DOCSLIB.ORG

2021 1St U.S. Volunteer Cavalry Regiment, “The Rough Riders” Swinging for Charity Golf Tournament Information October 22, 20

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2021 1St U.S. Volunteer Cavalry Regiment, “The Rough Riders” Swinging for Charity Golf Tournament Information October 22, 20 2021 1st U.S. Volunteer Cavalry What does the Tournament Golfer information Regiment, “The Rough Riders” support? Swinging for Charity Golf Cost: Tournament Information For 10 years the Rough Riders’ Early Sign up (Until July 31, 2021) Individual - $125.00 Swinging for Charity Golf Tournament has raised funds to help aid the Regular Sign up (August 1 – October 7) various charitable activities the Individual - $150.00 Rough Riders conduct every year. What is included: Some of the various activities include Base background check/clearance our numerous Teddy Bear Runs, Box lunch October 22, 2021 scholarships to ROTC students at the Carts (2 per team) University of Tampa, donations to Digital scoring with live Leader Board families of fallen in the line of duty updates law enforcement, Special Olympics, Post-tournament Banquet cancer awareness events, and many more. Your participation or contributions The “Package” Wristband helps us return to the local Cost: $40.00 community and families the same Includes: generosity Tampa has shown to the One Mulligan on course Rough Riders for over 40 years. Admittance to Hole-in-One, Longest- The Bay Palms Golf Complex Drive, Longest-Putt 1803 Golf Course Avenue 5 Chinese Raffle Tickets (MacDill Air Force Base) 1 Booze Basket ticket Tampa, FL 33621 Please visit our website at: www.tamparoughriders.org/2021_golf for more information on the tournament and how you can support the Tournament. The “Teddy Cup” Tournament Sponsor Information The “Krewe Cup” (Please email alaindisdash@gmail.com for details for each level) Lieutenant Colonel Theodore “Teddy” Roosevelt (Title) Level Sponsor $5,000 Colonel Leonard P. Wood (Associate) The Teddy Cup is awarded to the team Level Sponsor $2,500 The Krewe Cup is open only to IKC with the lowest combined score. registered Krewes. The Krewe with the Winners are recognized at the Captain Allyn Carpon (Banquet) lowest score will be awarded the Krewe tournament will have their team’s name Level Sponsor $2,000 Cup at the golf tournament. and member’s names placed on the cup. Brigadier General “Fighting” Joe In-Kind Donations In-Kind Donations are Wheeler (Corporate) Level Besides the “Krewe Cup”, the winning welcomed and donors will be recognized Sponsor $1,500 (2) Krewe Team also wins free entry appropriately. Some examples include: registration for their Krewe in the 2022 Tournament Awards Dinner Food and/or San Juan Hill Level (Breakfast) Rough Riders St. Patrick’s Day Parade. Beverages Box Lunches at the Tournament Prize and Goodie Bag Merchandise Level Sponsor $1,000.00 (This is a $350 value) Cost to compete is On-Course Tournament Beverages an additional $100 per team. Las Guasimas (Games) See website for additional information and rules Please feel free to discuss these and other suggestions you might have with a Committee Level Sponsor $750.00 Member. Auction & Raffle Items In addition to the above sponsorship opportunities, Auction & Captain “Buckey” O’Neill Note***** The Rough Riders are a 501 c-3 Charity, please check with your tax consultant(s) Raffle Items are very much in need. Level Sponsor $500.00 to determine potential for tax deductions. Please contact a committee member to discuss the items or services you are interested in “The Bronco Buster” providing to the tournament. Donors of auction Please visit our website at: Level Sponsor $200.00 www.tamparoughriders.org/2021_golf & raffle items will receive appropriate recognition. Please contact a committee member for more information on the tournament to discuss a method of support which may not be “Trooper” and how you can support the Tournament. listed on this information sheet. Level Sponsor $100.00 .
Load more
Loading...
Loading...

