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Richard Linklater
Aprirà la 62^ edizione del Taormina Film Fest che si terrà a Taormina dall’11 al 18 giugno Un film di Richard Linklater NELLE SALE DAL 16 GIUGNO 2016 Durata: 117 minuti Ufficio stampa film Ornato Comunicazione Via Flaminia, 954 00191 Roma Tel. + 39 06.3341017 + 39 06.33213374 [email protected] PARAMOUNT PICTURES e ANNAPURNA PICTURES presentano “TUTTI VOGLIONO QUALCOSA”, una produzione DETOUR FILMPRODUCTION. Produttori Esecutivi Sean Daniel, John Sloss e Stephen Feder. Prodotto da Megan Ellison, Ginger Sledge e Richard Linklater. Scritto e diretto da Richard Linklater. Sequel spirituale di “La vita è un sogno”, (Dazed and Confused), ambientato nel mondo universitario degli anni ’80, TUTTI VOGLIONO QUALCOSA è una commedia che racconta le vicende di un gruppo di amici nel momento di passaggio verso l’età adulta, in cui si avventurano tra le libertà e le responsabilità dell’essere grandi senza una guida. Preparatevi al weekend più divertente della vostra vita! SINOSSI: Nel 1981 Jake Bradford si trasferisce al college e prende possesso di un'abitazione insieme ai suoi compagni della squadra di baseball universitaria. Tra cameratismi e qualche conflitto interno al gruppo, tra notti folli alla perenne ricerca di conquiste femminili, Jake inizia un percorso di crescita che lo porterà anche a trovare l'amore. CAST TECNICO Regia Richard Linklater Scritto da Richard Linklater Produttori Megan Ellison Ginger Sledge Richard Linklater Produttori Esecutivi Sean Daniel John Sloss Stephen Feder Scenografie Bruce Curtis CAST ARTISTICO Nesbit Austin Amelio Tyrone Plummer Temple Baker Beuter Will Brittain Beverly Zoey Deutch Roper Ryan Guzman McReynolds Tyler Hoechlin Jake Bradford Blake Jenner Dale Douglas J. -
The Best of the Whitesell Prize Competition 2005-2006
The Best of the Whitesell Prize Competition 2005-2006 The Writing Center’s Phyllis C. Whitesell Prizes for Expository Writing in General Education 3rd Edition, Summer 2006 The Writing Center @ Franklin and Marshall College Lancaster, PA 17604-3003 717.291.3866 Preface The Writing Center’s Phyllis C. Whitesell Prizes honor excellent student writing in Franklin and Marshall’s General Education curriculum. Each year the Writing Center invites submissions and awards a prize for the best essay written in a course that fulfills the First-Year Writing Requirement and for the best essay from a Foundations course. This booklet contains the prize-winning and honorable mention essays from this year’s competition. Named for the emeritus Director of F&M’s Writing Center, the Whitesell Prizes serve several goals. In addition to honoring both Phyllis’s dedication to teaching writing and the achievements of the College’s students writers themselves, the Whitesell Prizes seek to add to the vitality of the College’s General Education curriculum by getting students to think of their intellectual efforts as ongoing enterprises (revision, often after the essay has been graded and the class is completed, is a requirement of the competition). Also, by involving faculty and Writing Center tutors in the judging of the essays—and by making this booklet available to the College community, the Whitesell competition hopes to foster a fuller awareness of the interesting work being done in our Foundations and First-Year Writing requirement courses. My great appreciation goes to this year’s Whitesell Prize judges. Prof. Patrick Bernard, Prof. -
Richard Linklater
8 Monday April 22 2013 | the times arts artscomedy DESPINA SPYROU; GRAEME ROBERTSON “Studioshave financedfourofmy [23]films.Idon’thave aproblemwith Find thenextbig thing Theone-nightstand Hollywood,butthe airwe breathe hereisn’tpermeatedbybusiness. My familylifeishere.” Linklateris unmarried(“Iam Go to Edinburgh anti-institutionalineveryareaofmy life”).He andTina,hispartnerof andjoin thepanel thatsparked aclassic 20years,have threemuch-cherished daughters—19-year-oldLorelei, an actress,and the8-year-old“fascinating” that decides who identicaltwinsCharlotte andAlina. “That’s abig gapbetweenchildren,”he is thestand-up ThedirectorRichard Linklater tells Tim Teeman says.“Tinasaid:‘I wantmorekidsand ifyoudon’tI’ll gohave themwith comedianof2013 thebittersweet story of abrief encounterwitha someoneelse’,” Linklaterlaughs. He quotesastatisticthat70 percentof oyouwant togo tothe strangerthatgaveusBeforeSunrise andits sequels marriedmen and72percentofmarried EdinburghFestivalFringefor women havestrayed.Isheoneofthe afortnight andstay there hosewhoracefor chanceonenight inVienna.Lehrhaupt, monogamousones?