Dream Theater (From the 1989 Album "When Dreams and Day Unite")

Total Page:16

File Type:pdf, Size:1020Kb

Dream Theater (From the 1989 Album THE YTSE JAM As recorded by Dream Theater (from the 1989 Album "When Dreams And Day Unite") Transcribed by Random Japanese I don't Understand Music by Kevin Moore, John Myung, John Petrucci, Mike Portnoy Arranged by Dream Theater A Intro P = 125 c 1 f U gV V V V Ie J U U U V V V U U V Gtr I T 8 8 8 8 A 9 8 8 8 8 B 7 8 7 6 8 10 10 6 5 sl. 5 U U U U Ie U U U U T 8 8 8 8 A 8 8 8 8 B 10 10 10 10 B Main Riff 9 V V V V V V V V V V V V V e V gV V V 3 V 2 V gV V V V I V V 4 4 V T 7 6 7 9 7 9 10 9 10 12 10 12 10 9 10 9 7 9 7 6 7 A 0 0 0 8 7 B November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 2 of 16 c c 12 c c V V V V V e 7 V V V 4 V gV V V I 8 V V gV V f V V V 4 V V mp T 7 6 7 9 7 9 10 9 10 A 8 7 5 7 5 5 0 0 B 9 8 7 8 7 4 Ie 8 4 Gtr II mp T A B c c 15 V V V V V V V V c c e 3 V 2 V gV V V V 7 V V V I 4 4 V 8 V V gV V f V V V p T 12 10 12 10 9 10 9 7 9 7 6 7 A 0 8 7 8 7 5 7 5 5 B 9 8 7 8 c c 3 2 V V 7 V Ie 4 4 gV V f V 8 V V V V V V V V V V u u p T 7 6 7 5 7 5 5 A 0 8 8 8 7 8 7 5 7 B 18 V V V V V V V V V V V V V e 4 V gV V V 3 V 2 V gV V V V I 4 V V 4 4 V mp T 7 6 7 9 7 9 10 9 10 12 10 12 10 9 10 9 7 9 7 6 7 A 0 0 0 8 7 B November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 3 of 16 C Verse c c 21 c c e 7 V V V 3 I 8 V V gV V f V V V 4 V } } V } } V V V } } V } } V V V V V V V V gV T A 8 7 5 7 5 5 B 9 8 7 8 7 x x 7 x x 8 5 7 x x 7 x x 4 5 5 6 3 5 5 6 6 24 I V } } V } } V V V V V V V V V V V V V V V V V V V V V V gV T A B 7 x x 7 x x 8 5 4 5 7 8 7 7 7 7 7 7 8 8 5 5 5 5 6 3 5 5 6 27 V V f V V V V I V V V V V V V V gV V V V V V V V V V V V V V V V gV V T A 6 6 6 6 7 7 9 9 10 10 B 7 7 7 7 7 7 8 8 7 7 7 7 7 7 8 8 5 5 7 7 8 8 30 I V } } V } } V V V } } V } } V } } V } } V V V V V V V V V V gV V V V V T A B 7 x x 7 x x 8 5 7 x x 7 x x 4 7 x x 7 x x 8 5 5 5 6 3 5 5 6 6 5 5 6 3 33 f V } } V } } V f V } } V } } V gV f V } } V } } V I V V V V V V V V V V V V V V gV V V V T A 9 x x 9 x x 10 7 9 x x 9 x x 10 13 9 x x 9 x x 10 7 B 4 5 7 8 7 7 8 5 7 7 7 7 8 5 5 6 November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 4 of 16 37 V f V V V V V V V V V V V V I V V gV V V V V V V V V ||||||| T A 6 7 9 10 15 14 12 B 7 8 12 12 12 12 12 12 12 13 13 13 13 15 15 15 15 V V V V 40 V V V V V V V V V V V V V V V I gV V V V gV V 3 T 14 15 14 A 12 12 12 12 11 11 11 11 15 15 15 15 14 14 14 14 17 15 14 12 11 B 13 42 V f V V V V V I V V V V V V V t V V V V V V V V V V V V gV V V V A.H.||||| T A B 15 14 [12] 12 12 12 12 11 11 11 11 15 15 15 15 12 12 12 12 12 12 12 13 13 13 13 15 15 15 15 A 3 3 45 V V V V V I f V V V V V V gV V V V V V V V V V V V V V 3 T A 14 15 14 B 14 14 14 14 17 15 14 12 11 12 12 12 12 12 12 12 12 13 13 13 15 15 3 3 3 47 V V V V V V I V V V V V V V V V gV V V V V V V V V V V V V V V V V V gV V T A 11 11 12 12 14 14 15 15 B 12 12 12 12 12 12 12 13 13 16 16 12 12 12 12 12 12 12 12 13 13 12 12 13 13 15 15 