Star Wars: Rogue One Series 2 Trading Cards - Base Cards
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Review of Rogue One: a Star Wars Story
DVD reviews Rogue One: A Star Wars Story (Gareth Edwards US 2016). Walt Disney Studios 2017. Region 1. 2.39:1 widescreen. US$23. Sean Guynes-Vishniac After the release of Revenge of the Sith (Lucas US 2005), the third film in the Star Wars prequel trilogy in 2005, George Lucas and Lucasfilm had no plans to add further feature films to the multi-billion-dollar franchise. This was in part because fans of the original Star Wars trilogy (1977–83) hated the prequels, and because Lucas was now interested in television, starting with the animated series The Clone Wars (2008–14, 2019). When Disney bought Lucasfilm, they announced a new trilogy extending the saga of the Skywalker family, and several standalone non-saga ‘anthology’ films to fill narrative gaps in the universe; Rogue One: A Star Wars Story is the first of these anthology films. Its position raises important questions about the contemporary state of the transmedia sf franchise, while its narrative looks at the limits and possibilities of sf blockbusters’ political work. To provide an easy entry into the franchise’s storyworld, Rogue One offers a cast of new characters that fit (and slightly modify) well-known franchise types: protagonist Jyn Erso (Felicity Jones), for example, pairs the scruffiness of Han Solo with the paternal drama of Luke Skywalker; Chirrut Îmwe (Donnie Yen) takes on the Jedi mystique and mentor role of Obi-Wan Kenobi; K-2SO (Alan Tudyk) is the non-human, comedy-relief sidekick, a cynical update of C-3PO. Cassian Andor (Diego Luna), however, stands out thematically, mixing the scoundrel qualities of Solo with the risky charm of Lando Calrissian, and bringing a moral ambiguity to the normally black-and-white world of Jedi and Sith; perhaps these qualities have led to Andor’s being named as the protagonist of one of the upcoming Star Wars series on the new streaming service Disney+. -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
Joining the Evil Galactic Empire a Review of Star Wars: Tie Fighter by Brennan Movius STS 145
Joining the Evil Galactic Empire A Review of Star Wars: Tie Fighter By Brennan Movius STS 145 Publisher: LucasArts Project Leads and Design: Lawrence Holland and Edward Kilham Very Special Thanks: George Lucas “The Emperor welcomes you intohis Imperial Fleet.. ..” As soon as I read those first words in ‘Tie Fighter’s Starfghter Pilot Manual, I was hooked. Fresh off the experience of ‘X-Wing’ ’, I was ready for its sequel. And with ‘Tie Fighter’,LucasArts promised to delivera very different gaming experience. While previously my exploits in the Star Wars universe had been limited to the perspective of the benevolent Rebel Alliance, this time, I was joining the ranks of the Evil Galactic Empire. And I was very excited to finally be playing the role of a bad-guy. So much so, in fact, that not ten seconds into the opening crawl I had already embraced the Empire’s ‘proactive’ stance on Galactic defense. And while it’s important to realize that there are two sides to every conflict (the Empire can’tbe all bad, can it?), somehow I sensed that my concerns we no longer with the unalienable rights of the galactic inhabitants. My allegiance was to law and order now and the Rebels,I was told, were tryingto undermine it. So let’s crush that traitorous Rebel scum! Serve the Emperor! Building on a Giant When LucasArts went about creating ‘Tie Fighter’ (the definitive, single-player, space- combat simulator) they had the enormous success of ‘X-Wing’ to build on. Indeed, ‘X- Wing’ combined many features that have now become standardon like-genre games, like pre-renderedcut-scenes, multiple crafts and weapons, 3D shadedgraphics, mission objectives, and in-game training. -
Women, Sf Spectacle and the Mise-En-Scene of Adventure in the Star Wars Franchise
This is a repository copy of Women, sf spectacle and the mise-en-scene of adventure in the Star Wars franchise. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/142547/ Version: Accepted Version Article: Tasker, Y orcid.org/0000-0001-8130-2251 (2019) Women, sf spectacle and the mise-en- scene of adventure in the Star Wars franchise. Science Fiction Film and Television, 12 (1). pp. 9-28. ISSN 1754-3770 https://doi.org/10.3828/sfftv.2019.02 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Women, science fiction spectacle and the mise-en-scène of space adventure in the Star Wars franchise American science fiction cinema has long provided a fantasy space in which some variation in gender conventions is not only possible but even expected. Departure from normative gender scripts signals visually and thematically that we have been transported to another space or time, suggesting that female agency and female heroism in particular is a by-product of elsewhere, or more precisely what we can term elsewhen. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
