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18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues. -
2018 CELEBRATING 17 Years
2018 CELEBRATING 17 years Canadian The authentic Irish roots One name, Company, Irish experience, run deep four spectacular Irish Heritage created with care. at RIT. destinations. Welcome to our We can recommend Though Canada is As we open tours 17th year of making our tours to you home for the Duffy to new regions memories in Ireland because we’ve family, Ireland is of the British Isles with you. experienced in our blood. This and beyond, our It’s been our genuine them ourselves. patriotic love is the priority is that we pleasure to invite you We’ve explored the driving force behind don’t forget where to experience Ireland magnificent basalt everything we do. we came from. up close and personal, columns at the We pride ourselves For this reason, and we’re proud Giant’s Causeway and on the unparalleled, we’ve rolled all of the part we’ve breathed the coastal personal experiences of our tours in played in helping to air at the mighty that we make possible under the name create thousands of Cliffs of Moher. through our strong of RIT. Under this exceptional vacations. We’ve experienced familiarity with the banner, we are As our business has the warm, inviting land and its locals. proud to present grown during this atmosphere of a The care we have for you with your 2018 time, the fundamental Dublin pub and Ireland will be evident vacation options. purpose of RIT has immersed ourselves throughout every Happy travels! remained the same: to in the rich mythology detail of your tour. -
Evers C Thesis 2005.Pdf (PDF, 10.47MB)
IlARE BOOKS all The University of Sydney Copyright in relation to this thesis. Under the Copyright Act 1968 (several provision of which are referred to below). this thesis must be used only under the normal conditions of scholarly fair dealing for the purposes of research. criticism or review. In particular no results or conclusions should be extracted from it, nor should it be copied or closely paraphrased in whole or in part without the written consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. Under Section 35(2) of the Copyright Act 1968 'the author of a literary, dramatic. musical or artistic work is the owner of any copyright subsisting in the work', By virtue of Section 32( I) copyright 'subsists in an original literary, dramatic, musical or artistic work that is unpublished' and of which the author was anAustralian citizen,anAustralian protected person or a person resident inAustralia. The Act, by Section 36( I) provides: 'Subject to this Act, the copyright in a literary, dramatic, musical or artistic work is infringed by a person who, not being the owner of the copyright and without the licence of the owner of the copyright. does in Australia, or authorises the doing in Australia of, any act comprised in the copyright', Section 31(I )(.)(i) provides that copyright includes the exclusive right to 'reproduce the work in a material form'.Thus.copyright is infringed by a person who, not being the owner of the copyright, reproduces or authorises the reproduction of a work, or of more than a reasonable part of the work, in a material form. -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
Eleven Follies in County Offaly
ELEVEN FOLLIES IN COUNTY OFFALY CONDITION SURVEY & MEASURED DRAWINGS October 2013 2 This report was commissioned by Offaly County Council with financial assistance from the Heritage Council to consider the history, significance, condition and conservation of a disparate group of follies and garden building located in County Offaly. The structures range in scale from a pair of small circular stepped plinths, situated in a pond and measuring less than two meters in height, to an impressive eye-catcher rising to over fourteen meters. Most of the structures date from the eighteenth or early nineteenth centuries, and some were designed to provide impressive prospects of the surrounding countryside. Surprisingly, for a county that is generally thought to be flat and boggy, Offaly contains a significant number of hills, on which many of these structures are found. With the exception of one earthwork structure, now heavily overgrown and lacking definition, most of the structures survive in a reasonable state of preservation, albeit often in a poor state of repair. While the primary purpose of this report is to illustrate and describe the significance of these structures, and equally important purpose is to recommend practical ways in which there long term future can be preserved, wither by active conservation or by slowing the current rate of decline. The report was prepared by Howley Hayes Architects and is based on site surveys carried out in July and August 2013. 3 4 CONTENTS SUMMARY OF CONCLUSIONS 1.0 INTRODUCTION 2.0 TOWERS 3.0 GAZEBOS 4.0 EYECATCHERS 5.0 MISCELLANEOUS 6.0 CONCLUSIONS 5 SUMMARY OF CONCLUSIONS . -
