DOCSLIB.ORG

The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, And RECONSIDERING REGIONALISM: THE ENVIRONMENTAL ETHICS OF SARAH ORNE JEWETT, KATE CHOPIN, AND WILLA CATHER Kelly Clasen, B.S., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Ian Finseth, Major Professor Jacqueline Foertsch, Committee Member Stephanie Hawkins, Committee Member David Holdeman, Chair of the Department of English James D. Meernik, Acting Dean of the Toulouse Graduate School Clasen, Kelly, Reconsidering Regionalism: The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, and Willa Cather. Doctor of Philosophy (English), August 2011, 248 pp., references, 166 titles. This study identifies environmentalist themes in the fiction and nonfiction of Sarah Orne Jewett, Kate Chopin, and Willa Cather and argues that these ideals are interdependent upon the authors’ humanistic objectives. Focusing on these three authors’ overlapping interest in topics such as women’s rights, environmental health, and Native American history, this dissertation calls attention to the presence of a frequently unexplored but distinct, traceable feminist environmental ethic in American women’s regional writing. This set of beliefs involves a critique of the threats posed by a patriarchal society to both the environment and its human inhabitants, particularly the women, and thus can be classified as proto-ecofeminist. Moreover, the authors’ shared emphasis on the benefits of local environmental knowledge and stewardship demonstrates vital characteristics of the bioregionalist perspective, a modern form of environmental activism that promotes sustainability at a local level and mutually beneficial relationships among human and nonhuman inhabitants of a naturally defined region. Thus, the study ultimately defines a particular form of women’s literary activism that emerged in the last decades of the nineteenth century and argues for these authors’ continued theoretical relevance to a twenty-first-century audience increasingly invested in understanding and resolving a global environmental predicament. Copyright 2011 By Kelly Clasen ii ACKNOWLEDGEMENTS I extend my warmest gratitude to members of the University of North Texas English Department for their generous assistance with this project. First, I must thank Dr. Ian Finseth, whose patient guidance was instrumental in bringing this dissertation to fruition. In particular, his deftness at identifying shortcomings in my research and pointing me in the right direction consistently broadened the scope of my project and brought depth to my work. Dr. Jacqueline Foertsch and Dr. Stephanie Hawkins are also forever in my dept for their timely readings of my chapters and for their insight. Well before I had a first draft of anything for my dissertation committee to read, however, two UNT professors were instrumental in my development as a scholar. Dr. Theresa Flowers, a friend and mentor, was the first person to encourage me to pursue a doctoral degree—not without the sage warning, ―If getting a PhD were easy, everyone would have one,‖ of course. Additionally, I found retired Professor David Kesterson‘s unfailing enthusiasm for American literature inspiring and catching during my first few semesters of graduate studies. These professors have been, for me, models of conduct in both academia and life, and I am eternally thankful for their influence. I must also acknowledge Jessica Oxendine, a Shakespeare scholar who made innumerable trips to the library and local coffee shops with me during my research and who never failed to lend an ear and offer her advice. Finally, I extend much gratitude to my family, the English department, and the Toulouse School of Graduate Studies, whose generosity facilitated my research and writing. iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS………………………………………………………………............iii INTRODUCTION………………………………………………………………………………...1 Chapter 1. TO ―LOOK AT NATURE BY THE LIGHT OF THE SUN‖: CONTRASTING EXPRESSIONS OF ENVIRONMENTALIST RHETORIC IN RURAL HOURS AND WALDEN……………………………………………………………………………..15 2. WOMEN ACROSS THE WATER: THE HEALING HERMITAGE IN SELECT BIOREGIONALIST WORKS……………………………………………………….67 3. FEMINISTS OF THE MIDDLE BORDER: GARLAND, CATHER, AND THE FEMALE LAND ETHIC…………………………………………………………...119 4. RESISTING THE COMMODIFICATION OF CULTURES: NATIVE AMERICAN GEOGRAPHIES IN THE WORKS OF JEWETT, CHOPIN, AND CATHER……173 CONCLUSION…………………………………………………………………………………231 WORKS CITED………………………………………………………………………………..237 iv INTRODUCTION When the narrator of Sarah Orne Jewett‘s 1896 novel The Country of the Pointed Firs bids farewell to the declining coastal community that has been her summer home, she does so with such descriptive poignancy in the book‘s final chapter, suggestively titled ―The Backward View,‖ that she seems to be saying goodbye not simply to Dunnet Landing and her curious cast of