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T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
Disney Musicals in Schools Puts Students in the Spotlight Onstage at Overture Center for the Arts
MEDIA ALERT For immediate release: Friday, April 20, 2018 Contact: Sarah Knab | 608.258.4438 DISNEY MUSICALS IN SCHOOLS PUTS STUDENTS IN THE SPOTLIGHT ONSTAGE AT OVERTURE CENTER FOR THE ARTS Overture Center is among 18 arts organizations in the world collaborating with Disney Musicals in Schools. (Madison, Wis.) - On May 23, more than 180 elementary students from Madison will have the extraordinary opportunity to sing and dance onstage at Overture Center for the Arts as the result of a grant awarded to Overture by Disney. The grant from Disney enables Overture to offer the Disney Musicals in Schools program to three new schools in Madison this year: Frank Allis Elementary School, Leopold Elementary School and Nuestro Mundo Community School. The program is designed to create sustainable theater program in elementary schools. Through the program, participating schools produce a Disney KIDS musical in their school community and join in a culminating performance at Overture. “Disney Musicals in Schools addresses one of our biggest goals – creating equitable access to the arts,” said Ted DeDee, Overture’s president and CEO. “Through the program, we can create meaningful and sustainable musical theater opportunities for students who would not otherwise be able to experience it. By being immersed in creating art with their peers and discovering the joys and confidence that comes from the process of learning to perform, students are making memories and developing skills to last a lifetime. In addition, through the structure of the program teachers learn and develop their skills, setting up for long term musical theater programs at their schools.” The selected schools participated in a 17-week musical theater residency, led by a team of teaching artists trained by Overture and Disney Theatrical Productions, at no cost. -
Freaky Friday: a New Musical Cast of Characters
Freaky Friday: A New Musical Cast of Characters THE FAMILY ELLIE BLAKE – 16; smart, funny, and messy KATHERINE BLAKE – 40s; Ellie’s mother; decisive, lovely, punctual FLETCHER BLAKE – 10; Ellie’s brother; eccentric and naïve; he is obsessed with his puppets, especially ANGRY BOB, and enraged purple hippo, and CASPIAN, a proper British Starfish MIKE – 40s; Katherine’s fiancée; confident, charming, kind THE TEENS GRETCHEN – 16; Ellie’s best friend; intense, emotional, lacks confidence HANNAH – 16; also Ellie’s best friend; hacker-geek, nerd girl ADAM – 16-ish; the Listmaster (in charge of the Scavenger Hunt), adorably cool SAVANNAH – 16-ish; the villain; brilliant, aggressive, a winner PARKER – 16-ish; Ellie’s friend, completely average, best friends with Wells WELLS – 16-ish; Ellie’s friend; dorky but not meek, best friends with Parker LAUREL – Random Teen, unimpressed THE ADULTS TORREY – Katherine’s assistant; high-strung perfectionist GRANDPA GORDON – Katherine’s father; grumpy, stubborn, old-school GRANDMA HELENE – Katherine’s mother; fiercely opinionated (because she cares) DANIELLE – Weddings Magazine journalist; polished, grimly cheerful LOUIS - Weddings Magazine photographer; seen it all, loves his job MR. BLUMEN – school counselor; test-obsessed PASTOR BRUNO – cheerful, loves weddings MRS. LUCKENBILL – English teacher; empathetic SENOR O’BRIEN – Spanish teacher; pugnacious MS. MEYERS – Gym teacher; extremely intense OFFICER SITZ - SITZ and KOWALSKI never received sensitivity training OFFICER KOWALSKI – SITZ and KOWALSKI never received sensitivity training MRS. TIME – Antique shop proprietor; apathetic, doesn’t much like teenagers THE ENSEMBLE CATERING STAFF (including CATER WAITERS, FISH VENDOR and FLORIST) STUDENTS TEACHERS SAVANNAH’S MINIONS PARENTS (including ADAM’S MOM, GRETCHEN’S MOM, SAVANNAH’S MOM, PARKER’S DAD, and WELLS’ DAD WEDDING GUESTS . -
Freaky Friday Playbill