November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 5 of 16 gV gV V f V V 50 V V V V V V V V V V V V V V V I ||||||||||||| ||||||||||||| ||||||||||||| T 13 13 14 16 17 A 14 14 15 14 12 14 14 15 14 14 15 14 12 14 15 B V V W V W V W V gV W V V V gV V V 54 V V I Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y T 14 14 15 17 18 17 18 15 A 14 15 12 14 15 14 15 12 14 15 B V f V V W V gV W V V V V gV 59 V V e 4 V gV V V V V V I 4 V V Y Y 16 Y Y Y Y Y 16Y 17Y 19Y 20Y T 17 18 17 18 15 17 18 7 6 7 9 7 9 10 9 10 A 0 0 B c c 63 V V V V V V V V c c 3 V 2 V gV V V V 7 V V V I 4 4 V 8 V V gV V f V V V T 12 10 12 10 9 10 9 7 9 7 6 7 A 0 8 7 8 7 5 7 5 5 B 9 8 7 8 D Bridge c c c 66 V V c c 4 V V V 3 V V V 2 V V 7 V V V V V I 4 V V V V 4 V 4 V V 8 u u V V T 3 3 6 5 3 3 3 2 0 5 7 5 2 0 2 2 0 2 A 0 2 3 5 0 3 B November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 6 of 16 70 V V 4 V V V 3 V V V 2 V V V V J V V V V V V V V I 4 V V V V 4 V 4 V T 3 3 6 5 2 0 5 7 5 2 7 7 5 5 3 3 2 2 0 2 3 2 A 0 2 3 5 B sl. 74 c V V V V V V I V V V } } V V V V V V V V V V V V V V V V V V V V V V V V T 10 A 10 10 10 8 8 7 7 5 5 3 3 B 12 10 10 x x 7 10 10 5 5 5 5 5 5 5 5 5 5 3 10 8 8 5 77 c V V V V k V V I V V V V V V V V V V V V V V V V V V V V V T 10 A 10 10 10 7 8 7 8 7 5 7 5 5 B 12 10 10 7 10 10 5 8 8 7 10 8 8 5 E Middle Riff P = 165 80 7 c c c c V V I 8 V V V J V V V V V V V V V V V V V V V V V V gV V V V V V V V V V V V V V V V V V T 3 3 2 2 2 2 A 2 3 3 2 2 0 2 3 3 2 2 0 B 8 7 5 7 5 5 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 6 83 V I V V V V V V V V V V V V V V V V V V V V V V V V V gV V V V V V T 2 3 2 2 A 3 3 3 3 2 2 2 2 3 2 0 2 B 1 1 1 1 3 3 3 3 5 5 5 5 4 4 4 4 0 H P November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 7 of 16 85 V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V T 3 3 2 2 2 A 3 3 2 2 0 2 3 3 2 2 0 B 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 87 V I V V V V V V V V V V V V V V V V V V V V V V V V V gV V V V V V T 2 3 2 2 A 3 3 3 3 2 2 2 2 3 2 0 2 B 1 1 1 1 3 3 3 3 5 5 5 5 4 4 4 4 0 H P 89 V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T 3 3 2 2 2 2 A 2 3 3 2 2 0 2 3 3 2 2 0 B 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 91 V I V V V V V V V V V V V V V V V V V V V V V V V V V gV V V V V V T 2 3 2 2 A 3 3 3 3 2 2 2 2 3 2 0 2 B 1 1 1 1 3 3 3 3 5 5 5 5 4 4 4 4 0 H P 93 V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T 3 3 2 2 2 2 A 2 3 3 2 2 0 2 3 3 2 2 0 B 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 November 2003 Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ THE YTSE JAM - Dream Theater Page 8 of 16 95 V I V V V V V V V V V V V V V V V V V V V V V gV V V V W W V V T 2 3 2 2 A 3 3 3 3 0 0 3 2 0 2 B 1 1 1 1 3 3 3 3 5 5 5 5 4 4 4 4 0 H P F Keyboard Solo 98 V V V V f V eV I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V gV T 3 3 3 2 3 2 2 4 3 A 3 3 3 3 2 0 2 2 1 B 0 0 0 0 0 0 0 0 1 1 1 0 0 0 0 0 0 0 0 H P G Guitar Solo 4x 101 e W V V V V ee V I W V V V V e V V V V V V V V V V V V V V V V V V V V V V V V mf P.M.
