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EMINESCU and ROMANIAN NATION VASILE CÂNDEA This Is The
EMINESCU AND ROMANIAN NATION VASILE CÂNDEA Abstract. This opening speech emphasizes the plurality of preoccupations of a complex Romanian personality, the Romanian national poet, journalist, philosopher and publicist, and among these the manner of conceiving the evolution of Romanian nationality in relation to the western European civilisation of the time. Eminescu meditated at the status of the Romanian nation and at the Romanian civilisation, with attention for the affirmation of the national values, for the consolidation of the cultural unity of all Romanians and for the accomplishment of the Romanian national state, within its ethnical borders. Key words: Eminescu, Romanian nation, Romanian civilisation. This is the opening of the symposium on Eminescu of the Department of Philosophy, Theology, Psychology and Journalism of the Academy of Romanian Scientists at the occasion of the commemoration of 122 years since the death of the “unpaired poet” another great poet, Nichita Stănescu titled him. For me, of an entirely different trade, seems an impiety to express authorised opinions concerning the work of this giant of the Romanian literature and culture. Eminescu’s work was the subject of numerous studies, commentaries, analyses and interpretations signed by various personalities with resonance in the history of Romanian culture such as: Titu Maiorescu, Garabet Ibrăileanu, Nicolae Iorga, Eugen Lovinescu, Perpessicius, I. Negoiţescu, Petru Creţia, Acad. Dan Berindei, Acad. Alexandru Surdu, Ilie Bădescu, Svetlana Paleologu-Matta, C. Schifirneţ, etc. It seems that once he was labelled as a “genius poet”, the rest of his work slipped into the shadows, as it happened for instance with his journalistic work, expressing a manner of thinking and understanding the world through particular ideas and visions, entirely original. -
Dissemination of the Archetypal Field of Don Quixote in Camil Petrescu's
International Letters of Social and Humanistic Sciences Online: 2014-02-08 ISSN: 2300-2697, Vol. 21, pp 78-83 doi:10.18052/www.scipress.com/ILSHS.21.78 © 2014 SciPress Ltd., Switzerland Dissemination of the Archetypal Field of Don Quixote in Camil Petrescu’s Work Odette Arhip1,*, Cristian Arhip2 1Ecological University of Bucharest, Bd. Vasile Milea nr. 1G, Bucharest, Romania 2Grigore T. Popa University of Iasi, Iasi, Romania *E-mail address: [email protected] ABSTRACT The study explores the incidence of Don Quixote-archetypal behavior upon the characters of the novels written by the great Romanian inter-war writer Camil Petrescu. The research is conceptually driven type. Recognizable elements of a concept are searched and identified in the fictional pulp and a volatile field is conceptually electrified. The starting premise is that all myths and traditional stories of the world literature embrace widespread and perpetual topics; they break through in all major artistic works. Basically, some of the defining characteristics of Don Quixote are identified in the conduct of Camil Petrescu’s epic heroes: the ideal led to the end; illusory quest for truth, beauty and goodness; self- query; courage despite the unavoidable risk; delight in being defeated, etc. These similarities are supported by examples and arguments. Keywords: archetype; myth; Don Quixote; literature; novel 1. INTRODUCTION If, in the context of a mythical field of the Romanian ballad (Meşterul Manole), the concept of mitem (the minimal unit of form and content in a myth) has demonstrated its reliability, it is difficult, but challenging to admit and to prove the same efficiency in the structure other fields. -
Journal of Romanian Literary Studies Issue No