friends there, but also to a particular way of life. Stricken by the emptiness of her room at Mrs. Almira Todd‘s house, she muses: ―So we die before our eyes; so we see some chapters of our lives come to their natural end‖ (485).1 With this grave reflection, Jewett‘s anonymous metropolitan narrator might as easily be referring to a chapter in American history, as her statement echoes the anxiety and wistfulness that many Americans felt as they took stock of the vast changes to the socioeconomic and cultural makeup of the United States occurring in the decades after the Civil War. As the country burgeoned into a center of industry and technology, saw distant regions connected through improved transportation systems, and witnessed swift population growth and movement out of remote places like Dunnet Landing and into urban centers, regional writers of the era struggled to preserve snippets of the nation‘s history that were in danger of being forgotten while they also attempted to shape the course of the country‘s future. Inevitably, tensions arise between these authors‘ insistence, during the country‘s shift toward an increasingly international modernity, upon the importance of regional cultures and their simultaneous disparagement of local societies‘ close-mindedness. This dissertation traces one vital intellectual trend among the many literary responses to this tumultuous period of American prosperity. It focuses on regionalism, a dominant literary mode during this era that I do not treat as a fixed category, but rather as a fluid term for prose texts whose authors exhibit a concentrated interest in place-specific qualities and issues, even 1 though these authors might have also produced works that resist regional classification. Specifically, this dissertation identifies the shared tendency among three female writers from different regions of the United States to employ feminist and cultural themes to suggest not only the need for increased human rights among the inhabitants of their primarily rural settings, but also the dangers of a dominance-based philosophy of existence, ultimately promoting lifestyles based on cautious consideration of ecosystems, rather than on competition with nature. I find that inherent to these authors‘ recognition of the problems associated with capitalist systems that perpetuate the subjugation of women and racial minorities (such as plantation society) are also warnings about the environmental effects of unchecked post-bellum industrialization and economic growth—warnings that might be categorized as proto-ecofeminist. Indeed, these authors‘ attention to environmental change surfaces primarily in texts that also encourage greater independence for women and, to a lesser extent, racial minorities such as Native Americans and African Americans. This conceptual orientation aligns these turn-of-the-century authors with reformists of the late twentieth century who identified and challenged connections between human abuse and environmental abuse that are supported by patriarchal systems under which both nonhuman nature and women are treated as objects intended for men‘s use and control.2 Of course, Sarah Orne Jewett, Kate Chopin, and Willa Cather were writing well before science could provide a full (though ever-changing) portrait of a planet at risk due to human activity, and to characterize any one of them as an environmental activist in today‘s sense of the term would be an overstatement. These authors‘ environmental warnings stem largely from their appreciation for nonurban landscapes and their reluctance to sanction changes to certain places to which they felt emotionally connected, sentiments that reflect a growing pessimism about the state of American civilization at the end of the nineteenth century and a corresponding mounting 2 respect for the wilderness, which had become a valued emblem of the country‘s formative pioneer past.3 In addition to being personal, these authors‘ interests are also primarily anthropocentric, their intermittent advocacy of resource management more indicative of conservationist philosophy than more radical modern environmentalist thought. Nevertheless, almost a century before the threat of global climate change and the embarrassment of ocean garbage vortexes became a part of the national debate, these women took note of what was occurring in their surroundings and recognized that rapid environmental change posed problems for its plant, animal, and human inhabitants. Focusing on specific regions of the United States, they called attention to these threats and suggested that the natural world was in need of greater attention for various reasons, including the spiritual and aesthetic
Load more

Recommended publications
  • The Compositional, Lecture, and Publication Histories of Henry David Thoreau’S “Walking” Read Ecocritically
