Programs Services

Total Page:16

File Type:pdf, Size:1020Kb

Programs Services Grandview Heights Public Library ghpl.org Programs & Services DECEMBER 2016–FEBRUARY 2017 3 Your Library Card 4 Library Services 5 Digital Library 6 Online Educational Resources 7 Tools for Teachers 8 Adult Events 11 Music in the Atrium 12 Lesser Known Ford 13 Hammer Time! 14 Grades 4-12 16 Kids’ Events 20 Support the Library Your Library Card Materials Loan Periods Overdue Fines DVDs/Blu-rays 7 days or 14 days $1.25/day “Hot Picks” Books 7 days 20 cents/day Video Games 7 days $1.25/day Magazines 7 days 20 cents/day New Books (adult) 14 days 20 cents/day Books (adult) 28 days 20 cents/day CDs & Vinyl LPs (adult) 14 days 20 cents/day Children’s Books, Magazines, and Audio 28 days 10 cents/day Slide & Negative Scanners 14 days $3/day E-books/Digital Media Varies None Preloaded E-readers 28 days $3/day Acoustic Guitars 28 days $1.25/day Audiobooks (adult) 28 days 20 cents/day Maximum Items Checked Out Cards for Children 17 & Under Patrons in good standing (owing less Parents are responsible for their than $10) may have a maximum of 100 children’s library cards. Only legal items (including 20 movies, 40 CDs, 5 guardians/custodians are allowed access video games) checked out at a time. to a child’s card. A parent or guardian may New patrons may have a maximum of ask (in-person only) to have grandparents, 10 items at a time for the first 30 days. siblings, child care providers, step- parents, etc. added to a child’s account. Patrons 60 and Older Patrons 60 & older are exempt from Adding Users to Your Account overdue fines, except on movies, video A patron’s library record is confidential. A patron may ask at the Circulation games, guitars, preloaded e-readers, desk (in-person only) to have a specified and slide & negative scanners. They user(s) added to their account. receive a 3-day grace period on movies & video games. Digital Library Access your account at ghpl.org Lost, Stolen, or Missing to place reserves, renew materials, pay Cards & Items fines, save searches, and create lists. Patrons are responsible for all Also, reserve a meeting room, download or materials checked out on their stream books/movies/music, learn about card including lost and damaged library events/news, donate to the library, items. Please report immediately. and access information and resources. Replacement card is $2. Most items are automatically Past Due Accounts renewed when due, up to a Past due accounts owing $25 or more maximum number of renewals, may be sent to a collection agency. unless requested by other patrons. Resources 3 Library Services 1-on-1 Career Coaching (by appointment) Automatic Holds Automatic Renewal (on most items) BookPage Newsletter Copier Courtesy Phone (local calls) Digital Library Enhanced Reference Spaces E-Newsletter Enjoy refreshed areas in Reference on the second floor, funded in part E-Reader Lending (pre-loaded) by a generous memorial donation Early Literacy Backpacks from the Louise Anderson family. Exam Proctoring (by appointment) Technology spaces FAX/Scanner 22 updated workstations with 15 new, all-in- Free Online Courses one computers. Study spaces Golden Buckeye Card Applications 7 new tables & chairs. Guitar Lending Coming Soon Improved book displays, updated reading Homebound Delivery spaces with lounge seating. Homework Help (online 3-11 pm) Laptop Lending (in-Library only) Meeting Rooms Smart Board in Conference Room Notary Public (by appointment) Study Cubicles GHPL PopUp Library Tax Forms (seasonal) Public Computers Technology Tutoring (Internet/Microsoft Office) (by appointment) Used Books Donation Box Reference Services (east side parking lot) Slide & Negative Scanner Voter Registration Lending WiFi (in the library and at Grandview Parks) Resources 4 Digital Library Digital Downloads Photohio.org E-Books, Audiobooks, Historical Images Movies Exclusive collection of Columbus Citizen-Journal Download books onto your newspaper photos, computer or compatible mobile Grandview Heights High device (movies are streaming- School yearbooks, and more. only). Free mobile apps. Mango Languages Hoopla Foreign Languages Movies, TV, Music, Quick and easy online Audiobooks, E-Books, lessons - Spanish, Italian, and Comic Books French, and more. Free Stream or download mobile