2013 Journal of Romanian Literary Studies Issue no. 3 http://www.upm.ro/jrls/ E-ISSN: 2248-3304 Published by Petru Maior University Press, Nicolae Iorga Street No. 1, 540088, Târgu-Mureș, Romania Email: [email protected]; (c) 2011-2013 Petru Maior University of Târgu-Mureș SCIENTIFIC BOARD: Prof. Virgil NEMOIANU, PhD Prof. Nicolae BALOTĂ, PhD Prof. Nicolae MANOLESCU, PhD Prof. Eugen SIMION, PhD Prof. George BANU, PhD Prof. Alexandru NICULESCU, PhD EDITORIAL BOARD: Editorial Manager: Prof. Iulian BOLDEA, PhD Executive Editor: Prof. Al. CISTELECAN, PhD Editors: Prof. Cornel MORARU, PhD Prof. Andrei Bodiu, PhD Prof. Mircea A. DIACONU, PhD Assoc. Prof. DORIN STEFANESCU, PhD Assoc. Prof. Luminița CHIOREAN, PhD Lecturer Dumitru-Mircea BUDA, PhD CONTACT: [email protected], [email protected] Table of Contents AL. CISTELECAN Faith Testimonials ...................................................................................................................... 3 ȘTEFAN BORBELY The Literary Pursuit of a Historian of Religions: The Case of Ioan Petru Culianu ................ 13 CAIUS DOBRESCU Sphinx Riddles for Zamolxes. Ethno-Politics, Archaic Mythologies and Progressive Rock in Nicolae Ceausescu’s Romania ................................................................................................. 21 MIRCEA A. DIACONU The Critical Spirit in ”România Literară” in 1989 ................................................................. 31 LIVIU MALIȚA 1918: One Nation and Two Memories .................................................................................... -
Strategies of 'Aesopian Language' in Romanian Literary Criticism Under
SLOVO , VOL. 24, NO . 2 (A UTUMN 2012), 75-95. The Rhetoric of Subversion: Strategies of ‘Aesopian Language’ in Romanian Literary Criticism under Late Communism ANDREI TERIAN Lucian Blaga University of Sibiu, Romania This paper analyses the subversive strategies of ‘Aesopian language’ with reference to the discourse of the Romanian literary criticism written under late communism (1971-1989). The first two sections of the paper signal certain gaps and inconstancies in defining Aesopian language and in delineating its forms of manifestation; at the same time, they explain the spread of this subversive practice in the political and cultural context of Romanian communism. The following three sections analyse the manner in which Aesopian language materialized in the writings of some of the most important contemporary Romanian critics: Mircea Iorgulescu, Nicolae Manolescu and Mircea Martin. The final section of the study considers a revision of the current definitions of Aesopian language (through the concept of “triggers” theorized in this paper), a new classification of the rhetorical strategies acting globally in a subversive text, as well as a re-evaluation of the relevance of Aesopian language in the context of ‘resistance through culture’, which was the main form of opposition against the communist regime in Romania. INTRODUCTION In the Foreword to his famous pamphlet Imperialism: the Highest Stage of Capitalism (1917), V.I. Lenin cautioned his readers that the paper had been written ‘with an eye to the tsarist censorship’; therefore, he had found it essential to render his subversive doctrine ‘with extreme caution, by hints, in an allegorical language – in that accursed Aesopian language – to which tsarism compelled all revolutionaries to have recourse whenever they took up the pen to write a “legal” work’. -
PRECURSOR AL AVANGARDEI Urmuz – a Forerunner of the Avantgarde
URMUZ Ŕ PRECURSOR AL AVANGARDEI Urmuz – A Forerunner of the Avantgarde Drd. Ioana-Mihaela VULTUR Universitatea „Petru Maior” din Târgu-Mureş Abstract: Conscious of the critical situation of the Romanian literature and its stagnation, Urmuz comes up with a strange way of perceiving the world around him and its manifestations. He chooses irony in order to fight the realist literature of his time and not only. By using this method, he brings forward the anti-literature. The Dada and the Surrealist movements identify Urmuz as their forerunner, due to his new technique of conceiving literature: weird hybrid characters, intertextuality (revived in postmodernism) unexpected juxtapositions and his new anti-social attitude. Keywords: Urmuz, forerunner, irony, realist literature, anti-literature, anti-social attitude Venind într-o perioadă în care scena literară românească era acaparată de tiparele modelului eminescian, la care se adaugă confruntările tradiţionalist-moderniste, grefierul de la Înalta Curte de Casaţie propune un tip de literatură care, bucurându-se de importante influenţe asupra scrierilor avangardiste ulterioare, va schimba discursul poetic. Într-o epocă în care