APPENDIX. Have Extensive Schools Also Here
738 .HISTOBY . OF LIMERICK. projected, from designs by 5. J. M'Carthy, Esq., Dublia, by the Very Rev. Jsmes O'Shea, parish priest, and the parishioners. The Sister of Mercy have an admirable convent and school, and the Christian Brothers APPENDIX. have extensive schools also here. s~a~s.-Rathkede Abbey (G. W: Leech, Esq.), Castle Matrix, Beechmount (T. Lloyd, Esq , U.L.), Ba1lywillia.m (D. Mansell, Esq.), and Mount Browne (J. Browne, Ey.) There is a branch of the Provincial Bank of Ireland, adof the National PgqCJPhL CHARTERS OF LIMERICK, Bank of Ireland here. Charter granted by John ... dated 18th December, 1197-8 . ,, ,, Edward I., ,, 4th February, 1291 ,, ,, ,, Ditto ,, 6th May, 1303 ,, ,, Henry IV. ,, 26th June, 1400 ,, ,, Henry V. ,, 20th January, 1413 The History of Limerick closes appropriately with the recognition by ,, ,, ,, Henry VI. ,, 27th November, 1423 the government of Lord Palmerston, who has since been numbered ~6th ,, ,, ,, Ditto, ,, 18th November, l429 ,. ,, ,, Henry VI., ,, 26th July, 1449 the dead, of the justice and expediency of the principle of denominational ,, ,, ,, Edward VI. ,, 20th February, 1551 education, so far at least as the intimation that has been given of a liberal ,, ,, ,, Elizabeth, ,, 27th October, 1575 modification of the Queen's Culleges to meet Catholic requirements is con- ,, ,, ,, Ditto, ,, 19th March, 15b2 , Jrrmes I. ,, 8d March, 1609 cerned. We have said appropriately", because Limerick was the first Amsng the muniments of the Corporation is an Inspex. of Oliver Cromwell, dated 10th of locality in Ireland to agitate in favour of that movement, the author of February, 1657 ; and an Inspex. of Charles 11. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
SIOBHÁN HAPASKA Born 1963, Belfast, Northern Ireland. Lives and Works in London, United Kingdom
SIOBHÁN HAPASKA Born 1963, Belfast, Northern Ireland. Lives and works in London, United Kingdom. Education 1985-88 Middlesex Polytechnic, London, United Kingdom. 1990-92 Goldsmiths College, London, United Kingdom. Solo Exhibitions 2021 Douglas Hyde Gallery, Dublin, Ireland. 2020 LOK, Kunstmuseum St. Gallen, St. Gallen, Switzerland. 2019 Olive, Andréhn-Schiptjenko, Paris, France. Snake and Apple, John Hansard Gallery, Southampton, United Kingdom. 2017 Kerlin Gallery, Dublin, Ireland. 2016 Andréhn-Schiptjenko, Stockholm, Sweden. 2014 Sensory Spaces, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands. 2013 Hidde van Seggelen Gallery, London, United Kingdom. Siobhán Hapaska, Magasin 3 Stockholm Konsthall, Stockholm, Sweden. 2012 Siobhán Hapaska and Stephen McKenna, Kerlin Gallery, Dublin, Ireland. Andréhn-Schiptjenko, Stockholm, Sweden. 2011 A great miracle needs to happen there, Kerlin Gallery, Dublin, Ireland. 2010 The Nose that Lost its Dog, Tanya Bonakdar Gallery, New York, USA. The Curve Gallery, the Barbican Art Centre, London, United Kingdom. Ormeau Baths Gallery, Belfast, United Kingdom. 2009 The Nose that Lost its Dog, Glasgow Sculpture Studios Fall Program, Glasgow, United Kingdom. 2007 Camden Arts Centre, London, United Kingdom. Tanya Bonakdar Gallery, New York, USA. 2004 Playa de Los Intranquilos, Pier Gallery, London, United Kingdom. 2003 cease firing on all fronts, Kerlin Gallery, Dublin, Ireland. 2002 Tanya Bonakdar Gallery, New York, USA. 2001 Irish Pavillion, 49th Venice Biennale, Venice, Italy. 1999 Sezon Museum of Art, Tokyo, Japan. Artist Statement for Bonakdar Jancou Gallery, Basel Art Fair, Basel, Switzerland. Tokyo International Forum, Yuraku-Cho Saison Art Program Gallery, Aoyama, Tokyo, Japan. 1997 Tanya Bonakdar Gallery, New York, USA. Ago, Entwistle Gallery, London, United Kingdom. Oriel, The Arts Council of Wales' Gallery, Cardiff, Wales, United Kingdom. -
Inspiring Ireland Awaits You! with Swanstone Gardens April 27 ~ May 7, 2021
