Queens Family July 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Disney Musicals in Schools Puts Students in the Spotlight Onstage at Overture Center for the Arts
MEDIA ALERT For immediate release: Friday, April 20, 2018 Contact: Sarah Knab | 608.258.4438 DISNEY MUSICALS IN SCHOOLS PUTS STUDENTS IN THE SPOTLIGHT ONSTAGE AT OVERTURE CENTER FOR THE ARTS Overture Center is among 18 arts organizations in the world collaborating with Disney Musicals in Schools. (Madison, Wis.) - On May 23, more than 180 elementary students from Madison will have the extraordinary opportunity to sing and dance onstage at Overture Center for the Arts as the result of a grant awarded to Overture by Disney. The grant from Disney enables Overture to offer the Disney Musicals in Schools program to three new schools in Madison this year: Frank Allis Elementary School, Leopold Elementary School and Nuestro Mundo Community School. The program is designed to create sustainable theater program in elementary schools. Through the program, participating schools produce a Disney KIDS musical in their school community and join in a culminating performance at Overture. “Disney Musicals in Schools addresses one of our biggest goals – creating equitable access to the arts,” said Ted DeDee, Overture’s president and CEO. “Through the program, we can create meaningful and sustainable musical theater opportunities for students who would not otherwise be able to experience it. By being immersed in creating art with their peers and discovering the joys and confidence that comes from the process of learning to perform, students are making memories and developing skills to last a lifetime. In addition, through the structure of the program teachers learn and develop their skills, setting up for long term musical theater programs at their schools.” The selected schools participated in a 17-week musical theater residency, led by a team of teaching artists trained by Overture and Disney Theatrical Productions, at no cost. -
Freaky Friday: a New Musical Cast of Characters
Freaky Friday: A New Musical Cast of Characters THE FAMILY ELLIE BLAKE – 16; smart, funny, and messy KATHERINE BLAKE – 40s; Ellie’s mother; decisive, lovely, punctual FLETCHER BLAKE – 10; Ellie’s brother; eccentric and naïve; he is obsessed with his puppets, especially ANGRY BOB, and enraged purple hippo, and CASPIAN, a proper British Starfish MIKE – 40s; Katherine’s fiancée; confident, charming, kind THE TEENS GRETCHEN – 16; Ellie’s best friend; intense, emotional, lacks confidence HANNAH – 16; also Ellie’s best friend; hacker-geek, nerd girl ADAM – 16-ish; the Listmaster (in charge of the Scavenger Hunt), adorably cool SAVANNAH – 16-ish; the villain; brilliant, aggressive, a winner PARKER – 16-ish; Ellie’s friend, completely average, best friends with Wells WELLS – 16-ish; Ellie’s friend; dorky but not meek, best friends with Parker LAUREL – Random Teen, unimpressed THE ADULTS TORREY – Katherine’s assistant; high-strung perfectionist GRANDPA GORDON – Katherine’s father; grumpy, stubborn, old-school GRANDMA HELENE – Katherine’s mother; fiercely opinionated (because she cares) DANIELLE – Weddings Magazine journalist; polished, grimly cheerful LOUIS - Weddings Magazine photographer; seen it all, loves his job MR. BLUMEN – school counselor; test-obsessed PASTOR BRUNO – cheerful, loves weddings MRS. LUCKENBILL – English teacher; empathetic SENOR O’BRIEN – Spanish teacher; pugnacious MS. MEYERS – Gym teacher; extremely intense OFFICER SITZ - SITZ and KOWALSKI never received sensitivity training OFFICER KOWALSKI – SITZ and KOWALSKI never received sensitivity training MRS. TIME – Antique shop proprietor; apathetic, doesn’t much like teenagers THE ENSEMBLE CATERING STAFF (including CATER WAITERS, FISH VENDOR and FLORIST) STUDENTS TEACHERS SAVANNAH’S MINIONS PARENTS (including ADAM’S MOM, GRETCHEN’S MOM, SAVANNAH’S MOM, PARKER’S DAD, and WELLS’ DAD WEDDING GUESTS . -
Appendix D.3 Scoping Report
PUBLIC COMMENTS PC00001 LGA Comments <[email protected]> LaGuardia Airport Access Improvement Project Denise Crockett <[email protected]> Thu, May 9, 2019 at 10:44 PM To: "[email protected]" <[email protected]> Dear Mr Andrew Brooks: Thank you for the opportunity to comment on the LaGuardia Airport Access Improvement Project. As a long term resident of Jamaica, NY, residing along the Grand Central Parkway, I do believe that there is a great need for these proposed improvements. Connecting the LaGuardia Airport to the LIRR and NYCT No. 7 Line is a great idea, but it does not go far enough! Both of these proposed connections are Manhattan centric, that is supporting more ridership between the Airport and the City. This does absolutely nothing to relieve or ease local traffic congestion we experience