apps. thousands of movies, TV shows, e-books, comic books, and audiobooks. LearningExpressLibrary Free mobile apps. Practice Tests 1,000 online tutorials, practice tests (including Freegal GRE and SAT), and e-books for all ages. Music Download free, legal music (MP3) from Sony Music’s huge collection. Five Gale Courses downloads each week. Educational Courses Free mobile apps. Instructor-led courses in computer applications, web design, accounting, personal Zinio development, and much more. Magazines Download or view more than 150 full-text popular magazines for free. Free mobile apps. Resources 5 Online Educational Resources LearningExpressLibrary Online Test Resource 3.0. Choose from 1,000 online tutorials, practice tests, and e-books for all ages. Job searches, workplace skills, reading/writing/math/science skills, career certification and licensure exam prep, college and grad school entrance test prep, GED test prep, Common Core, and more. Live Homework Help Grades K-12 & adults. Online tutors every day, 3-11 pm. Spanish help available in math and science Sunday-Thursday, 3-10 pm. Mango Languages Quick and easy online lessons – Spanish, French, Italian, and more. Free mobile apps. NoveList Plus Online fiction and non-fiction reader’s advisory, book discussion guides, and author read-alikes. Opposing Viewpoints Online articles, statistics, images, podcasts, and more presenting different views of current social issues. Science Online Science & technology definitions, news articles, diagrams, biographies, experiments, and more. Scholastic FreedomFlix Grades 4 & up. E-books and videos on history and government. Scholastic TrueFlix Grades 3-6. E-books and videos on history and science. TumbleBooks Pre-K–Grade 12. Online collection of animated, talking picture books, videos, and audiobooks. Resources 6 Tools for Teachers Teacher Collection Form Assignment Notification Library Visits Outreach to Schools Ellison Die Cutter A paper cutting machine with 50+ letters and designs is available for in-library use in Youth Services on the lower level of the library. Please bring your own paper. Resources 7 AdultEvents Art Exhibits accepted if all appointment slots have not been filled. December: Quilts by Sue King January: Photography by Tom Etter February: Paintings by Malvin M. Hicks Grandview Library Writers Coordinated by the Grandview Heights/ Group Marble Cliff Arts Council: Ruthanne James, 2nd Wednesdays of each month, 6:30- President, [email protected], 614-486-6456. 8:30 pm, Conference Room B Are you a writer interested in sharing your 1-on-1 Career Coaching work with other writers, and in giving and Explore career options & make effective receiving constructive feedback? Whether career decisions. Call Fred Points, of your focus is fiction, nonfiction, poetry, the Career Center at Jewish Family screenwriting, or any other format, join us in Services, at 614-559-0118 to reserve a free an atmosphere of creative fellowship. 30-minute session in Conference Room A. Tuesday, December 6, 3-5 pm Winter Reading Challenge Wednesday, December 21, 5-7 pm January 2-February 12 Tuesday, January 10, 3-5 pm Cozy up with a good book - or audiobook Wednesday, January 18, 5-7 pm - this winter, and you could win great Tuesday, February 7, 3-5 pm prizes. The more you read, the better your Wednesday, February 15, 5-7 pm chances of winning! On Demand Technology Affordable Care Act: Open Training Enrollment Windows 10: Tuesday, December 6, Tuesday, January 10, 7 pm 10-11 am Learn more about the Affordable Care Device Audiobooks and OverDrive Act (ACA), which requires almost every E-Books: Tuesday, December 13, 10-11 am American to have health insurance. Get great tech help from the State Library Join certified “Navigators” from the Ohio of Ohio’s Serving Every Ohioan (SEO) Association of Free Clinics (an Ohio Library Center. Bring your Microsoft agency officially providing ACA information) device; 10 laptops will be provided for for information and help signing up. early registrants. Register at ghpl.org or by calling Reference at 614-481-3776. Valley of the Last Dinosaurs Thursday, January 12, 7 pm Red Cross Blood Drive Fossil hunter Dennis Concilla presents a Thursday, December 29, 1-7 pm fascinating travelogue of his expedition Give blood to the Red Cross in the Library’s with the Marmarth