Recommended publications
  • Mike Mangini
    /.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation.
    [Show full text]
  • Progressive Traits in the Music of Dream Theater Thesis Written for the Bachelor of Musicology University of Utrecht Supervised by Professor Karl Kügle June 2013 1
    2013 W. B. van Dijk 3196372 PROGRESSIVE TRAITS IN THE MUSIC OF DREAM THEATER THESIS WRITTEN FOR THE BACHELOR OF MUSICOLOGY UNIVERSITY OF UTRECHT SUPERVISED BY PROFESSOR KARL KÜGLE JUNE 2013 1 Table of Contents Chapter 1 – Foreword .......................................................................................................................... 2 Chapter 2: A definition of progressiveness ......................................................................................... 3 2.1 – Problematization ..................................................................................................................... 3 2.2 - A brief history of progressive rock ......................................................................................... 4 2.3 – Progressive rock in the classic age: 1968-1978 ...................................................................... 5 2.4 - A selective list of progressive traits ........................................................................................ 6 Chapter 3: Progressive Rock and Dream Theater ............................................................................... 9 3.1 – A short biography of the band Dream Theater ....................................................................... 9 3.2 - Progressive traits in Scenes from a Memory ......................................................................... 10 3.3 - Progressive traits in ‗The Dance of Eternity‘ ........................................................................ 12 Chapter 4: Discussion &
    [Show full text]
  • 470 Sdc 01 Layout 1
    PRIMUL MAGAZIN CULTURAL DIN ROMÂNIA » APARE SÂMB|TA » WWW.SUPLIMENTULDECULTURA.RO 1,5 LEI Tudor Giurgiu merge la ANUL XI » NR. 470 » 7 – 13 februarie 2015 » S\pt\mânal realizat de Editura Polirom [i „Ziarul de Ia[i“ » [email protected] Berlinal\ cu cel mai recent film al s\u Interviu realizat de Cad castane din Iulia Blaga De ce eu?, a[teptatul film regi- zat de Tudor Giurgiu [i inspirat castani, rostogolindu-se din cazul procurorului Cristian Panait, care s-a sinucis `n 2002 `n urma presiunilor f\cute asu- pra sa `n timp ce instrumenta dosarul colegului Alexandru `n pagini de carte Lele, are premiera mondial\ la Berlin, `n 11 februarie. » pag. 3 Ultimele nout\]i de pe frontul „Charlie Hebdo“ Drago[ Cojocaru Un fost ministru pakistanez, Ghu- lam Ahmad Bilour, a anun]at, la `nceputul s\pt\mânii, c\ a pus o prim\ de 200.000 de dolari pe capul lui Riss. „Nu tole rez nici un atac la sfin]enia Profetului“, a avertizat Bilour, citat de ziarul pakistanez „The Express Tribune“. » pag. 15 Cronic\ de carte Identitatea nu ~n noiembrie 2014 ap\rea, la Editura Polirom, ca o surpriz\ pe final de an, o carte e o vorb\ goal\ cu totul [i cu totul special\: Cad castane din castani. Amintiri de ieri [i azi. Numele Doris Mironescu autorilor care apar pe copert\ sunt atât de cunoscute, `ncât nu au nevoie de nici o Ideea lui Dan Lungu de a realiza, prezentare: Emil Brumaru [i Veronica D. Niculescu. Cad castane din castani este un `n Feti]a care se juca de-a Dum- nezeu, un roman al emigr\rii este volum n\scut din conversa]iile celor doi autori purtate pe blogurile personale, una cât se poate de legitim\.
