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Dazed N Confused Song List
Dazed n Confused Song List Ozzy Osbourne - Crazy Train - Solo’s, Paranoid 163 Whitesnake - Still of the Night -100 - Solo’s Aerosmith - Walk this Way 109 - Sweet Emotion 99 Uriah Heep - Easy Living 161 Robin Trower - Day of the Eagle 132, No time 127 Joe Walsh - Rocky Mountain Way 83 Molly Hatchet - Dream 106, Flirting w/ Disaster 120 April Wine - Roller 141, Sign of the gypsy queen 138 Rush - Tom Sawyer 175, Limelight 138 Bob Seeger - Strut 116 Ratt - Round and Round solo’s 127, Van Halen - Panama 141, Beautiful Girls 205, Jump 129, Poundcake 105 Thin Lizzy - Jailbreak 145 Rick Derringer - Rock n Roll Hoochie Koo 200 Billy Idol - Rebel Yell 166 Montrose - Space Station #5 168 Led Zeppelin - Immigrant Song 113, (Whole Lotta Love, Bring it on Home, How Many More Times) Foghat - I Just Wanna Make Love to You 127, Slowride 114, Fool for the city 140 Ted Nugent - Stranglehold, Dog Eat Dog 136, Cat Scratch Fever 127 Neil Young - Rockin in the Free World 132 Heart - Barracuda 137 James Gang - Funk 49 91, Walk Away 102 Poison - Nothin But a Good Time 129, Talk Dirty to Me 158 Motley Crue - Mr. Brownstone106, Smokin in the boys room 135, Looks that kill 136, Iron Maiden - Run to the Hills 173 Skid Row - Youth Gone Wild 117 ZZ Top - Tush, Sharped dressed man 125 Scorpions - Rock You Like a Hurricane 126 Grand Funk Railroad - American Band 129 Doucette - Mamma Let Him Play 136 Sammy Hagar - Heavy Metal, There’s only one way to rock 153, I don’t need love 106 Golden Earring - Radar Love -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Aerosmithaerosmith 03/2012 BATERA CENTER-SBO/SP
PARTITURA PARA BATERIA DE: Por: TÇwxÜáÉÇ VÄx|àÉÇ eÉwÜ|zâxá CRYIN’ --AerosmithAerosmith 03/2012 BATERA CENTER-SBO/SP. A banda AEROSMITH A banda foi formada em 1970, Boston, Massachusetts, EUA. Através dos anos, a banda emplacou diversos sucessos e ganhou inúmeros prêmios musicais, além de conseguirem alcançar as marcas de multi-platina em vários álbuns. Após 41 anos, a banda continua na estrada em turnês ao redor do mundo e gravando novos discos, sendo a banda norte- americana que mais vendeu discos na história do rock, com mais de 150 milhões de A E R O S M I T H álbuns vendidos. A banda foi incluída no Hall da fama do Rock and Roll, e está inclusa na lista dos 100 maiores artistas de todos os tempos da Rolling Stone e do VH1, detêm o recorde do maior número de álbuns com certificações de ouro e multi-platina, ganharam 4 Grammy Awards, e 10 MTV Vídeo Music Awards. Discografia: Aerosmith (1973), Get Your Wings (1974), Toys in the Attic (1975), Rocks (1976), Draw the Line (1977), Night in the Ruts (1979), Rock in a Hard Place (1982), Done with Mirrors (1985), Permanent Vacation (1987), Pump (1989), Get a Grip (1993), Nine Lives (1997), Just Push Play (2001), Honkin’on Bobo (2004). AAmúsicamúsica CRYIN’ A canção foi a faixa de maior sucesso do disco “Get a Grip” de 1993, o décimo primeiro álbum de estúdio da banda Aerosmith. IntegrantesIntegrantes:: Steven Tyler (voz, gaita, percussão, teclado, flauta), Joe Perry (voz apoio, guitarra, percussão), Brad Whitford (guitarra), Tom Hamilton (baixo), Joey Kramer (bateria). -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager. -
Walk This Way- Estratégias De Remodelagem Da Banda Aerosmith Direcionadas Ao Mainstream