Research Foundation to Meeting Room. Call 1-800-RED-CROSS or North Dakota, where they uncovered the sign up at redcrossblood.org to schedule best preserved Triceratops ever found in an appointment. Walk-ins will only be the Badlands. Adult Events 8 Enjoy delicious samples and the latest releases from the library during monthly socials around Grandview, hosted by the Friends of the Grandview Library (FOL). Visit ghpl.org/flightswithfriends for details and upcoming dates. On Demand Technology Training Winter Reading Challenge Valley of the Last Dinosaurs Adult Events 9 The Modern Butcher Shop The Waterway of the Czars Tuesday, January 17, 7 pm Tuesday, February 7, 7 pm The Butcher & Grocer in Grandview share Dr. Gene Gilliom shares his fascinating their passion for specializing in local travelogue of historical and cultural meats from small Ohio farms. Learn about sites by cruise ship along an 800-mile their expertise, house-made specialties, waterway from Moscow to St. Petersburg, and commitment to wholesome, nurturing Russia. food using mindful practices. Job Search Strategies Thursday, February 9, 7 pm Learn how to stand out from the crowd and land your dream job! Get great tips with Career Center staff from Jewish Family Services. Black Milestones in Comics Tuesday, February 21, 7 pm Writer Kevin Murphy and GHPL staff member Lloyd LaBadie explore the impact and influence of African-American characters and creators in the comic book medium.
Recommended publications
  • Le Studio Hammer, Laboratoire De L'horreur Moderne
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 12 | 2016 Mapping gender. Old images ; new figures Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche Electronic version URL: http://journals.openedition.org/miranda/8195 DOI: 10.4000/miranda.8195 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference David Roche, “Conference Report: Le studio Hammer, laboratoire de l’horreur moderne ”, Miranda [Online], 12 | 2016, Online since 29 February 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/8195 ; DOI: https://doi.org/10.4000/miranda.8195 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Conference Report: Le studio Hammer, laboratoire de l’horreur moderne 1 Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche 1 This exciting conference1 was the first entirely devoted to the British exploitation film studio in France. Though the studio had existed since the mid-1940s (after a few productions in the mid-1930s), it gained notoriety in the mid-1950s with a series of readaptations of classic
    [Show full text]
  • New Books October 2019 Profiles Twenty-Five Monsters From
    New Books October 2019 Profiles twenty-five monsters from Collects the stories on a number of mythology, folklore, and literature, teenagers who want to move from Central from Medusa the gorgon and America to the United States. Polyphemus the cyclops to Dracula, Frankenstein's monster, and the headless horseman of Sleepy Hollow chronicles . the rollbacks to African A humorous look at how famous American participation in the vote people got caught, including Joan of since the 2013 Supreme Court decision Arc, Blackbeard, Al Capone, and that eviscerated the Voting Rights Act more! . Outlaw, assassin, art thief, of 1965. Known as the Shelby ruling, and spy, these fourteen this decision effectively allowed troublemakers and crooks--including districts with a demonstrated history Blackbeard the pirate, Typhoid Mary, of racial discrimination to change and gangster Al Capone--have given voting requirements without approval the good guys a run for their money throughout the ages. from the Department of Justice. Some were crooked, some were deadly, and some were merely out of line--but they all got Caught! as detailed in this . study of crime, culture, and forensic science. Profiles nine individuals who came to Over 100 sweet and savory recipes America as undocumented children that introduces children to baking. and now as young adults, reflect on what being an America means, and the struggles they've endured to survive a harsh environment that is significantly better than the one they left. Tells the story of the 1929 Women's A true account of the attack and Air Derby, the first official all-female sinking of the passenger ship SS 'City air race in the U.S.