I'll Be Refferencing Scenes from the Film with Screen Shots
Scene The Scene is shown in the film between ~25mins to 37mins, covering the events of the Jedha Revolt. Following the characters Jyn, Cassian and K-2SO on their mission to find Saw Gerrera. I’ll be refferencing scenes from the film with screen shots, and ~25mins to indicating their timing or range with this image: 37mins Any reference to controller input will be concerning the Xbox One controller, making use of the “A”, “B”, “X” and “Y” buttons for example. Characters Jyn Erso Sharp-Shoot Grapple Cassian Andor Sharp-Shoot Quadnoculars Rebel Access K-2SO Imperial Access Strength Mechanics Sharp-Shoot – Hold “X” to bring up a targeting reticle and aim for specific LEGO target pieces. Releasing “B” fires the characters weapon at the target. Grapple – Tap “B” near a grapple point it access high areas or swing across gaps. This can also connect to grapple points on objects. When pulling an object, the player must repeatedly press “B” to fill a meter, at which point the object will be moved. Grapple Pull Grapple Swing Quadnoculars – Press “B” when standing in an area highlighted with Arubesh VFX, then move the targeting reticle around until viewing desired location, at which point the UI flashes and a new object or LEGO piece will appear. Rebel Access – Pressing “B” at a Rebel Access panel brings up a small screen showing broken fragments of planets. The player must move a highlighted fragment into the matching slot in the circle in the middle, then the next piece is highlighted and then the next until the planet is whole. -
Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off. -
Star Wars/ Sci-Fi
Star Wars/ Sci-Fi Teen Services Recommendations E-Library Edition Star Wars. Ahsoka YA JOHNSTON Johnston, E. K. The Mandalorian Hoopla e-book only Schreiber, Joe Follows the adventures of Ahsoka Tano after she leaves the Jedi Order and the devastation of Order A novelization retelling of the first season of the 66. She is unsure she can be part of a larger whole smash-hit, instantly iconic Disney+ series, The ever again, but her desire to fight the evils of the Mandalorian. Empire and protect those who need it will lead her right to Bail Organa, and the Rebel Alliance. Overdrive e-book Hoopla e-book Overdrive audiobook Queen's Shadow YA JOHNSTON A Crash of Fate YA CORDOVA Johnston, E. K. Córdova, Zoraida Asked by her successor to become Naboo's Thirteen years after she left, Izzy is returning representative in the Galactic Senate, Padme to Batuu. She's been hired to deliver a Naberrie, the former Queen Amidala, enlists the mysterious parcel, and she just wants to finish help of her loyal handmaidens to navigate the the job and get gone. But upon arrival at treacherous waters of politics. Black Spire Outpost she runs smack into the Overdrive e-book Hoopla e-book Hoopla e-book one person who still means something to her after all this time: her childhood friend Jules. Queen's Peril YA JOHNSTON Overdrive audiobook Johnston, E. K. When Izzy's job goes wrong, they find themselves on the run. Elected as Queen of Naboo at the age of 14, Padmé Naberrie adopts the name Amidala and selects a group of highly skilled handmaidens before facing unexpected tests when the planet is invaded by the The Fight To Survive Hoopla e-book only forces of the oppressive Trade Federation. -
Columbia Sportswear Launches Collection Inspired by Rogue One: a Star Wars Story
December 2, 2016 Columbia Sportswear Launches Collection Inspired by Rogue One: A Star Wars Story Limited-edition jackets inspired by characters in the first standalone Star Wars story for sale December 9 PORTLAND, Ore.--(BUSINESS WIRE)-- Columbia Sportswear today unveiled three limited- edition, high-performance jackets inspired by Rogue One: A Star Wars Story. The collection represents the first movie merchandise collaboration for Columbia and will be available in very limited quantities on www.columbia.com and Columbia’s retail locations beginning December 9. