Music in the City of Angels Reeextraor Distinct Divisions, One
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Musical Theatre at the Academy
MUSICAL THEATRE AT THE ACADEMY “Cole Porter Medley” at Showcase 2019 In the Musical Theatre Department, students master storytelling in three different disciplines: voice, dance, and acting. While many graduates of The Academy attend highly regarded BFA conservatory If you are looking for a career in the arts, the programs in musical theatre or acting, training that you get here is second to none. I others choose to pursue their training can’t imagine what it would be like in a regular in academic BA programs at liberal arts high school musical theatre program. We do colleges. two to three challenging musical productions a For Musical Theatre students, performance year, in addition to a Shakespeare festival. You is a key part of learning, and students have get so much exposure to different works and ample opportunity for it. The Department techniques that by the time you are going to produces three to four mainstage college, you have the confidence to audition shows per year, including two musical productions, and several plays as part of and succeed.” the Shakespeare Festival collaboration with - Jack, Musical Theatre ‘18 the Theatre Department. In acting classes, freshman and sophomore students focus their studies on the work of Shakespeare and Thornton Wilder, while juniors concentrate on Oscar Wilde and Tennessee Williams. Seniors begin to study the work of Anton Chekhov. chicagoacademyforthearts.org 312.421.0202 MUSICAL THEATRE AT THE ACADEMY Musical Theatre Department Curriculum Musical Theatre Department students are immersed in -
42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR. -
Pams Summit 2017
PAMS SUMMIT 2017 6–8 April 2017 AUCKLAND, NEW ZEALAND “Is the Conservatory Dead?” Delegates and Institutions Australia University of Melbourne Barry Conyngham, Dean, Faculty of VCA & MCM Sydney Conservatorium of Music Anna Reid, Dean Canada University of British Columbia Richard Kurth, Director, School of Music China Hong Kong Academy of Performing Arts Shane Levesque, Senior Lecturer Shanghai Conservatory of Music Wang Rui, Vice President Zhu Dandan, Program Manager, International Exchange Centre Japan Tokyo University of the Arts Isao Matsushita, Vice President, Performing Arts Center Korea Seoul National University Shinuh Lee, Associate Dean, College of Music Jong Hwa Park, Head, Piano Department, College of Music New Zealand University of Auckland Martin Rummel, Head of School, School of Music Singapore Yong Siew Toh Conservatory of Music Bernard Lanskey, Director Taiwan Taipei National University of the Arts Jinny Liu, Dean, School of Music Thailand Mahidol University Darin Pantoomkomol, Associate Dean, College of Music United States University of Southern California Robert Cutietta, Dean, Thornton School of Music Mist Thorkelsdottir, Senior Advisor for International Relations Programme Thursday 6 April 2017 09:00 Foyer, School of Music, 6 Symonds Street Opening Event Whakatau Ceremony Dr Te Oti Rakena Associate Dean (Māori & Pacific), Faculty of Creative Arts and Industries Words of welcome from Professor Jenny Dixon Deputy Vice-Chancellor (Strategic Engagement), University of Auckland Morning tea 09:30 Walk to Department of Dance Studies. Morning session: room 421W-518, 26 Symonds Street 10:00 Delegates will give a short overview of their institution, with a focus on programme pathways and graduate profiles 10:30 “Fine tuning – Life after Tertiary Music Studies. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
2016 PAMA Syllabus
PAMA 2016 International Symposium ~ Medical Problems of Performing Artists PAMA 2016 International Symposium ~ Medical Problems of Performing Artists Table of Contents Mayoral Welcome ............................................................................................................................................. 1 Gathering in New York ................................................................................................................................... 2 PAMA Membership .......................................................................................................................................... 3 PAMA 2017 ....................................................................................................................................................... 4 Activities, Logistics, and Announcements..................................................................................................... 5 Campus Map ...................................................................................................................................................... 7 New York City Map .......................................................................................................................................... 8 Planning Committee ......................................................................................................................................... 9 Acknowledgements .......................................................................................................................................... -
