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Auto Focus : Paul Schrader Auto Focus : Paul Schrader Autor(en): Genhart Irene Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 45 (2003) Heft 244 PDF erstellt am: 30.09.2021 Persistenter Link: http://doi.org/10.5169/seals-865345 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch FILMBULLETIN 2.03 NEU IM KINO AUTO FOCUS Paul Schräder Für die Boulevard-Presse war es ein 1964: Bob Crane - genial besetzt mit vielen nicht oder kaum bekleideten gefundenes Fressen, als man am frühen Morgen Greg Kinnear -, dreifacher Familienvater und Mädchen, Männer und Frauen in Sex-Action. In des 29. Juni 1978 in einem Hotelzimmer populärer Radiomoderator, geht auf Stellensuche. einer der gewagtesten, die zugleich eine der in Scottsdale, Arizona, die Leiche des Zum Film will er, eine Rolle «à la Jack intimsten Szenen des Films ist, schauen sich berühmten Fernseh- und Film-Schauspielers Lemmon» schwebt ihm vor. Angeboten Crane und Carpenter zusammen eines ihrer Bob Crane fand. Crane war im Schlaf erschlagen kriegt er von seinem Manager Lenny Videos an und masturbieren. und erdrosselt worden, die Welt war stattdessen die Rolle eines komischen Nazi in Was nicht heisst, dass das Verhältnis schockiert. Fast weniger wegen des bis heute einer TV-Sitcom. Ein Karriere-Killer, vermutet der beiden Männer ein ungebrochenes ist, im ungeklärten Mordes als vielmehr wegen Cranes Crane, übernimmt dann aber die Titelrolle Gegenteil. Als Crane Carpenters bisexuelle Doppelleben, das nun offengelegt wurde: in «Hogan's Heroes», und das Gegenteil Neigungen entdeckt, versucht er, ihn nie Zahllose, im Hotelzimmer gefundene Fotos, tritt ein. Die neue TV-Show, am 17. September mehr wieder zu sehen. Doch auto focus ist Tagebücher und selber gefertigte Videotapes, 1965 vom Stapel gelassen, wird ein Hit und auch die Schilderung einer Sucht, von der auf denen sich Szenen aus Sitcoms und Crane ein Star: Hell und heiter beginnt auto man nicht mehr los kommt: Crane kann den Amateur-Pornos heiter folgen, verwiesen auf das focus, frönt in fröhlicher Buntheit den seltsam farbenblinden Carpenter nicht mehr als bloss rege Sexleben des Stars. Der Bubbling Sixties - kaum ein Schrader-Film vergessen, findet unter einem Vorwand zu ihm nette Kerl, der in den USA als Star der Sitcom wirkt derart unbekümmert. zurück - und die Spirale dreht sich weiter. «Hogan's Heroes» bekannt war, der in Doch dann macht Crane auf dem Set die Inzwischen ist auto focus in den späten Disneyfilmen wie superdad und gus spielte Bekanntschaft des Sony-Vertreters John Siebzigern angekommen, die fröhlichen Farben und in populären TV-Serien wie «Police Carpenter, der von einem herrlich devoten Willem sind düsteren Brauntönen gewichen: der Woman», «Ellery Queen», «Quincy» und «The Dafoe gespielt wird. Carpenter funktioniert Film wirkt dumpf oszillierend. Nur Crane Love Boat» auftrat, war ein Sex-Maniac! Dass wie ein Schlüssel zu Cranes dunklen sieht sich noch immer als netten Kerl, der auf das für Schlagzeilen sorgte, versteht sich. Seiten, als Vermittler und Verführer. Eine Titten steht, und schlägt die Warnungen seines Dass Robert Graysmith Cranes Leben unter joviale Teufelsfigur, die Crane aus seinem Managers, sein überbordendes Sexleben dem Titel «The Murder of Bob Crane» in gemächlich-frommen Familien- und harmlosen einzudämmen oder verdeckt zu halten, in Buchform aufarbeitete ebenso. TV-Star-Dasein erlöst und in die Night- den Wind. Schiefläuft es am Schluss; Schräder auto focus ist einerseits ein klassisches Club-Szene einführt, wo Crane als lässt das Ende offen: Ein grosser und Biopic, das mit dem Aufschwung von Gelegenheits-Schlagzeuger eine zweite Karriere komplexer Film ist auto focus, trotz Thema Cranes Karriere beginnt, sich den wichtigsten anfängt. Eines späten Abends dann landet man und Offenherzigkeit nicht Schräders pro- Episoden des Protagonisten entlang zu viert in Carpenters Wohnung. Noch vokativster Film, wohl aber einer seiner entwickelt und mit dessen Tod endet. Andererseits sträubt sich Crane, doch in Anbetracht der besten. aber ist auto focus eine fiebrige Girls, der Gunst der Stunde und Carpenters Abhandlung über den Einfluss, den plötzliche leisem Drängen fallen seine Hemmungen. Irene Genhart Berühmtheit auf einen Menschen (und seine Fortan schliddern Crane und Carpenter, beide Fans) ausübt, und ein Essay über die Faszination, gleichermassen bilder- und sexsüchtig, in die von Bildern im Zeitalter ihrer künstlichen eine seltsame «Folie à deux». Carpenter, er R: Paul Reproduzierbarkeit ausgehen kann. Es hat fast jedes Mal, wenn er Crane begegnet, Schräder; B: Michael Gerhosi nach Robert Gray- smiths Roman «The Murder ofBob Crane»; K: Fred Murphy; ist wie Schräders frühere Filme ein neues Gadget eine Hifi-Anlage, eine - light - S: Kristina Boden; A:James Chinlund; Ko:Julie Weiss; M: An Und Polaroid-Kamera, das schwarz-weis- SLEEPER, CAT PEOPLE LIGHT OF DAY - erste (noch gelo Badalamenti. D (R): Greg Kinnear (Bob Crane), Willem ein Film um menschliche Obsessionen und - se) Video-Gerät, die erste Video-Kassette, den Dafoe (John Carpenter), Rita Wilson (Anne Crane), Maria wie AMERICAN GIGOLO Und COMFORT OF ersten Farbvideo - dabei, sorgt für die technischen Bello (Patricia Olsen Crane), Ron Leibman (Lenny), Bruce strangers ein Film über Sexualität. Zitat Gerätschaften und meist auch für die Solomon (Feldman, Produzent), Michael Rodgers (Richard - Dawson), Kurt Fuller (Werner Klemperer/Klink), Christoph Schräder eine der Veränderungen, Lokalitäten, Crane für den Frauennachschub. - Chronologie er Neiman (Robert Clary/LeBeau), Lyle Kanouse (John identity» welche «the American male sexual Anfänglich bumst man ein bisschen rum, Banner/Schultz), EdBegleyjr. (Mel Rosen), Michael KcKean in den «kritischen Jahren von 1965 bis macht ab und zu ein Foto; später filmt man (Videoproduzent), Donnamarie Recco (Melissa). P: Sony 1978» durchläuft. Vor allen Dingen aber ist heimlich und fertigt Heimpornos. In einer Pictures Classics in Zusammenarbeit mit Propaganda Film, Good Machine; P: Scott Alexander, Karaszewski, Todd focus ein Film um zwischenmenschliche für das US-Kino geradezu erstaunlichen Larry auto Roskenm Pat Dollard, Alicia Allain. USA, 2002, Farbe, Offenheit schildert Schräder in Abhängigkeiten. auto focus 35mm, to; Min, CH-V: Buena Vista International, Zürich; sexuelle Exzesse: orgienmässige Partys mit D-V: Columbia TriStar Film, Berlin.
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