    Beyond the Book: The Compositional, Lecture, and Publication Histories of Henry David Thoreau’s “Walking” Read Ecocritically By Jennie Lynn Walker B. A. May, 1997, Salisbury State University M. A. May, 2001, Salisbury State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences Of The George Washington University In partial fulfillment of the requirements For the degree of Doctor of Philosophy January 31, 2010 Dissertation directed by Christopher Sten Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Jennie Lynn Walker has passed the final examination for the degree of Doctor of Philosophy as of 4 September 2009. This is the final and approved form of the dissertation. Beyond the Book: The Compositional, Lecture, and Publication Histories of Henry David Thoreau’s “Walking” Read Ecocritically Jennie Lynn Walker Dissertation Research Committee: Christopher Sten, Professor of English, Dissertation Director Ann Romines, Professor of English, Committee Member Sandra Petrulionis, Professor of English, Pennsylvania State University, Committee Member ii © Copyright 2010 by Jennie Lynn Walker All rights reserved iii Dedication The author wishes to dedicate her work to Joseph Gilbert who has taught me to follow my bliss, and who, in Thoreau’s spirit, embraces the sauntering life from his little mountain top home each day, and in memoriam of Bradley P. Dean, a true Thoreau scholar and friend. The author also wishes to dedicate her work to her
    [Show full text]
  • Biophilia, Gaia, Cosmos, and the Affectively Ecological
    vital reenchantments Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) vital reenchantments: biophilia, gaia, cosmos, and the affectively ecological. Copyright © 2019 by Lauren Greyson. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/li- censes/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-07-6 (print) ISBN-13: 978-1-950192-08-3 (ePDF) lccn: 2018968577 Library of Congress Cataloging Data is available from the Library of Congress Editorial team: Casey Coffee and Eileen A.
    [Show full text]
  • American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Winter 1-1-2012 American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Bloomquist, Katherine Mary, "American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism" (2012). All Theses and Dissertations (ETDs). 997. https://openscholarship.wustl.edu/etd/997 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Vivian Pollak, Chair Ruth Bohan Anca Parvulescu Daniel Shea Akiko Tsuchiya Rafia Zafar American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism by Katherine Mary Bloomquist A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2012 Saint Louis, Missouri © Copyright 2012 by Katherine Mary Bloomquist All rights reserved. Table of Contents List of Figures iii Acknowledgements iv Dissertation Abstract v Introduction: 1 Of Maps and Memoirs Chapter 1: 30 Self and Other Portraits: Sarah Orne Jewett’s “A White Heron” as Human Documents Chapter 2: 79 As If They Had a History: Documenting the Things Named in Willa Cather’s Regional Fiction Chapter 3: 137 In Place of Picture-Postcards: “Some Measure of Privacy” in Ann Petry’s Wheeling Chapter 4: 190 “Some Kind of a Writin’ Person”: Regionalism’s Unfinished Women Writers Bibliography 245 ii List of Figures Figure 1: 29 Cover Image of The Local Colorists: American Short Stories 1857-1900, ed.
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No.
    [Show full text]
  • The Letters of Sarah Orne Jewett
    Colby Quarterly Volume 5 Issue 3 September Article 4 September 1959 The Letters of Sarah Orne Jewett John Eldridge Frost Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.3, September 1959, p.38-45 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Frost: The Letters of Sarah Orne Jewett 38 Colby Library Quarterly glimpses of the farmscapes and homely prototypes she so art­ fully and viably transposed to paper. So with the First Citi­ zeness of South Berwick: the evanescent flesh is remote now, but the inextinguishable spirit lives on. THE LETTERS OF SARAH ORNE JEWETT By JOHN ELDRIDGE FROST THE ever-growing volume of Miss Jewett's letters in print has made desirable a survey both of those which have been printed and of those in manuscript form in libraries. It is neither possible nor desirable to list those owned by individuals for this would constitute an invasion of the collector's privacy or, worse still, a breach of manners toward Miss Jewett's friends and their heirs. It is interesting to note that plans have already been nlade for the eventual disposal to libraries of all letters privately owned that I have viewed. Miss Jewett was a warm, vivid, stinlulating person whose genius often flowed into her correspondence. An astonishingly large amount of it was saved by those who knew her. She was an avid correspondent who frequently devoted an entire morn­ ing to the writing of letters.