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação ______________________________________________________________________ Walk this way- Estratégias de remodelagem da banda Aerosmith direcionadas ao mainstream. Um estudo de caso1 Camilla LAPA2 Lorena AROUCHE3 Universidade Federal de Pernambuco, Recife, PE RESUMO Aerosmith, banda de hard rock surgida no início da década de 70, precisou ser reconfigurada estrategicamente, incorporando uma linguagem audiovisual na forma de videoclipes e a roupagem pop sonora para consolidar-se no mainstream nas décadas seguintes. A pesquisa, aqui apresentada, configura-se em estudo de caso, que tem como fundamentação teórica os estudos sobre Música pop e Mainstream desenvolvidos por Frederic Martel. PALAVRAS-CHAVE: Videoclipe; mainstream; rock. Este artigo pretende investigar de que forma o audiovisual videoclipe aliado a estratégias outras introduziu, definitivamente, a banda, originalmente, hard rock Aerosmith ao universo pop/ mainstream, agregando ao grupo uma nova geração de fãs, telespectadores da MTV. Qual a estratégia de aproximação engajada a seduzir os jovens, utilizada nos videoclipes e nos canções? O Aerosmith ganhou inúmeros prêmios na época, que se configurou em fase pop do grupo. Como a gravadora Geffen moldou uma estratégia para re-estruturar uma banda de rock, que havia saído do foco da mídia há anos, em rock pop? Como surgiu a ideia dos videoclipes, porque eles funcionaram? Tais questões acima supracitadas balizaram e nortearam a pesquisa para o desenvolvimento do trabalho. Figuram como o mote que despertou a curiosidade a respeito das estratégias específicas que tangenciam para o mainstream, utilizadas por empresários, produtores e especialmente a gravadora. Nos anos 80 o videoclipe foi amplamente utilizado como uma forma de divulgação para o artista. -
Aerosmith - Walk This Way
Aerosmith - Walk This Way. (Tyler/Perry) 1975. Daksel LLC Seldak/Mosaic Music Publishing. = 110 Drumq s/batterie : Album : Toys In The Attic (Colombia Records) 1975. Joey Kramer. 3' 40". Metal. Intro. > > Ç Ç F ëÀÇ Ç ÀÇÀÇÀÇÀÇ ÀÇÀÇ ëÇ ÀÇ ÀÇ ÀÇ ÀÇ _ëÇ Î 4 ÈÏ. ÈÏ ÈÏ. ÈÏ äÏÈJ ====================/ 4 Ï È Ï È l Ô llll Ô l Ô l Ô l Ï È ÏÏ È ==È llll È È ÈÏÈ ÈÏ È È È È È Verse Coupl%et _ëÇ ÀÀÇ ÇÀÀÇÇÀÇÀÇÀÇ ÀÀÇ Ç ÀÀÇÇÀÇÀÇÀÇÀÇ ÀÇÀÀÇÇÀÇÀÀÇÇëÇ ÈÏ ÈÏ ÈÏ ÈÏ ÈÏ ÈÏ ====================/ ÈÏ È ÈÏJÈÈÏ. lÈÏ È ÈÏJÈÈÏ. lÔÔÔÔÔl l l l lÈÏ È ÈÏJ==È llll È Cowbellä/CloÈcheÈÈ È äÈ ÈÈ È äÈ Inst. Ç Ç _ëÇ ÐÇ ÐÇ ÐÇ ÐÇ ÐÇ ÐÇ _ëÇ ÐÇ ÐÇ ÐÇ ÐÇ ÐÇ ÐÇ ÐÇ_ëÇ Î ÈÏ. ÈÏ ÈÏ. ÈÏ ÈÏ. ÈÏ ÈÏ. ÈÏäÈÏJ ====================/ Ï È ÏÏ Ï È lÏ È ÏÏ Ï È lÏ È ÏÏ Ï È lÏ È Ï È ==È llll È È È È È È È È È È È È È È È È È ÈÏÈ È Verse Couplet _ëÇ ÀÀÇ ÇÀÀÇÇÀÇÇÀÇ ÀÀÇ Ç ÀÀÇÇÀÇÀÇÀÇÇ ÀÇÀÀÇÀÇÀÇ _î Ï À Ï ÏÀÀ Ï ÏÏÏÏ / È ÈÏ È È Ô ÔÔÔÔ È ææÈÈÈÈÈÏÈÏÈÏÏÏÈ ====================ÈÏ äÈÏJÈÈÏ. l ÈÏ äÈÏJÈÈÏ. l l l l l l ÈÏ ÈÏÈÈÏÈ==ÈÏÈ ÈÏÈ llll Chorus È È ÈÈ È È ÈÈ È ÈÈÈÈÈ È È È Refrain Þ _ëÇ ÀÀÇ ÇÀÀÇÇÀÇÀÇÀÇ _ëÇ ÀÀÇ ÇÀÀÇÇÀÇÀÇÀÇ ÈÏ ÈÏ ÈÏ ÈÏÈÏ ====================/ Ï È ÏJÈÏ. l Ô l Ô l Ô l Ô l Ô llll Ô l Ï È ÏJ==È È llll È äÈ ÈÈ È äÈ Inst. -
Aerosmith Returns for Newly Announced Second Leg of ‘The Global Warming Tour’ Tickets Go on Sale September 24
AEROSMITH RETURNS FOR NEWLY ANNOUNCED SECOND LEG OF ‘THE GLOBAL WARMING TOUR’ TICKETS GO ON SALE SEPTEMBER 24 BAND’S NEW ALBUM ‘MUSIC FROM ANOTHER DIMENSION’ STREETS NOVEMBER 6 “Brad Whitford and Joe Perry are playing better guitar than ever. Steven Tyler is playful, happy, and singing all of those impossible high notes. Joey Kramer has a drum groove like no other. And Tom Hamilton…continues to be the steady anchor to this ship.” --Duff McKagan (Guns N’ Roses, Velvet Revolver, Loaded) SEATTLE WEEKLY, August 10, 2012 AEROSMITH ain’t messing around. America’s greatest rock band delivered absolutely killer sets on the first leg of their triumphant, sold-out The Global Warming Tour this past summer, with critics dropping comments like (we kid you not, see below) “stunning…jaw-dropping…impassioned intensity…seamless swagger...epic rock moments…a wonder