in Queens on the Long Island Expressway and the Grand Central Parkway with inbound and outbound Long Island traffic. It also does not reduce heavy traffic congestion on the Van Wyck Expressway between JKF and LaGuardia. It would be helpful if the proposed plan included plans to extend the Airtrain light rail service Train which ends at the Jamaica LIRR Station to LaGuardia Airport with a stop at the NYCT No 7 Line. Having lived here for over 40 years and having travelled extensively on business out of both airports, I believe that extending the Airtrain from the Jamaica Station to LaGuardia Airport would be a tremendous improvement and provide many more benefits for the greater NYC area. People traveling from Long Island -
Freaky Friday Playbill
SUMMER STAGE STAFF Administration Executive Director …………....……………………………………………..........Joseph Bretschneider P roduction of Producing Artistic Director …….….…………………………………………...........Edward P. Fiscella Business Manager ………………..…....................................................................Nancy Fiscella Summer Stage Manager ….…..………………………………………….…..........Anne Marie Weaver Public Relations ………………….……………………………….. LeToy Price, Jeffrey Redwanowski Nurse ………………………………………………………………………..……Shannon Cahill, Corinne Palacio TechnicalProduction Technical Director …..………...………………………………………………………………...... Bob Corriveau Set Designer……………………………………………………………………………………………..…..Tom Weaver Costume Designer ……………………………………………………………………..………………..Jean Bachen Sound Designer …………………………………………………………….…………………….. Bryce Youngberg Lighting Designer………………………………………………………………..………………………….Nick Reigel BOOK BY MUSIC BY LYRICS BY Videographers………………………………………………………….Colin Shea, Jeffrey Redwanowsli Bridget Carpenter Tom Kitt Brian Yorkey Assistant Costume Designer …………………………………………………..……….. Stephanie White Carpenter, Run Chief………………………………………………………..………………………..Sara Johnson Based on the Novel Freaky Friday by Carpenter, Run Crew………………………….Brenden Finley, Michael Graves, Jon Meddick MARY ROGERS Scenic Artist……………………………………………………………………………Shivani Hirata Chandran and the Disney Films Assistant Scenic Artist……………………………………………………………….………..Kyra McFadden FREAKY FRIDAY ONE ACT EDITION Orchestrations by Michael Starobin & Tom Kitt Is presented through special arrangement with Music Theatre -
C.1.V. Provisions for Pedestrians and Bicyclists
Final Environmental Impact Statement Section II.C C.1.v. Provisions for Pedestrians and Bicyclists Provisions for pedestrians and bicyclists within the project area are limited to at-grade streets and sidewalks within the industrial areas of Brooklyn and Queens on both sides of Newtown Creek and the Brooklyn residential neighborhoods of Greenpoint and East Williamsburg. Based on review of the New York City Bicycle Map, 56th Road and Review Avenue are the only designated routes in the vicinity of the bridge and are recommended as areas where sufficient street width for bicyclists is available and where vehicular traffic is light. Pedestrian and bicycle access across the bridge is not provided, and therefore persons crossing Newtown Creek must use the Greenpoint Avenue Bridge located approximately 1.2 km (0.75 mi) northwest of the Kosciuszko Bridge or the Grand Avenue Bridge located approximately 2.1 km (1.3 mi) southeast of the Kosciuszko Bridge. In Brooklyn, Meeker Avenue, Thomas Street, Cherry Street and Anthony Street provide at- grade pedestrian access via sidewalks parallel to the bridge. Access beneath the bridge is provided at Kingsland Avenue, Morgan Avenue, Vandervoort Avenue, Varick Avenue, Stewart Avenue, Gardner Avenue and Scott Avenue. Sidewalk pedestrian ramps are only found at the Meeker Avenue/Varick Avenue intersection and the Meeker Avenue/Stewart Avenue intersection. However, due to poor sidewalk conditions and/or lack of sidewalks at certain locations, handicapped accessibility is very limited parallel to and underneath the bridge. In Queens, 43rd Street and Laurel Hill Boulevard provide at-grade pedestrian access via sidewalks parallel to the bridge between the LIE and 56th Road. -
Disney Takes
