DOCSLIB.ORG

Is a Graduate of the Crane School of Music (Voice/Patricia Misslin)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Is a Graduate of the Crane School of Music (Voice/Patricia Misslin) CATS JOHN ANTHONY LOPEZ (Old Deuteronomy) is a graduate of the Crane School of Music (voice/Patricia Misslin). Regional Credits include: Beauty and the Beast (Beast), South Pacific (Emile), Jane Eyre (Rochester), La Traviata (Alfredo), The Magic Flute (Tamino). NYC/Metro Credits include: Fiddler on the Roof/VLOG NYC (Tevye), The Seed of Abraham FringeNYC (Joshua), The Man in the Iron Mask/WVMTF (Aramis), 7:32 the musical/reading (Charles Collins), Into the Woods/NJ (Baker). Love and thanks to his son, Corey, who keeps him afloat. Thanks Kiddo. johnanthonylopez.com DAVID RAIMO* (Munkustrap) honored to be playing the role of Munkustrap with the WPPAC family. Originally from Duluth, MN, David headed south to attend college at Oklahoma City University where he earned his B.F.A. in Musical Theater. After graduating in '07, David has performed on four Broadway National Tours including: Chicago (Fred Casely/Billy Flynn), CATS (Munkustrap), Joseph ...Dreamcoat (Simeon), and Mamma Mia! (Sky). Other favorite credits: Guys and Dolls (Ensemble) at the Hollywood Bowl, the world premiere of Life Could Be A Dream (Skip) and Damn Yankees (Joe Hardy). David would like to thanks his family and friends for their endless support. www.davidraimo.com DEVON YATES* (Grizabella) is thrilled to be making her WPPAC debut with CATS, and is proud to be walking in the footsteps her mother did as Grizabella a few years ago! A native to the small town of Edinboro, PA, she is a 2010 Music Theatre graduate of Baldwin-Wallace College Conservatory of Music, and now currently resides in NYC. Some of her past Regional credits include: Lippa's Wild Party(Queenie), Parade(Lucille Frank), Evita(Eva Peron), the non-union premiere of ALW's Phantom of the Opera(Carlotta Guidicelli), the regional premiere of BKLYN: the Musical(Faith), and Chess(Florence). Thank you to Jeremy, Greg, Kurt, Larry, and everyone involved with the WPPAC for making this an amazing process. Also, thank you to all of my friends, my family, my Mom, Dad, and Jesse for their UNENDING support. And last, but never least, thank you to the most amazing friend/roommate any gal could ever ask for, my shroomie Michael. Proud AEA member. This one's for you Mom and Dad! JEREMY QUINN (Director) After spending three seasons as the Artistic Director for the CONSERVATORY THEATRE, Jeremy has recently become the Producing Artistic Director for both Mainstage and Conservatory programming here at White Plains Performing Arts Center. During his tenure with the CONSERVATORY he produced and directed: All Shook Up, Thoroughly Modern Millie, Starmites, Aida, A Chorus Line, Fame, The Rocky Horror Show, Sweet Charity and The Wedding Singer as well as directing last summer’s Edges for the New Musical Theatre Series and Rent for Harrison Summer Theatre. This season (2011-2012) he directed the NY Regional Premiere of Spring Awakening and will be directing Cats, Rocky Horror, Lend Me A Tenor and The Secret Garden; all here at WPPAC. A proud member of Actors Equity Association and the Screen Actors Guild since 1997; Mr. Quinn received a BFA in Theatre Performance from the University of Miami, graduated from the professional program at The New York Conservatory for Dramatic Arts School of Film & Television and is celebrating 30 years in the industry. Originally from South Florida, he has acted in or directed over 200 theatrical productions including Off & Off-Off Broadway, two National Tours and several regional theatres including: The Kennedy Center in D.C., The Jupiter Center for the Performing Arts, The Ring Theatre, Actors' Playhouse and The Kravis Center in Florida, the Helen Hayes Theatre (Riverspace), and Westchester Broadway Theatre in NY, the Stockbridge Dinner Theatre in Massachusetts, as well as The Ridgefield Theatre Barn and Troupers Light Opera