    [Show full text]
  • John Myung, Dream Theater
    022 BASS GUITAR MAGAZINE BASSISTS JOHN MYUNG, DREAM THEATER my my myung JOHN MYUNG OF DREAM THEATER, PERHAPS THE MOST TECHNICALLY GIFTED BASSIST ON THE PLANET, LOOKS BACK AT HIGH POINTS OF HIS CAREER WITH tHe HeLP OF BGM’s eLLen O’reiLLY PICS: TINA K BASS GUITAR MAGAZINE 023 hen it comes to technical chops and inventive bass-lines, Dream Theater live it works against you because you have to bring low-ender John Myung is the king. As a founding member of one of everything up a notch. One of the best ways to do that the most successful progressive metal bands in the world, Myung has is to raise your action, because it gives the strings more become renowned for the jaw-dropping techniques he employs in his room to vibrate, so the instrument naturally becomes band, complemented by the incredible skills of his fellow musicians louder. Being able to play and practise with a bit of a James Labrie (vocals) John Petrucci (guitar), Jordan Rudess (keyboards) higher action than you’re normally accustomed to, that’s Wand Mike Mangini (drums). If there’s anything that Myung doesn’t know when you really have to work at something.” about bass, we’d like to hear it... Hailing from Chicago, Myung formed Dream Theater with Petrucci and former 2 The Ytse Jam drummer Mike Portnoy while studying at the world-renowned Berklee College of (from When Dream And Day Unite, 1989) Music in Boston. His bass-lines are incredibly challenging, while also demonstrating Arguably one of Dream Theater’s most iconic his keen sense of time, groove and harmony.
    [Show full text]
  • Geddy Lee, from Immigrants' Son to Rush's Lead Singer Scott Cohen Frost Taken from Circus -- October 27, 1977
    in your diary now and order those tickets ASAP please. You will also have found enclosed (all that paper .. .. ) a Rush poll/questionnaire (thanks Ray!). We have not done one of these for several years and thought it was about time we did. It's quite detailed and as an incentive to completing it and sending it in (deadline for completed forms is Saturday, 5th September) we are offering a prize which we will give away when we Editorial announce the results of the poll at the convention. So, get your thinking head on right away and start writing. This issue we have an exclusive interview with THIS ISSUE Is DEDICATED To JACQ!:lELlNE TAYLOR Mr Russ Ryan. Russ was Geddy's bass tech for the 2nd leg of last year's 'T4E' tour. Russ was real .....s top press ..... Just as we were about to go to nice to give up his time on a Sunday afternoon a print we received the following sad news ... ... couple of weeks back ...... for this we thank him. Next issue (No. 44) will be with you before the Rush Drummer's Wife Dies of Cancer convention (early Sept) and will be our best issue by Jane Stevenson, Toronto Sun, July 4, 1998 ever. We have lined up for you exclusive Tragedy has struck Rush drummer Neil Peart again. interviews with the following: Peart's wife, Jacqueline Taylor, is dead from cancer • 'JJ' - ALEX'S GUITAR TECH FOR OVER 20 yEARS .. ............. ... almost 1 year after the couple lost their 19 year old • 'GOWAN' - WE TALK TO LAWRENCE GOWAN daughter last August in a single car crash.
    [Show full text]
  • 02 Preliminari.Pdf (140.1Kb)
    Lembar Pengesahan TugasAkhir AKADEMI MUSIK D! YOGYAKARTA Dengan penekanan pada Pengo1ahan tata ruang melalui pendekatan akusiik ruang dan Transformasi musik jazz kedaJam arsitektur Oleh: M. Zainal Muttaqin 96340113 ; September 2001 ~ . ~sahkan : Dosen Pembimbing II Jr. ArifWismadi I' Mengetahui : Ketua Jurusan Arsitektur ii PERSEMBAHAN KEPADA ORANG TVAKV DAN KELVARGAKV YANG TELAH MEMBERI KAN DOA DAN DORONGAN VNTVK SELALV BERVSAHA TEMAN DAN SAHABAT lSTIMEWAKV YANG SELALV MEMBERl SEMANGAT PECINTA DAN PEMVSI K YANG TEl.AI-1 MEMI)VAT MVSIK 1t'-IDONE5IA SEMAKIN BERKEMBANG lit 1(1-\ l'A I>ENGAi~Tj-\R ·'I;·'~II h~~r····h B L"IH< a<.