AMERICAN Ceramic Circle
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A Potterõ S Pots, by Suze Lindsay Clay Culture
Cover: Bryan Hopkins functional constructions Spotlight: A Potter s Pots, by Suze Lindsay Clay Culture: An Exploration of Jun ceramics Process: Lauren Karle s folded patterns em— robl ever! p a Mark Issenberg, Lookout M ” ountain d 4. Pottery, 7 Risin a 9 g Faw h 1 n, GA r in e it v t e h n g s u a o h b t I n e r b y M “ y t n a r r a w r a e y 10 (800) 374-1600 • www.brentwheels.com a ith el w The only whe www.ceramicsmonthly.org october 2012 1 “I have a Shimpo wheel from the 1970’s, still works well, durability is important for potters” David Stuempfle www.stuempflepottery.com 2 october 2012 www.ceramicsmonthly.org www.ceramicsmonthly.org october 2012 3 MONTHLY ceramic arts bookstore Editorial [email protected] telephone: (614) 794-5867 fax: (614) 891-8960 editor Sherman Hall associate editor Holly Goring associate editor Jessica Knapp editorial assistant Erin Pfeifer technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty Advertising/Classifieds [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production production editor Melissa Bury production assistant Kevin Davison design Boismier John Design Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Publisher Charles Spahr Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. -
Appendix A: Ceramic Ware Types
BookID 162632_ChapID BM_Proof# 1 - 13/07/2009 Appendix A: Ceramic Ware Types Eleven different ware types were recovered at the various sites. The definitions for each ware as given below. Deflt: Tin-glazed pottery made in and around Spain and the Netherlands begin- ning in the early sixteenth century (Caiger-Smith 1973:127). The paste of these vessels was often of local clays and, therefore, variable in their color. Decorations consisted of opaque white tin-glazing decorated with cobalt blue hand-painted and transfer-printed designs, which often imitated Chinese import porcelains. Delft was used in domestic wares, decorative tiles, and a variety of other uses. Redware: This ceramic type was made from about 1730 up until 1840. As an artifact category, redware comprises a broad spectrum of specific paste and decoration variations. It is generally manufactured from rather unrefined materials and fired at relatively low temperatures. Decoration may take the form of colored slips, colored glazes, incisions, etc. Since redware bodies tend to be quite porous, interior glazing is common on those vessels intended to hold liquids (Ramsay 1947:128; Fay 1986). The lead glaze on redware affords the vessel a glossy surface finish that may be produced with a low firing temperature (Ketchum 2000:10; Ramsey 1939). Stoneware: Stoneware served as the “daily use” pottery of America, particularly rural America, after its introduction during the last decade of the eighteenth century. Stoneware is a vitreous, but opaque ware, manufactured of a naturally vitrifying fine, but dense clay. The pottery was fired longer and to a higher temperature than earthenwares; a kiln temperature of a least 1200–1250°C must be obtained (Dodd 1964:274–275; Cameron 1986:319). -
View Or Download the Dealers List Here
DEALERS Compiled by Robin Hildyard FSA (Last updated July 2021) “CHINA-MEN. This business is altogether shopkeeping, and some of them carry on a very considerable trade, joining white flint glass, fine earthenware and stoneware, as well as teas, with their china ware. They usually take with an apprentice from 20 to 50£, give a journeyman 20 to 30£ a year and his board, and employ a stock of 500£ and often more” A General Description of all Trades digested in alphabetical order Printed by T.Walker at the Crown & Mitre, opposite Fetter Lane, Fleet Street 1747. --------------------------------------------------------------- “The Earthen-Ware Shop is a Dependant on the Pot-House. They buy their Goods from several Houses in England, from Holland, and at the Sales of the East-India Company. They generally deal in Tea, Coffee and Chocolate” R.Campbell, The London Tradesman, London 1747 ----------------------------------------------- This list, which can never be complete, includes retailers with their shops and warehouses, factory shops, auctioneers, suppliers of tools and materials to the pottery trade, independent enamellers, gilders and printers together with their suppliers, japanners, glass cutters, glass engravers, glass enamellers, china menders, toymen, jewellers, confectioners, wine merchants and other trades likely to be involved in selling, embellishing or hiring china, earthenware or glass. ----------------------------------------------------------- ANONYMOUS: 1735, at the Glass Sellers Arms, next door to the Globe Tavern in Fleet Street, to be sold very cheap, “very cheap China Ware” and glass etc. (Daily Journal 30 Aug. 1735, Buckley notes Ceramics Dept. library 9B10). This is Benjamin Payne (qv), and see also under Mr.Ward at this address in 1736. -