in Connecticut. Film and television appearances include River of Stone, Highs and Lows, Delivering Milo, La Florida, Celebrity, Cradle Will Rock, Pollock, Shaft, Dellaventura, Falcone, The Sopranos, Now and Again and a recurring role on ABC’s B.L. Stryker. He can also be heard as the voice of “Phink” in the Sci-Fi Network’s animated series, Mean Planet as well as several commercial and industrial voice-overs. NYC directing credits include: Damaged, Daddy Was The Biggest Stagemother in Texas!, Saturday Night, Sylvia, True West and most recently the Off Broadway production of Lights & Music at the 45th Street Theatre. Mr. Quinn is a member of the prestigious Lincoln Center Theater Directors Lab, serves as the Associate Director for Broadway and Off Broadway’s annual Theatre World Awards, is an Associate Producer for Broadway for a New America, was the Artistic Director of Educational Theatre at Westchester Broadway Theatre, co-founder and Executive Director of the Island City Theatre Project, co-founder and past President of The Actors Alliance, and a former member of the Board of Directors at the New York Youth Theatre. GREG BACCARINI (Co-Director & Choreographer) has worked extensively throughout the New York area with many professional and youth theatre companies, as well as several high school theatre programs. Greg most recently served as Resident Director of Yorktown Stage in Yorktown Heights, NY, where he directed and choreographed Seussical, The Sound of Music, Godspell, Oklahoma, Grease, Footloose starring Edward Staudenmayer (Martin Short: Fame Becomes Me and Wonderland), Into the Woods and Annie. Other directing/choreography credits include regional productions of Honk! with Adam Chanler-Berat, Skylar Astin, Erich Bergen and Sara Kramer, The Music Man, Peter Pan, Working, Curtains and The Sound of Music starring Sarah Uriarte Berry and Martin Vidnovic. Most recently, Greg had the opportunity to work with Craig Schulman (Les Miserables, The Phantom of the Opera) in Fiddler on the Roof at Yorktown Stage. Greg has also worked with Saddle River Day School (Saddle River, NJ), New Youth Performing Theatre (Bedford, NY), Helen Hayes Youth Theatre (Nyack, NY), Nyack Middle School (Nyack, NY), Franklin Youth Theatre (Winnsboro, LA), Strauss Theatre Center (Monroe, LA) and Renaissance Theatre Academy (White Plains, NY). In 2001, Greg was recognized with the Helen Hayes Theatre Award for Outstanding Choreography. In addition to directing and choreographing, Greg is a professional actor and has performed extensively throughout the U.S. in regional theatre and national touring companies of 42nd Street and Me and My Girl. Many thanks to Jeremy Quinn for this wonderful opportunity and to the staff and crew at WPPAC for making me feel so welcome. For more information, please visit gregbaccarini.com. LEND ME A TENOR JORGE ACOSTA* (Tito Merelli) makes his WPPAC debut in Lend Me a Tenor. NY credits include Uncle Luis in Ghost Dancer, Manolo in 167 Tongues, Juan in Daniel, The Red King in Alice, A New Musical, Father Caruso in Transubstantiation, and Brian in The Shadow Box. Mr. Acosta recently made his network TV debut in 30 ROCK where he yelled at Tina Fey in Spanish (She yelled right back - also in Spanish). Regional credits include The Frogs, Evita, A Funny Thing Happened On The Way To The Forum, Anna In The Tropics, Man Of La Mancha, Waiting For Godot, Hamlet, Love’s Labours Lost, Lend Me A Tenor and Romeo and Juliet. Directing credits include 9 Parts Of Desire, Boy Gets Girl, The Merry Widow, West Side Story, Fiddler On the Roof, One Flew Over The Cuckoo’s Nest, and The Laramie Project. Jorge is a proud member of Actors’ Equity Association (since 1986) and is immensely grateful for the opportunity of a life in the arts. MARIA SILVERMAN* (Maria) made her professional debut on Broadway in Michael Mayer’s Tony Award-winning revival of A View From the Bridge. Since then, she has appeared in over 30 productions, including 14 world premieres. Highlights include: