Back Issues Catalogue 1984 - 2019
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A Potterõ S Pots, by Suze Lindsay Clay Culture
Cover: Bryan Hopkins functional constructions Spotlight: A Potter s Pots, by Suze Lindsay Clay Culture: An Exploration of Jun ceramics Process: Lauren Karle s folded patterns em— robl ever! p a Mark Issenberg, Lookout M ” ountain d 4. Pottery, 7 Risin a 9 g Faw h 1 n, GA r in e it v t e h n g s u a o h b t I n e r b y M “ y t n a r r a w r a e y 10 (800) 374-1600 • www.brentwheels.com a ith el w The only whe www.ceramicsmonthly.org october 2012 1 “I have a Shimpo wheel from the 1970’s, still works well, durability is important for potters” David Stuempfle www.stuempflepottery.com 2 october 2012 www.ceramicsmonthly.org www.ceramicsmonthly.org october 2012 3 MONTHLY ceramic arts bookstore Editorial [email protected] telephone: (614) 794-5867 fax: (614) 891-8960 editor Sherman Hall associate editor Holly Goring associate editor Jessica Knapp editorial assistant Erin Pfeifer technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty Advertising/Classifieds [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production production editor Melissa Bury production assistant Kevin Davison design Boismier John Design Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Publisher Charles Spahr Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. -
Tiffany Memorial Windows
Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St. -
MC 01 Charles Fergus Binns
MC 01 Charles Fergus Binns Founder of the New York State College of Ceramics Collection: Acquisition: The Charles Binns papers were given to the College in 1980 by Dr. and Mrs. Philip D. Bonnet and in 1981 by Mrs. Penny Weiss. The office files were discovered stored on campus in March 1981 and transported to the Archives. 2011 Mr. Richard J. Adams donated drafting tools and paper documents pertaining to the family. Processed: Susan Strong, 1981 Updated: Laura Habecker, 2020 Access: The collection is unrestricted Inventory and description of contents microfilmed by the Archives of American Art. Microfilms shelved in College Archives, NYSCC Cabinet P-1 The New York State College of Ceramics at Alfred University, Scholes Library Charles Fergus Binns (1857-1934) Born: October 4, 1857, Worcester, England. Died: December 4, 1934, Alfred, NY Married: Mary Howard Ferrar, 1882. Parents: Parents: Richard William Binns and Elizabeth Ferrar (?). Education: 1868 Worcester Cathedral Kings School 1869-1872 King’s Scholar Worcester School of Design Works: 1872-1897 Royal Worcester Porcelain Works. 1893 Chicago World’s Fair (World’s Columbian Exposition) 1897-1899 Advisor to Trenton Potteries Co., Trenton, NJ, Robertson art Tile Co., Morrisville, PA, Ceramic Art Co. (Lenox China), Trenton, NJ, John Maddock Sons, Trenton, NJ, Mercer Pottery, Trenton, NJ 1898-1900 Ceramic Art Company (Lenox China), Trenton, NJ. Superintendent, Trenton School of Technical Science and Art, Trenton, NJ 1900-1931 Director, The New York State School of Clay-Working and Ceramics. Societies: 1898 Founding member of the American Ceramic Society Series Descriptions I. Office files. Manuscript boxes 1-54. -
Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 P.M
Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 p.m. The New York Silver Society’s (NYSS) Lisa Koenigsberg, conference director and president and Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang founder, Initiatives in Art and Culture; formerly, she served as Curator of American Decorative Arts, The Metropolitan Museum Fifteenth Annual Dinner,* begins at 5:30 p.m. advisor to the dean for arts initiatives, and director, programs in of Art; she has published widely on the subject of American American Women in the with a lecture by David Barquist, curator of the arts and adjunct professor of arts, NYU School of ceramics and glass with a special focus on the work of Louis American decorative arts, Philadelphia Continuing and Professional Studies. She founded a series of Comfort Tiffany, including most recently, the exhibition and conferences on the Arts and Crafts movement, metalwork (with book, Louis Comfort Tiffany and Laurelton Hall — An Artist’s Decorative Arts, 