realismul se bucura de cel mai mare prestigiu, Urmuz şi-a întors privirea şi a descoperit o nouă faţă a lumii, pe care a transpus-o în paginile sale bizare, împărtăşind visul lui Flaubert de a scrie o carte despre nimic, dând astfel startul rescrierii literaturii existente, el rămânând o figură aproape legendară în literatura română dintre cele două războaie mondiale.1 Acest început de rescriere a literaturii nu a întârziat să atragă după sine reacţii dintre cele mai diverse: simplă bufonerie, dar cu spirit şi compuneri ce nu pot depăşi limitele unor farse2, ori joc voluntar şi amuzant al unui temperament prin excelenţă satiric, cuceritor prin chiar excesul lor de absurditate3, în timp ce Geo Bogza e de părere că umorul autorului este doar o mască, iar Pompiliu Constantinescu insistă asupra celor două niveluri de lectură a Paginilor bizare. -
Răzvan Theodorescu • 80
Revista apare cu sprijinul ■ „Un popor nu se caracterizează atât prin oamenii Academiei Române, din mari pe care îi are, ci mai ales prin felul în care îi Fondul Recurent al Donatorilor recunoaşte şi îi stimează pe aceştia.” Friedrich Nietzsche Revistă naţională de cultură, politică şi ştiinţă Anul XXX · Nr. 3 (804) • Martie 2019 ■ Răzvan Theodorescu • 80 ■ Nicolae Breban. Noua libertate ■ Clubul Ideea Europeană Mihaela Helmis în dialog cu Răzvan Theodorescu „Frumuseţea, bogăţia, diversitatea, europenitatea artei noastre...” ■ Ioan-Aurel Pop. Un secol de la înfiinţarea primei universităţi româneşti din Transilvania ■ Mircea Platon. Răzvan Theodorescu şi „cele două Europe” ■ Theodor Codreanu. Românii și Europa bicefală ■ Alexa Visarion. Impostura în perimetrul vocaţiei ■ Mirel Taloş. Omul edenic, între arborele vieţii şi arborele ştiinţei ■ Eveniment • 70 de ani de diplomaţie sino-română Liaoning – Ideea Europeană ■ Constantin Brâncuşi, sărbătorit de Institutul Cultural Român ■ Semnal editorial: Sorin Lavric. Decoct de femeie ■ Aura Christi. Prietenul meu, Conte Editorial NICOLAE BREBAN ● NOUA LIBERTATE/ 3 Profiluri MARIAN VICTOR BUCIU ● CONDIŢIA DE MODEL/ 4 Lecţii de istorie ALEXANDRU SURDU ● ÎNVINGEREA UNGARIEI ŞI OCUPAREA BUDAPESTEI/ 5 Modele MAGDA URSACHE ● INEPUIZABILUL BREBAN ŞI VIAŢA SA/ 6 Cronica literară ŞTEFAN BORBÉLY ● O REUŞITĂ INTELECTUALĂ MAJORĂ/ 7 Lecturi Senatul Contemporanul: CONSTANTINA RAVECA BULEU ● USCĂTORIA DE PARTID A LUI RADU ŢUCULESCU/ 8 S Ştefan BorBély, nicolae BreBan, Surâsul prinţului Mîşkin AURA CHRISTI ● PRIETENUL MEU, CONTE/ 9 aura christi, Victor iVanoVici, Marginalii andrei Marga, Virgil neMoianu, BORIS MARIAN ● ALEXANDRU ŞAFRAN/ 10 Lecţii de istorie BasaraB nicolescu, duMitru radu PoPescu, IOAN‑AUREL POP ● UN SECOL DE LA ÎNFIINŢAREA PRIMEI UNIVERSITĂŢI eugen siMion, ion siMuţ, eugen uricaru ROMÂNEŞTI DIN TRANSILVANIA/ 11 Eseu aura christi (redactor‑şef) BOGDAN CREŢU ● EMIL BRUMARU. -
NĂSCUT LA 5 Octombrie 1941, Poetul ION CHIRIAC Debutează Cu
In memoriam ION CHIRIAC ĂSCUT LA 5 octombrie 1941, poetul ION CHIRIAC debutează cu Nversuri în Iaşul literar (1961), alte poezii fiindu-i publicate în Luceafărul, Contemporanul, Amfiteatru, Cronica, Scânteia tineretu- lui, Flacăra Iaşului, Ateneu şi Ramuri. A lucrat ca redactor la ziarul Flacăra Iaşului (1967), apoi la Scânteia tineretului (1967-1969), în 1968 apărându-i şi prima plachetă lirică, intitulată Ce se numeşte toamnă. După debut, poetul a colaborat cu versuri, eseuri, cronici C şi articole pe teme de cultură îndeosebi la periodicele ieşene şi băcăuane, publicând volumele de poezii Răsărit de fată mare (1970), Lumina pământului (1973), Nopţi cu Ştefan cel Mare A (1974), Liniştea dintre nori (1977), Elegiile inimii (1979), Exact aşa vor cânta privighetorile (1982), Cenuşa de pe inimă (1984), Plopi fără soţ (1987). Acestora li se adaugă, după un interval mai lung, F A treia noapte după răstignire (2001), Monografie Augustina Vişan- Arnold (2009). A fost distins, în 1982, cu un premiu al Asociaţiei Scriitorilor din Iaşi. É A încetat din viaţă la data de 1 septembrie 2013. Prin dispariţia lui Ion Chiriac, lumea scriitoricească românească suferă o dureroa- APOSTROFsă pierdere. NICOLAE MOTOC A ÎNCEPUTUL lunii iunie a acestui an, a încetat din viaţă, după o PETRU URSACHE Llungă şi grea suferinţă, poetul şi prozatorul NICOLAE MOTOC. Nicolae Motoc s-a născut la Feteşti, în 1936, şi şi-a trăit toată IERCURI, 7 august 2013, a încetat din viaţă PETRU URSACHE, viaţa, cu excepţia anilor de studii, la Constanţa. A fost, în anii ’50, Metnolog, estetician şi istoric literar, membru al Uniunii Scrii- student al Şcolii de Literatură „Mihai Eminescu“, după care a urmat torilor din România, Filiala Iaşi. -