    [Show full text]
  • Howellsian Chic: the Local Color of Cosmopolitanism
    HOWELLSIAN CHIC: THE LOCAL COLOR OF COSMOPOLITANISM BY BRAD EVANS We who are nothing but self, and have no manner of being Save in the sense of self, still have no other delight Like the relief that comes with the blessed oblivion freeing Self from self in the deep sleep of some dreamless night. —William Dean Howells, “Sphinx” Had Sarah Orne Jewett’s country maiden from A Marsh Island (1885), Doris Owen, decided to go off with the bohemian artist Dick Dale to a life of heady, urban aestheticism, she could have hoped for no better end than to have become William Dean Howells’s Alma Leighton from A Hazard of New Fortunes (1890). The two women’s circumstances are remarkably similar, both of them familiar characters from the archives of New England regional fiction. Like Doris Owen, Alma Leighton grew up in one of those picturesque vacation destinations scattered someplace between Vermont, New Hampshire, or Maine; like Doris, her mother kept a summer boarder who happened to be a young bohemian artist who had come with the purpose of making some sketches of the local scene; and like Doris, she became romantically involved with him. The difference between them is that, rather than staying at home in rural Maine, Alma travels to New York: though, like Doris, she ultimately rejects her bohemian suitor, she does so not to remain true to her roots in the country but to become a bohemian artist herself. It is Alma’s sketch for the cover of the novel’s new illustrated magazine, Every Other Week, that sets the aesthetic framework for the novel itself.
    [Show full text]
  • Sarah Orne Jewett's Interpretation of Maine Life
    2^° SARAH ORME JEWETT'S INTERPRETATION OF MAINE LIFE A THESIS' Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in English) By JESSIE FRENCH BRYAN B. A., Wellesley, 1910 University of Maine Orono June, 19S0 ACKNOWLEDGMENT One of the principal pleasures in writing this thesis has been the anticipation of having it pass under the criticism of Doctor Turner. To her evaluation of the ideas from their first groping toward formulation to their present state, is due whatever merit this slight study may have. To Doctor Ellis, who directed my study, to Doctor Morton Turner and to Doctor Draper I wish to express my appreciation of the help they have given me in my graduate work. Mr. Louis Ibbotson, Librarian of the University, has assisted me over many places where my ability to find material has failed. I thank him and the library force for their patient efforts. Mrs. Hoyt D. Foster has supplied me with informa­ tion which no one else could give. Her personal acquain­ tance with two of the authors has thrown light upon their interpretations which has proved invaluable. Mr. Edwin Arlington Robinson very kindly responded to an inquiry telling me where I could be sure of Maine in his poetry. 968 7 9 TABLE OF CONTENTS Foreword Introduction The People Character andCharacterization ......................... p. .1 Culture.......................................................... .. ...p. 40 Social and Economic Conditions......................p. 71Z/ ^ The Countryside.................................. ;..............................p. 113 The Dialect ............................ p. 160 Conclusion................................................................................p. 202 Bibliography FOREWORD There is in Maine a kind of state-consciousness which makes a guest of all who come from other places, no matter how welcome they are made to feel, nor how long they remain.
    [Show full text]
  • For a Boston Marriage: Sarah Orne Jewett's Illustrated Deephaven
    “Bedtime” for a Boston Marriage: Sarah Orne Jewett’s Illustrated Deephaven adam sonstegard Downloaded from http://direct.mit.edu/tneq/article-pdf/92/1/75/1793769/tneq_a_00721.pdf by guest on 01 October 2021 ARAH ORNE JEWETT first published Deephaven in 1877, S but an illustrated edition that appeared in 1893 with a text with complex, new contributions to the meaning of the work.1 Houghton Mifflin included visual art by Charles H. Woodbury and Marcia Oakes Woodbury. Among the fifty-five visual ad- ditions to Jewett’s novel of coastal Maine, an image captioned “Bedtime” adorns one story (Fig. 1). Nocturnal and shadowy, the image incorporates curved bannisters and arched windows and depicts Deephaven’s heroines, Helen Denis and Kate Lan- caster, climbing stairs toward upper-story chambers, exchang- ing conspiratorial glances across a solemn clock face. Merely putting a story about fisherman’s yarns to bed, as it were, and leaving something gleaming in the ladies’ eyes, the picture portends something other than slumber. The image appeared decades ahead of the first work scholars have identified asa This project has been made possible by a Faculty Scholarship Initiative at Cleve- land State University, Cleveland, Ohio. Sincerest thanks to Jeff Karem, Brooke Conti, Heather Russell, Jackie LaPlante, Peter Woodbury, Wendy Pirsig, Terry Heller, Holly Jackson, and the anonymous reader reviewers of New England Quarterly. 1Jewett first published short fictions in several magazines, many of which illustrated them, and many of which are reproduced with those illustrations in The Irish Stories of Sarah Orne Jewett, ed. Jack Morgan and Louis A.