And so—before you could say “Try the mime, and reached out to gauge her interest. grey stuff!”—Disney Theatrical Group (initially (Spoiler alert: She was.) He once said, “With christened Walt Disney Theatrical Productions) The Lion King, the idea was to redefine what was born. First helmed by Walt Disney Enter- one can do with theater. How do you do a tainment’s Ron Logan, now a Disney Legend, show with animal [characters] in a way that lets DISNEY TAKES the division eventually came under the pur- the audience discover something?” At the time view of Peter Schneider and Thomas Schum- Taymor said, “I was particularly inspired by the acher—Walt Disney Feature Animation execs minimalist ways animals are portrayed in Af- who, as luck would have it, had extensive rican art.” The result was an innovative stage theatrical backgrounds. Together, they spear- production unlike anything audiences had ever headed Disney’s The Lion King on Broadway. seen before. CENTER Schneider left to form his own theater produc- Following The Lion King, Schumacher and tion company in 2001; since then, Schumacher Disney Theatrical Group brought a dazzling has lead what’s ripened into one of the world’s array of musical productions to the Broadway most successful commercial theater enterprises. stage—including Aida, Tarzan, The Little Mermaid, and Mary Poppins. And away from ACT I Times Square, there was a hugely successful “Beauty and the Beast was intended, [with] the stage adaptation of Disney Channel juggernaut original concept, to be very faithful to the High School Musical—as a national tour that movie,” Schumacher says. -
FREAKY FRIDAY: ONE ACT EDITION Character Breakdown
FREAKY FRIDAY: ONE ACT EDITION Character Breakdown Ellie Blake Our hero - smart, funny; baggy, rumpled clothes; messy hair that hasn't seen a comb today, or yesterday Gender: Female Vocal range top: E5 Vocal range bottom: F3 Katherine Blake Ellie's mother - decisive, lovely, punctual Gender: Female Vocal range top: G5 Vocal range bottom: G3 Fletcher Ellie's little brother - naïve, eccentric, obsessed with magic Gender: Male Vocal range top: Bb4 Vocal range bottom: F3 Mike Katherine's fiancé - confident, handsome, kind Gender: Male Vocal range top: G4 Vocal range bottom: Db3 Karl Ellie's best friend - confident, funny Gender: Male Vocal range top: F4 Vocal range bottom: D3 Monica Ellie’s best friend – cautious, afraid of just about everything Gender: Female Vocal range top: Bb4 Vocal range bottom: Ab3 Adam The Listmaster - a paragon of adorable cool Gender: Male Vocal range top: F4 Vocal range bottom: C3 Savannah The villain - brilliant, aggressive, a winner Gender: Female Vocal range top: Db5 Vocal range bottom: D4 Kitty The accomplice - daft but vicious, accompanies Savannah everywhere Gender: Female Vocal range top: D5 Vocal range bottom: Ab3 Torrey Katherine's sous chef - a high-strung perfectionist Gender: Female Vocal range bottom: Eb5 Danielle Down the Aisle journalist - polished, grimly cheerful Gender: Female Dr. Ehrin School principal - test-obsessed, overworked Mr. Blumen Biology teacher - a cynical lifer Gender: Male Mrs. Luckenbill English teacher - empathetic Gender: Female Senor O'Brien Spanish teacher - pugnacious Gender: Male Ms. Meyers Gym teacher - extremely intense Gender: Female Vocal range top: C5 Vocal range bottom: Ab3 Officer Kowalski Police officer who never received sensitivity training Mrs. -
THE PLAZA PARK Bringing Long Island City to New Heights
THE PLAZA PARK Bringing Long Island City To New Heights BRIXTON MANOR CONFIDENTIAL OFFERING MEMORANDUM This Offering Memorandum has been prepared by Brixton Manor use by a limited number of parties and has been obtained from sources believed reliable. While we do not doubt its accuracy, we have not verified it, and make no guarantee, warranty or representation about it. It is your responsibility to confirm, independently, its accuracy and completeness. All projections have been developed by Brixton Manor, Owner and designated sources, are based upon assumptions relating to the general economy, competition, and other factors beyond the control of Owner, and therefore are subject to variation. No representation is made by Brixton Manor or Owner as to the accuracy or completeness of the information contained herein, and nothing contained herein is or shall be relied on as a promise or representation as to the future performance of the property. Although the information contained herein is believed to be correct, Owner and its employees disclaim any responsibility for inaccuracies and expect prospective purchasers to exercise independent due diligence in verifying all such information. Further, Brixton Manor, Owner and its employees disclaim any and all liability for representations and warranties, expressed and implied, contained in, or for omissions from, the Offering Memorandum or any other written or oral communication transmitted or made available to the recipient. The Offering Memorandum does not constitute a representation that there has been no change in the business or affairs of the property or Owner since the date of preparation of the Offering Memorandum. Analysis and verification of the information contained in the Offering Memorandum is solely the responsibility of the prospective purchaser. -
Metropolitan Transportation Authority Requests to Reallocate FTA
