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James Paul Mccartney V Sony ATV Music Publishing
Case 1:17-cv-00363 Document 1 Filed 01/18/17 Page 1 of 16 MORRISON & FOERSTER LLP EASTMAN & EASTMAN Michael A. Jacobs (pro hac vice motion forthcoming) John L. Eastman (pro hac vice motion Roman Swoopes (pro hac vice motion forthcoming) forthcoming) 425 Market Street Lee V. Eastman (pro hac vice motion San Francisco, California 94105-2482 forthcoming) 415.268.7000 39 West 54th St New York, New York 10019 MORRISON & FOERSTER LLP 212.246.5757 J. Alexander Lawrence 250 West 55th Street New York, New York 10019-9601 212.468.8000 Paul Goldstein (pro hac vice motion forthcoming) 559 Nathan Abbott Way Stanford, California 94305-8610 650.723.0313 Attorneys for Plaintiff James Paul McCartney UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------ x : Case No. 17cv363 JAMES PAUL MCCARTNEY, an individual, : : Plaintiff, : : Complaint for Declaratory -v.- : Judgment : SONY/ATV MUSIC PUBLISHING LLC, a : Demand for Jury Trial Delaware Limited Liability Company, and : SONY/ATV TUNES LLC, a Delaware Limited : Liability Company, : Defendants. ------------------------------------------------------------------ x COMPLAINT FOR DECLARATORY JUDGMENT Plaintiff James Paul McCartney, for his complaint against Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC, alleges as follows: Case 1:17-cv-00363 Document 1 Filed 01/18/17 Page 2 of 16 NATURE OF THIS ACTION 1. This action involves ownership interests in the copyrights for certain musical works that Plaintiff Sir James Paul McCartney (known professionally as Paul McCartney) authored or co-authored with other former members of the world-famous musical group The Beatles. Defendants in this action are music publishing companies that claim to be the successors to publishers that acquired copyright interests in many of Paul McCartney’s compositions in the 1960s and early 1970s. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
Berichte Und Papiere 161, 2015: Biopics Der Unterhaltungsmusiker
Medienwissenschaft: Berichte und Papiere 161, 2015: Biopics der Unterhaltungsmusiker. Redaktion und Copyright dieser Ausgabe: Katja Bruns, Hans J. Wulff. ISSN 2366-6404. URL: http://berichte.derwulff.de/0161_15.pdf. Letzte Änderung: 24.1.2015. Biopics der Unterhaltungsmusiker: Eine Arbeitsfilmographie Nebst erster bibliographischer Notizen Zusammengestellt von Hans J. Wulff und Katja Bruns Inhalt: sichtlich ihrer Bedeutung als biographische Ausein- – Bibliographie andersetzungen mit den Biographierten, des analyti- – Filmographie schen Werts der Darstellung der Musikszene und – Index -industrie sowie der ästhetischen Qualitäten des je- weiligen Films mit bis zu drei Sternen auszuzeich- Die hier vorliegende Filmographie sucht die biogra- nen. Sofern wir uns nicht auf die Kenntnis der Filme phischen Filme über Unterhaltungs-Musiker seit stützen konnten, haben wir die zugänglichen Rezen- 1930 zu versammeln. Aufgenommen wurden aus- sionen zu Rate gezogen. Die Bewertungen im schließlich Langfilme mit einer Spieldauer von mehr einzelnen: als 60 Minuten. Nur marginal sind auch wenige Pseudo-Biopics und Mockumentaries verzeichnet *** herausragend (einschließlich weniger Filme über die Geschichte ** gut, interessant von Plattenlabels). Auf eine Differenzierung der Un- * akzeptabel ohne Kennzeichnung: inakzeptabel (bzw. auf terhaltungsformen (Musical und Operette, Showbüh- Grund der Quellenlage nicht zu beurteilen) ne und Revuetheater, Country-Music, Chanson, Schlager, Rock- und Popmusik etc.) haben wir ange- sichts des Nebeneinanders der Gattungen sowie des Literatur rasanten historischen Wandels der populären musi- kalischen Unterhaltungsformen verzichtet. Atkinson, Michael: Long Black Limousine: Pop Die Beschreibungen stützen sich zum geringeren Biopics. In Celluloid Jukebox: Popular Music and Teil auf Autopsie, größeren Teils auf die vorliegen- the Movies Since the 50s. Ed. Jonathan Romney & den Beschreibungen in Katalogen, Lexika und bio- Adrian Wootton: London: BFI 1995, S. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip. -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. -
The Impact of NMR and MRI
WELLCOME WITNESSES TO TWENTIETH CENTURY MEDICINE _____________________________________________________________________________ MAKING THE HUMAN BODY TRANSPARENT: THE IMPACT OF NUCLEAR MAGNETIC RESONANCE AND MAGNETIC RESONANCE IMAGING _________________________________________________ RESEARCH IN GENERAL PRACTICE __________________________________ DRUGS IN PSYCHIATRIC PRACTICE ______________________ THE MRC COMMON COLD UNIT ____________________________________ WITNESS SEMINAR TRANSCRIPTS EDITED BY: E M TANSEY D A CHRISTIE L A REYNOLDS Volume Two – September 1998 ©The Trustee of the Wellcome Trust, London, 1998 First published by the Wellcome Trust, 1998 Occasional Publication no. 6, 1998 The Wellcome Trust is a registered charity, no. 210183. ISBN 978 186983 539 1 All volumes are freely available online at www.history.qmul.ac.uk/research/modbiomed/wellcome_witnesses/ Please cite as : Tansey E M, Christie D A, Reynolds L A. (eds) (1998) Wellcome Witnesses to Twentieth Century Medicine, vol. 2. London: Wellcome Trust. Key Front cover photographs, L to R from the top: Professor Sir Godfrey Hounsfield, speaking (NMR) Professor Robert Steiner, Professor Sir Martin Wood, Professor Sir Rex Richards (NMR) Dr Alan Broadhurst, Dr David Healy (Psy) Dr James Lovelock, Mrs Betty Porterfield (CCU) Professor Alec Jenner (Psy) Professor David Hannay (GPs) Dr Donna Chaproniere (CCU) Professor Merton Sandler (Psy) Professor George Radda (NMR) Mr Keith (Tom) Thompson (CCU) Back cover photographs, L to R, from the top: Professor Hannah Steinberg, Professor -
