DOCSLIB.ORG

Bruce Museum Calendar January – March 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bruce Museum Calendar January – March 2014 December 11, 2013 Media Contact Cynthia Ehlinger Marketing Associate 203 413-6756 | [email protected] Bruce Museum Calendar January – March 2014 January January 5, 9:00 – 11:15 a.m. First Sunday Bird Walk at Greenwich Point. Bring binoculars. Meet at main concession stand in Greenwich Point Park. This is a leisurely walk of about 2 miles to view birds in their habitats. Held in collaboration with Bruce Museum, Wild Wings and Audubon Greenwich. Free. For information, call weekdays 203-413-6756. January 5, 1:30 – 4:00 p.m. First Sunday Science at the Seaside Center. All About Shellfish. Held at Greenwich Point Park, Old Greenwich. Greenwich Shellfish Commission leads this family-oriented, hands-on program about oysters, clams and harvesting shellfish. Try a fresh local clam or oyster at the raw bar by Atlantic Clam Farms. Warm up with a video presentation exploring the role of bivalves in our local marine environment. Free. For information, call weekdays 203-413-6756. Sunday, January 12, 2:00 p.m. Lecture Series: History of Oyster Fishing on Long Island Sound. The first in a three-part series of programs exploring the history of shellfishing on Long Island Sound highlights the Town of Greenwich Shellfish Commission. Commissioner Roger Bowgen, Walter Adler, Susie Baker, Dr. Frank Cantelmo, Lucy Jinishian, Daniel Barrett, and members from the Health Department join us for a panel discussion exploring the past, present and future of the Town of Greenwich Shellfish Commission. Find out who they are and what they do to protect and promote healthy shellfishing in Greenwich. Free with Museum admission. Reservations suggested; call the Museum at 203-869-0376 or e-mail to [email protected]. The Bruce Museum receives support for this program thanks to a grant from Connecticut Humanities. Wednesday, January 15, 12:30 – 1:15 p.m. Look & See: Oyster Fishing on Long Island Sound A program especially designed for children ages 3-5 years and their adult caregivers, who will explore the Museum’s galleries through hands-on experiences, crafts, stories and more. Children will explore the exhibition Oysters, Pearls of Long Island Sound and then work on a related-craft project. Members $5, non-members $7 per child, per class. Parents/guardians are free. For reservations, call the Museum at 203-869-0376. Page 1 of 6 Monday, January 20, 10:00 a.m. – 4:00 p.m. Annual Martin Luther King, Jr. Family Day Celebration Celebrate this year with performances by Connecticut’s Arts for Learning Hip Hop Dimensions at 11:00 a.m. and again at 1:00 p.m. This is a diverse collection of dancers with raw talent in Hip Hop and Break Dancing. While electrifying audiences, they inspire youth to think of dancing as a positive outlet for artistic expression. Audiences are educated on the history, culture, foundation, and the dance styles of Hip-Hop. Students of all ages and abilities will have the opportunity to make “I have a dream …” buttons and add their self-portraits to the Circle of Friends mural, as well as explore the Museum’s galleries and exhibitions. All events are free with Museum admission. Saturday, January 25, 1:00-2:30 p.m. Wildlife Tracking Class at Audubon Greenwich. Enjoy indoor/outdoor explorations at Audubon Greenwich, 613 Riversville Road, following the trail of local animals that may only be seen by the signs they leave behind. Activities are suitable for ages 5 years and up. Please call Audubon Greenwich for information, fees, and reservations: 203-869-5272 x230. Tuesday, January 28, 3:30 – 5:00 p.m. Teacher Preview: In The Dark: Animal Survival Strategies Preview includes staff tour of the exhibition followed by the presentation of school program and teacher’s materials. Curriculum connections to humanities and science will be highlighted. Open to school teachers only. February Saturday, February 1, 7:00-8:30 p.m. Owl Talk and Walk at Audubon Greenwich. RSVP required. Enjoy indoor/outdoor explorations at Audubon Greenwich, 613 Riversville Road, to learn all about birds of night - the owls. Activities are suitable for ages 5 years and up. Limited attendance. Call Audubon Greenwich for information, fees, and reservations: 203-869-5272 x230. Sunday, February 2, 9:00 a.m. First Sunday Bird Walk at Greenwich Point Bring binoculars. Meet at main concession stand in Greenwich Point Park. This is a leisurely walk of about 2 miles to view birds in their habitats. Held in collaboration with Bruce Museum, Wild Wings and Audubon Greenwich. Free. For information, call weekdays 203-413-6756. Sunday, February 2, 1:30 – 4:00 p.m. First Sunday Science at the Seaside Center: Oyster Fishing Family Day At the Seaside Center, Greenwich Point Park, Old Greenwich. Held in partnership with the Greenwich Shellfish Commission, Health Department and Bruce Museum. Experience hands-on oyster