T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T

Total Page:16

File Type:pdf, Size:1020Kb

T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T T h e U n i v e r s i t y o f W i s c o n s i n S y s t e m FFFeministeministeminist CollectionsCollectionsCollections A Quarterly of Women’s Studies Resources Special “Mini-Theme”: Islam, Women, and Feminism W OMEN’ S S TUDIES DOUBLE ISSUE Volume 22, Numbers 3-4, Spring/Summer 2001 Published by Phyllis Holman Weisbard L IBRARIAN Women’s Studies Librarian Feminist Collections A Quarterly of Women’s Studies Resources Women’s Studies Librarian University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 Phone: 608-263-5754 Fax: 608-265-2754 Email: [email protected] Website: http://www.library.wisc.edu/libraries/WomensStudies/ Editors: Phyllis Holman Weisbard, JoAnne Lehman Drawings: Miriam Greenwald Staff assistance from: Ingrid Markhardt, Teresa Fernandez, Christa Reabe, Caroline Vantine Volunteer readers for taping: Jennifer Stibitz Subscriptions: $30 (individuals or nonprofit women’s programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $16 (Wisconsin individuals or nonprofit women’s programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organizations). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $15); air mail (Canada: $25; all others: $55). (Subscriptions cover most publications produced by this office, including Feminist Collections, Feminist Periodicals, and New Books on Women & Feminism.) Cover art: Miriam Greenwald Numerous bibliographies and other informational files are available on the Women’s Studies Librarian’s World Wide Web site. The URL: http://www.library.wisc.edu/libraries/WomensStudies/ You'll find information about the office, tables of contents and selected full-text articles from recent issues of Feminist Collections, many Core Lists in Women’s Studies on such topics as aging, feminist pedagogy, film studies, health, lesbian studies, mass media, and women of color in the U.S., a listing of Wisconsin Bibliographies in Women’s Studies, including full text of a number of them, a catalog of films and videos in the UW System Women’s Studies Audiovisual Collection, and links to other selected websites on women and gender as well as to search engines and general databases. ISSN: 0742-7441 Copyright 2001 Regents of the University of Wisconsin System Feminist Collections A Quarterly of Women’s Studies Resources DOUBLE ISSUE Volume 22, Nos. 3-4, Spring/Summer 2001 CONTENTS From the Editors ii Book Reviews Zohreh Ghavamshahidi Islam and Feminism: In Search of Compatibility 1 Sherine Hamdy North American Muslim Women Voice Their Concerns 5 Helen M. Bannan Friendship (Like Sisterhood) Is Powerful 9 Susan Barribeau Corresponding Women: Heap–Reynolds and Stein–Toklas 13 Feminist Visions Jennifer Loewenstein Women in Islam: Four Films 15 Catherine Green Her Vision Survives: Two Films About Audre Lorde 18 Patrice Petro Childhoods Stolen: The Plight of Girls Worldwide 21 Carole Gerster Women in Independent Film and Video: A History 23 Tilly Vriend Women Map the World: The Making of a Database 27 Compiled by JoAnne Lehman Computer Talk 30 Reviewed by Phyllis Holman New Reference Works in Women’s Studies 35 Weisbard and others Compiled by JoAnne Lehman Periodical Notes 46 Compiled by Teresa Fernandez Items of Note 49 Books and AV Recently Received 52 Supplement: Index to Volume 22 56 FROM THE EDITORS In light of the events of Septem- international law and in Islam might be book and companion video by film- ber 11th and the nation’s discovery that reconciled. The review describes the maker Alexandra Juhasz; and the story most of us are woefully lacking in different perspectives within Islamic of how an international women’s infor- knowledge of Islam, this double issue law. In the second article, Sherine mation database came to be. Of of Feminist Collections, although it has Hamdy reviews two works on Muslim course, our “Computer Talk,” “Refer- been in the works since last year, is es- women’s issues and identity in North ence Reviews,” “Periodical Notes,” and pecially timely. The three articles— America, describing the work of “Items of Note” columns are here, too. two book reviews and one video re- scholar-activists who are trying to com- And, since this is partly the Summer view—that constitute this “mini-the- bat both Orientalism and patriarchy issue of FC, you’ll find our annual vol- matic” issue on women, feminism, and within and outside Islam. The third ume index at the back. Islam all share an assumption that read- review, by Jennifer Loewenstein, takes ers may be unfamiliar with Islamic reli- a look at four very different videos on We were surprised and pleased gious terms. Thus, the writers define women (many but not all of them to find our own publication reviewed such words as shari‘a (Islamic law, or