October 2009 Newspaper
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Our Last Catalog for 2018/19
1 MIDNIGHT MARQUEE 2018/19 CATALOG The Perfect GIFTS for Your Favorite Movie Buff! Vol. 1 NEW COVER WE KNOW MOVIES! Midnight Marquee Press • 9721 Britinay Lane, Baltimore, MD 21234 2 A Letter from Gary and Sue Svehla of Midnight Marquee Press We would like to apologize to our many long time customers as well as to our many new ones for the lateness of this catalog and our slowness in get- ting your orders out. It’s been a rough several years as Sue has been facing medical challenges, but we have finally found a diagnosis and she is on a healing path. Of course we will try to get your orders out quickly, but we’re getting old and slow (not to mention forgetful) so— if you need your books quickly, please order them from AMAZON.com or OLDIES.com. Most of our books are now being converted to e-books by Bear Manor Media, so you can order those from Amazon.com. We thank you for your patience, your business and your friendship through the years. Gary and Sue Svehla Table of Contents 3 New Titles from MMP Payment: We accept 5 Brit Horrors all major credit cards, 12 Italian Horror checks, money orders 15 Biographies and Autobios and PayPal. 19 Musical Bios 20 MidMar’s Actors Series Shipping: We try to 21 Histories of Horror Films ship within 7 work- ing days, but it’s just the two of us and we’re 25 Histories of Sci-Fi Films getting old and slow. 26 Hooray for Hollywood— other genres If you need your order fast, PLEASE 28 Exploitation Horrors order from Amazon.com or Oldies.com Most books will arrive from Createspace— 29 Forgotten Horrors & DVDs, mags, bookplates, etc. -
Noel Carroll Source: the Journal of Aesthetics and Art Criticism, Vol
The Nature of Horror Author(s): Noel Carroll Source: The Journal of Aesthetics and Art Criticism, Vol. 46, No. 1 (Autumn, 1987), pp. 51-59 Published by: Blackwell Publishing on behalf of The American Society for Aesthetics Stable URL: http://www.jstor.org/stable/431308 Accessed: 12/05/2010 10:32 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and The American Society for Aesthetics are collaborating with JSTOR to digitize, preserve and extend access to The Journal of Aesthetics and Art Criticism. http://www.jstor.org NOEL CARROLL The Nature of Horror FOR NEARLY A DECADE and a half, perhaps espe- Romero's Night of the Living Dead or Scott's cially in America, horror has flourished as a Alien. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Don Banks David Morgan Peter Racine Fricker Violin Concertos
SRCD.276 STEREO ADD Don Banks PETER RACINE FRICKER (1920-1990) David Morgan Concerto for Violin and small Orchestra Op. 11 (1950) (23’25”) 1 1st Movement: Con moto (9’42”) 2 2nd Movement: Andante (5’27”) Peter Racine Fricker 3 3rd Movement: Allegro vivo (8’16”) DAVID MORGAN (1933-1988) Violin Concerto (1966) * (26’02”) 4 1st Movement: Lento – Moderato cantabile – Alla Marcia (11’55”) 5 2nd Movement: Presto energico ma leggieramente (5’07”) Violin Concertos 6 3rd Movement: Lento – Allegro deciso – Con fuoco (9’00”) DON BANKS (1923-1980) Concerto for Violin and Orchestra (1968) (26’55”) 7 1st Movement: Lento – Allegro (9’42”) 8 2nd Movement: Andante cantabile (9’36”) 9 3rd Movement: Risoluto (7’37”) (76’26”) Yfrah Neaman, violin * Erich Gruenberg, violin Royal Philharmonic Orchestra conducted by Norman Del Mar * Vernon Handley The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. Erich Gruenberg • Yfrah Neaman ൿ 1974 * ൿ 1978 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England. This compilation and the digital remastering ൿ 2008 Lyrita Recorded Edition, England. Royal Philharmonic Orchestra © 2008 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the UK LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita Vernon Handley • Norman Del Mar by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK PETER RACINE FRICKER was born in Ealing on 5 September 1920. His middle name came from his great-grandmother, a direct descendant of the French dramatist. -
PDF Download to the Devil, a Daughter Pdf Free Download
TO THE DEVIL, A DAUGHTER PDF, EPUB, EBOOK Dennis Wheatley | 304 pages | 26 Aug 2014 | Bloomsbury Publishing PLC | 9781448212620 | English | London, United Kingdom To the Devil, a Daughter PDF Book Utterly brilliant book; from start to finish, fast paced and monents of genuine horror, puts Hammer's film to shame as how they coukd make the film they did from brilliant material as Wheateley's excellent book i do not know!! Actually, she is not possessed by the Devil, as the quotation at the beginning of this review suggested, but her father became a Satanist and has signed away his soul and involved her in the initial rites, so that she is influenced by them. Widmark v Lee is a close one which I'm there for and it's a well paced, musically eerie, and bloody horror film. On the wish list. Enlarge cover. Add the first question. Wicking called the film "an awful mess. In the hours of darkness she becomes a Bad Girl, giving herself up to all kinds of naughtiness. Mar 11, Adele Geraghty rated it liked it. Black Magic 1 - 10 of 12 books. Details if other :. I DID enjoy Molly, but she ended up "disappearing" from the novel for a rather extended period of time, only to come back again at the end. Off it's head, completely mad and authored by someone with dodgy Right wing autocratic and aristocratic sympathies. About Dennis Wheatley. An amazing cast and some great atmosphere but just lacks something. Admittedly Molly takes part in the final assault on the enemy, though being a woman she of course slows them down. -