fishing with members of the Town of Greenwich Shellfish Commission. Learn about the habitat and natural history of the oyster with in-depth explorations at the Seaside Center. Take a close up look at this amazing bivalve! All activities are free and suitable for people of all ages and abilities. For information, call 203-413-6756. Thursday, February 6, 1:00 – 2:30 p.m. (Snow date Thursday, March 6) Lifetime of Looking: Oyster Fishing on Long Island Sound Page 2 of 6 A program especially designed for senior citizens with memory loss and their caregivers, who will explore the Oyster exhibition with Museum educators to provide meaningful cultural experiences and personal enrichment. A voluntary craft project and refreshments are included. Program is free, but advance reservations required. For information and reservations, call 203-413-6740 or 203-413-6741. Sunday February 9, 1:00 – 4:00 p.m. Astronomy Day Family Day Co-sponsored by the Astronomical Society of Greenwich Activities and crafts for everyone focusing on the stars and planets! STARLAB Planetarium will run continuous shows throughout the day featuring our local night skies. Members of the Astronomical Society will be on hand to show off telescopes and share information about the Bowman Observatory. All activities are inclusive, suitable for children five years and up, and are free with Museum admission. Tuesday – Friday, February 11, 12, 13, 14, 10:30 – 11:30 a.m. February School Vacation Workshops: Creatures of the Night! A series of hands on workshops for students in grades 1 – 3, who will explore exhibition In The Dark: Animal Survival Strategies, and then work on related projects. Tuesday: Bats are Furry Flyers Wednesday: Owl Nightlights Thursday: Glowing Fireflies Friday: Nighttime Animal Eyes Each workshop is a complete program, but the four projects are complementary. These inclusive workshops are suitable for students of all abilities. Members $5, non-members $7, per child, includes all materials. Reservations are required by calling the Museum 203-869-0376. Wednesday, February 19, 7:30 p.m. Panel Discussion: A Conversation with the Artists Join us for a panel discussion featuring the artists in the exhibition discussing their work and the role creating small-scale models to further their artistic visions. Artists on the panel include Joe Figg, Richard Haas, and Laurie Nix, and will be moderated by Christian Viveros-Faune, art critic and independent curator. Galleries are open for viewing from 6:30 – 7:30 p.m. This program is free but advance reservations are requested. Call the Museum at 203-869-0376. (Snow date Feb. 26) Friday, February 21, 5:00 - 8:00 pm Night at the Museum Family Benefit Come dressed in your pajamas to this fun, activity-filled and family- focused event benefitting children's education and scholarship programs at the Bruce. The event complements the exhibition In the Dark: Animal Survival Strategies. The evening features movie screenings and craft activities. Dinner will be provided and adults can enjoy wine and beer. Individual tickets are $85 per adult and $25 per child (children under 3 are free). Patron level tickets, which include special benefits, will be available for $250, $375, $500 and $1,000. For information or to receive an invitation, contact Jen Bernstein at 203-413-6761 or [email protected]. Page 3 of 6 Sunday, February 23, 2:00 p.m. Native Maritime Traditions: Harvesting the Sea Elizabeth Perry, Aquinnah Wampanoag, artist, and marine scientist. Learn about the maritime traditions of the Native Americans of the Northeast, how they utilized the sea for trade networks, harvested food, and the created beautiful ornamentation Second in a three-part series on the History of Oyster Fishing on Long Island Sound. Free with Museum admission. Reservations suggested; call the Museum at 203- 869-0376 or e-mail to [email protected]. The Bruce Museum receives support for this program thanks to a grant from Connecticut Humanities. March Sunday, March 2, 9:00 a.m. First Sunday Bird Walk at Greenwich Point Bring binoculars. Meet at main concession stand in Greenwich Point Park. This is a leisurely walk of about 2 miles to view birds in their habitats. Held in collaboration with Bruce Museum, Wild Wings and Audubon Greenwich. Free. For information, call weekdays 203-413-6756. Sunday, March 2, 1:30 – 4:00 p.m. First Sunday Science at the Seaside Center: Saltwater Fly Fishing in Fairfield County ORVIS and Trout Unlimited will present both the theoretical and practical aspects of saltwater fly fishing including fly casting demonstrations and instruction. Co-sponsored by Greenwich Shellfish Commission and Bruce Museum. Free. For information, call weekdays 203-413-6756. Sunday, March 9, 2:00 p.m. A Love Affair with Oysters: A History of the Men and Women Who Fish and Farm the Sea Tessa Getchis, MS, Aquaculture Extension Specialist, Connecticut Sea Grant, Department of Extension, University of Connecticut.