    [Show full text]
  • Master in Advanced English Studies: Languages and Cultures in Contact
    MASTER IN ADVANCED ENGLISH STUDIES: LANGUAGES AND CULTURES IN CONTACT Departamento de Filología Inglesa 2018-2019 Final Master Thesis “Monstrous and Atrocious: Defiance and Resistance in the Female Protagonists of Machado de Assis’s Dom Casmurro and Sheridan Le Fanu’s Carmilla” Edymara da Silva Carvalho Valladolid, curso 2018-2019 The work presented in this MA thesis is, to the best of my knowledge and belief, original and my own work, except as acknowledged in the text. The work in this thesis has not been submitted, either in whole or in part, for a degree at this or any other university. This thesis is submitted in partial fulfillment of the requirements for the degree of Master in Advanced English Studies: Languages and Cultures in Contact to Universidad de Valladolid by Edymara da Silva Carvalho July 2019 Student’s signature__________________________________________ Firmado digitalmente por HERRERO QUIROS CARLOS - DNI 09271727J HERRERO Nombre de reconocimiento Approved (DN): c=ES, o=UNIVERSIDAD QUIROS DE VALLADOLID, ou=CERTIFICADO Dr. Carlos Herrero Quirós ELECTRONICO DE CARLOS - EMPLEADO PUBLICO, serialNumber=IDCES-092717 27J, sn=HERRERO QUIROS, DNI givenName=CARLOS, cn=HERRERO QUIROS CARLOS - DNI 09271727J 09271727J Fecha: 2019.06.27 19:03:20 +02'00' Supervisor’s signature______________________________________ ABSTRACT The female monster/atrocious belle stereotype in literature is a figure that crosses social boundaries and embodies the mystery and the threat of a concealed identity. The present master’s thesis intends to probe into the monstrous feminine image in two novels from similar periods, yet clearly disparate literary traditions and languages: Machado de Assis’ Dom Casmurro and Sheridan Le Fanu’s Carmilla.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Unseen Horrors: the Unmade Films of Hammer
    Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding.
    [Show full text]
  • Captain Flashback
    CAPTAIN FLASHBACK A fanzine composed for the 415th distribution of the Turbo-Charged Party-Animal Amateur Press Our Timelines, Ourselves: Association, from the joint membership of Andy Reading Recursion by Blake Crouch Hooper and Carrie Root, residing at 11032 30th Blake Crouch is a consummate pro, and if a Ave. NE Seattle, WA 98125. E-mail Andy at Hollywood casting director wanted a writer [email protected], and you may reach Carrie at who looks like a young science fiction [email protected]. This is a Drag Bunt Press Production, completed on 1/20/2021. professional, Blake’s head shot would be on top of the pile. He has the glasses, the nerdy CAPTAIN FLASHBACK is devoted to old fanzines, haircut, a degree in Creative Writing from monster movie hosts, tunnels through time and North Carolina – I think every science fiction other fascinating phenomena of the 20th Century. workshop should have at least one Blake All material by Andy Hooper unless indicated. Crouch, and sometimes more. Contents of Issue #26: But they certainly don’t all write as well as Page 1: Our Timelines, Ourselves Crouch, who can slide 329 pages by you Page 2: A Key to Interlineations in Issue #25 before your skepticism has a chance to Page 5: Comments on Turbo-Apa #414 protest. His 2019 time travel novel Recursion Page 8: Horror Host of the Month: was the subject of the January “Books Without Bill Camfield: The Gorgon is a Twerp! Borders” discussion, conducted via Zoom last Page 12: Fanmail from some Flounder Dept: night. Almost everyone had finished the book, Letters to CAPTAIN FLASHBACK.