Off-Broadway: Tales from the Tunnel, Beachwood Drive. New York: Open Rehearsal, Tech Support, Skin.Flesh.Bone., Cool Blues (NFT), Dreamers of the Day, Macbeth, Uncle Vanya, The Contrast, Galileo, S/HE (dir. Jose Zayas), As You Like It, The Seagull, No Place to Be Somebody (dir.Woodie King Jr.), Cclit (Atlantic Theater Second Stage), Expressing Willie, Nights at the Circus NY Fringe), and Embracing Freedom (Ellis Island). Regional: Ismail Khalidi’s Tennis in Nablus, John Biguenet’s Night Train, The Fever Chart (dir. Elena Araoz), Shining City, Trio Sonata, Darkness to Light, Camino Real, Brighton Beach Memoirs, The Crucible, Much Ado About Nothing, and A Midsummer Night’s Dream. B.A. in Theatre and Chinese from Yale University and postgraduate training at the London Academy of Music and Dramatic Arts. [email protected] JAYE BEETEM (Scenic Design) is an associate professor of Theatre at Northampton Community College in Bethlehem, PA. She has worked in colleges and theatres from coast to coast as a TD/designer. Jaye is the Lighting Designer for Monarch Dance Company who recently appeared at The Alvin Ailey Citigroup Theatre and The Performance Garage in Philadelphia. For the past 20 years, Jaye has been the Production Designer for the Public Education Foundation’s award winning Summer Musical Program in Evansville, IN. ANDREW GMOSER (Lighting Design) created the lighting and visual effects for our acclaimed production of Cats this past December. Over the years he has created the sets and/or lighting for a multitude of productions throughout Westchester and beyond, and is the proud recipient of the Cab Calloway Award for Outstanding Contribution to the Performing Arts in Westchester. Andrew loves his job designing lighting for all levels of theatre, from high school programs through professional Broadway-caliber productions. For over thirty years he was set and lighting designer (and from time to time, director) for Asbury Summer Theatre, and just completed his 19th season with the MacHaydn Theatre in upstate New York.
Load more

Recommended publications
  • ARNOLD MITTELMAN Producer/Director 799 Crandon
    ARNOLD MITTELMAN Producer/Director 799 Crandon Boulevard, #505 Key Biscayne, FL 33149 [email protected] ARNOLD MITTELMAN is a producer and director with 40 years of theatrical achievement that has resulted in the creation and production of more than 300 artistically diverse plays, musicals and special events. Prior to coming to the world famous Coconut Grove Playhouse in 1985, Mr. Mittelman directed and produced Alone Together at Broadway's Music Box Theatre. Succeeding the esteemed actor José Ferrer as the Producing Artistic Director of Coconut Grove Playhouse, he continued to bring national and international focus to this renowned theater. Mr. Mittelman helped create more than 200 plays, musicals, educational and special events on two stages during his 21-year tenure at the Playhouse. These plays and musicals were highlighted by 28 World or American premieres. This body of work includes three Pulitzer Prize-winning playwrights directing their own work for the first time in a major theatrical production: Edward Albee - Seascape; David Auburn - Proof; and Nilo Cruz - Anna In the Tropics. Musical legends Cy Coleman, Charles Strouse, Jerry Herman, Jimmy Buffett, John Kander and Fred Ebb were in residence at the Playhouse to develop world premiere productions. The Coconut Grove Playhouse has also been honored by the participation of librettist/writers Herman Wouk, Alfred Uhry, Jerome Weidman and Terrence McNally. Too numerous to mention are the world famous stars and Tony award-winning directors, designers and choreographers who have worked with Mr. Mittelman. Forty Playhouse productions, featuring some of the industry's greatest theatrical talents and innovative partnerships between the not-for-profit and for-profit sectors, have transferred directly to Broadway, off-Broadway, toured, or gone on to other national and international venues (see below).