Inspiring Ireland Awaits You! With Swanstone Gardens April 27 ~ May 7, 2021 ~ ~ ~ ~ ~ ~ ~ ~ Register now —this popular tour sells out! Trip dates: April 27 – May 7, 2021 This Exclusive & Customized Tour Includes: ❖Roundtrip motorcoach transfers from Green Bay to Chicago O’Hare ❖Roundtrip flights from Chicago to Dublin, Ireland ❖Meet and Greet Services upon arrival in Dublin. ❖Exclusive transportation by luxury motorcoach in Ireland ❖Services of a professional English Speaking Driver/Guide in Ireland ❖ Superior-First class hotels in Ireland (9 nights): 1 Night – Dublin, 2 Nights – Kilkenny, 2 Nights – Killarney, 2 Nights – Galway, 1 Night – Derry, 1 Night - Bunratty ❖Daily full Irish breakfasts (9), 3 two-course lunches, 7 dinners, INCLUDING ~ ❖ 3 Nights of Entertainment, Traditional Pub Dinner, Gaelic Roots Show, Tea & Scones, Welcome Dinner Party in Dublin and lots of fun. ❖ Admissions & Visits to: Giants Causeway, Carrick-a-rede Bridge, Dunluce Castle, Bridget’s Garden, Malahide Castle, Trinity College, Dublin Castle, Guinness Storehouse, Leap Castle, Medieval Mile Walk and Museum, Mt. Congreve Gardens, Lissadell House, Doolin Cave, Michael Skellig boat ride, Shannon Ferry Crossing plus more! ❖Hosted & Escorted by David Calhoon ~ Swanstone Gardens ❖Pre-trip informational group meeting ❖ Document Party & Reunion Party Custom Designed by ELJO Travel LLC ITINERARY Tues, Apr 27—Day 1: DEPARTURE FROM THE USA: Your tour starts as you board your private motorcoach from Sturgeon Bay, with a stop in Green Bay to Chicago O’Hare, with a stop in Milwaukee. Overnight flights to Dublin, Ireland. Enjoy in-flight meals and entertainment as you start your inspiring and energetic adventure to the Ireland. Wed, Apr 28—Day 2: DUBLIN, IRELAND (Welcome to the Beautiful Enchanted Isle!) Early arrival in Dublin, your Irish driver/guide will meet you outside of baggage claim and direct you to your private motorcoach. -
Haunted Adventure in Ireland with Katie Manning Psychic Medium
Haunted Adventure in Ireland with Katie Manning Psychic Medium October 22 - 30, 2021 $2,875 LAND & AIR per person, double occupancy (minimum 30 traveling) Round-trip air is out of JFK Single Room Supplement $575 Tour Includes: • Exclusive transport by luxury motorcoach with a driver/guide HIGHLIGHTS • Meet and greet service with one group transfer upon arrival • Guided tour of Dublin and departure at the airport • Gudied walking tour of Drogheda • Hotel accommodation based on twin bedded rooms with • Excursion to Spike Island with lunch private bath as listed for 7 nights • Sheepdog trials on the the Dingle Peninsula • Full breakfasts (8) • Medieval Banquet at an Irish castle • Dinners (4) • Gallery reading with Katie • Daily meditation • Visits and admission fees to: Trinity College (Books of Kells), St. Michan’s Cathedral, Hill of Tara, Battle of the Boyne Centre, Leap Castle, Rock of Cashel, HOTELS – 7 Nights Cobh Heritage Center, Blarney Castle & Woolen Mills, Ross Camden Court Hotel | Dublin (2) Castle, Cliffs of Moher & St. Brigid’s Well River Lee Hotel | Cork (2) • Hotel porterage, service charges and government taxes Great Southern Hotel | Killarney (2) • Flight bags, ticket wallets, baggage tags and identifying strap Bunratty Castle Hotel | Bunratty (1) To book or for more information, contact: Connie Dyer Phone: (518) 833-6543 Email: [email protected] Pack Your Bags Travel This tour is subject to CIE Tours’ booking guidelines and cancellation penalties. Refer to General Conditions of your group contract. CST# 485893 IRELAND SCOTLAND ENGLAND WALES ITALY ICELAND Haunted Adventure in Ireland with Katie Manning Fri, Oct 22 - DEPART THE UNITED STATES according to records. -
Surfing, Gender and Politics: Identity and Society in the History of South African Surfing Culture in the Twentieth-Century
Surfing, gender and politics: Identity and society in the history of South African surfing culture in the twentieth-century. by Glen Thompson Dissertation presented for the Degree of Doctor of Philosophy (History) at Stellenbosch University Supervisor: Prof. Albert M. Grundlingh Co-supervisor: Prof. Sandra S. Swart Marc 2015 0 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the author thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 8 October 2014 Copyright © 2015 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za Abstract This study is a socio-cultural history of the sport of surfing from 1959 to the 2000s in South Africa. It critically engages with the “South African Surfing History Archive”, collected in the course of research, by focusing on two inter-related themes in contributing to a critical sports historiography in southern Africa. The first is how surfing in South Africa has come to be considered a white, male sport. The second is whether surfing is political. In addressing these topics the study considers the double whiteness of the Californian influences that shaped local surfing culture at “whites only” beaches during apartheid. The racialised nature of the sport can be found in the emergence of an amateur national surfing association in the mid-1960s and consolidated during the professionalisation of the sport in the mid-1970s.