    [Show full text]
  • Download the Digital Booklet
    ammer was the first film production company to exploit the ‘adults only’ X certificate for the purpose of horror entertainment. Not that everybody in late H1950s Britain saw the company’s innovative brand of Grand Guignol as entertainment. Detached eyeballs, severed limbs and splashes of Eastmancolor gore were eminently censorable, leaving some films so compromised that modern audiences struggle to see what all the fuss was about. The film’s scores, however, usually escaped the attention of those who struggled to keep up with the pace of cultural change. Hammer’s production design was noted for its elegance, and the actors the company employed were commendably understated, but composers and conductors usually appreciated that there was little call for subtlety in Hammer’s underlying approach. The posters proclaimed that these films were designed to shock, and as soon as the house lights dimmed it was the job of the theme music to heighten that anticipation. In the early years of Hammer horror the scores commissioned by John Hollingsworth and written by the prolific James Bernard were bombastic, doom- laden affairs, establishing Bernard’s trademark of echoing the syllables of the film’s title in the musical phrasing of the theme. The most famous example of this approach can be heard in the score for Dracula (1958), elements of which would be reprised numerous times up to and including The Legend of the 7 Golden Vampires (1974). Bernard’s association with Hammer typecast him in the eyes of the snobbish film establishment, but under the baton of Hollingsworth’s successor, Philip Martell, he would prove his versatility with more lyrical themes for She (1965) and Taste the Blood of Dracula (1970).
    [Show full text]
  • The Mummy (2017), a Modern Orientalist Tale Le Retour De La Momie Victorienne: the Mummy D’Alex Kurtzman (2017), Conte Orientaliste Contemporain
    Polysèmes Revue d’études intertextuelles et intermédiales 23 | 2020 Contemporary Victoriana - Women and Parody The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale Le retour de la momie victorienne: The Mummy d’Alex Kurtzman (2017), conte orientaliste contemporain Nolwenn Corriou Electronic version URL: http://journals.openedition.org/polysemes/7449 DOI: 10.4000/polysemes.7449 ISSN: 2496-4212 Publisher SAIT Electronic reference Nolwenn Corriou, « The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale », Polysèmes [Online], 23 | 2020, Online since 30 June 2020, connection on 02 July 2020. URL : http://journals.openedition.org/polysemes/7449 ; DOI : https://doi.org/10.4000/ polysemes.7449 This text was automatically generated on 2 July 2020. Polysèmes The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern... 1 The Return of the Victorian Mummy: Alex Kurtzman’s The Mummy (2017), A Modern Orientalist Tale Le retour de la momie victorienne: The Mummy d’Alex Kurtzman (2017), conte orientaliste contemporain Nolwenn Corriou 1 When André Bazin discussed the way cinema strives to fight the passing of time and its ultimate triumph in death in What is Cinema?, he defined this effort to cheat death through artistic production as the “mummy complex”. Indeed, ancient Egyptian funeral rites, and embalming in particular, were only one of the earliest and most striking instances of an essential human drive to escape death and oblivion. The choice of this metaphor by Bazin can be explained by a common history as well as a number of shared features between Egyptology and the budding practice of filmmaking and film- watching at the end of the nineteenth century, as Antonia Lant argues in “The Curse of the Pharaoh, or How Cinema Contracted Egyptomania”.
    [Show full text]
  • Fictions 1860-1950
    RSA JOURNAL 28/2017 SERGIO PEROSA Through Pictures and Mirrors: Fictions 1860-1950 In memoriam: Claudio Gorlier a life-long friend and colleague Portraits and Mirrors Portraits and mirrors feature extensively, and often centrally, as motifs or topoi in Gothic, ‘sensational’, and Victorian fiction, and in the first half of the 20th century. In the first instance, they appear as animated portraits, moving in or out of the frame with uncanny and perturbing effects; then as prophetic or tell-tale portraits, revealing the disquieting nature, fate, and future, of either the sitters, the artist, or both; eventually as ‘killing portraits,’ bringing death on account of the diabolic connotations traditionally associated with portraiture, and of an intrinsic, deadly opposition perceived or dramatized between art and life. In portraits, moreover, one can perceive or discover a potential double, an alter ego, a different self, or Doppelgänger. The mirror motif, in turn, can act as a troublesome interference, beginning with the legend of Narcissus, who falls in love with his own image or ‘double’ reflected in the water surface (aequor in Latin, or even better specchio d’acqua, in Italian), and wishing to embrace it, falls in and drowns. Conversely, in the myth of Perseus, the hero is saved from the mortal gaze of the Gorgon or Medusa, and can destroy her, by looking at her image reflected in a mirror – which can therefore possess a saving, rather than lethal, power. As Giulio Guidorizzi has noted, “The mirror can recall to its surface frightening figures … and evoke ghosts; the use of mirrors to generate alienating sensations is 192 SERGIO PEROSA recorded by Pausanias himself [2nd cent.
