Still on the Road Session Pages: 1970
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The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Still on the Road Session Pages: 1970
STILL ON THE ROAD 1970 RECORDING SESSIONS MARCH 3 New York City, New York Studio B, Columbia Recording Studios, 5th Self Portrait session 4 New York City, New York Studio B, Columbia Recording Studios, 4th Self Portrait session 5 New York City, New York Studio B, Columbia Recording Studios, 6th Self Portrait session 11 Nashville, Tennessee Columbia Music Row Studios, 1st Self Portrait overdub session 12 Nashville, Tennessee Columbia Music Row Studios, 2nd Self Portrait overdub session 13 Nashville, Tennessee Columbia Music Row Studios, 3rd Self Portrait overdub session 17 Nashville, Tennessee Columbia Music Row Studios, 4th Self Portrait overdub session 26, 27 Los Angeles, California Columbia Studio B, Hollywood, 5th Self Portrait overdub session 30 Nashville, Tennessee Columbia Music Row Studios, 6th Self Portrait overdub session APRIL 2 Nashville, Tennessee Columbia Music Row Studios, 7th Self Portrait overdub session 3 Nashville, Tennessee Columbia Music Row Studios, 8th and last Self Portrait overdub session MAY 1 New York City, New York Columbia Studio B, 1st New Morning session 17 Carmel, New York The Home Of Thomas B. Allen, Earl Scruggs Documentary JUNE 1 New York City, New York Columbia Studio E, 2nd New Morning session 2 New York City, New York Columbia Studio E, 3rd New Morning session 3 New York City, New York Columbia Studio E, 4th New Morning session 4 New York City, New York Columbia Studio E, 5th New Morning session 5 New York City, New York Columbia Studio E, 6th New Morning session 30 New York City, New York Columbia Studio E, 7th New Morning session JULY 13 New York City, New York Columbia Studio E, 1st New Morning overdub session 23 Nashville, Tennessee Columbia Studio E, 2nd New Morning overdub session AUGUST 12 New York City, New York Columbia Studio E, 8th and last New Morning session Still On The Road: Bob Dylan recording sessions 1970 1790 Studio B Columbia Recording Studios New York City, New York 3 March 1970 4th Self Portrait recording session, produced by Bob Johnston. -
INFORMATION SHEET and SYLLABUS You Will Receive an E-Mail Attachment Copy of This Syllabus and It Will Also Be Available on Canvas
LIT 200 / Bob Dylan: Life, Legacy, Literature / Spring 2018/ Hill Page 1 LIT 200 / Section 1 / Bob Dylan: Life, Legacy, and Literature Richard Hill, Ph.D. Point Loma Nazarene University / Spring 2018 2 Credit Hours INFORMATION SHEET AND SYLLABUS You will receive an e-mail attachment copy of this syllabus and it will also be available on Canvas Meeting Time and Place: Tuesdays and Thursdays 6:00-7:45 in Liberty Station 205B Professor: Richard (Rick) Hill / Home phone: 858-270-5227 / Cell Phone 858-366-5221 / E-Mail: [email protected] Office: BAC 112/ Office Phone: 2670 /LJML Dept Phone: 2297 Office Hours: Open: Wed 12:30-1:15 PLNU office /Tues- Thurs 5:30 -6:00 in Liberty Station Classroom Other hours can also be arranged. Knock on the door with a question: Anytime I’m in the office PLNU Mission: To Teach ~ To Shape ~ To Send Point Loma Nazarene University exists to provide higher education in a vital Christian community where minds are engaged and challenged, character is modeled and formed, and service is an expression of faith. Being of Wesleyan heritage, we strive to be a learning community where grace is foundational, truth is pursued, and holiness is a way of life. REQUIRED TEXTS, ONLINE READING, AND AUDIO Dylan, Bob. Chronicles Volume One. New York: Simon and Schuster, 2004. Bobdylan.com. Official Website Bob Dylan. Wikipedia article. https://en.wikipedia.org/wiki/Bob_Dylan Expecting Rain. Obsessive Bob Dylan website. http://www.expectingrain.com/ Selected Songs by Bob Dylan (See page 7 for required items) Optional Items on Library Reserve One or two books per week about or by Dylan will be introduced in class, then placed on library reserve for further perusal. -
Life in Old Virginia
For Reference Do Not Take From the Library y R 975.5 M135 1 R-PA McDonald, Jamps Joseph, 18 44- Life in old Virginia '; osG^iyjsciiiiLss For Reference Not to be taken from this room i^ViJj.ii;iWrfiUli' r :..-.,.,.;. :j.::.CH F'U3UC LIBRARY 936 INDEPiiiNDENCE BLVD. VIRGINIA BEACH, VA 23455 Digitized by the Internet Archive in 2011 with funding from LYRASIS members and Sloan Foundation http://www.archive.org/details/lifeinoldvirOOmcdo Captain John Smith. LIFE IN OLD VIRGINIA A DESCRIPTION 0/ VIRGINIA. MORE PARTICULARLY THE TIDEWATER SECTION, NAR- RATING MANY INCIDENTS RELATING TO THE MANNERS AND CUSTOMS of OLD VIRGINIA SO FAST DISAPPEARING AS A RESULT o/THE WAR BETWEEN THE STATES, TOGETHER WITH MANY HUMOROUS STORIES ILLUSTRATED JAMES J. McDonald Formerly State Senator from the 36th Senatorial District of Virginia EDITED BY J. A. C. Chandler The Old Virginia Publishing Co. (Inc.), Norfolk, Va. IVJ C M V I I LIBRARY VIRGINIA BEACH PUBUC VIRGINIA BEACH PUBLIC LIBRARY SYSTEM - DUP y- i M 1 j~> AlflE30 lbb7D5 Copyright 1907 By The OW Virginia Publishing Company (inc.) ^A^ FOREWORD When I am old and feeble, And cannot work any more, Then carry me back to Old Virginia, To Old Virginia's shore. This sentiment doubtless was most forcibly expressed in the year 1907, during which there was witnessed an interna- tional celebration of the first permanent settlement of the English speaking people upon the American continent. In aid of this event the Congress of the United States passed an Act approved March 3, 1905, entitled "An Act to provide for celebrating -