The Wedgwood Museum – a Place of Discovery
The Wedgwood Museum – A Place of Discovery The Wedgwood Museum’s inspiring Discover Wedgwood packages offer a unique opportunity to spend time with a member of its curatorial team, discovering fascinating stories hidden within its extensive collections and the Wedgwood archives. There are three Discover Wedgwood experiences available – Bronze, Silver and Gold – which take place regularly throughout the year. A selection of thought-provoking and engaging subjects are investigated, so as well as choosing between Bronze, Silver and Gold, you can also book your preferred date depending on the topic that most interests you. Please refer to our full Discover Wedgwood calendar for available dates and themes. Discover Wedgwood - Bronze The finest Wedgwood tea, ethically sourced coffee and mouth-watering cakes will form part of your warm welcome to the new World of Wedgwood when you book our Discover Wedgwood Bronze package. This will be followed by a two-hour session with an Assistant Curator, during which they will give a themed talk before entering the galleries where they will highlight the objects mentioned and answer any questions you might have. As part of this truly interactive and illuminating experience you will also have access to the Museum galleries for the whole day. Our Discover Wedgwood Bronze experience is priced at £35 per person including tea / coffee and cake and admission to the Museum galleries. Places must be pre-booked and numbers are limited to 20 people. Discover Wedgwood Bronze is available on the following Tuesdays: 1st March, 5th April, 3rd May, 7th June, 5th July, 2nd August, 6th September, 4th October, 1st November, and 6th December. -
Tiffany Memorial Windows
Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St. -
Ceramics at the First Baptist Church of America
Ceramics at the First Baptist Church of America Chelsea Sokolow The First Baptist Church of America 75 North Main Street Providence, RI 02903 (401) 454-3418 The study of Ceramics is a valuable resource in historical archaeology. The examination of ceramic pieces can aid in dating a site, reveal information about trade and production, as well as provide insight into the social practices surrounding an archaeological site. The variations in style and material composition are linked the geographic origin, the production methods of ceramic artifacts, and are indicators of class status in a community. When a ceramic assemblage is created the first step is to identify the artifacts. The three main attributes from which ceramic pieces are identified consist of the paste, surface treatment, and decoration (in that order). The paste is the type of the clay from which the pieces is made. The surface treatment examines the manner in which the vessel has been covered or glazed. The decoration consists of the methods, motifs, designs, and colors used to decorate the piece. (FLMNH) In general, the quality of the ceramic is directly connected to the composition of the clay and the temperature at which it has been fired. As the availability of high-heat kilns and advanced technology grew during the 18th and 19th centuries, the presence of higher quality ceramics also increased. The higher the temperature at which a piece is fired the less porous it becomes, making it more functionally useful. Discovered at the First Baptist Church of America were various types of ceramics pieces including coarse earthenware, refined earthenware, stoneware, ironstone, and porcelain pieces. -
MC 01 Charles Fergus Binns