Load more

Recommended publications
  • Tiffany Memorial Windows
    Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St.
    [Show full text]
  • Back Issues Catalogue 1984 - 2019
    Back Issues Catalogue 1984 - 2019 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2019 Winter 2019 - Volume 35, Issue 1 Summer 2019 - Volume 35, Issue 3 • Sascha Brastoff. By Steve Conti • Collecting Original Designs from the Fulper/Stangl Pottery • American Art Pottery -The Robert A. Ellison Jr. Collection. • (ca. 1900- 1978). By Tom Folk, PhD • Rookwood Colored Clay. By Mark Latta • A Ceramic Enterprise for Educators: The American Art Clay • Rookwood’s Clay of Many Colors. By Riley Humler Company and Its 1930s Art Pottery (Part 2). By Mark Bas- • Redland Pottery. By Dawn Krause sett Spring 2019 - Volume 35, Issue 2 Fall 2019 - Volume 35, Issue 4 • A Ceramic Enterprise for Educators: The American Art Clay • Fulper’s Gift Box Pottery. By Jon A. Kornacki Company and Its 1930s Art Pottery (Part 1). By Mark Bassett • Angels and Dragonflies. By Anne Fulper • A Legacy in Clay John Glick. By Rostislav Eismont • Frederick Hurten Rhead’s Trans-Atlantic Ties. By Martin Eidelberg • Vally Wieselthier’s Designs in Mayer Art China. By Mark Bassett Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2018 Winter 2018 - Volume 34, Issue 1 Summer 2018 - Volume 34, Issue 3 • A Rookwood ‘Kiln’ in Indiana. By Richard D. Mohr • Native American Influence on Pottery Companies • Collector Profile: Weller 8” Cylinder Vases • INDIAN ARTS RESEARCH CENTER School for Advanced • The American Studio Pottery Movement: Making order of its Research, Santa Fe, New Mexico.
    [Show full text]
  • Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 P.M
    Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 p.m. The New York Silver Society’s (NYSS) Lisa Koenigsberg, conference director and president and Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang founder, Initiatives in Art and Culture; formerly, she served as Curator of American Decorative Arts, The Metropolitan Museum Fifteenth Annual Dinner,* begins at 5:30 p.m. advisor to the dean for arts initiatives, and director, programs in of Art; she has published widely on the subject of American American Women in the with a lecture by David Barquist, curator of the arts and adjunct professor of arts, NYU School of ceramics and glass with a special focus on the work of Louis American decorative arts, Philadelphia Continuing and Professional Studies. She founded a series of Comfort Tiffany, including most recently, the exhibition and conferences on the Arts and Crafts movement, metalwork (with book, Louis Comfort Tiffany and Laurelton Hall — An Artist’s Decorative Arts, 1875 – 1915 Museum of Art. an emphasis on silver), and Japonisme, now entering its second Country Estate (The Metropolitan Museum of Art, November 21, * Separate registration is required. Individuals who are not NYSS affiliates are welcome to attend; decade. Former positions include: assistant director for project 2006 – May 20, 2007). She also contributed an essay on Louis for further information, please telephone Audrey Goffin at (212) 684-1686 or email her at funding, Museum of the City of New York; executive assistant, Comfort Tiffany’s jewelry in Bejewelled by Tiffany, 1837 – 1987 A Symposium in New York on the Occasion of [email protected], or telephone Patricia Jay Reiner at (212) 877-6850 or email her at Office of the President, American Museum of Natural History; (London, 2006); on Tiffany and New York City in Art Nouveau [email protected], or fax her at (212) 877-5070.