    [Show full text]
  • Citation: Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960S and 1970S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960s and 1970s. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/39778/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN PhD March 2018 ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences March 2018 Abstract The thesis focuses on British horror cinema of the 1960s and 1970s.
    [Show full text]
  • The Andy Johnson
    THE ANDY JOHNSON MOVIE POSTER COLLECTION FRIDAY 6 DECEMBER 2019 Dedicated to my late wife Maria without whom this would not have been possible Andy Johnson THE ANDY JOHNSON MOVIE POSTER COLLECTION I stumbled into my first job as a fine art photographer 35 years ago at a One of my highlights of my company called A.C. COOPER’S which undertook photography for many of photographic career was the leading auction houses and antique dealers. I rose through the ranks as a meeting and working with the photographer at Christie’s South Kensington, CSK as it was known then. legendary Ray Harryhausen, I loved the collector’s departments, especially the decorative arts and the pop the father of stop-motion and film memorabilia. I became friends with the head of the decorative arts animation, he would call department and started collecting 60s Poole and Troika pottery. it “Dynamation”. I still work for the Ray and Diana I would visit antique fairs and bric-a-brac shops to find ceramics. After 250 Harryhausen Foundation to pieces or so I started to go off the boil with the ceramics, so I started to look this day. for something new to collect. So, movie posters have Maria was a big fan of movies and drew my attention to film posters. Funny I become a big part of my life, brought my first film poster from an Art Deco fair. I had the choice of buying not just the collection aspect “The Jungle Book” one sheet or “Breakfast at Tiffany’s”, I ended up buying but also for the doors it has “The Jungle Book”.
    [Show full text]
  • Introduction 1 Literature and Fascination
    Notes Introduction 1. S –– (1890), 2. Quoted from Connor (1998), 12. 2. This is confirmed by the recent proliferation of popular manuals on the art of fascination, for example Hogshead (2010). 3. Mitchell (2005), 36. 4. See Albrecht (2009), Werckmeister (2005), McCance (2004). 5. See Baumbach et al. (2012), Neumann and Nünning (2012). 6. Yeats, ‘The Fascination of What’s Difficult’ (1912). 7. See Pearson (1999), Littau (2006). 8. Taylor (1990), 27 and 29. 9. See esp. Hahnemann and Weyand (2009a) and Seeber (2010a, 2012). 10. Bredekamp (2010). 1 Literature and Fascination 1. This distinction has already been suggested by Seeber (2012), 12. 2. Blanchot (1982), 32. 3. See Hahnemann and Weyand (2009b), 30. 4. See esp. Hogan (2003), Herman (2011, 2003), Stockwell (2002) and Palmer (2004). 5. See Lakoff and Johnson (1999). 6. Gumbrecht (2008b), 215–16. 7. See Holtz (1984) or Moore and Larkin (2006). 8. Hahnemann and Weyand (2009a). 9. See Degen (2009), Hippe (2009), Seeber (2009). 10. Seeber (2010a), also (2012, 2010b, 2009, 2007, 2004). 11. Bredekamp (2010). 12. See Elkins (1998), Lacan (1977), 65–119. 13. See Chapter 1 ‘Of magic, love and envy’. 14. See Chapters 3 ‘The fascination with representation’ and 6 ‘The fascination with terror’ respectively. 15. See Lurie (2006), Harris (2007). 16. See Elleström (2010). 17. See Kress and Van Leuven (1996), Mitchell (2005). 18. See Hjort and Laver (1997). 19. See Arm strong (2001), Cohn (2008), van Al phen (2005) and Funch (1997). 20. See Bogh et al. (2010), Gumbrecht and Marrinan (2003). 21. Gell (1998), esp. 12–27, also Freedberg (1989), Osborne and Tanner (2007).
    [Show full text]