(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By
“(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By Jennifer M. Abercrombie Foster @ Copyright 2016 Submitted to the graduate degree program in Spanish and Portuguese and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto ________________________________ Jorge Pérez ________________________________ Vicky Unruh ________________________________ Hannah Britton ________________________________ Magalí Rabasa Date Defended: May 3, 2016 ii The Dissertation Committee for Jennifer M. Abercrombie Foster certifies that this is the approved version of the following dissertation: “(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto Date approved: May 9, 2016 iii Abstract Since the turn of the 20th century many writers, playwrights, and poets in Central America and the Hispanic Caribbean have published fantastic, gritty, and oftentimes unsettling stories of ghosts, anthropomorphic animals, zoomorphic humans, and uncanny spaces. These unexpected encounters and strange entities are an embodiment of muddled boundaries and -
Le Studio Hammer, Laboratoire De L'horreur Moderne
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 12 | 2016 Mapping gender. Old images ; new figures Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche Electronic version URL: http://journals.openedition.org/miranda/8195 DOI: 10.4000/miranda.8195 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference David Roche, “Conference Report: Le studio Hammer, laboratoire de l’horreur moderne ”, Miranda [Online], 12 | 2016, Online since 29 February 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/8195 ; DOI: https://doi.org/10.4000/miranda.8195 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Conference Report: Le studio Hammer, laboratoire de l’horreur moderne 1 Conference Report: Le studio Hammer, laboratoire de l’horreur moderne Paris, (France), June 12-14, 2016 Conference organized by Mélanie Boissonneau, Gilles Menegaldo and Anne-Marie Paquet-Deyris David Roche 1 This exciting conference1 was the first entirely devoted to the British exploitation film studio in France. Though the studio had existed since the mid-1940s (after a few productions in the mid-1930s), it gained notoriety in the mid-1950s with a series of readaptations of classic -
And Nineteenth-Century Rake Character to Depictions Of
TRACING THE ORIGINS OF THE EIGHTEENTH- AND NINETEENTH-CENTURY RAKE CHARACTER TO DEPICTIONS OF THE MODERN MONSTER COURTNEY A. CONRAD Bachelor of Arts in English Cleveland State University December 2011 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH LITERATURE at the CLEVELAND STATE UNIVERSITY MAY 2019 We hereby approve this thesis For COURTNEY A. CONRAD Candidate for the Master of Arts in English Literature degree for the Department of ENGLISH And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by ___________________________________________________ Thesis Chairperson, Dr. Rachel Carnell __________________________________________ Department & Date ___________________________________________________ Thesis Committee Member, Dr. Frederick Karem __________________________________________ Department & Date ___________________________________________________ Thesis Committee Member, Dr. Gary Dyer __________________________________________ Department & Date Student’s Date of Defense: May 3, 2019 TRACING THE ORIGINS OF THE EIGHTEENTH- AND NINETEENTH-CENTURY RAKE CHARACTER TO DEPICTIONS OF THE MODERN MONSTER COURTNEY A. CONRAD ABSTRACT While critics and authors alike have deemed the eighteenth- and nineteenth- century literary rake figure as a “monster” and a “devil,” scholars have rarely drawn the same connections between monsters to rakes. Even as critics have decidedly characterized iconic monsters like Victor Frankenstein and Dracula as rapists or seducers, they oftentimes do not make the distinction -
Nosferatu (1922) & the Vampire Lovers (1970)
Sheldon 1 Matthew A. Sheldon Media and Society Andrew Martin 9/27/2014 Nosferatu (1922) & the Vampire Lovers (1970) While watching F.W. Murnau's Nosferatu (1922) and Roy Ward Baker’s the Vampire Lovers (1970) I came to discover that these vampire stories are less about the patriarchal battles of good vs. evil, and more about the repressed sexual battles between a man and a woman within the historical context of its time. Murnau's silent masterpiece Nosferatu is like seeing the vampire movie before it became a trendy pop icon of commercials, jokes, books, and over 100 different films. Nosferatu is still to this day the quintessential vampire film, and its surreal and haunting aesthetics of German Expressionism give off the feeling as if its creators were truly in awe of the legendary material. When reading the article “Dracula in the twilight: Murnau’s Nosferatu” by Judith Mayne, she explores much of the changes that were made when Murnau adapted Nosferatu from Bram Stoker’s 1897 Dracula novel. When listing several of the changes the one change that Mayne seems to directly focus on were Dracula’s central conflict and his relationship to the victims. “First Van Helsing is in no way the protagonist of the film. Instead of a conflict between two patriarchal figures, we have an encounter between a man and a woman” (Mayne, 28). Dracula’s Sheldon 2 famous adversary Van Helsing is reduced from Murnau’s film version and the focus is shifted more towards Jonathan’s beautiful wife Nina. Mayne seems to suggest that Murnau wanted the story to focus less on patriarchal conflicts and explore more of the sexual tension that occurs between Nina, Jonathan and Nosferatu. -