1875 – 1915 Museum of Art. an emphasis on silver), and Japonisme, now entering its second Country Estate (The Metropolitan Museum of Art, November 21, * Separate registration is required. Individuals who are not NYSS affiliates are welcome to attend; decade. Former positions include: assistant director for project 2006 – May 20, 2007). She also contributed an essay on Louis for further information, please telephone Audrey Goffin at (212) 684-1686 or email her at funding, Museum of the City of New York; executive assistant, Comfort Tiffany’s jewelry in Bejewelled by Tiffany, 1837 – 1987 A Symposium in New York on the Occasion of [email protected], or telephone Patricia Jay Reiner at (212) 877-6850 or email her at Office of the President, American Museum of Natural History; (London, 2006); on Tiffany and New York City in Art Nouveau [email protected], or fax her at (212) 877-5070. -
IFIJ~Illtiu1fia1s = the SOCIETY of ARCHITECTURAL HISTORIANS ~ Iidieill1lill51llffis ~ ~0 S · IP40 · S \1~
q:~C HIT E C TU Rllc- u. UJJ1flllf]Jf1115 ~ NEWSLETTER : IFIJ~illTIU1fiA1S = THE SOCIETY OF ARCHITECTURAL HISTORIANS ~ IIDIEill1lill51llffiS ~ ~0 S · IP40 · S \1~ JUNE 1977 VOL. XXI NO . 3 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pennsylvania 19103 • Marian C. Donnelly, President • Editor: Dora P. Crouch, School of Archi tecture. RPI, Troy, New York 12181 • Assistant Editor: Richard Guy Wilson, 1318 Oxford Place, Charlottesville, Virginia 22901. SAH NOTICES Attingham Scholarship. The scholarship for an SAH member to attend the 1977 Attingham Summer School, July 6-25 , has been awarded by the American Friends of Attingham, Inc. to 1978 Annual Meeting, San Antonio-April 5-10. Adolf K. Charles Arthur Hammond , Gore Place, Waltham, Mas Placzek, Columbia University, will be general chairman of the sachusetts. meeting. O'Neil Ford of Ford, Powell a nd Carson will be honor Student Scholarship Winners. The all-expense student schol ary local chairman, and Mary Carolyn Jutson, San Antonio Col arships for the 1977 annual tour of the Upper Hudson area of lege, will act as local chairman. The sessions of the meeting were New York were awarded to Gillian Bennett of the University of announced in the April 1977 N ewsletter. Preliminary programs, Pittsburgh and John R. Zukowsky of the State University of New preregistration forms and hotel reservation cards will reach the York, Binghamton. membership by December I, 1977 . CHAPTERS 1979 Annual Meeting, Savannah-April4-9. David Gebhard , University of California, Santa Barbara, will be general chairman Chicago. In late March, the chapter heard Dora Wiebenson, of the meeting. -
THE VARIETY of Vance and Avon Faience: PART I, the VANCE FAIENCE COMPANY
Journal of the American Art Pottery Association, v.21 n.2 p.22-26, 2005. © American Art Pottery Association. http://www.aapa.info/Home/tabid/120/Default.aspx http://www.aapa.info/Journal/tabid/56/Default.aspx ISSN: 1098-8920 THE VARIETY OF Vance and Avon Faience: PART I, THE VANCE FAIENCE COMPANY BY JAMES L. MURPHY Seldom has there been a more disparate pair of ceramic Siamese twins than the Vance and Avon Faience companies of tiny Tiltonsville, Ohio, an Ohio River town about eight miles north of Wheeling, West Virginia. Sigafoose puts it more bluntly, if perhaps a little too bluntly: “Most authors of the last 30 years continue to mistakenly refer to the Avon Faience Company as Vance/Avon Faience [although these] were two completely different organizations with different management, different designers and artists, and very different products that are signed with different marks.”1 Owl candlestick, “Good Evening Old Friend, “with embossed bat, man-in-the moon, and stars. 5 ¼ inches high, base impressed with block letter “F”. In terms of product, the work produced by the Vance pottery appears largely to have been the work of a single designer and modeler, Rudolph Lorber (1872-1952), better known for his later work at Zanesville's Weller Pottery, while the product of the Avon company was the result of diverse designers and decorators such as William P. Jervis (1851-1925), Frederick H. Rhead (1880-1942), and Albert L. Cusick (1881-1946). Both endeavors were short-lived, production by the Vance Faience Co. much the shorter, and Vance Faience pottery has been largely dismissed by collectors and historians alike, some pieces even described a bit harshly as being “bloated, molded wares.”2 Two examples of Vance Faience's hound-handled pitcher, made from old Daniel Greatbach molds. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1-1-2008 An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Paula Kristina Kulpa University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kulpa, Paula Kristina, "An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork" (2008). Theses (Historic Preservation). 110. https://repository.upenn.edu/hp_theses/110 A thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2008. Advisor: Melissa S. Meighan This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/110 For more information, please contact [email protected]. An Investigation Into Louis Comfort Tiffany's and Tiffany Studios' Architectural Metalwork Abstract The stimulus for this investigation into architectural metalwork designed and produced by Louis Comfort Tiffany and Tiffany Studios was the current project involving the conservation of the exterior envelope of the Philadelphia Museum of Art (hereafter referred to as the PMA). The scope of this project is quite large, involving work on different materials and assemblies, including several of the building's exterior metal components. Disciplines Historic Preservation and -
Back Issues Catalogue 1984 - 2020
Back Issues Catalogue 1984 - 2020 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2020 Winter 2020 - Volume 36, Issue 1 Summer 2020 - Volume 36, Issue 3 • Roberto Lugo: Ghetto Grueby - By Garth Johnson • Rookwood Pottery Co. Tiles Plaques Found In New Jersey School • Extra Brilliant: • Rookwood’s Dull Gorham Silver Finish Deposit on Rook- • From Imaginary Box wood Pottery - to Treasure House: By Lea C. Lane The Alfred Ceramic • Newcomb Art Museum - By Pottery - By Wayne Higby Konrad Shields • Waylande Gregory’s Plates and Platters: A Modern Context • Art Pottery and Vernacular Modernism - More Than for “China Painting” - By Tom Folk, Ph.D. Popular Culture - By Bill Paul • She Came In Through The Bathroom Window - By Anne • (Feminist) Origins of Newcomb Pottery (1895-1940) - By Fulper Jenni Sorkin • It’s In The Details: Terri Kern - By Riley Humler Spring 2020 - Volume 36, Issue 2 Fall 2020 - Volume 36, Issue 4 • Owens Pottery - Photography by: David McKillop • In Countenance: Don Pilcher | Portraits - By Richard D. Mohr • In The Beginning: Adelaide Alsop Robineau’s First Porcelains - By Martin Eidelberg • Still Life With Ku- gie - Anne Fulper • Make a Virtual Visit to Kirkland Museum of Fine & Decorative Art • The Year of the Sphinx - By Tony Homer • Museum Update - Zanesville Museum of Art - The Charles Hosmer Morse Museum of American Art - The Met Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. -
THE UNIVERSAL EXPOSITION of 1904 by David R. Francis
THE UNIVERSAL EXPOSITION OF 1904 By David R. Francis Published by Louisiana Exposition Co., 1934, Volumes 1 and 2 As President of the Louisiana Purchase Exposition, David R. Francis was in a unique position to write a definitive summary of the Fair. Volume 2 contains chapters with extensive details about the award and construction of the Fair, the buildings and thousands of exhibits in each of the 16 'departments', the Fair itself (music, sculptures, special events and days), concessions, and the salvage and destruction of the Fair. Volume 2 features 155 pictures of the Fair, printed on high-quality paper, including several 1/2 page pictures of Model City, very few interior exhibit pictures, and no pictures of paintings. Includes some pictures of Jefferson History Museum (built in 1913), financial summary statements from the Fair, and listings of personnel of all Fair organizations. Note: Sold as Set Only $125.00 5 Volumes on Freemasonry Jurisprudence of Freemasonry by Albert G. Mackey (1962) Symbolism of Freemasonry by Albert G. Mackey (1955) 1001 Questions and Answers of Interest to Masons (1960) History and Evolution of Freemasonry by Delmar D. Darrah (1954) Symbolism or Mystic Masonry by J. D. Buck (1946) All are hardcovers with dust jackets. Also included are two Freemasonry bookmarks. $50.00 STEAM Its Generation and Use With Catalogue of the Manufactures of The Babcock & Wilcox Co. Published by Babcock & Wilcox, 1902 $20.00 4 MASONIC BOOKS Scottish Rite Masonry Volumes 1 and 2 Published by Ezra Cook, 1957 Masonic Burial Services Published by Ezra Cook, 1962 Ronayne's Handbook of Freemasonry Published by Ezra Cook, 1958 $25.00 MASTERWORKS OF LOUIS COMFORT TIFFANY By Alastain Duncan, Martin Eidelberg and Neil Harris 1989 Presentation Edition, Limited to 1000 copies. -