to behold…Aerosmith always managed to reinvent itself for the masses without losing its inherent musicality...Make no mistake, Aerosmith remains king.” They ain’t done yet. More prisoners will be taken when Steven Tyler (vocals), Joe Perry (guitar), Brad Whitford (guitar), Tom Hamilton (bass) and Joey Kramer (drums) return for the second leg of The Global Warming Tour launching November 8. The month-long, 14-city arena tour will take the band to New York City (Madison Square Garden), Los Angeles (Staples Center) and Las Vegas (MGM Grand Garden Arena), among other cities. They’re fully armed with career-defining hits and blazing songs from their new album MUSIC FROM ANOTHER DIMENSION, out November 6 on Columbia Records. They’re the only band of their stature with all-original members and who are playing better than ever before. -
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Live Band Karaoke Song List 2017
Live Band Karaoke Song List 2017 50s, 60s & 70s Pop/Rock A Hard Day’s Night – The Beatles All Day And All Of The Night – The Kinks American Woman – The Guess Who Back In The USSR – The Beatles Bad Moon Rising – CCR Bang A Gong – T. Rex Barracuda – Heart Be My Baby – The Ronettes Beast Of Burden – Rolling Stones Birthday – The Beatles Black Dog – Led Zeppelin Born To Be Wild – Steppenwolf Born to Run – Bruce Springsteen Break On Through – The Doors California Dreaming – Mamas & The Papas Come Together – The Beatles Communication Breakdown – Led Zeppelin Crazy Little Thing Called Love – Queen Dead Flowers – The Rolling Stones Don’t Let Me Be Misunderstood – The Animals Don’t Let Me Down – The Beatles Dream On – Aerosmith D’yer Mak’er – Led Zeppelin Fat Bottom Girls – Queen Funk #49 – James Gang Get Back – The Beatles Good Times and Bad Times – Led Zeppelin Happy Together – The Turtles Heartbreaker/ Living Loving Maid – Led Zeppelin Helter Skelter – The Beatles Hey Joe – Jimi Hendrix Hit Me With Your Best Shot – Pat Benatar Hold On Loosely – .38 Special Hound Dog – Elvis Presley House Of The Rising Sun – The Animals I Got You Babe – Sonny and Cher Immigrant Song – Led Zeppelin Into the Mystic – Van Morrison Jumpin’ Jack Flash – The Rolling Stones Lights – Journey Manic Depression – Jimi Hendrix Mony Mony – Tommy James and the Shondells More Than A Feeling – Boston Oh! Darling – The Beatles Paint It Black – Rolling Stones Peggy Sue – Buddy Holly Purple Haze – Jimi Hendrix Revolution – The Beatles Rock and Roll – Led Zeppelin Rock And Roll -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski ppedDancing MyQueen Rating ABBA LocationBenny Andersson/Björn Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3715072 231 1 1 1 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 1Knowing Dancing me, Queen.mp3 knowing you ABBA Benny Andersson/Björn Ulvaeus/Stig Anderson ABBA Forever Gold I Rock 3885158 241 1 1 2 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 2Take Knowing a chance me, knowingon me you.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 3924028 244 1 1 3 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:56 PM Audio:ABBA:ABBA ForeverMamma mia Gold I:03 ABBA Take a Bennychance Andersson/Björn on me.mp3 Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3428328 213 1 1 4 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:59 PM Audio:ABBA:ABBA ForeverLay all Goldyour I:04love Mammaon me mia.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 4401337 274 1 1 5 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 5Super Lay alltrouper your love ABBA on me.mp3 Benny Andersson/Björn Ulvaeus ABBA Forever Gold I Rock 4081599 254 1 1 6 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBAI