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11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page i Praise for The Theory Toolbox: “The book is an excellent introduction to basic concepts that students in humanities, science, and design need to engage in meaningful dis- cussion of culture and society. Through timely examples from popular culture and working questions that stimulate active discussion in both the classroom and in the online environment, The Theory Toolbox is my go-to guide to critical concepts, as it inspires and engenders critical thinking and reasoned dialogue for the beginning theory student.” —Renata Hejduk, Arizona State University “The Theory Toolbox is original and unusual, breaking the standard mold of social theory textbooks. It puts itself in the young theory student’s shoes and imagines what s/he needs to know, and how best to convey difficult material. A distinctive feature of this book is its interdiscipli- narity, borrowing concepts from humanities disciplines in order to enrich social and sociological theory. My theory students will definitely need this path-breaking book in their toolboxes.” —Ben Agger, University of Texas, Arlington “As a first introduction for the perplexed and confused to critical and cultural theory, there’s no better place to start than The Theory Toolbox. The new chapters ‘Life’ and ‘Nature’ are engaging and insightful. With its clear, concise, and accurate accounts of often complex theories, instructors will find this an excellent addition to any theory course; with its provocative working questions and up-to-date, funny examples, stu- dents will find this book to be illuminating and exhilarating.” —Bruce B. Janz, University of Central Florida “Students find The Theory Toolbox isn’t about learning theory through narrow interpretive lenses but thinking critically through theorizing and questioning perspectives.” —Richard Bower, Cayuga Community College “Students quickly learn to employ theoretical concepts in their own work. The authors support this development by examining theory in relation to material that may at first seem familiar but that the authors 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page ii then encourage the students to question in complex ways. The new chapters introduce important emerging areas of scholarship that stu- dents and instructors should find appealing.” —Tracy Neal Leavelle, Creighton University “I have used The Theory Toolbox several times in my classes, and the response from my students was extremely positive. The theories and concepts in the Toolbox are clearly presented and approachable despite the fact that these ideas are often difficult to cover at the undergraduate level. Nealon and Searls Giroux explain complex ideas using everyday poetry, music and pop culture artifacts that are readily accessible to everyone. They really get my students thinking and engaged. The new chapters on ‘Life’ and ‘Nature’ promise similar thought-provoking and lively discussions.” —Katy Wiss, Western Connecticut State University “In our deeply anti-intellectual climate, Nealon and Searls Giroux per- form the great act of showing how and why thinking still matters. From their opening engagement with the punk song ‘Why Theory?’ they give us an impassioned argument for the important uses of theory. As the title suggests, The Theory Toolbox, instead of simply reviewing schools of theory and criticism, aims to help students figure out what they can do with theoretical concepts as tools for living. The Theory Toolbox engenders pragmatic encounters with theorists from Nietzsche to Deleuze to Agamben and provides productive engagements with key concepts such as agency and ideology. Darwin, Black Sabbath, and Facebook are among a wide variety of examples that Nealon and Searls Giroux deploy to demonstrate why and how theory matters in everyday life. This edition presents compelling new chapters on ‘Life’ and ‘Nature’ animated by Foucault and the animal rights movement. For a genera- tion growing up amidst the ruins of capitalism and the endless distrac- tions of social media, this book offers a path for all students desiring to become thinking citizens.” —Kevin DeLuca, University of Georgia 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page iii The Theory Toolbox μ μ μ 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page iv CULTURE AND POLITICS SERIES General Editor: Henry A. Giroux, Pennsylvania State University Postmodernity’s Histories: The Past as Legacy and Project (2000) Arif Dirlik Collateral Damage: Corporatizing Public Schools—A Threat to Democracy (2000) Kenneth J. Saltman Public Spaces, Private Lives: Beyond the Culture of Cynicism (2001) Henry A. Giroux Beyond the Corporate University (2001) Henry A. Giroux and Kostas Myrsiades, editors From Art to Politics: Octavio Paz and the Pursuit of Freedom (2001) Yvon Grenier Antifeminism and Family Terrorism: A Critical Feminist Perspective (2001) Rhonda Hammer Welcome to Cyberschool: Education at the Crossroads in the Information Age (2001) David Trend Surpassing the Spectacle: Global Transformations and the Changing Politics of Art (2002) Carol Becker Ethics, Institutions, and the Right to Philosophy (2002) Jacques Derrida, translated, edited, and with commentary by Peter Pericles Trifonas The Theory Toolbox: Critical Concepts for the Humanities, Arts, and Social Sciences (2002) Jeffrey Nealon and Susan Searls Giroux Growing Up Postmodern (2002) Ronald Strickland, editor 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page v The Theory Toolbox μ μ μ Critical Concepts for the Humanities, Arts, and Social Sciences Second Edition Jeffrey Nealon and Susan Searls Giroux ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Oxford 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page vi Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2012 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Nealon, Jeffrey T. (Jeffrey Thomas) The theory toolbox : critical concepts for the humanities, arts, and social sciences / Jeffrey Nealon and Susan Searls Giroux. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-7049-8 (hardback) — ISBN 978-0-7425-7050-4 (paper) — ISBN 978-0-7425-7051-1 (electronic) 1. Social action. 2. Critical theory. I. Giroux, Susan Searls, 1968- II. Title. HM585.N43 2011 301.01—dc22 2011014879 ™ ∞ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page vii For Leisha Bram Dashiell Henry Jack Brett & Chris 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page viii 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page ix μ μ μ Contents Acknowledgments xi 1. Why Theory? 1 2. Author/ity 9 3. Reading 21 4. Subjectivity 35 5. Culture 51 Multiculturalism 55 Popular Culture 59 Media Culture 70 Media Culture 2.0 78 6. Ideology 93 7. History 107 8. Space/Time 121 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page x x Contents 9. Posts 139 Postmodernism 139 Poststructuralism 145 Postcolonialism 154 10. Differences 171 Gender 178 Queer 184 Race 189 Class 194 Concluding Differences 200 11. Life 207 Biopower 212 Resistance 218 The Economics of Culture; or, The Biopower Business 221 12. Nature 229 Animals 244 13. Agency 255 Credits 269 Index 271 About the Authors 279 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page xi μ μ μ Acknowledgments his book has its roots firmly in the classroom— specifically, in the “introduction to theory” T course at Penn State. This book owes its largest debt to hundreds of Penn State undergraduates—who helped us to choose, debate, and refine everything in this book. We’ve also benefited immensely from discussions with other instructors who’ve used pilot versions of the text in their classes: Marco Abel, Debbie Hawhee, Jeff Karnicky, Dave Kress, Elizabeth Mazzolini, and John Muckelbauer. Susan Searls Giroux would like to thank her colleague, David L. Clark, for his rich insight regarding all things animal and two graduate students in particular for their unparalleled assistance with the second edition: Jennifer Fisher and Heather Berger. Ben Agger and Michael Greer offered crucial insight in their readings of the manuscript. We’d also like to thank Alison Sullenberger, Alden Perkins, Sallie Greenwood, and the late Alan McClare for their enormous efforts getting this text to publication. xi 11_162_01_FM_11_162_01_FM.qxd 5/23/11 9:47 AM Page xii xii Acknowledgments Many thanks to Sarah Tanguy, curator of the Hechinger art col- lection, as well as to Phil Hetherington, webmaster of Not Great Men, and Andy Gill for their help with Gang of Four’s “Why Theory?” And we’ve gotten valuable advice, as well as invaluable encour- agement, from Henry Giroux and Dean Birkenkamp. 11_162_02_Ch01_11_162_02_Ch01.qxd 5/10/11 2:51 PM Page 1 1 μ μ μ Why Theory? Gang of Four “Why Theory?” We’ve