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions. -
King Harvest (Has Surely Come)" : Rural Populist Imagery in Roots Rock Music, 1967-1973 Christopher Lee Witte
University of Richmond UR Scholarship Repository Master's Theses Student Research 2006 "King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973 Christopher Lee Witte Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Witte, Christopher Lee, ""King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973" (2006). Master's Theses. 1347. https://scholarship.richmond.edu/masters-theses/1347 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. ABSTRACT "KING HARVEST (HAS SURELY COME)": RURAL POPULIST IMAGERY IN ROOTS ROCK MUSIC, 1967-1973 CHRISTOPHER LEE WITTE CANDIDATE FOR DEGREE OF ARTS IN HISTORY UNIVERSITY OF RICHMOND MAY2006 PROFESSOR ROBERT C. KENZER The Americanroots rock musical genre of the late 1960's and early 1970's too oftenhas been overlooked in the historical discussion of popular culture of the period. This study, through an examination of the works of fivepopular musical groups- Bob Dylan, The Band, The Grateful Dead, The Byrds, and Creedence ClearwaterRevival - focuseson how this music tied into a continued American mythology tradition of populism. Through an approach that corresponds with Richard Slotkin's views on the creation of Americanmyth , and a focuson the lyrical content of the songs and their presentation of nature, the open road, American heroes and anti-heroes, and death and destruction, this thesis examines how these songs utilized populist philosophies foundin earlier American folkand blues music andadapted them as a means to explain and rationalize their place in the post-modem American society. -
WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Vol
:-'^ 1 WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Vol. 10; No. 1 JANUARY, 1927 Price 75 Cents THE ROMANCE OF THE NATIONALPIKE Mrs. Carroll Miller When we view our great country from the vantage point of the present, we are apt to forget the causes of its tremendous growth and rapid spread in the half century following the Revolutionary War. Familiar as we are with the story of the original thirteen colonies, we sometimes fail to realize why it was that they extended more than twelve hundred miles along the sea coast, but penetrated no farther than four hundred miles inland. Consider for a moment a map of the United States and notice how near the Appalachian Mountain range is to the sea, and you have the reason for all the early settlements holding fast to the Atlantic shore. At the end of the Revolutionary war the chief ports and cities of the new republic were Boston, New York, Philadelphia and Baltimore. All were within a radius of four hundred miles and all were receiving a steady stream of emigrants who had left the old world for more spacious lands and liberties in the new. When these emigrants reached this land of promise they found, if they were to secure for themselves any of the vast areas awaiting in the west, they must first cross a forbidding mountain range. Long before our Day of Independence dawned France and England were both aware that the key to the Missis- sippi valley lay at Pittsburgh ;and we of Western Pennsyl- vania know full well the struggle for a continent waged here amidst our hills and rivers. -
I Can Do It All Again
I CAN DO IT ALL AGAIN BOB DYLAN 2013 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, EXHIBITIONS & BOOKS. © 2014 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. I can do it all again — Bob Dylan 2013 page 2 of 49 1 INTRODUCTION .............................................................................................................................. 4 2 2013 AT A GLANCE ......................................................................................................................... 4 3 THE 2013 CALENDAR ..................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS........................................................................................... 7 4.1 Bob Dylan Folk Singer-Humdinger ............................................................................................. 7 4.2 Finjan Club ................................................................................................................................... 7 4.3 Record Store Day vinyl single...................................................................................................... 7 4.4 Another Self Portrait .................................................................................................................... 8 4.5 The Complete Album Collection, Volume One .......................................................................... -
Bargainin' for Salvation : Bob Dylan, a Zen Master?