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20161202005171/en/ The high-performance jackets, featuring Columbia’s industry-leading technologies, take unique design inspiration from three main Rogue One characters: Sergeant Jyn Erso, Captain Cassian Andor, and the Imperial Death Trooper. Each jacket features special design details connected to the character and their allegiance in the film. The Columbia team worked closely with Disney Consumer Products and Interactive Media throughout this collaboration to ensure that the jackets are an authentic representation for discerning Star Wars fans. Constructed with Columbia’s Tested Tough promise and designed with a deep nod to characters in Rogue One and the overall Star Wars franchise, each jacket will stand up to the cold, wet weather of the winter season. Details on each jacket follow: Jyn Erso Rebel Jacket: Crafted of stretch twill cotton, Sergeant Jyn Erso’s jacket features rugged leather-look details on the The Captain Cassian Andor Rebel Parka is built to sleeves and throughout the garment. The withstand the harshest conditions. -
Disney and Lucasfilm Celebrate Iconic Heroes from a Galaxy Far, Far Away...With Star Wars Forces of Destiny
Disney and Lucasfilm Celebrate Iconic Heroes from a Galaxy Far, Far Away...with Star Wars Forces of Destiny April 13, 2017 Micro-series of original, animated shorts will focus on untold stories of everyday heroism that shape the destinies of Rey, Jyn Erso, Sabine Wren, Princess Leia, Ahsoka Tano and others Daisy Ridley, Felicity Jones, Tiya Sircar, Ashley Eckstein and Lupita Nyong'o reprise their roles for new series launching in July Books, apparel and toys including new ‘Adventure Figures' from Hasbro launching this summer GLENDALE, Calif.--(BUSINESS WIRE)-- Disney and Lucasfilm today announced Star Wars Forces of Destiny, a new initiative celebrating the inspiring stories of iconic heroes from across the Star Wars universe. An original series of animated shorts (each 2-3 minutes in length) will explore exciting, all new adventures of key characters including Rey, Jyn Erso, Sabine Wren, Princess Leia, Ahsoka Tano and others, ahead of books and a TV special later in the year. The stories will also be supported by a line of toys from Hasbro, including new ‘Adventure Figures' - a fusion between traditional dolls and action figures, creating a whole new way to play Star Wars. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20170412006283/en/ "Star Wars Forces of Destiny is for anyone who has been inspired by Leia's heroism, Rey's courage, or Ahsoka's tenacity," said Kathleen Kennedy, President of Lucasfilm. "We're thrilled that so many of the original actors are reprising their roles in these shorts which capture the small moments and everyday decisions that shape who these characters are. -
MASCULINE REPRESENTATIONS in STAR WARS by NICOLE
UNMASKING HEGEMONIC MASCULINITY: MASCULINE REPRESENTATIONS IN STAR WARS by NICOLE MARTINEZ B.A., University of Colorado Colorado Springs 2017 A thesis submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Master of Arts Department of Communication 2019 © 2019 NICOLE MARTINEZ ALL RIGHTS RESERVED ii This thesis for the Master of Arts degree by Nicole Martinez has been approved for the Department of Communication by Christopher Bell, Chair K. Maja Krakowiak Katie Sullivan December 16, 2019 iii Martinez, Nicole (M.A. Communication) Unmasking Hegemonic Masculinity: Masculine Representations in Star Wars Thesis directed by Associate Professor Christopher Bell. ABSTRACT Star Wars has influenced generations of American viewers for decades but has gone largely unanalyzed when it comes to a critique of the discourses about masculinity presented in the films. This is problematic as media serves as an agent of socialization, and the representations of masculinity in the Star Wars franchise may influence viewers’ idealization of masculinity leading to real world consequences. The research questions being analyzed in this study are: Is hegemonic masculinity performed by central characters in Star Wars? If so, how is it reinforced, how is it challenged, and how do these change over time? This study uses a critical discourse analysis to analyze the character development of twenty central characters of the Star Wars franchise, how these characters are both challenged and aspire to fall into ideals of hegemonic masculinity, and how these ideals may shift over time. Keywords: Star Wars, Critical Discourse Analysis, Hegemonic Masculinity, Toxic Masculinity iv ACKNOWLEDGEMENTS I would like to thank all of the people in my life who made it possible for me to submit this thesis and pursue my Masters education.