Muslim) in the Arab world. in the September 2001 issue of principles of Islamic law), hejab (mod- MultiCultural Review (p.54–55). est dress for women), hadith (tradi- There’s much more in this That’s a periodical worth checking out, tion), and ijtihad (ongoing interpreta- double issue, though: reviews of popu- by the way: although obviously not tion of sacred texts), as well as the con- lar and scholarly books about women’s entirely devoted to feminism or cept of Islamism (politicization of Is- friendships; a look at the love notes women’s issues, there’s a lot of “cross- lam). between Gertrude Stein and Alice B. over” content. It’s published four These three reviews also go into Toklas and the correspondence be- times a year by Greenwood Publishing somewhat more depth than is our cus- tween Jane Heap and Florence Group (website: www.mcreview.com). tom in explaining the content as well as Reynolds; a review of two films about We hope this issue of FC finds you evaluating the works. Islam and Femi- Audre Lorde and the diverse safe and experiencing some sense of nism: In Search of Compatibility, by “celeconference,” called “I Am Your hope, even while so much seems wrong Zohreh Ghavamshahidi, tackles two Sister,” in which she figured centrally and hopeless in the world. We’ll be works, one specifically about the reli- near the end of her life; a film about back with the Fall issue soon. gious debate in contemporary Iran and the struggles of young girls in many the other an ambitious attempt to countries of the world; a trip through show how (women’s) human rights in feminist film history that focuses on a P.H.W. and J.L. Miriam Greenwald Page ii Feminist Collections (v.22, nos.3-4, Spring/Summer 2001) BOOK REVIEWS ISLAM AND FEMINISM: IN SEARCH OF COMPATIBILITY by Zohreh Ghavamshahidi Ziba Mir-Hosseini, ISLAM AND GENDER: THE RELIGIOUS DEBATE IN CONTEMPORARY IRAN. Princeton, NJ: Princeton University Press, 1999 (Princeton Studies in Muslim Politics, ed. Dale F. Eickelman & James Piscatori). 305p. bibl. glossary. index. $57.50, ISBN 0-691-05815-6; pap., $19.95, ISBN 0-691-01004-8. Shaheen Sardar Ali, HUMAN RIGHTS IN ISLAM AND INTERNATIONAL LAW: EQUAL BEFORE ALLAH, UNEQUAL BEFORE MAN? The Hague: Kluwer Law International, 2000. 358p. bibl. glossary. index. $111.00, ISBN 90-411-1268-5. Two recently published volumes center of Shi‘i religious learning,” appearing in the places that the by Islamic feminist scholars examine p.xvii): the perspective of the pre- redefine the relation between Islam the place of gender and women’s rights revolutionary seminary system, that of and feminism. concepts in Islamic law. Anthropolo- the post-revolutionary clerics, and that Islam and Gender is well orga- gist Ziba Mir-Hosseini, in Islam and which is part of the emerging discourse nized, and its premises are supported Gender: The Religious Debate in on women’s issues outside the seminar- by detailed analyses of written texts by, Contemporary Iran, seeks to make sense ies but rooted in shari‘a. as well as transcripts of personal of her native religion and culture by interviews with, representatives of the exploring how the shari‘a (Islamic law Mir-Hosseini’s purposes in this three dominant gender perspectives. or—as defined by Sardar Ali in the work are to show that “gender roles Mir-Hosseini builds her argument “in other volume—principles of Islamic and relations, and women’s rights, are an order that reflects the chronology of law), as interpreted in Iranian post- not fixed, not given, not absolute” the development of concepts.” Each of revolutionary discourse about gender, (p.6) but are negotiated through lived the book’s three parts starts with an deals with women’s issues. Shaheen realities and debates and through the introduction of “a defining text on Sardar Ali, Professor of Law at the voices of women and men who want to women” and adds new dimensions to University of Peshawar in Pakistan, change the present situation. Further- the argument. (p.18) analyzes the primary texts of Islamic more, she asserts that Muslim feminist law and attempts to reconcile the participation can benefit from and The book’s first part—Chapters Islamic legal system with international influence global feminist politics; and 1 and 2—looks at traditionalist gender discourse on women and human she argues that Islam and feminism are discourse. In Part Two, Mir-Hosseini rights. not incompatible especially when Islam spends six chapters on new traditional- is the national ideology. ist discourse; and Part Three is made For Islam and Gender, Mir- Mir-Hosseini argues that in post- up of two chapters on modernist Hosseini has done an ethnographic revolutionary Iran, women’s participa- discourse. study of women’s issues through tion in public and political spheres has Traditionalists, in Mir-Hosseini’s extensive fieldwork in Iran.