—— Preview end. ——

Recommended publications
  • COL. Theodore Roosevelt, the Rough Riders & Camp Wikoff
    Transcript of Lecture Delivered by Jeff Heatley on Friday September 18, 1998 COL. Theodore Roosevelt, The Rough Riders & Camp Wikoff On August 7th, 1898, the transport Miami, with Gen. Joseph Wheeler, Col. Theodore Roosevelt, the Rough Riders and members of the Third Cavalry on board, pulled away from the dock at Santiago, Cuba to begin its voyage north. Anxious that his men not miss the sights, Col. Roosevelt urged them to stay on deck. As the ship approached Morro Castle, the Third Cavalry band began to play John Howard Payne's "Home, Sweet Home". The American soldiers stationed at the castle cheered wildly as the homeward-bound troops passed by. The Gate City, the first transport to start north, had left Santiago two days earlier. Over the next five weeks, nearly forty ships would bring a total of 22,500 soldiers of Gen. Shafter's Fifth Army Corps from Santiago de Cuba to Montauk, where a 4,200-acre military encampment had been hastily prepared for their rest and recuperation. The 2,000-mile, eight-day journey would prove a further test for the heroes of the Spanish-American War. Many suffered the ill effects of tropical diseases like malaria, typhoid, dysentery and, in a few cases, yellow fever. The ships were over-crowded and lacked adequate supplies for healthy men, let alone fever-stricken ones. Both the Mobile and Allegheny transports were called "death ships" on arrival at Fort Pond Bay. Thirteen soldiers had died on board the Mobile and been buried at sea; fourteen on the Allegheny suffered the same fate.
    [Show full text]
  • The Cowboy Legend : Owen Wister's Virginian and The
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2015-11 The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier Jennings, John University of Calgary Press Jennings, J. "The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier." West series; 7. University of Calgary Press, Calgary, Alberta, 2015. http://hdl.handle.net/1880/51022 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca THE COWBOY LEGEND: OWEN WISTER’S VIRGINIAN AND THE CANADIAN-AMERICAN FRONTIER by John Jennings ISBN 978-1-55238-869-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at ucpress@ucalgary.ca Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]
  • Summer in the WEST
    SUMMER 2011 Summer in the WEST Display until September 15 www.paragonfoundation.org $5.95 US The Journal of the PARAGON Foundatiion,, Inc.. photo by Audrey Hall OUR MISSION The PARAGON Foundation provides for education, research and the exchange of ideas in an effort to promote and support Constitutional principles, individual freedoms, private property rights and the continuation of rural customs and culture – all with the intent of celebrating and continuing our Founding Fathers vision for America. The PARAGON Foundation, Inc. • To Educate and Empower We invite you to join us. www.paragonfoundation.org IN THIS ISSUE 10 62 100 Of Note On Your Horses’ Feet Bending Tradition Current Events and Culture By Pete Healey The Craft of Matt Humphreys From Out West By A.J. Mangum 64 36 The West of Audrey Hall 104 A New Book from GB Oliver A Photographer’s Portfolio Warner Western The Music of the West Evolves 38 72 By Darrell Arnold The Artists Ride The Lazy JS Ranch A Rendezvous of Western Artists By A.J. Mangum 110 Cowboy Cavalry 42 76 Roosevelt’s Rough Riders Your Rights Cowboy Artist By Dan Gagliasso Common Sense By Thomas Paine Jay Contway Part 2 By Mark Bedor 118 Range Writing 46 80 Cowboy Poetry from The Living Words of the A Few Words from Daniel All Over the West Constitution Martinez By Nicole Krebs 120 PARAGON Memorials 84 48 R-CALF USA Celebrating The West Special Section 122 in OK City Recommended Reading The Western Heritage Awards 87 Old and New Books Worthy of Your Nightstand WSRRA 52 Special Section Mackey Hedges, Buckaroo 124 Out There By Darrell Arnold 91 FFA Cover photo by William Reynolds 58 Special Section Ranch Living Life on the Ranch with Thea Marx 96 America: Where the Power Resides Part Three: The County Commissioner By Marilyn Fisher Best Overall photo by Audrey Hall Publication 2009 Old Cowdogs Classic Saddle Silver & Spanish Ornamentation in the traditions of the Pacific Slope.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, WEDNESDAY, JUNE 3, 2009 No. 82 House of Representatives The House met at 10 a.m. and was PLEDGE OF ALLEGIANCE equal access to readjustment coun- called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the seling and mental health services at pore (Ms. BERKLEY). gentleman from Kentucky (Mr. DAVIS) Vet Centers. We will provide dedicated funding for nonprofits supporting mili- f come forward and lead the House in the Pledge of Allegiance. tary families and create a program for proactive mental health outreach to DESIGNATION OF THE SPEAKER Mr. DAVIS of Kentucky led the Pledge of Allegiance as follows: soldiers. We will also provide a pro- PRO TEMPORE gram for Vet Centers aimed at growing The SPEAKER pro tempore laid be- I pledge allegiance to the Flag of the the number of mental health trainers fore the House the following commu- United States of America, and to the Repub- lic for which it stands, one nation under God, as well as providers. nication from the Speaker: indivisible, with liberty and justice for all. These bills will dramatically expand our ability to provide mental health WASHINGTON, DC, f June 3, 2009. coverage to our warriors who are doing I hereby appoint the Honorable SHELLEY ANNOUNCEMENT BY THE SPEAKER so much for all of us both here at home BERKLEY to act as Speaker pro tempore on PRO TEMPORE and abroad.