between columns

Rows horizontal divisions of content

Hue refers to the location of a color on the color wheel

Accompanies: Design & Layout Principles 2 S T Design & Layout Principles U D Value E measurement of lightness or darkness N T

Saturation V measurement of purity and vibrancy of a color O C Display A short amounts of text such as headlines or subtitles B U L Text Typography A text intended to be read at length R Y line letters sit on H A N Cap-height D height of capitalized letters O U X-height T height of lowercase letters

Ascenders strokes going above the x-height

Descenders strokes going below the baseline

Stem main vertical stroke of a letter

Crossbar horizontal stroke connecting two vertical strokes

Cross Stroke horizontal stroke intersecting a vertical stroke

Arm horizontal where at least one end does not attach to a vertical stroke

Tail descending stroke

Leg lower stroke of a “k”

Accompanies: Design & Layout Principles 3 S T Design & Layout Principles U D Spine E main curved stroke of an “s” N T

Shoulder V curve in lowercase “n” and “m” O C A spacing between individual letters B U L A spacing between the baseline of lines in a R Y decorative lines at the end of a stroke H A N Bracket D curved line connecting the serif to a stroke O U Spur T projection off a main stroke but not enough to become a serif

Beak serif projection extending from the end-point of an uppercase “L”, “T” or “E”

Terminal end of a stroke without a serif

Teardrop Terminal end of stroke with a teardrop shape

Bowl curved portion to enclose a

Counter negative space in a letter

Apex peak of an uppercase “A”

Eye closed portion of “a” and lowercase “e”

Swash decorative element added to or replacing terminal serif

Accompanies: Design & Layout Principles 4 S T Design & Layout Principles U D E dot above a lowercase “j” or “i” N T

Double-story “g” V lowercase “g” which includes a loop O C Single-story “g” A lowercase “g” which does not include a loop B U L Ear A small projection from upper right side of a double-story lowercase “g” R Y Typeface set of characters designed to go together H A N D specific style of characters within a typeface O U T

Accompanies: Design & Layout Principles 5