Metropolitan Transportation Authority Requests to Reallocate FTA Section 5324 Resiliency Funding to MTA Repair Projects September 30, 2016 NY MTA Request for Reallocation of Resiliency Funds INTRODUCTION The Metropolitan Transportation Authority (MTA) is pleased to submit the enclosed request to reallocate Federal Transit Administration (FTA) Section 5324 Competitive Resiliency (CR) and locally- prioritized resiliency (LPR) grant funds to support the recovery/repair of New York City Transit (NYCT) and Long Island Rail Road (LIRR) assets damaged during Hurricane Sandy. Requested Competitive Resiliency Reallocation With today’s request, the MTA is requesting to reallocate $324.9 million in CR grant funds to our recovery program. This will reduce the federal share of MTA’s CR projects to $1.3 billion, as shown in the table below. Table 1 Summary of Competitive Resiliency Funds Requested for Reallocation CR Application Federal Share Local Match Budget (Award) Current MTA CR Award $2,131,956,139 $1,598,967,104 $532,989,035 Requested Reallocation to Repair ($433,212,030) ($324,909,023) ($108,303,007) Remaining MTA CR Award $1,698,744,109 $1,274,058,081 $424,686,027 Table 1a – Detail: MTA NYCT Competitive Resiliency Reallocation Requests MTA CR Project Budget Federal Share Local Match Agency NYCT ROW Equipment Hardening in Flood Prone $61,443,249 $46,082,437 $15,360,812 Areas NYCT Protection of Street Level Openings in $141,895,903 $106,421,927 $35,473,976 Flood Prone Areas NYCT Flood Mitigation in Yards $152,170,003 $114,127,503 $38,042,501 -
Existing Conditions March 28, 2016
Long Island City Comprehensive Plan: Phase 1 Existing Conditions March 28, 2016 Prepared by: BJH Advisors for the Long Island City Partnership Long Island City Comprehensive Plan: Phase 1 Existing Conditions Table of Contents Executive Summary ............................................................................................ 4 Introduction and Purpose ......................................................................................... 4 Study Area Characteristics ................................................................................ 5 Neighborhood Sub-Areas ......................................................................................... 5 Transportation Infrastructure and Usage ......................................................... 9 Public Transportation ............................................................................................... 9 Pedestrian Bridges and Connections ..................................................................... 10 Highway, Bridge and Tunnel Infrastructure ............................................................ 15 Bicycles.................................................................................................................. 18 Commuting Patterns .............................................................................................. 19 Parking Infrastructure ............................................................................................. 20 Broadband Internet Infrastructure.......................................................................... -
Freaky Frieday Character Breakdown
Character Breakdown The Family: Ellie Blake- Our hero - 16, smart, funny; baggy, rumpled clothes; messy hair that hasn't seen a comb today, or yesterday. Switches bodies with Katherine. This is an amazing role for a comedic physical actor with a great voice and heart. Must be able to play both Ellie and Katherine in Ellie’s body. Must have regular availability to attend all rehearsals to be considered for this role. Katherine Blake- Ellie's mother - 40s, decisive, lovely, punctual. This is an amazing role for a comedic physical actor with a great voice and heart. Must be able to play both Ellie and Katherine in Ellie’s body. Must have regular availability to attend all rehearsals to be considered for this role. Fletcher- Ellie's little brother - 10, naïve, eccentric, obsessed with magic. A fun role for a younger looking middle school student. Mike- Katherine's fiancé - confident, handsome, kind. Must be able to portray a stable and grounded adult. The Teens: Karl- Ellie's best friend - confident, funny Monica- Ellie’s best friend – cautious, afraid of just about everything Adam- The Listmaster - a paragon of adorable cool Savannah- The villain - brilliant, aggressive, a winner Kitty- The accomplice - daft but vicious, accompanies Savannah everywhere The Adults: Torrey- Katherine's sous chef - a high-strung perfectionist. An excellent comedic role. Will also be in the adult ensemble. Danielle-Down the Aisle journalist - polished, grimly cheerful. Will also be in the adult ensemble Dr. Ehrin- School principal - test-obsessed, overworked. Will also be in the adult ensemble Mr. Blumen- Biology teacher - a cynical lifer.