~~ _v mantr.o. r h:rn .h•• Assalamualaikum wr, \vb. Puji syukur kehadirat Allah SWT, Tuhan sem sekalian alam penguasa segalanya atas segala limpahan rahmat dan hidayahnya, shalawat serta salam kepada junjungan kita nabi .Muhammad. SAW, -sehingga..penyusun .bisa.. menyelesaikan .LaporanTugas .Akhir dengan j udul Akademi Musik di Yogyakarta ini. Dalam penyusunan laporan tugas akhir ini tidak sepenuhnya atas usaha penyusun sendiri, tetapi juga oJeh pihak-pihak lain yang telah membantu dan memberikan dorongan. Ucapan terima kasih yang sebesar-besamya atas peranyang diberikan dalam proses penyusunan Japoran ini kepada : 1. Ibunda, kakak-kakakku serta adikku atas doa dan dorongannya. 2. Ir. H. Munichy 8. B. M. Arch dan Ir. Arif Wismadi selaku dosen pernbimbing yang telah memberikan waktu untuk konsultasi serta saran dan solusi untuk penulisan ini. 3. Jr. Revianto BS M. Arch selaku ketua jurusan Arsitektur yang telah mcmberikan kemudahan-kemudahan daIam urusan perijinan. 4. Sapak-bapak staff Fakultas Seni Pertunjukan dan Jurusan Karawitan Institut Seni Indonesia yang telah mempermudah survey di jurusan Karawitan.
    [Show full text]
  • September 1994
    Contents Features DENNIS CHAMBERS Baltimore's most monstrous drummin' son just keeps on going. John McLaughlin, Steve Khan, the Brecker Brothers— jazz giants left and right are squeezing Dennis into their plans these days. Get the latest from the drummer many consider the greatest. • Robin Tolleson 20 JIM CHAPIN Asking your average drummer about Jim Chapin's Advanced Techniques For The Modern Drummer is like asking your aver- age Jesuit priest about The Bible. This month MD taps the mind of one of drum-dom's acknowledged sages. • Rick Mattingly 26 SIM CAIN Henry Rollins is a seriously fierce performer. His band obvious- ly has to kick equally serious butt. Drummer Sim Cain describes the controlled chaos he negotiates every day—and the surprisingly varied back- ground that feeds his style. • Matt Peiken 30 DRUM THRONES UP CLOSE Everyone knows the drummer is king, so it's no accident our stool is called "the drum throne." But the drummer's job also depends on comfort—and our seat needs to serve that "end" as well as possible. In this spe- cial report, MD covers today's stool scene from AtoZ. • Rick Van Horn 34 Volume 18, Number 9 Cover photo of Dennis Chambers by Michael Bloom Jim Chapin by Rick Malkin Columns EDUCATION NEWS EQUIPMENT 48 LATIN 8 UPDATE SYMPOSIUM Phillip Rhodes of Applying The Clave Gin Blossoms, BY CHUCK SILVERMAN Brother Cane's Scott Collier, Akira Jimbo, and Jeff Donavan of 56 Rock'N' the Paladins, plus News JAZZ CLINIC Doubling Up: Part 2 120 INDUSTRY BY ROD MORGENSTEIN HAPPENINGS 74 JAZZ DRUMMERS' DEPARTMENTS WORKSHOP
    [Show full text]
  • Charlottenplatz 17 – 70173
    PRESSEINFORMATION SONS OF APOLLO 19. Oktober 2018 Stuttgart Im Wizemann Live 2018 Gäste: Dilemma Nach dem erfolgreichen Deutschland-Debüt in Leipzig am 27. Juni kündigt die US- amerikanische Progressive-Rock-Allstar-Band SONS OF APOLLO jetzt ihre erste richtige Tournee hierzulande an. Im Rahmen dieser werden die fünf Ausnahmemusiker Mike Portnoy, Derek Sherinian, Billy Sheehan, Jeff Scott Soto und Ron „Bumblefoot“ Thal im Oktober 2018 für vier weitere Konzerte nach Deutschland kommen. SONS OF APOLLO spielen am 19. Oktober 2018 in Stuttgart im Im Wizemann. Ihr Debütalbum „Psychotic Smyphony“ ist im Handel erhältlich. Als Anfang 2017 bekannt wurde, dass sich zwei ehemalige Musiker von Dream Theater zu einer neuen Band zusammen tun würden, hielt die Progressive Metal-Gemeinde den Atem an. Und beide hielten Wort und den Vorschusslorbeeren stand. Bei SONS OF APOLLO handelt es sich um eine außergewöhnliche Konstellation von Musikern: Schlagzeuger Mike Portnoy verließ 2010 seine New Yorker Stamm-Combo, Keyboarder Derek Sherinian hatte schon 1999 die Segel streichen müssen. Während Sherinian spätestens 2009 bei Black Country Communion zurück ins Rampenlicht drängte, gründete Portnoy nach diversen Einsätzen (u.a. bei Avenged Sevenfold) 2012 zusammen mit Billy Sheehan (u.a. David Lee Roth, Mr. Big) und Richie Kotzen (u.a. Poison, Mr. Big) die ‚Supergroup‘ The Winery Dogs. Portnoy, Sheehan und Sherinian wiederum taten sich 2012 mit Gitarrist Tony McAlpine zusammen und tourten als PMSM für kurze Zeit durch Nordamerika und Europa. Aus diesem Instrumental-Projekt wird durch die Hinzunahme von Sänger Jeff Scott Soto (u.a. Yngwie Malmsteen, Axel Rudi Pell, Trans-Siberian Orchestra, Journey) und Gitarrist Ron „Bumblefoot“ Thal (u.a.