“No, of coursenot!” free?Thinkyoucouldhandle theexitasamovie’s Linklaterrevealsforthefirsttime,was heroars.“Anyonewhowantsto bewith D morethan 100hours of closingcredits rollwill thewoman with“crazy, cute,wonderful mehastoacceptthecomplexityofbeing comedyintwoweeks?Thenyouhave miss,at theendof We talked energy”hemetonenight inOctober ahuman.Itrynotto live inastraitjacket. whatittakesto beaFoster’sEdinburgh RichardLinklater’s aboutart, 1989who inspiredthefilms.“What -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Alan Silvestri
ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Awards / Nominations
BRIAN TYLER FEATURE FILMS FAST 8 Vin Diesel / Neal H. Moritz / Chris Morgan, prods. Universal Pictures F. Gary Gray, dir. THE MUMMY Bobby Cohen / Barbara Muschietti / Sarah Bradshaw / Universal Pictures Chris Morgan / Sean Daniel, prods. Alex Kurtzman, dir. XXX: THE RETURN OF XANDER Joe Roth /Vin Diesel / Samantha Vincent / Jeff CAGE Kirschenbaum, prods. Paramount Pictures D.J. Caruso, dir. *co-score UNDER THE GUN (documentary) Olivia Ahnemann / Joshua A. Kunau / Kristin Lazure / Lionsgate Stephanie Soechtig, prods. Stephanie Soechtig, dir. NOW YOU SEE ME: THE SECOND Alex Kurtzman / Roberto Orci /Bobby Cohen, prods. ACT Jon M. Chu, dir. Lionsgate TRUTH Brad Fischer / Doug Mankoff / Williams Sherak, Andrew Sony Pictures Classics Spaulding, prods. James Vanderbilt, dir. FURIOUS 7 Vin Diesel / Neal H. Moritz / Michael Fottrell, prods. Universal Pictures James Wan, dir. THE AVENGERS: AGE OF ULTRON Kevin Feige, prod. Walt Disney Motion Pictures Joss Whedon, dir. THE DISAPPOINTMENTS ROOM Sam Englebardt / William D. Johnson / Geyer Kosinski / Relativity Media Vincent Newman, prods. D.J. Caruso, dir. CRIMINAL Chris Bender / Christa Campbell / Boaz Davidson, prods. Summit Entertainment Ariel Vromen, dir. *co-score THOR: THE DARK WORLD Kevin Feige, prod. Marvel Entertainment / Disney Alan Taylor, dir. TEENAGE MUTANT NINJA Michael Bay / Andrew Form / Bradley Fuller / TURTLES Scott Mednick / Galen Walker, prods. Paramount Pictures Jonathan Liebesman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 BRIAN TYLER NOW YOU SEE ME Alex Kurtzman / Roberto Orci / Eric Feig, prods. Summit Entertainment Bobby Cohen, exec. prod. Louis Leterrier, dir. IRON MAN 3 Kevin Feige, prod. Walt Disney Shane Black, dir. INTO THE STORM Todd Garner / Sean Robbins, prods. -
Spellbound Beginnings and Endings in American Literature and Film
Spellbound Beginnings and Endings in American Literature and Film Lecturer: Univ.-Prof. Dr. Stefan Brandt Course number: 512.312 Winter Term 2016/17 Selected Bibliography Primary Sources Films Annie Hall. Dir. Woody Allen. United Artists, 1977. Boyhood. Dir. Richard Linklater. Universal Pictures, 2014. Butch Cassidy and the Sundance Kid. Dir. George R. Hill. 20th Century Fox, 1969. Fight Club. Dir. David Fincher. 20th Century Fox, 1999. Inception. Dir. Christopher Nolan. Warner Bros. Pictures, 2010. Jaws. Dir. Steven Spielberg. Universal Pictures, 1975. Magnolia. Dir. Paul T. Anderson. New Line Cinema, 1999. Manhattan. Dir. Woody Allen. United Artists, 1979. Once Upon A Time in America. Dir. Sergio Leone. Warner Bros. Pictures, 1984. Psycho. Dir. Alfred Hitchcock. Paramount Pictures, 1960. Saw. Dir. James Wan. Lionsgate Films, 2004. Seven. Dir. David Fincher. New Line Cinema, 1995. Source Code. Dir. Duncan Jones. Summit Entertainment, 2011. Thelma & Louise. Dir. Ridley Scott. MGM, 1991. The Sixth Sense. Dir. M. Night Shyamalan. Buena Vista, 1999. Literary Sources Auster, Paul. The Brooklyn Follies 2005. London: Faber and Faber, 2011. Bellow, Saul. The Adventures of Augie March. 1949. New York: Penguin, 2001. Ellis, Bret Easton. American Psycho. New York: Vintage Books, 1991. Ellison, Ralph. Invisible Man. 1952. London: Penguin Classics, 2001. Harnid, Mohsin. The Reluctant Fundamentalist 2007. London: Penguin Books, 2008. Hemingway, Ernest. A Farewell to Arms. 1929. London: Vintage, 2013. Johnson, James Weldon. The Autobiography of an Ex-Colored Man. 1912. Ed. and Introd. William L. Andrews. New York: Penguin, 1990. Keller, Hellen. The Story of My Life. 1904. New York: Bantam Classic, 2005. Kincaid, Jamaica. The Autobiography of My Mother.