Recommended publications
  • This Bridge Called My Back Writings by Radical Women of Color Editors: Cherrie Moraga Gloria Anzaldua Foreword: Toni Cade Bambara
    Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L. Yung Second Edition, Sixth Printing. ISBN 0-913175-03-X, paper. ISBN 0-913175-18-8, cloth. This bridge called my back : writings by radical women of color / editors, Cherrie Moraga, Gloria Anzaldua ; foreword, Toni Cade Bambara. — 1st ed. — Watertown, Mass. : Persephone Press, cl981.[*] xxvi, 261 p. : ill. ; 22 cm. Bibliography: p. 251-261. ISBN 0-930436-10-5 (pbk.) : S9.95 1. Feminism—Literary collections. 2. Radicalism—Literary collections. 3. Minority women—United States—Literary collections. 4. American literature —Women authors. 5. American literature—Minority authors. 6. American literature—20th century. I. Moraga, Cherrie II.
    [Show full text]
  • G on Page 6- ‘ MANCHESTER, CONK., FRIDAY, FEBRUARY 4V 1927: Riisasn' PAGES) PRICE THREE CENTS
    VOL. XLI., NO. 107. Classified AdTertising on Page 6- ‘ MANCHESTER, CONK., FRIDAY, FEBRUARY 4v 1927: riisaSN' PAGES) PRICE THREE CENTS THIS PADLOCK NO Bury Politics in Exploration B O J m WORK BOOZE,BARRIER FIGHTINGPLANS Protected from Cops 2 Boys GROWS: GIVES Who Passed Hooch Through OUST ECONOMY Hole in Floor. ' TOWNraOBLQi New Britain Feb. 4.— John A T W « G T 0 N Smi'gel, 42, of 24 Orange street, was found guilty in po­ lice court today bn two counts Retirement of All Selectmen of liquor law violations. Ac­ Administration Quits Its cording to the police who raid-, FREAKISH BIG GALE U. 5 . Pact. ed his home last night, when - - I Next Year Would Serious­ the officers tried to enter the Fight With Preparedness cellar of Smigel’g home they ROUGH IN PRANKS For Defense is Reported found the door of the cellar Men in Congress on Army ly Handicap Town; Likely padlocked and an iron bar <?> placed to block their entrance. Candidates Sought. The police sent to a fire de­ and Marine Corps. DOING TALES TO partment station, procured Bombards New Haven Train, Fang, Defender o f Shanghai crowbars and broke the door PAY 3 MILLION Wlietlier or not Manchester has down. In the cellar they found Washington, Feb. 4.— ^Virtually Plays Hob at Boston and Against Cantonese, SaU outgiown its present form of gov­ two young sons of Smigel nine Young Vanderbilt Says He abandoning its fight with the pre­ ernment -will be thoroughly tested and twelve, whose duties were Will Settle Up If it Takes during the next year when the reins to hand up the liquor as fast paredness bloc in Congress, the-ad­ Elsewhere.
    [Show full text]
  • The Black Arts Enterprise and the Production of African American Poetry
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett.
    [Show full text]
  • Notes for the Downloaders
    NOTES FOR THE DOWNLOADERS: This book is made of different sources. First, we got the scanned pages from fuckyeahradicalliterature.tumblr.com. Second, we cleaned them up and scanned the missing chapters (Entering the Lives of Others and El Mundo Zurdo). Also, we replaced the images for new better ones. Unfortunately, our copy of the book has La Prieta, from El Mundo Zurdo, in a bad quality, so we got it from scribd.com. Be aware it’s the same text but from another edition of the book, so it has other pagination. Enjoy and share it everywhere! Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L.