    [Show full text]
  • Catalogo ENGLISH
    catalogo ENGLISH - ITALIANO OVER 12000 DVD TITLES OF ROCK MUSIC - WE ARE THE BIGGEST ROCK VIDEO STORE ON INTERNET ALL OUR TITLES ON DVD ARE ORIGINALS - ARE NOT DVD-R BURNED COPIES!! HOW TO READ OUR DVD CATALOG 2012 1. NAME OF THE ARTIST/BAND - 2. TITLE OF VIDEO - 3. TIME IN MINUTES - 4. MEDIUM - 5. VIDEO/AUDIO QUALITY example: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3. 55 4. DVD 5. ProShot ofic = Oficial Video; boot = Bootleg = image/audio quality is not alwais good but the historical value is high Proshot = is not a oficial video but the image/audio quality is HIGH! All DVD are delivered betwen 24/48 hours; COSTS Each title can include 1-2-3 DVD - The cost is for disk not for title. 1(one) DVD costs 9,99 €(euro) MINIMUN ORDER: 5 TITLES (OR 5 DVD) = 50 €(euro) FOR ORDERS GREATER THAN 20 TITLES THE COST OF 1 DVD IS 8,99 €(euro) FOR ORDERS GREATER THAN 50 TITLES THE COST OF 1 DVD IS 7,99 €(euro) more SHIPPING EXPENSES : from 9 euro to 15 ( weight and country) FOR FURTHER INFORMATIONS VISIT WWW.rockdvd.wordpress.com or WRITE US AT: [email protected] 1agina p catalogo ----------------------------------------------------------------------------- ITALIANO TUTTI I NOSTRI DVD SONO ORIGINALI E NON SONO COPIE SU DVD-R COME LEGGERE I TITOLI DEL CATALOGO 2012 1. NOME DEL ARTISTA - 2. TITOLO DEL VIDEO - 3. TEMPO IN MINUTI - 4. TIPO DI SUPPORTO - 5. QUALITA' AUDIO/VIDEO Esempio: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3.
    [Show full text]
  • Norsk Dream Theater Fanklubb GRATIS! Oslo 30/9
    Utgave 17 - Tour Edition 2005 Norsk Dream TheAtER Fanklubb D T N o GRATIS! Oslo 30/9 - 2005 r w a y DTNorway - Offisiell Norsk Dream Theater Fanklubb NFORMASJON OM Lederen taler: IFANKLUBBEN en norske Dream Theater Hei folkens Dfanklubben DTNorway (“Dream Theater Norge”) består av ca 200 nor- Hei alle medlemmer og nye lesere. Dette num- ske fans som vil ha et felles samlings- meret er et gratis nummer i forbindelse med punkt for informasjon o.l. i Norge an- Dream Theaters konsert i Oslo Spektrum gående Dream Theater. Klubben har 30.sept. Dette bladet inneholder informasjon eksistert siden tidlig 2000 og har et om Dream Theater,D deres biografi og diskogra- medlemsmagasin som heter “Echo’s fi. Samtidig reklamerer vi med dette for fanklubben. Hill”. Fanzinen blir utgitt et par gan- Som medlem avT DTNorway vil du kunne nyte flere goder. ger i året, når nok stoff for å fylle opp Egen fanklubbavis, egne internettsider og mye mer. et blad er anskaffet. Vi er blant de få DTNorway har et medlemsantall på ca 250 medlemmer. Vi Dream Theater fanklubbene i verden har vært aktiv sidenN 1998 og har i den tiden hatt mange fine som fortsatt gir ut fanziner. DTNorway øyeblikk i Dream Theater verden. Dream Theater har nylig er en offisiell gren av de Internasjonale gitt ut Octavarium,o deres 8 studio album og jeg er sikker på Fanklubbene. Klubben drives non- at konserten i Oslo Spektrum vil være nok et flott øyeblikk profit. og en bra opplevelse.r Til dere medlemmer; Giroer for fornyelse av medlemskap vil TNorway ble opprettet i 1999, og bli sendt ut med neste fanzine som kommer mot jul.