BARGAININ' FOR SALVATION Bargainin' For Salvation Bargainin' For Salvation Bob Dylan, A Zen Master? Steven Heine continuum NEW YORK • LONDON 2009 The Continuum International Publishing Group Inc 80 Maiden Lane, New York, NY 10038 The Continuum International Publishing Group Ltd The Tower Building, 1 1 York Road, London SEl 7NX www.continuumbooks.com Copyright © 2009 by Steven Heine All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publishers. Library of Congress Cataloging-in-Publication Data Heine, Steven, 1950- Bargainin for salvation : Bob Dylan, a Zen master? / Steven Heine, p. cm. Includes bibliographical references. ISBN- 13: 978-0-8264-2950-6 (pbk. : alk. paper) ISBN- 10: 0-8264-2950-5 (pbk. : alk. paper) 1. Dylan, Bob, 1941- Songs. Texts. 2. Dylan, Bob, 1941 —Criticism and interpretation. 3. Rock musicians-United States-Biography. 4. Creation (Literary, artistic, etc.)- Religious aspects-Zen Buddhism. I. Title. II. Title: Bob Dylan, a Zen master? ML420.D98H45 2009 782.42 164092-dc22 2009009919 Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed in the United States of America Contents Acknowledgments vii List of Illustrations ix Preface: Satori in Amsterdam— I'll Let You Be in My Dreams If I Can Be in Yours xi 1. Dylan's Zen Rock Garden: Leaving His Heart in That Kyoto Temple 1 PARTI. ZEN AND DYLAN 2. A Simple Twist of Faith: Dylan's Enigmatic Spiritual Quest 27 3. From Beat Blues to Zen: Exploring the Roots of Dylan's Spirituality 44 4. -
Bob Dylan's the Bootleg Series, Vol. 10 Another Self Portrait (1969 – 1971) Set for August 27 Release
"WHAT IS THIS SHIT?" BOB DYLAN'S THE BOOTLEG SERIES, VOL. 10 ANOTHER SELF PORTRAIT (1969 – 1971) SET FOR AUGUST 27 RELEASE 35 Rarities And Previously Unreleased Recordings Highlight Latest Volume Of Artist's Acclaimed Bootleg Series Available in Two-Disc Standard and Four-Disc Deluxe Editions Deluxe Edition Includes First Complete Release Of Historic August 1969 Isle of Wight Festival Performance Newly Re-Mixed From The Original Source * * * * * Columbia Records will release Bob Dylan's The Bootleg Series, Vol. 10 - Another Self Portrait (1969-1971) on August 27, bringing fresh perspective to one of the artist's most controversial periods and revealing it to be one of his most wonderfully creative and prolific. Containing 35 rarities and previously unreleased recordings, Another Self Portrait (1969-1971) is the latest edition of Dylan's acclaimed Bootleg Series and is available in both a standard two-disc set and in a four-disc deluxe box set. The unreleased recordings, demos and alternate takes on Another Self Portrait -- drawn mainly from the 1970 studio recording sessions that resulted in the official 1970 albums Self Portrait and New Morning albums -- shed new light on an essential and pivotal period in the artist's ongoing musical evolution. A trailer previewing Bob Dylan's Another Self Portrait may be viewed on YouTube (http://youtu.be/GFdgwMhWcV4). The original Self Portrait, released in June 1970, was Dylan's tenth studio album and his first to receive real pans from the music press ("What is this shit?" was literally the opening sentence of Greil Marcus's review in Rolling Stone while Robert Christgau gave the album a "C PLUS" rating in the Village Voice). -
Judas 19 Text
Judas 19 24/01/2007 10:02 pm Page 1 Judas! from Inside A Prune Welcome to issue 19,the Modern Times special,and thanks to all who wrote in with their thoughts on the album.We offer a variegated selection here of the many responses.So many indeed that I abandoned my own review, which may be for the best as it may not have been enthusiastic enough for most of your palates. I’ll use this double editorial to briefly explain why, (especially as I am not good at saying ‘goodbye’ so want to put it off as long as I can); although I did start off in the days prior to the full release defending the album. Or to put it more accurately, defending the pre-release teaser of ‘Thunder on the Mountain’against a stiffly negative welcome. It was not that I was knocked out by the song, but that it was being judged in isolation and my thought process was that ‘Tweedle Dee and Tweedle Dum’ would have sounded very weak in isolation but performs an important introductory function on “Love and Theft” so ‘Thunder on the Mountain’ should not be prejudged out of context. In addition it had the outrageously brilliant rhyme of ‘sons of bitches’ and ‘orphanages’ which I trust is original as it is difficult to imagine anyone other than Dylan thinking of it. It is not just a clever couplet but a deeply meaningful one as wars increase the number of orphanages needed, which in turn are a rich picking ground for future armies. -
Top Pop Singles 1955-2015
CONTENTS Author’s Note .............................................................................................................................................................. 5 What’s New With This Edition ..................................................................................................................................... 6 Researching Billboard’s Pop Charts ........................................................................................................................... 7 Explanation of Artist And Song Awards .................................................................................................................... 10 User’s Guide ............................................................................................................................................................. 11 THE ARTIST SECTION .................................................................................................................................. 15 An alphabetical listing, by artist, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE SONG TITLE SECTION .................................................................................................................... 979 An alphabetical listing, by song title, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE BACK SECTIONS THE TOP ARTISTS: .......................................................................................................................................