SUMMER STAGE STAFF Administration Executive Director …………....……………………………………………..........Joseph Bretschneider P roduction of Producing Artistic Director …….….…………………………………………...........Edward P. Fiscella Business Manager ………………..…....................................................................Nancy Fiscella Summer Stage Manager ….…..………………………………………….…..........Anne Marie Weaver Public Relations ………………….……………………………….. LeToy Price, Jeffrey Redwanowski Nurse ………………………………………………………………………..……Shannon Cahill, Corinne Palacio TechnicalProduction Technical Director …..………...………………………………………………………………...... Bob Corriveau Set Designer……………………………………………………………………………………………..…..Tom Weaver Costume Designer ……………………………………………………………………..………………..Jean Bachen Sound Designer …………………………………………………………….…………………….. Bryce Youngberg Lighting Designer………………………………………………………………..………………………….Nick Reigel BOOK BY MUSIC BY LYRICS BY Videographers………………………………………………………….Colin Shea, Jeffrey Redwanowsli Bridget Carpenter Tom Kitt Brian Yorkey Assistant Costume Designer …………………………………………………..……….. Stephanie White Carpenter, Run Chief………………………………………………………..………………………..Sara Johnson Based on the Novel Freaky Friday by Carpenter, Run Crew………………………….Brenden Finley, Michael Graves, Jon Meddick MARY ROGERS Scenic Artist……………………………………………………………………………Shivani Hirata Chandran and the Disney Films Assistant Scenic Artist……………………………………………………………….………..Kyra McFadden FREAKY FRIDAY ONE ACT EDITION Orchestrations by Michael Starobin & Tom Kitt Is presented through special arrangement with Music Theatre -
The Ithacan, 2003-12-04
INSIDE a) Opinion Singing the praises of an early graduation Page 11 Accent .c A look at the college's presidential mansion Page 13 Sports . r Bombers football looks to advance to semifinals The Newspaper for the Ithaca College Community Page 24 Volume 71, Number 13 Ithaca, N.Y. Thursday, December 4, 2003 College to exrunine advising Foreign programs BY TASHA KATES Staff Writer overcome. Students may have to check in with their adviser before register ing next semester because of a se obstacles ries of new advising policies that could take effect by this spring. BY MEGAN REYNOLDS The registrar is developing the Staff Writer new policies after hearing faculty and staff concerns about the cur A recent national study encour rent system. aged schools like Ithaca College to Since the inception of Degree make their campuses more con Navigator in January 1999, stu ducive to study abroad. dents have been able to take their As the importance of international major into their own hands with awareness and education grows, out consulting their advisers before American colleges and universities registering for classes. have made significant strides in fur Coordinator of the Office of thering study abroad, wrote the Na Academic Achievement and Ad tional Strategic Task Force on Edu vising David Dresser said Degree cation Abroad in a study published Navigator's interface originally this fall. The task force hopes its new served as a good guide for students recommendations will help to triple about where they were in their ma the number of American students jor. However, faculty felt slighted. -
Disney Takes
And so—before you could say “Try the mime, and reached out to gauge her interest. grey stuff!”—Disney Theatrical Group (initially (Spoiler alert: She was.) He once said, “With christened Walt Disney Theatrical Productions) The Lion King, the idea was to redefine what was born. First helmed by Walt Disney Enter- one can do with theater. How do you do a tainment’s Ron Logan, now a Disney Legend, show with animal [characters] in a way that lets DISNEY TAKES the division eventually came under the pur- the audience discover something?” At the time view of Peter Schneider and Thomas Schum- Taymor said, “I was particularly inspired by the acher—Walt Disney Feature Animation execs minimalist ways animals are portrayed in Af- who, as luck would have it, had extensive rican art.” The result was an innovative stage theatrical backgrounds. Together, they spear- production unlike anything audiences had ever headed Disney’s The Lion King on Broadway. seen before. CENTER Schneider left to form his own theater produc- Following The Lion King, Schumacher and tion company in 2001; since then, Schumacher Disney Theatrical Group brought a dazzling has lead what’s ripened into one of the world’s array of musical productions to the Broadway most successful commercial theater enterprises. stage—including Aida, Tarzan, The Little Mermaid, and Mary Poppins. And away from ACT I Times Square, there was a hugely successful “Beauty and the Beast was intended, [with] the stage adaptation of Disney Channel juggernaut original concept, to be very faithful to the High School Musical—as a national tour that movie,” Schumacher says. -