MC 01 Charles Fergus Binns Founder of the New York State College of Ceramics Collection: Acquisition: The Charles Binns papers were given to the College in 1980 by Dr. and Mrs. Philip D. Bonnet and in 1981 by Mrs. Penny Weiss. The office files were discovered stored on campus in March 1981 and transported to the Archives. 2011 Mr. Richard J. Adams donated drafting tools and paper documents pertaining to the family. Processed: Susan Strong, 1981 Updated: Laura Habecker, 2020 Access: The collection is unrestricted Inventory and description of contents microfilmed by the Archives of American Art. Microfilms shelved in College Archives, NYSCC Cabinet P-1 The New York State College of Ceramics at Alfred University, Scholes Library Charles Fergus Binns (1857-1934) Born: October 4, 1857, Worcester, England. Died: December 4, 1934, Alfred, NY Married: Mary Howard Ferrar, 1882. Parents: Parents: Richard William Binns and Elizabeth Ferrar (?). Education: 1868 Worcester Cathedral Kings School 1869-1872 King’s Scholar Worcester School of Design Works: 1872-1897 Royal Worcester Porcelain Works. 1893 Chicago World’s Fair (World’s Columbian Exposition) 1897-1899 Advisor to Trenton Potteries Co., Trenton, NJ, Robertson art Tile Co., Morrisville, PA, Ceramic Art Co. (Lenox China), Trenton, NJ, John Maddock Sons, Trenton, NJ, Mercer Pottery, Trenton, NJ 1898-1900 Ceramic Art Company (Lenox China), Trenton, NJ. Superintendent, Trenton School of Technical Science and Art, Trenton, NJ 1900-1931 Director, The New York State School of Clay-Working and Ceramics. Societies: 1898 Founding member of the American Ceramic Society Series Descriptions I. Office files. Manuscript boxes 1-54. -
In 2009, Wedgwood Will Celebrate a Milestone in Its Rich History. for 250
CSB08_116-117_Wedgwood 11/6/2008 16:30 Page 116 In 2009, Wedgwood will celebrate a milestone in its rich history. For 250 years its fine ceramics and gifts have graced the tables of palaces, parliaments, leading hotels and homes the world over. Its unique English heritage is being marked in its anniversary year with a series of global celebrations bringing together modern classics and fashion accessories with the best of its international design, quality, and craftsmanship. Market Wedgwood remains a market leader in luxury lifestyle within the ceramics industry. Part of the Waterford Wedgwood Group, it distributes to more than 90 countries worldwide providing premier fine bone china, earthenware and its unique Jasper stoneware, together with a range of silver and crystal accessories, textiles, gourmet foods, specialist teas and bespoke prestige items influenced by the company’s unparalleled archive records. Its key markets are the UK, North America, Western Europe and Japan, with a rapidly expanding operation both in China and Russia and a thriving corporate, sporting, hospitality and governmental portfolio. Achievements Wedgwood has two and a half centuries’ experience of supplying giftware and stylish tabletop products to the luxury sector of the market. With its superlative standards of craftsmanship, quality, record of innovation and bespoke timeless design, it maintains a Such is its popularity and heritage, this house thousands of priceless artefacts from leading position in all of its key markets. classic English brand attracts -
Back Issues Catalogue 1984 - 2019
Back Issues Catalogue 1984 - 2019 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2019 Winter 2019 - Volume 35, Issue 1 Summer 2019 - Volume 35, Issue 3 • Sascha Brastoff. By Steve Conti • Collecting Original Designs from the Fulper/Stangl Pottery • American Art Pottery -The Robert A. Ellison Jr. Collection. • (ca. 1900- 1978). By Tom Folk, PhD • Rookwood Colored Clay. By Mark Latta • A Ceramic Enterprise for Educators: The American Art Clay • Rookwood’s Clay of Many Colors. By Riley Humler Company and Its 1930s Art Pottery (Part 2). By Mark Bas- • Redland Pottery. By Dawn Krause sett Spring 2019 - Volume 35, Issue 2 Fall 2019 - Volume 35, Issue 4 • A Ceramic Enterprise for Educators: The American Art Clay • Fulper’s Gift Box Pottery. By Jon A. Kornacki Company and Its 1930s Art Pottery (Part 1). By Mark Bassett • Angels and Dragonflies. By Anne Fulper • A Legacy in Clay John Glick. By Rostislav Eismont • Frederick Hurten Rhead’s Trans-Atlantic Ties. By Martin Eidelberg • Vally Wieselthier’s Designs in Mayer Art China. By Mark Bassett Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2018 Winter 2018 - Volume 34, Issue 1 Summer 2018 - Volume 34, Issue 3 • A Rookwood ‘Kiln’ in Indiana. By Richard D. Mohr • Native American Influence on Pottery Companies • Collector Profile: Weller 8” Cylinder Vases • INDIAN ARTS RESEARCH CENTER School for Advanced • The American Studio Pottery Movement: Making order of its Research, Santa Fe, New Mexico. -