JONATHAN CHARLES SMITH 2001 Master of Fine Arts, Dance Sam
Name: JONATHAN CHARLES SMITH Title: Visiting Assistant Professor of Dance Department: Theatre and Dance College: Arts and Sciences Degrees Earned 2001 Master of Fine Arts, Dance Sam Houston State University Huntsville, Texas 1992 Bachelor of Arts, Theatre Arts and Dance University of Houston at Clear Lake Clear Lake, Texas Professional Licensure and Certifications PROFESSIONAL ORGANIZATIONS (Memberships) AEA‐Actors Equity Association‐Nationwide Professional Actors Union SSD&C‐Society of Stage Directors and Choreography‐Nationwide Professional Union for Directors and Choreographers‐New York City, New York Miss America Scholarship Organization‐Member of Board of Directors for Three Local Miss Texas Franchises and Pageants. Peer‐Review Publications and Artistic Performances/Exhibitions Articles Books Chapters Proceedings Artistic Performances CHOREOGRAPHY AND DIRECTION (University Theater and Musical Theater Direction and Choreography) The Best Little Whorehouse in Texas Sam Houston State Choreography University, Fall l994 The All Night Strut Sam Houston State Direction and Choreography University, Fall 1996 A Christmas Carol Sam Houston State Chorography and Musical Staging University, Fall (play) 1996 The Pirates of Penzance Sam Houston State Choreography University, Spring 2000 Dames at Sea Sam Houston State Direction and Choreography University, Fall MFA Thesis Concert 2000 A Grand Night for Singing Sam Houston State Direction and Choreography University, Fall 2001 The Sound Of Music Sam Houston State Choreography University, Spring -
Plays and Musicals— 1984-1985 Season 10/24
DRURY LANE THEATRE—OAKBROOK TERRACE PERFORMANCE HISTORY —Plays and Musicals— 1984-1985 Season 10/24 - 1/13 Give My Regards to Broadway Musical 1/16 – 1/31 Phyllis Diller Concert 1/23 – 2/1 Tony Bennett Concert 1/30 - 3/17 Run For Your Wife Play (w/ Ken Berry) 3/20 – 3/24 1985-1986 Season 3/27 - 4/15 The Rooster and The Snow Angel 2 one-acts (w/ Shelley Winters) 4/17 - 5/20 A Little Family Business Play (w/ Cloris Leachman) 5/29 – 7/7 Bob Fosse’s “Dancin’” Musical 7/10 – 9/29 A Chorus Line Musical 10/9 – 12/28 How to Succeed… Musical (w/ Donald O’Connor) 12/31 – 2/23 The Best Little Whorehouse in Texas Musical 1986-1987 Season 2/26 – 4/6 Brighton Beach Memoirs Play 4/16 – 6/1 Noises Off Play (w/ Noel Harrison) 6/1 – 8/17 Joseph… Dreamcoat Musical 8/27 – 9/29 Bob Fosse’s “Dancin’” Musical 10/7 – 11/16 The Laugh’s on Me Play (w/ Mickey Rooney) 11/20 – 1/25 They’re Playing Our Song Musical 2/4 – 3/22 Chapter Two Play (w/ Gavin McLeod) 1987-1988 Season 4/1 – 7/5 42nd Street Musical 7/15 – 9/6 Anything Goes Musical 9/16 – 10/25 I’m Getting my Act Together Musical (w/ Audrey Landers) 11/4 – 1/3 No, No, Nanette Musical 1/20 – 3/13 Sophisticated Ladies Musical 1988-1989 Season 3/13 – 4/10 Everybody Loves Opal Play (w/ Martha Raye) 4/27 – 6/19 The Nerd Play (w/Richard Kline & Alfie Wise) 6/23 – 8/14 Black Patent Leather Shoes Musical 8/17 – 11/06 Gypsy Musical 11/16 – 1/15 Guys and Dolls Musical 1/25 – 4/9 Jesus Christ Superstar Musical TYA-Snow White 1989-1990 Season 4/19 – 7/2 The Music Man Musical (w/ Gary Sandy) 7/12 – 9/10 Mame Musical 9/20 -
ASSASSINS MUSIC and Lyrla; by Sllph£N $0NDH Flm Book Bl JOHN Wfldman, BASED Off an IDEA Bl (HA RL~ GI Lbfrt J R
QUEEN'S MUSICAL THEATRE PR~f:NTS ASSASSINS MUSIC AND LYRla; BY SllPH£N $0NDH flM BOOk Bl JOHN WflDMAN, BASED Off AN IDEA Bl (HA RL~ GI LBfRT J R. om[mu gy on.A No~ RUf1JNOA T HIA!fi[, n t[OWGICAL HALL, oum's u~ 11•m~n NOVEMBfR 28 - DECEMBER 7. 20l3 l,ATE NIGHT SHOWING NOVEMBER 29 AT II PA\ T lcUTS HAIL AHU: AT TJll(l)LOLIII OUlllT & Tit[ GIIANO TlllATRI IIIIK 0111ff SIUO[ll lS/Sl~IORS $11 AOULIS $22. Sl1Rf.H,IRW, 1\A I Al'PU A\'111.ABI! O~IJNI: AT KI NtS'TO N~IIA NDH WWW.OU ITNSAI USICALTII CA lllf. NCT / A~~INS Queen's Musical Theatre Presents ~Jl~ A--QOROWIIQ Music and Lyrics by Stephen Sondheim Book by John Weidman Assassins is based on an idea by Charles Gilbert Jr. Playwrights Horizons, Inc. New York City Produced Assassins Off-Broadway in 1990 ASSASSINS Is presented through special arrangement with Musical Theatre International (MTI) All authorized performance materials are also supplied by MTI 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTlshows.com MUSICAL NUMBERS The Ballad of Guiteau Opening The Ballad of Booth Another National Anthem How I Saved Roosevelt Scene 16 The Gun Song Something Just Broke The Ballad of Czolgosz Everybody's Got The Right Unworthy of Your Love The·re will be no intermission during this production. The videotaping or other video or audio recording of this production is strictly prohibited. No photos, with or without flash may be taken. -
City of Angels
ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. -
Broadway Noir: Film Noir and Musical Comedy in City of Angels (1989)