    [Show full text]
  • Sarah Orne Jewett Collection, 1801-1997
    Sarah Orne Jewett collection, 1801-1997 This finding aid was produced using ArchivesSpace on October 24, 2018. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc Sarah Orne Jewett collection, 1801-1997 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ......................................................................................................................................
    [Show full text]
  • James Fenimore Cooper: Young Man to Author
    Syracuse University SURFACE The Courier Libraries Spring 1988 James Fenimore Cooper: Young Man to Author Constantine Evans Syracuse University Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Literature Commons, and the Military History Commons Recommended Citation Evans, Constantine. "James Fenimore Cooper: Young Man to Author." The Courier 23.1 (1988): 57-77. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIII, NUMBER 1, SPRING 1988 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIII NUMBER ONE SPRING 1988 The Forgotten Brother: Francis William Newman, Victorian Modernist By Kathleen Manwaring, Syracuse University Library 3 The Joseph Conrad Collection at Syracuse University By J. H. Stape, Visiting Associate Professor of English, 27 Universite de Limoges The Jean Cocteau Collection: How 'Astonishing'? By Paul J. Archambault, Professor of French, 33 Syracuse University A Book from the Library of Christoph Scheurl (1481-1542) By Gail P. Hueting, Librarian, University of Illinois at 49 Urbana~Champaign James Fenimore Cooper: Young Man to Author By Constantine Evans, Instructor in English, 57 Syracuse University News of the Syracuse University Library and the Library Associates 79 James Fenimore Cooper: Young Man to Author BY CONSTANTINE EVANS The distinctive event that marks the beginning of Cooper's prog~ ress towards a career as an author took place in 1805, when at age sixteen he left Yale College in disgrace.
    [Show full text]
  • James Thomas Fields Papers: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf2z09n5tc No online items James Thomas Fields Papers: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers: mssFI 1 Finding Aid Descriptive Summary Title: James Thomas Fields Papers Dates: 1767-1914 Bulk dates: 1850-1914 Collection Number: mssFI Creator: Fields, James Thomas Extent: 5,438 items in 74 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: The collections consist primarily of letters, as well as poems and manuscripts, from various American and British authors to American editor, publisher, and poet James Thomas Fields (1817-1881), mostly relating to publication of their manuscripts by his firm Ticknor and Fields and in The Atlantic Monthly. The collection also includes letters to Fields's wife Annie Fields (1834-1915) concerning literary matters. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information The collection was processed and a summary report first created in 1976, and revised in 1983.
    [Show full text]
  • James Thomas Fields Papers Addenda: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf6p3004vs No online items James Thomas Fields Papers Addenda: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers mssFI Addenda 1 Addenda: Finding Aid Descriptive Summary Title: James Thomas Fields Papers Addenda Dates: 1838-1901 Collection Number: mssFI Addenda Creator: Fields, James Thomas Fields, Annie Adams Extent: Approximately 500 pieces in 13 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: This collection of papers of American editor, publisher, and poet James Thomas Fields (1817-1881) and his wife, Annie (Adams) Fields (1834-1915), consists of notebooks and loose papers containing their poetry, essays, notes for speeches, a few scattered diary entries, and memoranda. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information In March 2000, an initial EAD-encoded finding aid was created for this collection and then updated in 2004. In January 2015, Diann Benti created a new EAD-encoded finding aid for the collection. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]