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, WEDNESDAY, JUNE 3, 2009 No. 82 House of Representatives The House met at 10 a.m. and was PLEDGE OF ALLEGIANCE equal access to readjustment coun- called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the seling and mental health services at pore (Ms. BERKLEY). gentleman from Kentucky (Mr. DAVIS) Vet Centers. We will provide dedicated funding for nonprofits supporting mili- f come forward and lead the House in the Pledge of Allegiance. tary families and create a program for proactive mental health outreach to DESIGNATION OF THE SPEAKER Mr. DAVIS of Kentucky led the Pledge of Allegiance as follows: soldiers. We will also provide a pro- PRO TEMPORE gram for Vet Centers aimed at growing The SPEAKER pro tempore laid be- I pledge allegiance to the Flag of the the number of mental health trainers fore the House the following commu- United States of America, and to the Repub- lic for which it stands, one nation under God, as well as providers. nication from the Speaker: indivisible, with liberty and justice for all. These bills will dramatically expand our ability to provide mental health WASHINGTON, DC, f June 3, 2009. coverage to our warriors who are doing I hereby appoint the Honorable SHELLEY ANNOUNCEMENT BY THE SPEAKER so much for all of us both here at home BERKLEY to act as Speaker pro tempore on PRO TEMPORE and abroad.
    [Show full text]
  • Papers of the 2013 Dakota Conference
    The Spanish Northern Plains Papers of the Forty-Fifth Annual DAKOTA CONFERENCE A National Conference on the Northern Plains Cover Illustration: Untitled, by Vladan Stiha, courtesy Frank & Jan Gibbs Art Collection THE CENTER FOR WESTERN STUDIES AUGUSTANA COLLEGE 2013 The Spanish Northern Plains Papers of the Forty-Fifth Annual Dakota Conference A National Conference on the Northern Plains The Center for Western Studies Augustana College Sioux Falls, South Dakota April 26-27, 2013 Compiled by: Amy Nelson Jasmin Graves Harry F. Thompson Major funding for the Forty-Fifth Annual Dakota Conference was provided by: Loren and Mavis Amundson CWS Endowment/SFACF Deadwood Historic Preservation Commission Tony & Anne Haga Carol Rae Hansen, Andrew Gilmour & Grace Hansen-Gilmour Mellon Fund Committee of Augustana College Rex Myers & Susan Richards Joyce Nelson, in Memory of V.R. Nelson Rollyn H. Samp, in Honor of Ardyce Samp Roger & Shirley Schuller, in Honor of Matthew Schuller Jerry & Gail Simmons Robert & Sharon Steensma Blair & Linda Tremere Richard & Michelle Van Demark Jamie & Penny Volin Table of Contents Preface ....................................................................................................................................... v Anderson, Grant K. State Sponsored Hail Insurance in South Dakota (1919-1933) ............................................. 1 Browne, Miles A. Abraham Lincoln: A Founding Father .................................................................................. 20 Browne, Miles A. The Gettysburg Address
    [Show full text]
  • American Art
    American Art The Art Institute of Chicago American Art New Edition The Art Institute of Chicago, 2008 Produced by the Department of Museum Education, Division of Teacher Programs Robert W. Eskridge, Woman’s Board Endowed Executive Director of Museum Education Writers Department of American Art Judith A. Barter, Sarah E. Kelly, Ellen E. Roberts, Brandon K. Ruud Department of Museum Education Elijah Burgher, Karin Jacobson, Glennda Jensen, Shannon Liedel, Grace Murray, David Stark Contributing Writers Lara Taylor, Tanya Brown-Merriman, Maria Marable-Bunch, Nenette Luarca, Maura Rogan Addendum Reviewer James Rondeau, Department of Contemporary Art Editors David Stark, Lara Taylor Illustrations Elijah Burgher Graphic Designer Z...ART & Graphics Publication of American Art was made possible by the Terra Foundation for American Art and the Woman’s Board of the Art Institute of Chicago. Table of Contents How To Use This Manual ......................................................................... ii Introduction: America’s History and Its Art From Its Beginnings to the Cold War ............... 1 Eighteenth Century 1. Copley, Mrs. Daniel Hubbard (Mary Greene) ............................................................ 17 2. Townsend, Bureau Table ............................................................................... 19 Nineteenth Century 3. Rush, General Andrew Jackson ......................................................................... 22 4. Cole, Distant View of Niagara Falls ....................................................................