Psaudio Copper
Issue 128 JANUARY 11TH, 2021 Things change with time, as my very close friend likes to say. Here’s my New Year’s wish: that things change for the better in 2021. A new year brings new possibilities. We’re saddened by the loss of Gerry Marsden (78) of British Invasion legends Gerry and the Pacemakers. Their first single, “How Do You Do It,” hit number one on the British charts in 1963 – before the Beatles ever accomplished that feat – and they went on to have other smash records like “Don’t Let the Sun Catch You Crying,” You’ll Never Walk Alone,” “I Like It” and “Ferry Cross the Mersey.” These songs are woven not just into the fabric of the 1960s, but our lives. In this issue: Anne E. Johnson covers the career of John Legend and rediscovers 17th century composer Marc-Antoine Charpentier. Larry Schenbeck gets soul and takes on “what if?” Ken Sander goes Stateside with The Stranglers. J.I. Agnew locks in his lockdown music system. Tom Gibbs looks at new releases from Kraftwerk, Julia Stone and Max Richter. Adrian Wu continues his series on testing in audio. John Seetoo mines a mind-boggling mic collection. Jay Jay French remembers Mountain’s Leslie West. Dan Schwartz contemplates his streaming royalties. Steven Bryan Bieler ponders the new year. Ray Chelstowski notes that January’s a slow month for concerts – with a few monumental exceptions. Stuart Marvin examines how musicians and their audiences are adapting to the pandemic. I reminisce about hanging out with Les Paul. We round out the issue with single-minded listening, the world’s coolest multi-room audio system, mixed media, and a girl on a mission. -
American Rock and Roll Imagine Your Group Is Helping One of the Beatles Write His Autobiography. You Will Work in Small
Group 5: American Rock and Roll Imagine your group is helping one of the Beatles write his autobiography. You will work in small groups and use your knowledge of history to help your Beatle enrich his book. Here are the guidelines: • Below you will see your assigned historical term. Each group has a different term from a different period in their subject’s life. • You also have received sources related to that term. • Use this information to write a paragraph of 3-5 sentences for your Beatle’s autobiography. • Your sentences should connect his life to the term and use the first person. For example, “I remember watching the ships come in to the Liverpool docks.” • Write your paragraph on the board or on a piece of paper large enough for the whole class to read. • Share it with the class. • As the other groups share their paragraphs, copy the story in your “Autobiography of a Beatle” handout. Term: Cunard Yanks The “Cunard Yanks” were merchant seamen who traveled between New York City and Liverpool, bringing American fashion and music to Liverpool. (Cunard is a British-American shipping company that still operates today.) Some claim the Beatles got their American Rock and Roll records from these merchants before this music was discovered by the rest of Great Britain. The Beatles were heavily influenced by new sounds from American musicians such as Elvis Presley, Chuck Berry, and Little Richard. The Cunard Yanks are a symbol of cultural diffusion. Source 1: The Cunard Ship the Carinthia in Liverpool Harbor Source: Liverpoolships.org WWW.TEACHROCK.ORG Source 2: “Cunard Yanks,” Postwar Merchant Seamen Source: Cunardyanks.org Source 3: Video excerpt from The Cunard Yanks Source 4: Video of Liverpool-born Gerry Marsden of the band Gerry and the Pacemakers discussing American music in Liverpool WWW.TEACHROCK.ORG. -
The Story of Nursing in British Mental Hospitals
Downloaded by [New York University] at 12:59 29 November 2016 The Story of Nursing in British Mental Hospitals From their beginnings as the asylum attendants of the nineteenth century, mental health nurses have come a long way. This is the first comprehensive history of mental health nursing in Britain in over twenty years, and during this period the landscape has transformed as the large institutions have been replaced by services in the community. McCrae and Nolan examine how the role of mental health nursing has evolved in a social and professional context, brought to life by an abundance of anecdotal accounts. The nine chronologically ordered chapters follow the development from untrained attendants in the pauper lunatic asylums to the professionally qualified nurses of the twentieth century, and, finally, consider the rundown and closure of the mental hospitals from nurses’ perspectives. Throughout, the argument is made that while the training, organisation and environment of mental health nursing has changed, the aim has remained essentially the same: to nurture a therapeutic relationship with people in distress. McCrae and Nolan look forward as well as back, and highlight significant messages for the future of mental health care. For mental health nursing to be meaningfully directed, we must first understand the place from which this field has developed. This scholarly but accessible book is aimed at anyone with an interest in mental health or social history, and will also act as a useful resource for policy- makers, managers and mental health workers. Niall McCrae is a lecturer in mental health nursing at Florence Nightingale Faculty of Nursing & Midwifery, King’s College London. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200