New Books October 2019 Profiles Twenty-Five Monsters From
New Books October 2019 Profiles twenty-five monsters from Collects the stories on a number of mythology, folklore, and literature, teenagers who want to move from Central from Medusa the gorgon and America to the United States. Polyphemus the cyclops to Dracula, Frankenstein's monster, and the headless horseman of Sleepy Hollow chronicles . the rollbacks to African A humorous look at how famous American participation in the vote people got caught, including Joan of since the 2013 Supreme Court decision Arc, Blackbeard, Al Capone, and that eviscerated the Voting Rights Act more! . Outlaw, assassin, art thief, of 1965. Known as the Shelby ruling, and spy, these fourteen this decision effectively allowed troublemakers and crooks--including districts with a demonstrated history Blackbeard the pirate, Typhoid Mary, of racial discrimination to change and gangster Al Capone--have given voting requirements without approval the good guys a run for their money throughout the ages. from the Department of Justice. Some were crooked, some were deadly, and some were merely out of line--but they all got Caught! as detailed in this . study of crime, culture, and forensic science. Profiles nine individuals who came to Over 100 sweet and savory recipes America as undocumented children that introduces children to baking. and now as young adults, reflect on what being an America means, and the struggles they've endured to survive a harsh environment that is significantly better than the one they left. Tells the story of the 1929 Women's A true account of the attack and Air Derby, the first official all-female sinking of the passenger ship SS 'City air race in the U.S. -
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio Bernard Doherty Introduction The history and practice of black magic, witchcraft, and Satanism have long held a deep fascination in British—and indeed international—popular culture. Beginning with the gothic literature of the eighteenth century, through to the nineteenth century occult revival and Victorian “penny dreadful,” and then into twentieth century pulp fiction, tales of the supernatural involving maleficent magic have been authored some of Britain’s most popular—if not always critically acclaimed—writers including, among others M. R. James, Arthur Machen, William Somerset Maugham, Agatha Christie, Charles Williams, and Dennis Wheatley. These writers, as well as various other short story writers, novelists, and journalists, have all played an important role in shaping, recording, and reflecting popular beliefs about these topics. Indeed, not a few occult practitioners, most notably Aleister Crowley, Dion Fortune, Gerald Gardner, and Doreen Valiente, even turned their hands to writing popular occult fiction. Despite this, the frequent blurring of the often porous boundary between actual occult practices and groups, and the imagined worlds of the purveyors of popular and literary fiction, has been seldom explored outside of highly specialised academic literature dedicated to the history of gothic or weird fiction and the burgeoning study of what has come to be called Western Esotericism.1 Bernard Doherty is a lecturer in the School of Theology at Charles Sturt University. 1 See, for example, Nick Freeman, ‘The Black Magic Bogeyman 1908–1935’, in The Occult Imagination in Britain, 1875–1947, ed. Christine Ferguson and Andrew Radford, pp. -
Master in Advanced English Studies: Languages and Cultures in Contact
MASTER IN ADVANCED ENGLISH STUDIES: LANGUAGES AND CULTURES IN CONTACT Departamento de Filología Inglesa 2018-2019 Final Master Thesis “Monstrous and Atrocious: Defiance and Resistance in the Female Protagonists of Machado de Assis’s Dom Casmurro and Sheridan Le Fanu’s Carmilla” Edymara da Silva Carvalho Valladolid, curso 2018-2019 The work presented in this MA thesis is, to the best of my knowledge and belief, original and my own work, except as acknowledged in the text. The work in this thesis has not been submitted, either in whole or in part, for a degree at this or any other university. This thesis is submitted in partial fulfillment of the requirements for the degree of Master in Advanced English Studies: Languages and Cultures in Contact to Universidad de Valladolid by Edymara da Silva Carvalho July 2019 Student’s signature__________________________________________ Firmado digitalmente por HERRERO QUIROS CARLOS - DNI 09271727J HERRERO Nombre de reconocimiento Approved (DN): c=ES, o=UNIVERSIDAD QUIROS DE VALLADOLID, ou=CERTIFICADO Dr. Carlos Herrero Quirós ELECTRONICO DE CARLOS - EMPLEADO PUBLICO, serialNumber=IDCES-092717 27J, sn=HERRERO QUIROS, DNI givenName=CARLOS, cn=HERRERO QUIROS CARLOS - DNI 09271727J 09271727J Fecha: 2019.06.27 19:03:20 +02'00' Supervisor’s signature______________________________________ ABSTRACT The female monster/atrocious belle stereotype in literature is a figure that crosses social boundaries and embodies the mystery and the threat of a concealed identity. The present master’s thesis intends to probe into the monstrous feminine image in two novels from similar periods, yet clearly disparate literary traditions and languages: Machado de Assis’ Dom Casmurro and Sheridan Le Fanu’s Carmilla.