    [Show full text]
  • IFIJ~Illtiu1fia1s = the SOCIETY of ARCHITECTURAL HISTORIANS ~ Iidieill1lill51llffis ~ ~0 S · IP40 · S \1~
    q:~C HIT E C TU Rllc- u. UJJ1flllf]Jf1115 ~ NEWSLETTER : IFIJ~illTIU1fiA1S = THE SOCIETY OF ARCHITECTURAL HISTORIANS ~ IIDIEill1lill51llffiS ~ ~0 S · IP40 · S \1~ JUNE 1977 VOL. XXI NO . 3 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pennsylvania 19103 • Marian C. Donnelly, President • Editor: Dora P. Crouch, School of Archi­ tecture. RPI, Troy, New York 12181 • Assistant Editor: Richard Guy Wilson, 1318 Oxford Place, Charlottesville, Virginia 22901. SAH NOTICES Attingham Scholarship. The scholarship for an SAH member to attend the 1977 Attingham Summer School, July 6-25 , has been awarded by the American Friends of Attingham, Inc. to 1978 Annual Meeting, San Antonio-April 5-10. Adolf K. Charles Arthur Hammond , Gore Place, Waltham, Mas­ Placzek, Columbia University, will be general chairman of the sachusetts. meeting. O'Neil Ford of Ford, Powell a nd Carson will be honor­ Student Scholarship Winners. The all-expense student schol­ ary local chairman, and Mary Carolyn Jutson, San Antonio Col­ arships for the 1977 annual tour of the Upper Hudson area of lege, will act as local chairman. The sessions of the meeting were New York were awarded to Gillian Bennett of the University of announced in the April 1977 N ewsletter. Preliminary programs, Pittsburgh and John R. Zukowsky of the State University of New preregistration forms and hotel reservation cards will reach the York, Binghamton. membership by December I, 1977 . CHAPTERS 1979 Annual Meeting, Savannah-April4-9. David Gebhard , University of California, Santa Barbara, will be general chairman Chicago. In late March, the chapter heard Dora Wiebenson, of the meeting.
    [Show full text]
  • 20Th Century Design and Craft: the Library of Philip Aarons
    20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO.
    [Show full text]
  • An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1-1-2008 An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Paula Kristina Kulpa University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kulpa, Paula Kristina, "An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork" (2008). Theses (Historic Preservation). 110. https://repository.upenn.edu/hp_theses/110 A thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2008. Advisor: Melissa S. Meighan This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/110 For more information, please contact [email protected]. An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Abstract The stimulus for this investigation into architectural metalwork designed and produced by Louis Comfort Tiffany and Tiffany Studios was the current project involving the conservation of the exterior envelope of the Philadelphia Museum of Art (hereafter referred to as the PMA). The scope of this project is quite large, involving work on different materials and assemblies, including several of the building's exterior metal components. Disciplines Historic Preservation and
    [Show full text]
  • THE UNIVERSAL EXPOSITION of 1904 by David R. Francis
    THE UNIVERSAL EXPOSITION OF 1904 By David R. Francis Published by Louisiana Exposition Co., 1934, Volumes 1 and 2 As President of the Louisiana Purchase Exposition, David R. Francis was in a unique position to write a definitive summary of the Fair. Volume 2 contains chapters with extensive details about the award and construction of the Fair, the buildings and thousands of exhibits in each of the 16 'departments', the Fair itself (music, sculptures, special events and days), concessions, and the salvage and destruction of the Fair. Volume 2 features 155 pictures of the Fair, printed on high-quality paper, including several 1/2 page pictures of Model City, very few interior exhibit pictures, and no pictures of paintings. Includes some pictures of Jefferson History Museum (built in 1913), financial summary statements from the Fair, and listings of personnel of all Fair organizations. Note: Sold as Set Only $125.00 5 Volumes on Freemasonry Jurisprudence of Freemasonry by Albert G. Mackey (1962) Symbolism of Freemasonry by Albert G. Mackey (1955) 1001 Questions and Answers of Interest to Masons (1960) History and Evolution of Freemasonry by Delmar D. Darrah (1954) Symbolism or Mystic Masonry by J. D. Buck (1946) All are hardcovers with dust jackets. Also included are two Freemasonry bookmarks. $50.00 STEAM Its Generation and Use With Catalogue of the Manufactures of The Babcock & Wilcox Co. Published by Babcock & Wilcox, 1902 $20.00 4 MASONIC BOOKS Scottish Rite Masonry Volumes 1 and 2 Published by Ezra Cook, 1957 Masonic Burial Services Published by Ezra Cook, 1962 Ronayne's Handbook of Freemasonry Published by Ezra Cook, 1958 $25.00 MASTERWORKS OF LOUIS COMFORT TIFFANY By Alastain Duncan, Martin Eidelberg and Neil Harris 1989 Presentation Edition, Limited to 1000 copies.