RAR, Volume 17, 1997
The RUTGERS ART REVIEW Published by the Graduate Students of the Department of Art History at Rutgers, The State University of New Jersey Volume 17,1997 Copyright © 1998 by Rutgers, The State University of New Jersey All rights reserved Manufactured in the United States of America ISSN 0194-049X Typeset by Julia Alderson and Alexis Boylan Benefactors The Graduate Student Association, Rutgers, The State University of New Jersey Contributors Rona Gotten Archer St. Clair Harvey Joan Marter Sarah Blake McHam Catherine Puglisi Friends Julia Alderson Alexis Boylan The editorial board of the Rutgers Art Review, volume 17, extends its appreciation to the Graduate Student Association/Graduate Publications Committee, Rutgers University for its generous subvention towards this publication. Their continued financial support has been crucial to the success of RAR. The board is also grateful to all the professional readers of the papers submitted for this issue, and to Stephanie Leoni and Alison Gallup, for their help in securing photos. In addition, special thanks to Anand Commissiong, office director of the Catharine R. Stimpson Graduate Publications Office of Rutgers University. Without his technical expertise, this issue could not have been published. Finally, the editors would like to thank Martin Eidelberg, whose advice, good humor, and support were invaluable. " Rutgers Art Review Volume 17 Co-Editors Julia Alderson Alexis Boylan Editorial Board Lisa Victoria Ciresi Jennifer Dework Sarah Falls Sharon Matt Jennifer Schubert P.J. Switzer Kelly Winquist Deborah Woodworth Faculty Advisor Martin Eidelberg CONTENTS Volume 17 1997 Articles Gerard David's Models for Motherhood Susan Ross 2 The Source of the Laurentian Staircase Robin O'Bryan 16 A "Delicate" Difference The Critical Reception of Japanese Abstract Expressionism Karen Fraser 50 Interview An Interview with Keith Christiansen RJ. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CALIFORNIA ART POTTERY, 1895-1920 a Thesis Submitted in Partial Satisfaction of the Requ
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CALIFORNIA ART POTTERY, 1895-1920 A thesis submitted in partial satisfaction of the requirements for the degree of Maste~ of Arts in Art by Jeffrey Allen Herr Januar:y 1988 The Thesis of Jeffrey Allen Herr is approved: - . -------~ . M[.J... -+·K~~on '..::..:..J. 1 ..o....JJ-~-ea~e-1~L. Ct ...... California State Universi~y, Northridge i i For lilma iii . the art of the potter is not merely interesti~g; it is fascinating; it bewitches and captivates all those who betray any desire for knowledge in any of its branches. Frederick Hurten Rhead iv ACKNOWLEDGE:tt'.£NT S Contrib~tions from many individuals have made ~~is thesis a reality. I am, foremost, indebted to 1ny comrnittee, M. Kenan Breazeale, Louise Lewis and Phil ~Orrison for the timely and pertinent advice, willingly given. They t.ave been invaluable asseLs contributing to the ideas expressed herein. The assistance of the University Inter-Library Loan Department staff has been indispensable. Their efficient and tireless help in locating obscure material made researching this project much easier. Additionally, I would like to note with appreciation the support given by my friends . especially to Allen and Eileen Herr for their encouragement. It is also a pleasu~e to recognize the reassurance extended by Bill Alban, Paul. Wilhoit and Dorothy and Charles Miller. I am particularly indebted to Imie Lane Camelli and Christopher Sales for thei~ crucial assistance in the final stage of this project. I-''"eqrettably, it is impossible to list every na;1ie but rr;y g~atitude is extended to all who played a role in this effort.