    [Show full text]
  • Chatsworth PTA's Art Appreciation, Spring 2010 the Bronco Buster Frederic Remington (1861-1909)
    Chatsworth PTA’s Art Appreciation, Spring 2010 The Bronco Buster original cast 1895 Frederic Remington (1861-1909) “He is of course, one of the most typical American artists we have ever had, and he has portrayed a most characteristic and yet vanishing type of American life. The soldier, cowboy and rancher, the Indians, the horses and the cattle of the plains, will live in his pictures and bronzes, I verily believe for all time.” Theodore Roosevelt Three Things to Remember about Remington 1. During a career that spanned less than twenty-five years, Frederic Remington produced a huge body of work: illustration, painting, sculpture & writing - the vast majority of it centered on the Old American West. 2. Remington portrayed and brought to life the action and drama of the West, thereby defining the “Wild West” for the popular imagination. 3. Remington was a native of New York and produced most of his art in the East, thereby assisting in the creation of the romantic notion of the Old West that Easterners embraced and which persists today. 1 OVERVIEW OF REMINGTON’S LIFE AND WORK Early Years Although closely identified with the American West, Remington actually spent much of his life in the East. Frederic Remington , the only child of Seth Pierre Remington and Clara Bascomb Sackrider Remington, was born in Canton, New York on October 4, 1861. His boyhood in Northern New York fostered a lifelong love of horses and the outdoors. And his father's tales of action as a Cavalry officer in the Civil War inspired a passion for things military that found a Western focus with the battle of the Little Bighorn during the nation's Centennial Year, 1876.
    [Show full text]
  • The West in Bronze: Analyzing the Market and Networks of Western American Bronze Sculptures, 1895 – 2019
    THE WEST IN BRONZE: ANALYZING THE MARKET AND NETWORKS OF WESTERN AMERICAN BRONZE SCULPTURES, 1895 – 2019 A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In Interdisciplinary Studies University of Regina By Kylie Rae Dahlstrom Regina, Saskatchewan May 2020 Copyright 2020, Kylie Rae Dahlstrom UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Kylie Rae Dahlstrom, candidate for the degree of Master of Arts in Interdisciplinary Studies, has presented a thesis titled, The West in Bronze: Analyzing the Market and Networks of Western American Bronze Sculptures, 1895-2019, in an oral examination held on April 13, 2020. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: *Dr. Mark C. Anderson, Carleton University Supervisor: *Dr. Francesco Freddolini, Department of Visual Arts Committee Member: *Dr. Christine Ramsay, Department of Film Committee Member: *Dr. Megan Smith, Department of Visual Arts Chair of Defense: *Dr. Troni Grande, Department of English *via ZOOM Conferencing ABSTRACT This thesis examines the market growth of Western American bronze sculpture over the course of 124 years (1895-2019), from Frederic Remington’s Bronco Buster until now. The genre of Western American art is a highly marginalized genre that has received limited study, and the market analysis even less so. The research for this thesis was primarily conducted through the use of digital methodologies falling under the realm of the digital humanities and, in particular, digital art history.