    [Show full text]
  • RAR, Volume 17, 1997
    The RUTGERS ART REVIEW Published by the Graduate Students of the Department of Art History at Rutgers, The State University of New Jersey Volume 17,1997 Copyright © 1998 by Rutgers, The State University of New Jersey All rights reserved Manufactured in the United States of America ISSN 0194-049X Typeset by Julia Alderson and Alexis Boylan Benefactors The Graduate Student Association, Rutgers, The State University of New Jersey Contributors Rona Gotten Archer St. Clair Harvey Joan Marter Sarah Blake McHam Catherine Puglisi Friends Julia Alderson Alexis Boylan The editorial board of the Rutgers Art Review, volume 17, extends its appreciation to the Graduate Student Association/Graduate Publications Committee, Rutgers University for its generous subvention towards this publication. Their continued financial support has been crucial to the success of RAR. The board is also grateful to all the professional readers of the papers submitted for this issue, and to Stephanie Leoni and Alison Gallup, for their help in securing photos. In addition, special thanks to Anand Commissiong, office director of the Catharine R. Stimpson Graduate Publications Office of Rutgers University. Without his technical expertise, this issue could not have been published. Finally, the editors would like to thank Martin Eidelberg, whose advice, good humor, and support were invaluable. " Rutgers Art Review Volume 17 Co-Editors Julia Alderson Alexis Boylan Editorial Board Lisa Victoria Ciresi Jennifer Dework Sarah Falls Sharon Matt Jennifer Schubert P.J. Switzer Kelly Winquist Deborah Woodworth Faculty Advisor Martin Eidelberg CONTENTS Volume 17 1997 Articles Gerard David's Models for Motherhood Susan Ross 2 The Source of the Laurentian Staircase Robin O'Bryan 16 A "Delicate" Difference The Critical Reception of Japanese Abstract Expressionism Karen Fraser 50 Interview An Interview with Keith Christiansen RJ.
    [Show full text]
  • And Louis Comfort Tiffany and Laurelton Hall
    Isabel Taube exhibition review of A New Light on Tiffany; and Louis Comfort Tiffany and Laurelton Hall Nineteenth-Century Art Worldwide 6, no. 2 (Autumn 2007) Citation: Isabel Taube, exhibition review of “A New Light on Tiffany; and Louis Comfort Tiffany and Laurelton Hall,” Nineteenth-Century Art Worldwide 6, no. 2 (Autumn 2007), http://www. 19thc-artworldwide.org/autumn07/122-a-new-light-on-tiffany-and-louis-comfort-tiffany-and- laurelton-hall. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2007 Nineteenth-Century Art Worldwide Taube: A New Light on Tiffany; and Louis Comfort Tiffany and Laurelton Hall Nineteenth-Century Art Worldwide 6, no. 2 (Autumn 2007) The Metropolitan Museum of Art November 21, 2006 – May 20, 2007 Louis Comfort Tiffany and Laurelton Hall—An Artist's Country Estate Alice Cooney Frelinghuysen with contributions from Elizabeth Hutchinson, Julia Meech, Jennifer Perry Thalheimer, Barbara Veith, and Richard Guy Wilson. New Haven and London: The Metropolitan Museum of Art in association with Yale University Press, 2006. 276 pp, 235 color ills., 115 b/w ills., index. $65.00 (hardcover); $45.00 (paperback) ISBN 1 58839 201 5 (hardcover); ISBN 1 58839 202 3 (paperback): ISBN 0 300 11787 6 (Yale University Press hardcover): A New Light on Tiffany: Clara Driscoll and the Tiffany Girls New-York Historical Society February 23, 2007 – May 28, 2007 (extended to July 4, 2007) A New Light on Tiffany: Clara Driscoll and the Tiffany Girls Martin Eidelberg, Nina Gray, and Margaret K.
