Penn State International Law Review Volume 17 Article 2 Number 1 Dickinson Journal of International Law 9-1-1998 Art and Ideology in the Third Reich: The Protection of Cultural Property and the Humanitarian Law of War Matthew Lippman Follow this and additional works at: http://elibrary.law.psu.edu/psilr Part of the Comparative and Foreign Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, International Law Commons, and the Property Law and Real Estate Commons Recommended Citation Lippman, Matthew (1998) "Art and Ideology in the Third Reich: The rP otection of Cultural Property and the Humanitarian Law of War," Penn State International Law Review: Vol. 17: No. 1, Article 2. Available at: http://elibrary.law.psu.edu/psilr/vol17/iss1/2 This Article is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact
[email protected]. I Articles I Art and Ideology in the Third Reich: The Protection of Cultural Property and the Humanitarian Law of War Matthew Lippman* I. Introduction Cultural property historically has been the target of invading armies. This plunder and looting has been driven by a desire to accumulate wealth and to psychologically dominate and to disable the indigenous population.1 One of the most infamous examples was Napoleon's looting of the treasures of Europe, perhaps the most conspicuous of which were the four bronze horses seized from Saint Mark's Cathedral in Venice.2 One of Adolf Hitler's central war aims was to seize Europe's most prized paintings.3 The Fuhrer aspired to centralize and to consolidate artistic property in the Third Reich in order to establish * (J.D.