FREAKY FRIDAY: ONE ACT EDITION Character Breakdown
FREAKY FRIDAY: ONE ACT EDITION Character Breakdown Ellie Blake Our hero - smart, funny; baggy, rumpled clothes; messy hair that hasn't seen a comb today, or yesterday Gender: Female Vocal range top: E5 Vocal range bottom: F3 Katherine Blake Ellie's mother - decisive, lovely, punctual Gender: Female Vocal range top: G5 Vocal range bottom: G3 Fletcher Ellie's little brother - naïve, eccentric, obsessed with magic Gender: Male Vocal range top: Bb4 Vocal range bottom: F3 Mike Katherine's fiancé - confident, handsome, kind Gender: Male Vocal range top: G4 Vocal range bottom: Db3 Karl Ellie's best friend - confident, funny Gender: Male Vocal range top: F4 Vocal range bottom: D3 Monica Ellie’s best friend – cautious, afraid of just about everything Gender: Female Vocal range top: Bb4 Vocal range bottom: Ab3 Adam The Listmaster - a paragon of adorable cool Gender: Male Vocal range top: F4 Vocal range bottom: C3 Savannah The villain - brilliant, aggressive, a winner Gender: Female Vocal range top: Db5 Vocal range bottom: D4 Kitty The accomplice - daft but vicious, accompanies Savannah everywhere Gender: Female Vocal range top: D5 Vocal range bottom: Ab3 Torrey Katherine's sous chef - a high-strung perfectionist Gender: Female Vocal range bottom: Eb5 Danielle Down the Aisle journalist - polished, grimly cheerful Gender: Female Dr. Ehrin School principal - test-obsessed, overworked Mr. Blumen Biology teacher - a cynical lifer Gender: Male Mrs. Luckenbill English teacher - empathetic Gender: Female Senor O'Brien Spanish teacher - pugnacious Gender: Male Ms. Meyers Gym teacher - extremely intense Gender: Female Vocal range top: C5 Vocal range bottom: Ab3 Officer Kowalski Police officer who never received sensitivity training Mrs. -
Freaky Frieday Character Breakdown
Character Breakdown The Family: Ellie Blake- Our hero - 16, smart, funny; baggy, rumpled clothes; messy hair that hasn't seen a comb today, or yesterday. Switches bodies with Katherine. This is an amazing role for a comedic physical actor with a great voice and heart. Must be able to play both Ellie and Katherine in Ellie’s body. Must have regular availability to attend all rehearsals to be considered for this role. Katherine Blake- Ellie's mother - 40s, decisive, lovely, punctual. This is an amazing role for a comedic physical actor with a great voice and heart. Must be able to play both Ellie and Katherine in Ellie’s body. Must have regular availability to attend all rehearsals to be considered for this role. Fletcher- Ellie's little brother - 10, naïve, eccentric, obsessed with magic. A fun role for a younger looking middle school student. Mike- Katherine's fiancé - confident, handsome, kind. Must be able to portray a stable and grounded adult. The Teens: Karl- Ellie's best friend - confident, funny Monica- Ellie’s best friend – cautious, afraid of just about everything Adam- The Listmaster - a paragon of adorable cool Savannah- The villain - brilliant, aggressive, a winner Kitty- The accomplice - daft but vicious, accompanies Savannah everywhere The Adults: Torrey- Katherine's sous chef - a high-strung perfectionist. An excellent comedic role. Will also be in the adult ensemble. Danielle-Down the Aisle journalist - polished, grimly cheerful. Will also be in the adult ensemble Dr. Ehrin- School principal - test-obsessed, overworked. Will also be in the adult ensemble Mr. Blumen- Biology teacher - a cynical lifer. -
President Responds to Governance Report Seale Calls for More Grass