FINAL.Fountain of the Pioneers NR
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Fountain of the Pioneers _______________________________ Other names/site number: Fountain of the Pioneers complex, Iannelli Fountain Name of related multiple property listing: Kalamazoo MRA; reference number 64000327___________________________________ (Enter "N/A" if property is not part of a multiple property listing ___________________________________________________________________________ 2. Location Street & number: _in Bronson Park, bounded by Academy, Rose, South and Park Streets_ City or town: _Kalamazoo___ State: _Michigan_ County: _Kalamazoo__ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation -
Churchyard Archaeology.Pdf
Churchyard Archaeology: Archaeological Investigations at the First Baptist Church in America Edited by Zachary Nelson and Katherine Marino Report of Field Investigations at the First Baptist Church in America, Providence, Rhode Island, undertaken August-December, 2006 Churchyard Archaeology: Archaeological Investigations at the First Baptist Church in America. Edited by Zachary Nelson and Katherine Marino Copyright 2007 Report of Field Investigations at the First Baptist Church in America, Providence, Rhode Island undertaken August-December, 2006. Zachary Nelson, Principal Investigator Table of Contents List of Figures .......................................................................................................... iii List of Tables ........................................................................................................... viii Acknowledgments .................................................................................................... ix Section I: The Church and its Archaeology Chapter 1. Churchyard Archaeology and Picnics Zachary Nelson and Zöe Agoos........................................................ 2 Chapter 2. A Brief History of the First Baptist Church in America Katherine Marino............................................................................. 7 Standing Artifacts: New England Church Architecture Cody Campanie................................................................................. 16 Map and Pictoral History of the First Baptist Church Tina Lee Charest.............................................................................. -
Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 P.M
Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 p.m. The New York Silver Society’s (NYSS) Lisa Koenigsberg, conference director and president and Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang founder, Initiatives in Art and Culture; formerly, she served as Curator of American Decorative Arts, The Metropolitan Museum Fifteenth Annual Dinner,* begins at 5:30 p.m. advisor to the dean for arts initiatives, and director, programs in of Art; she has published widely on the subject of American American Women in the with a lecture by David Barquist, curator of the arts and adjunct professor of arts, NYU School of ceramics and glass with a special focus on the work of Louis American decorative arts, Philadelphia Continuing and Professional Studies. She founded a series of Comfort Tiffany, including most recently, the exhibition and conferences on the Arts and Crafts movement, metalwork (with book, Louis Comfort Tiffany and Laurelton Hall — An Artist’s Decorative Arts, 1875 – 1915 Museum of Art. an emphasis on silver), and Japonisme, now entering its second Country Estate (The Metropolitan Museum of Art, November 21, * Separate registration is required. Individuals who are not NYSS affiliates are welcome to attend; decade. Former positions include: assistant director for project 2006 – May 20, 2007). She also contributed an essay on Louis for further information, please telephone Audrey Goffin at (212) 684-1686 or email her at funding, Museum of the City of New York; executive assistant, Comfort Tiffany’s jewelry in Bejewelled by Tiffany, 1837 – 1987 A Symposium in New York on the Occasion of [email protected], or telephone Patricia Jay Reiner at (212) 877-6850 or email her at Office of the President, American Museum of Natural History; (London, 2006); on Tiffany and New York City in Art Nouveau [email protected], or fax her at (212) 877-5070.