    [Show full text]
  • Frederic Remington, National Myths, and Art Historical Narratives,” Panorama: Journal of the Association of Historians of American Art 1, No
    ISSN: 2471-6839 Cite this article: Margaretta M. Lovell, “Dashing for America: Frederic Remington, National Myths, and Art Historical Narratives,” Panorama: Journal of the Association of Historians of American Art 1, no. 2 (Fall 2015), https://doi.org/10.24926/24716839.1517. Dashing for America: Frederic Remington, National Myths, and Art Historical Narratives Margaretta M. Lovell, Jay D. McEvoy Jr. Professor of American Art, University of California, Berkeley. A Dash for the Timber, one of Frederic Remington's (1861–1909) largest and most characteristic works, was acquired by the collector, Amon Carter, in 1945, and hangs today in the museum bearing his name in Fort Worth, Texas (fig. 1).1 At four feet by seven feet it has an unusual immediacy and dramatic presence. Museum visitors often come in pairs and enjoy giving each other little gifts of observation and insight. A well-dressed woman was overheard recently to observe to her companion as they paused to take it in: “Look at the horses. Great horses. That’s the sign of a great artist. One of them has been shot. I love this one.” Despite the non-sequiturs and ambiguous modifiers, this was an astute as well as enthusiastic comment about a work whose object biography illuminates central concerns and disputes in American culture from the 1880s to the present. A Dash for the Timber (painted in 1889) was successively commissioned by a wealthy capitalist, publically admired, sold to a consortium of businessmen, given to a university, deaccessioned, acquired by a prominent collector and given pride of place in his public museum.
    [Show full text]
  • The American West in Bronze, 1850–1925
    Sally Webster exhibition review of The American West in Bronze, 1850–1925 Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) Citation: Sally Webster, exhibition review of “The American West in Bronze, 1850–1925,” Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015), http://www.19thc- artworldwide.org/spring15/webster-reviews-the-american-west-in-bronze-1850-1925. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Webster: The American West in Bronze, 1850–1925 Nineteenth-Century Art Worldwide 14, no. 1 (Spring 2015) The American West in Bronze, 1850–1925. Metropolitan Museum of Art New York, New York December 18, 2013 – April 13, 2014 Denver Art Museum Denver, Colorado May 9 – August 31, 2014 Nanjing Museum Nanjing, China September 29, 2014 – January 18, 2015 Catalogue: The American West in Bronze 1850–1925. Thayer Tolles, Thomas Brent Smith with contributions by Carol Clark, Brian W. Dippie, Peter H. Hassrick, Karen Lemmey, and Jessica Murphy. New York: Metropolitan Museum of Art. Distributed by Yale University Press, New Haven and London, 2013. 192 pp.; 118 color illus.; chronology; artists’ biographies; checklist of the exhibition; selected bibliography; index. $50 ISBN 978-0-300-19743-3 (hardcover) The American West in Bronze, 1850–1925, which opened last December in the American Wing at the Metropolitan Museum of Art, is an exhibition of small, tabletop bronzes that carries a big wallop. Visually the works are beautiful—small-scale bronze sculptures that invite close inspection.
    [Show full text]
  • Manley Papers Collection #67
    G. ATWOOD MANLEY PAPERS COLLECTION #67 SCOPE AND CONTENTS The Atwood Manley Papers, covering the years 1856-1989, were donated to the university by the Manley family at the time of his death. They comprise 5.16 linear feet of correspondence, manuscripts, photographs, notes, and tapes relating to Manley’s interests. Manley wrote several books and articles on Canton-born artist Frederic Remington, so a large portion of the collection consists of correspondence, notes, and manuscripts related to Remington. Manley also wrote a history of the Stillwater Club and did research on other Canton topics, including the history of St. Lawrence University, of which he was a loyal alumnus. Notes for these articles also appear in the collection as well as the manuscripts of two autobiographical pieces. Finally, there are nineteen taped interviews with Manley in which he discourses on many aspects of Canton and St. Lawrence University history such as the county fair, Adirondack guides, Remington, Rushton canoes, the St. Lawrence Plaindealer, Owen D. Young, early college history, Ernest Robinson, the St. Lawrence Seaway, Richardson Hall, Irving Bacheller, Canton hotels, Canton churches, A. Barton Hepburn, the history of the St. Lawrence University Theological School, and Albert Crary. Manley’s life-long interest in his hometown and his alma mater make these papers extremely valuable for anyone doing research on Canton and St. Lawrence University history. BIOGRAPHICAL INFORMATION Gilbert Atwood Manley, known by his middle name, was born in Canton on October 31, 1893. He attended St. Lawrence University, where he was a member of Beta Theta Pi fraternity. In 1920 he was named St.
    [Show full text]