    [Show full text]
  • EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021
    Founded 1936 EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021 Early Morning Clubs start at 8am After School Clubs finish at 4.15pm Clubs will commence on Wednesday 21st April and finish on Thursday 1st July 2021 The online booking system will open on Monday 15th March at 9.30am and close on Friday 19th March 2021 at 4pm after this no further changes can be accommodated. If your child wishes to attend Early Morning or After School Clubs for the Summer Term 2021, please book online via the SchoolBase portal https://schoolbase.online Please note that all Clubs need a minimum number of 6 children attending to make them viable and are limited to a maximum number of children. Once the Clubs are full you will be placed on a waiting list. Parents will be informed as soon as possible if a Club is not able to go ahead. Bookings for AM Sports Academy clubs (AMSA) (Chess, Cricket, Football, Gymnastics and Multi- Sports) are made direct with them via their website: (www.amsportsacademy.co.uk/Clubs). If you have any questions please email them direct at: [email protected] Bookings for Sean McInnes Early Morning Clubs (Cricket, Football, and Tennis) are to be made direct through his website: https://seanmcinnessportscoaching.com/book-now If you have any questions please email Sean direct at: [email protected] Bookings for Mandarin are to be made direct by contacting Jing You at: [email protected] or by telephone: 07738696965 Piano & Violin Lessons Piano and Violin lessons are available during the week on a rotational basis, so that your child will not miss the same school lesson each week.
    [Show full text]
  • Musical Theatre at the Academy
    MUSICAL THEATRE AT THE ACADEMY “Cole Porter Medley” at Showcase 2019 In the Musical Theatre Department, students master storytelling in three different disciplines: voice, dance, and acting. While many graduates of The Academy attend highly regarded BFA conservatory If you are looking for a career in the arts, the programs in musical theatre or acting, training that you get here is second to none. I others choose to pursue their training can’t imagine what it would be like in a regular in academic BA programs at liberal arts high school musical theatre program. We do colleges. two to three challenging musical productions a For Musical Theatre students, performance year, in addition to a Shakespeare festival. You is a key part of learning, and students have get so much exposure to different works and ample opportunity for it. The Department techniques that by the time you are going to produces three to four mainstage college, you have the confidence to audition shows per year, including two musical productions, and several plays as part of and succeed.” the Shakespeare Festival collaboration with - Jack, Musical Theatre ‘18 the Theatre Department. In acting classes, freshman and sophomore students focus their studies on the work of Shakespeare and Thornton Wilder, while juniors concentrate on Oscar Wilde and Tennessee Williams. Seniors begin to study the work of Anton Chekhov. chicagoacademyforthearts.org 312.421.0202 MUSICAL THEATRE AT THE ACADEMY Musical Theatre Department Curriculum Musical Theatre Department students are immersed in
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Undergraduate Play Reading List
    UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Chicago the Musical Female Characters: VELMA KELLY: Female
    Chicago the Musical Female Characters: VELMA KELLY: Female, 25-45 (Range: Alto, E3-D5) Vaudeville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder. ROXIE HART: Female, 25-45 (Range: Mezzo-Soprano, F3-B4) Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it. She wants to be a star. MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4) Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.” MARY SUNSHINE: Female – TYPICALLY PLAYED BY A MAN IN DRAG, 25-60 (Range: Soprano, Bb3-Bb5) Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs. LIZ: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head. ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at the Cook County Jail. Murder’s her lover after finding out he already has six wives. “One of those Mormons, ya’ know.” JUNE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. After her husband accuses her of screwing the milk man, he mysteriously runs into her knife… ten times.
    [Show full text]
  • Michael Schweikardt Design
    Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019.
    [Show full text]
  • The Enduring Power of Musical Theatre Curated by Thom Allison
    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]
  • Leonard Bernstein's MASS
    27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII.
    [Show full text]
  • A Visual Guide to Identifying Cats
    A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6
    [Show full text]