    [Show full text]
  • Notes from the Farms
    NOTES FROM THE FARMS THE JOURNAL OF THE STICKLEY MUSEUM AT CRAFTSMAN FARMS NEW LIGHTING AT CRAFTSMAN FARMS! From the Director’s Chair ears of research and thought went Yinto the Stickley Museum at —Vonda K. Givens Craftsman Farms’ exterior lighting plan and this past summer that plan recently interviewed this year’s became reality as eight lampposts were ICraftsman Gala honoree Bob Ellison installed on the property. at his NYC home (to read more about Ellison in his own words, see his essay The lampposts were part of a lighting on pgs. 4-5). A trailblazing collector of plan first initiated by the museum’s American Art Pottery, Ellison began his campus committee. Led by Trustee and collection in the mid-1960s. At the time, architect Don Hafner, the committee the designation “art pottery” was not yet studied the historic landscape of the in common use. Of these early days, El- property—including photos from The lison said to me, “I began collecting art Craftsman magazine (see below) that pottery before I knew it was art pottery.” featured views of the lampposts in- lanterns to light the walkways for Over his many years of collecting, El- stalled by Stickley—and examined the program attendees,” said Executive lison has been a particular champion current needs of the museum. Director Vonda Givens, “but we always of the work of George Ohr, dedicating had lingering worries about safety.” Though evening programs had long considerable energy to raising aware- Those worries both influenced and ness of Ohr’s genius. As he assembled been a staple of educational program- accelerated the campus committees’ a remarkable collection of Ohr’s ming, the lack of lighting had been a pottery, Ellison also dedicated his time perpetual concern, especially during the efforts.
    [Show full text]
  • Clara Driscoll and the Tiffany Girls: the Women Oftiffany Studios
    Clara Driscoll and the Tiffany Girls: The Women ofTiffany Studios by Margaret K. Hofer, Nina Gray, and Martin Eidelberg hile Louis C. Tiffany (1848–1933) was the artistic genius behind the creative endeavors of Tiffany Studios, the dis- Detail of Peony covery of a cache of correspondence written by Clara lamp (Fig. 4). W Driscoll (1861–1944), head of the Women’s Glass Cutting Department, has revealed the substantial contributions of the women who labored anonymously to create Tiffany’s masterpieces. Hundreds of letters preserved at the Queens Historical Society in Flushing, New York, and the Kent State University Library in Ohio identify Driscoll as the designer of many of the firm’s iconic lampshades. They also bring to light the instrumental role of the so-called “Tiffany Girls,” the young women who worked under her super- vision selecting and cutting glass for windows, mosaics, and lampshades (Fig. 1). Born in 1861 in Tallmadge, Ohio, Clara Wolcott Driscoll was among the many young women who flocked to New York City in the late 1800s seeking respectable careers, particularly in the burgeoning field of industrial arts. After graduating from Cleveland’s Western Reserve School of Design for 200 www.antiquesandfineart.com Spring Women in 1882, she attended the Metropolitan Fig. 1: “Tiffany Girls” Museum Art School in New York City and was (Clara Driscoll at the far left) on the roof hired by Tiffany around 1888. In 1892 she was of Tiffany Studios, appointed head of the newly-formed Women’s 1904–1905. The Glass Cutting Department, which eventually Charles Hosmer Morse Museum of American employed as many as thirty-five women.
    [Show full text]
  • 89.1992.1 Overbeck House and Studio Wayne County Marker Text Review Report 09/25/2013
    89.1992.1 Overbeck House and Studio Wayne County Marker Text Review Report 09/25/2013 Marker Text Indiana's first art pottery, a nationally-recognized product of the American Arts and Crafts Movement, was produced 1911-1955 by the Overbeck sisters. Their 1830s Federal Style house, one block south, was listed in National Register of Historic Places, 1976. Report This marker was flagged for review because its file did not contain primary sources to support the text or background information to properly contextualize the significance of the Overbeck ceramic studio in Indiana and nationwide. No primary sources could be located to support the claim that the Overbeck Studio was Indiana’s first art pottery; furthermore, IHB now avoids the use of subjective and superlative terms such as “first,” “best,” and “most.” Such claims are often not verifiable or require extensive qualification to be truly accurate. And, while the marker is correct that the Overbeck home is on the National Register of Historic Places and was built in the Federal style in the 1830s, IHB no longer commemorates this information on its contemporary historical markers.1 The following report provides more information about the Overbeck sisters and their influence on turn-of-the-century American art. The Arts and Crafts movement originated in England during the second half of the nineteenth century. The movement, which included ceramics as well as furniture, textiles, jewelry, and metalwork, valued one-of-a-kind craftsmanship as opposed to industrial production. Arts and Crafts pottery was produced in small studios by hand. Art historian and curator Ulysses G.
    [Show full text]