    [Show full text]
  • Indie Label Spotlight: Proper
    52 New Releases NEW RELEASES NEWS SCOTT WALKER OSI The Drift Free Beggars Banquet/4AD (2603) InsideOut Music (SPV 48862 CD) MVD Audio will release Marillion’s If you require any proof that time OSI’s self-titled 2003 debut was a Marbles Live Aug. 29. The disc fea- passes quicker today than it did a few barnstormer of a progressive-metal tures the band performing their years back, consider this. Eleven years supergroup project, so folks hotly antici- Marbles album in its entirety at separate The Drift, Scott Walker’s latest pated this return visit to the Office Of London’s Astoria July 10-11, 2004. album, from Tilt, his last. But the gulf Strategic Influence, with Free. Three Track list: “The Invisible Man,” does not seem even half as dramatic as employees inhabit the office, namely “Marbles I,” “You’re Gone,” the mere decade that divided Tilt from its Dream Theater drummer Mike Portnoy, “Angelina,” “Marbles II,” “Don’t Hurt predecessor, Climate Of Hunter. Fates Warning guitarist Jim Matheos, and Yourself,” “Fantastic Place,” “Marbles Part of the reason, of course, is that Chroma Key/ex–Dream Theater key- III,” “The Damage,” “Marbles IV,” Walker has been much more visible this boardist Kevin Moore. “Neverland” and “Estonia.” time around. Producing Pulp’s final Moore had previously created a Other new releases of note: Black album, curating the Meltdown festival, Herculean masterpiece of Roger Uhuru With Sly & Robbie, Dubbin’ It guesting on a James Bond soundtrack... Waters–level audacity in Chroma Key’s Live (DVD); Reggae Showdown: www.goldminemag.com GOLDMINE #680 August 18,2006 • GOLDMINE #680 August www.goldminemag.com considering his status among rock’s most 2003 concept album Graveyard Mountain Reggae Power In 5.1 Vol 1 — Dennis legendary recluses, he’s been busy.
    [Show full text]
  • Dream Theater the Heaviest Album Mike Is Very Intuitive, and That’S the Way He the Band Has Made? Responds to Things—He’S Very Spontaneous
    ISSUE #31 MMUSICMAG.COM ISSUE #31 MMUSICMAG.COM Q&A the floor and influencing or being inspired 1994. Two weeks later I’m singing in Tokyo, coming through your microphone into the by whatever someone else is doing. and I had EMTs telling me I shouldn’t have headphones. I always used an AKG C12 been singing for six months. But Dream when I was doing the sensual and soft-sung Was there a lot of spontaneity? Theater was there with the Awake album sections and then flipped to an AKG 414 for Yes, where we’d be sitting there and and we didn’t have that luxury of missing when I was belting out. The thing with the somebody would start grooving, whether it the show. I went through a dark period there Blueberry is I can sing soft and quiet, and was Mike on a beat or John or Rudess coming but came through it. It was around 2003 then in the next verse be screaming my head in with a riff. That would set things in motion. that everything started to come back online. off, and it’s still there. Through a lot of dedication, I was able to What’s Mike brought to the music? bring it back around. Is Dream Theater the heaviest album Mike is very intuitive, and that’s the way he the band has made? responds to things—he’s very spontaneous. How’s your voice today? It’s one of our most powerful albums, for There’s a lot of drum parts right off the floor.
    [Show full text]