DIRECTORATE GENERAL for RESEARCH Directorate a Division for International and Constitutional Affairs ------WIP 2002/02/0054-0055 AL/Bo Luxembourg, 13 February 2002*
DIRECTORATE GENERAL FOR RESEARCH Directorate A Division for International and Constitutional affairs ------------------------------------------------------------------- WIP 2002/02/0054-0055 AL/bo Luxembourg, 13 February 2002* NOTE ON THE POLITICAL AND ECONOMIC SITUATION IN ROMANIA AND ITS RELATIONS WITH THE EUROPEAN UNION IN THE FRAMEWORK OF ENLARGEMENT This note has been prepared for the information of Members of the European Parliament. The opinions expressed in this document are the author's and do not necessarily reflect the position of the European Parliament. * Updated 11 March 2002 Sources: - European Commission - European Parliament - European Council - Economic Intelligence Unit - Oxford Analytica - ISI Emerging Markets - Reuters Business Briefing -World Markets Country Analysis - BBC Monitoring Service WIP/2002/02/0054-55/rev. FdR 464703 PE 313.139 NOTE ON THE POLITICAL AND ECONOMIC SITUATION IN ROMANIA AND ITS RELATIONS WITH THE EUROPEAN UNION IN THE FRAMEWORK OF ENLARGEMENT CONTENTS SUMMARY................................................................................................................................ 3 I. POLITICAL SITUATION a) Historical background......................................................................................................3 b) Institutions...................................................................... .................................................5 c) Recent developments...................................................... .................................................6 -
Ironim Muntean Ion Todor
Ironim Muntean Ion Todor o n ■.000 Ediția a IV-a revăzută și adăugită Editura Alba lulia - 2019 Ironim Muntean Ion Todor Liceeni... odinioară Descrierea CIP a Biblotccii Naționale a României MUNTEAN, IRONIM Liceeni... odinioară / Ironim Muntean, Ion Todor; Ediție revăzută și adăugită / Cluj-Napoca: Grinta, 2011 ISBN 978-973-126-330-4 Tipărirea volumului finanțată de Opticline Alba lulia REDACTOR DE CARTE: Ion Alexandru Aldea Ironim Muntean Ion Todor Liceeni... odinioară Ediție revăzută și adăugită COLf;G?J; .HOREA. Ș| i ALBA MJA i Nr înv -^0^- Alba lulia 2019 PREFAȚĂ Autorii acestei cărți, Ironim Muntean și ion Todor mi-au fost colegi de facultate la Filologia clujeană, între anii 1960-1965 ai veacului încheiat. A fost o promoție numeroasă, din care dacă nu au ieșit personalități proeminente ale scrisului românesc contemporan, s-au afirmat destui ca remarcabili profesori secundari. Ironim Muntean și Ion Todor veneau din Alba lulia, capitala Marii Uniri, vechiul Bălgrad al începuturilor de scris românesc, absolvenți ai Liceului „Horia, Cloșca și Crișan”, care până după al doilea război mondial, purta numele gloriosului unificator de țară Mihai Viteazul. După absolvirea facultății nu s-au limitat ca mulți dascăli de literatura română, numai la activitatea catedratică, înțelegând scrisul didactic sau literar ca o completare firească a muncii la clasă. După ani și ani au ajuns profesori chiar în orașul în care absolviseră liceul, unul dintre ei, Ironim Muntean chiar la liceul „Horia, Cloșca și Crișan”, al cărui eminent absolvent fusese în urmă cu o jumătate de secol. Ambii au înțeles că este o datorie profesională, dar și de conștiință morală și patriotică studierea și punerea în lumină, sub riguros raport documentar, a tradițiilor istorice și liceale, pe care colegii le pot integra în lecțiile de istorie sau de literatură. -
Study Guide BA Programmes 2016-2017