BROADWAY NOIR: FILM NOIR AND MUSICAL COMEDY IN CITY OF ANGELS (1989) BY JASON CHARLES WITT THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Music in Music with a concentration in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Master’s Committee: Professor Jeffrey Magee, Chair and Director of Research Professor Gayle Sherwood Magee Abstract City of Angels (1989) uniquely transforms the structural, thematic, and visual elements of film noir through the conventions of musical comedy and thereby subjects both genres to affectionate satire. This essay explores the connections between these idiosyncratic forms of entertainment, particularly in the ways that noir devices and tropes emerge from songs penned by Cy Coleman and David Zippel, to reach a greater understanding of the ways in which City of Angels depicts and comments on the cultural history of film noir. My methodology looks to literary criticism and philosophy written on both film noir and hardboiled fiction for theorization on the core elements of those genres. Those traits are measured against City of Angels as a work, primarily musically but also in its lyrics and dialogue, using frameworks presented within the work of Raymond Knapp, Stacy Wolf, Scott McMillin, and other scholars of musical theatre. Where relevant, I engage with histories, music theory, and non-scholarly publications for social context and reception. The essay is organized along archetypal lines, namely the private investigator and femme fatale, to show how those models inform the show’s gendered characterization. It exposits indices for the 1940s and the classic Hollywood era, all pointing toward a framework where the musical comedy can function as a cultural history. -
City of Angels Program
University of Southern Maine USM Digital Commons Programs 2007-2008 Season Theatre Programs 2000-2010 Spring 3-2008 City of Angels Program University of Southern Maine Department of Theatre University of Southern Maine School of Music Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-2007-2008 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre and University of Southern Maine School of Music, "City of Angels Program" (2008). Programs 2007-2008 Season. 1. https://digitalcommons.usm.maine.edu/theatre-programs-2007-2008/1 This Program is brought to you for free and open access by the Theatre Programs 2000-2010 at USM Digital Commons. It has been accepted for inclusion in Programs 2007-2008 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. UNIVERSITY OF SOUTHERN MAINE Department of Theatre and the School of Music present Book by Larry Gelbart Music by Cy Coleman, Lyrics by David Zippel Director, Wil Kilroy Musical Director, Edward Reichert Sponsored by Drs. John & Elizabeth Serrage March 14-23, 2008 Main Stage, Russell Hall USM Gorham Campus Produced by arrangement with, and the music and dialogue material furnished by Tams-Witmark Music Library, Inc. 560 Lexington Avenue, New York, NY 10022 Director's Note City of Angels City ofAngels played on Broadway between 1989 and 1992, winning Book by Larry Gelbart numerous awards, including the coveted Tony for Best Musical, Best Music by Cy Coleman, Lyrics by David Zippel Book, and Best Score. Ever since seeing a summer stock theatre Director Wil Kilroy colleague go from understudy to lead one night in that Broadway Musical Director production, I've wanted to bring the show to USM, knowing what a Edward Reichert Scenic Design Charles S. -
Journal of Performing Arts Leadership in Higher Education Volume VII Fall
Journal of Performing Arts Leadership in Higher Education Volume VII Fall 2016 Laurence Kaptain, co-editor Mark Reimer, co-editor ISSN 2151-2744 (online) ISSN 2157-6874 (print) Christopher Newport University Newport News, Va. The Journal of Performing Arts Leadership in Higher Education is a recognized academic journal published by Christopher Newport University, a public liberal arts institution in Newport News, Virginia. Copyright to each published article is owned jointly by the Rector and Visitors of Christopher Newport University and the author(s) of the article. 2 Editorial Board (Fall 2015 through Spring 2018) Seth Beckman, Duquesne University Robert Blocker, Yale University Robert Cutietta, University of Southern California Nick Erickson, Louisiana State University John W. Frick, University of Virginia Mary Pat Henry, University of Missouri-Kansas City Laurence Kaptain, University of Colorado-Denver (co-editor) bruce d. mcclung, University of Cincinnati College-Conservatory of Music Jack Megan, Harvard University Jonathan Michaelsen, Indiana University Toni-Marie Montgomery, Northwestern University Mellasenah Y. Morris, The John Hopkins University Mark U. Reimer, Christopher Newport University (co-editor) Jamal Rossi, Eastman School of Music James C. Scott, University of North Texas David H. Stull, San Francisco Conservatory of Music Jonathan Sturm, Iowa State University James Undercofler, State University of New York at Purchase Peter Witte, University of the Pacific Mission The Journal of Performing Arts Leadership in Higher Education is a peer-reviewed journal dedicated to the enrichment of leadership in the performing arts in higher education. Goals 1. To promote scholarship applicable to performing arts leadership 2. To provide juried research in the field of performing arts leadership 3.