THE CHRONICLE FRIDAY, APRIL 14, 1989 © DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 84, NO. 133 President responds to governance report reevaluate it, according to the Ad hoc group completes By CRAIG WHITLOCK memo. President Keith Brodie has for Brodie, however, deferred "to mally responded to the final the Board [of Trustees] for any review of Brodie's term report of the Task Force on Uni action with respect to recommen versity Governance in a memo dation Number 1" — the task for By DAVID WOLF and Philip Baugh. this week, calling the document ce's proposal to name the provost The findings of a review of According to Baugh, chair of "for the most part sound" and ad as the University's chief execu University President Keith the review committee, a letter dressing the task force's eight tive officer after the president. Brodie were presented last requesting opinions about suggestions for opening up the. The trustees must decide on the week to the executive commit Brodie's "leadership qualities, University's basic decision-mak provost recommendation because tee of the Board of Trustees, executive qualities, effective ing process. it would require a change in Uni although the results of the ness in interactions within the The chair of the Board of versity bylaws. review will be kept confiden immediate University commu Trustees said Thursday, howev Board Chair Fitzgerald Hud tial, according to the trustee nity and accomplishments" er, that the trustees probably son said Thursday that the trust chair. was sent to all faculty mem would reject the task force's rec ees probably would not consent The review was conducted bers, trustees, senior adminis ommendation to designate the to the provost proposal, primar by a five-member ad hoc com trators and selected presi provost as the University's chief ily because they do not want to mittee appointed by Trustee dents of other universities. -
Playbill: JUDY KUHN Sings RICHARD RODGERS, MARY
02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 1 Sponsored by Prudential Investment Management Wednesday Evening, February 4, 2015, at 8:30 m a r g Judy Kuhn Sings Richard Rodgers, o r Mary Rodgers, and Adam Guettel P Todd Almond, Arranger and Musical Director e Josh Clayton, Orchestrator h Malcolm Gets, Director T Jeremy Clayton, Woodwinds Suzy Perelman, Violin Peter Sachon, Cello Michael Aarons, Guitar Alana Dawes, Bass John Hadfield, Drums This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall 02-04 Kuhn_GP2 copy 1/28/15 10:18 AM Page 2 American Songbook Additional support for Lincoln Center’s American Songbook is provided by The Brown Foundation, Inc., of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Endowment support is provided by Bank of America. Public support is provided by the New York State Council on the Arts. Artist catering is provided by Zabar’s and zabars.com. MetLife is the National Sponsor of Lincoln Center. Movado is an Official Sponsor of Lincoln Center. -
March 2019 Circulation 13,000 FREE Sounds of Southwest: Thursday by KATELYND ANDERSON
March 2019 Circulation 13,000 FREE Sounds of Southwest: Thursday BY KATELYND ANDERSON n 2018, there were 365 days of music in our neighborhood—that is one show I every night. KID’S CORNER This amazing statistic has inspired a new monthly column: Sounds of South- Page 8 west. Each month, “The Southwester” will explore a new venue, band and genre. We will strive to understand the unique fabric that is our Southwest neighborhood, and we will do it through sound. We would love your help too! Email us at editor@ thesouthwester.com if you have an idea for a column feature, or if you want to write the next column. We all see and hear this neighborhood differently, and that makes this neighborhood home. For our first Sounds of Southwest col- umn, we ventured to Union Stage, which features a tap room upstairs and a state- of-the-art music venue downstairs. The weekend of Feb. 15 and 16, Union Stage THE SOUTHWEST SPOON The band Thursday Photo by Author See “Sounds,” page 3 Page 9 Laura C. Harris (Catherine Sloper), Career Mentoring Lorene Chesley (Marian Almond) and Kimberly Schraf (Maria) in “The Heiress” Program Launches in Southwest BY ALYSSA CASEY .C. Mentoring and Achievement Program (D.C. MAAP), a new D workforce development pro- gram in Southwest D.C., opened its doors Saturday, Feb. 16. This new initiative will assist D.C. residents looking for entry- level jobs, particularly in the hospital- CHANGES OF LATI- ity, entertainment and service sectors. The economic, racial and physical land- TUDE AT WHARF scape of Southwest is changing rapidly.