Alexandru Ioan Cuza University Faculty of Letters Study Guide BA programmes 2016-2017 CONTENTS Part 1 Faculty Mission and History 3 Management & Structure 4 Part 2 Specialisations 5 Undergraduate (BA) Studies: Course Descriptions 6 Romanian Language and Literature 6 World and Comparative Literature 25 English Language and Literature 33 American Studies 45 Translation and Interpreting 63 French Language and Literature 81 German Language and Literature 91 Italian Language and Literature 98 Spanish Language and Literature 106 Classical Languages and Literatures 114 Russian Language and Literature 123 Journalism 134 Part 3 Romanian Language Courses for Foreign Students 145 Part 4 Erasmus Information 147 Other Useful Information 149 2 Part 1 Faculty Mission and History Our Aim: To prepare students for future careers such as: teachers, researchers in the fields of literary studies, linguistics and cultural studies, as well as specialists in translation and interpreting or journalism and communication science. Historical References 1860 (26 Oct) Inauguration of the University of Iasi – the Faculty of Letters is the first Faculty of the University with just one department, Classical (Latin) and Romanian Literature 1864 The university is reorganised: Faculty of Letters and Philosophy 1867 Department of Romanian Literature and History 1897 Inauguration of the New University Palace (present location) Department of History of Greek Literature Department of Romanian Philology Department of History of French Literature 1905 Department of Slavonic Languages -
Veronica Porumbacu's
Veronica Porumbacu’s ‘Return from Cynthera’ (1966): | 1 Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism Ovidiu Ţichindeleanu IDEA arts + society CONTACT: Ovidiu Ţichindeleanu, IDEA arts + society, Chişinău, Moldova, and Cluj, Romania, [email protected] To cite this article: [Ovidiu Ţichindeleanu. “Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism.” Wagadu: A Journal of Transna- tional Women’s and Gender Studies. Fall 2020] ABSTRACT: Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist re- gime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable vol- ume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, rely- ing on reflexive eroticism, embodied thought, and historical consciousness to challenge the surrounding patriarchal order and to claim the necessity of developing a different cultural genealogy, centered on the standpoint and ex- periences of women. © Wagadu (2020) ISSN : 1545-6196 2 | Ovidiu Ţichindeleanu Postcommunist România has tried hard to abandon its own recent past, although as visual artist Ciprian Mureşan has reminded us, strictly speaking “Communism never happened.”1 In the past three decades of “post-socialist” or “post-communist” West-oriented transition, a specific type of forgetting has been perfected in aca- demia, the public sphere, as well as the larger culture industry. -
Collector's Checklist for Roman Imperial Coinage
Liberty Coin Service Collector’s Checklist for Roman Imperial Coinage (49 BC - AD 518) The Twelve Caesars - The Julio-Claudians and the Flavians (49 BC - AD 96) Purchase Emperor Denomination Grade Date Price Julius Caesar (49-44 BC) Augustus (31 BC-AD 14) Tiberius (AD 14 - AD 37) Caligula (AD 37 - AD 41) Claudius (AD 41 - AD 54) Tiberius Nero (AD 54 - AD 68) Galba (AD 68 - AD 69) Otho (AD 69) Nero Vitellius (AD 69) Vespasian (AD 69 - AD 79) Otho Titus (AD 79 - AD 81) Domitian (AD 81 - AD 96) The Nerva-Antonine Dynasty (AD 96 - AD 192) Nerva (AD 96-AD 98) Trajan (AD 98-AD 117) Hadrian (AD 117 - AD 138) Antoninus Pius (AD 138 - AD 161) Marcus Aurelius (AD 161 - AD 180) Hadrian Lucius Verus (AD 161 - AD 169) Commodus (AD 177 - AD 192) Marcus Aurelius Years of Transition (AD 193 - AD 195) Pertinax (AD 193) Didius Julianus (AD 193) Pescennius Niger (AD 193) Clodius Albinus (AD 193- AD 195) The Severans (AD 193 - AD 235) Clodius Albinus Septimus Severus (AD 193 - AD 211) Caracalla (AD 198 - AD 217) Purchase Emperor Denomination Grade Date Price Geta (AD 209 - AD 212) Macrinus (AD 217 - AD 218) Diadumedian as Caesar (AD 217 - AD 218) Elagabalus (AD 218 - AD 222) Severus Alexander (AD 222 - AD 235) Severus The Military Emperors (AD 235 - AD 284) Alexander Maximinus (AD 235 - AD 238) Maximus Caesar (AD 235 - AD 238) Balbinus (AD 238) Maximinus Pupienus (AD 238) Gordian I (AD 238) Gordian II (AD 238) Gordian III (AD 238 - AD 244) Philip I (AD 244 - AD 249) Philip II (AD 247 - AD 249) Gordian III Trajan Decius (AD 249 - AD 251) Herennius Etruscus