Crescendo Artists 2805 Wilderness Place Suite 100 Boulder, CO 80301 P-303-444-0500 x2 [email protected] Joelzoss.com www.crescendoartists.com Joel Zoss [email protected] Joel Zoss has enjoyed a worldwide reputation as a songwriter and guitarist since recorded his "Too Long at the Fair" and "I Gave My Love a Candle.” From 2007-2009 he opened shows for B.B. King and in theaters across the country. Featuring his own million-selling compositions and folk and classics by American masters such as Elizabeth Cotten, Leadbelly, and Big Bill Broonzy, Zoss’s unique fingerpicking style and moving vocals have enter- tained audiences from blues clubs and concert halls to the Philadelphia Folk Festival. He has performed and recorded with many highly regarded artists including , , , , and Howlin’ Wolf. Some of his songs, reflecting his years living in North Africa and Spain, are as at home in the “world music” cate- gory as they are in “roots.” Joel works as a solo; duo with upright bass; and as a trio with bass and drums.

After cutting his teeth in the 1960’s in Chicago with some of the world’s greatest bluesmen, Joel began his recording ca- reer with Arista in the 1970’s. Check out his latest CD, LILA, produced by legendary guitarist and leader of the landmark group Fanny, June Millington. Joel’s songs have been recorded by artists in genres from blues to bluegrass. In March of 2012, UK diva Katie Melua, who has sold eleven million CD’s in the last decade, released her version of “Too Long at the Fair.” Bonnie Raitt’s version of the song appears in the documentary film Troubadour, released in 2011.

American dream songs called in long-distance from an area code as yet unspecified. —Rolling Stone

He has an uncanny knack for conjuring up gorgeous images that tap the most complex of human emotions. —Honolulu Times

A unique personality, with all the magic and mystery and mischievousness of the classic troubadour. The melo- dies will haunt you. His lyrics are first-rate poetry. —The Village Voice

It was a treat to see Zoss perform old blues numbers and songs from his forthcoming album…the audience was sent back out into the warm night knowing they had witnessed something special. —Dirty Linen