    [Show full text]
  • Beyond Inclusion: an In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich
    Yale College Education Studies Program Senior Capstone Projects Student Research Spring 2020 Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich Sarah Mele Yale College, New Haven Connecticut Abstract: This capstone will analyze interventions into university pedagogy based on the teaching practices of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich. It begins with a historical introduction to the role of these four women in university activism in the late 1960s and early 1970s inside and outside the classroom. Analysis of the development of Black Studies and university pedagogy since this time reveals gaps in the fulfillment of the student-driven movement’s goal that are still extremely relevant to questions of institutional power and access today. Next, this paper provides concrete pedagogical and methodological strategies for present day university teaching grounded in the work of these four revolutionary women. This portion will pull from archival research of teaching materials, notes, and correspondence as well as subsequent scholarship on pedagogy. Suggested Citation: Mele, S. (2020). Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich (Unpublished Education Studies capstone). Yale University, New Haven, CT. This capstone is a work of Yale student research. The arguments and research in the project are those of the individual student. They are not endorsed by Yale, nor are they official university positions or statements. Beyond Inclusion: An In-Depth Analysis of Teaching of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich Sarah Mele 4/18/20 EDST 400 1 Abstract This capstone will analyze interventions into university pedagogy based on the teaching practices of Audre Lorde, Toni Cade Bambara, June Jordan, and Adrienne Rich.
    [Show full text]
  • Global Feminism, Comparatism, and the Master's Tools
    15 Compared to What? Global Feminism, Comparatism, and the Master's Tools SUSAN SNIADER LANSER And rain is the very thing that you, just now, do not want, for you are thinking of the hard and cold and dark and long days you spent working in North America (or, worse, Europe), earning some money so that you could stay in this place (Antigua) where the sun always shines and where the climate is deliciously hot and dry ...and since you are on your holiday, since you are a tourist, the thought of what it might be like for someone who had to live day in, day out in a place that suffers constantly from drought ...must never cross your mind. And you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it has done you very little good); you loved knowl­ edge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). As for what we were like before we met you, I no longer care. No periods of time over which my ancestors held sway, no doc­ umentation of complex civilisations, is any comfort to me. Even if I really came from people who were living like monkeys in trees, it was better to be that than what happened to me, what I became after I met you.
    [Show full text]
  • 2009 Program Book
    CHICAGO GAY AND LESBIAN GHALLL OHF FAFME 2009 City of Chicago Commission on Human Relations Richard M. Daley Dana V. Starks Mayor Chairman and Commissioner Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues William W. Greaves, Ph.D. Director/Community Liaison COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST City of Chicago Commission on Human Relations Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues 740 North Sedgwick Street, Suite 300 Chicago, Illinois 60654-3478 312.744.7911 (VOICE) 312.744.1088 (CTT/TDD) © 2009 Chicago Gay and Lesbian Hall of Fame In Memoriam Robert Maddox Tony Midnite 2 3 4 CHICAGO GAY AND LESBIAN HALL OF FAME The Chicago Gay and Lesbian Hall of Fame is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, the Advisory Council on Gay and Lesbian Issues (now the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. The Hall of Fame recognizes the volunteer and professional achievements of lesbian, gay, bisexual, and transgender individuals, their organizations and their friends, as well as their contributions to the LGBT communities and to the city of Chicago.
    [Show full text]
  • 2016 Program Book
    2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3).
    [Show full text]
  • Doc Nyc Visionaries Tribute to Honor Sam Pollard, Jean Tsien, Alexander Nanau and Yvonne Welbon on December 10
    DOC NYC VISIONARIES TRIBUTE TO HONOR SAM POLLARD, JEAN TSIEN, ALEXANDER NANAU AND YVONNE WELBON ON DECEMBER 10 NANAU’S COLLECTIVE ADDED TO FESTIVAL LINEUP, NOVEMBER 11-19 ​ ​ New York, Oct 28, 2020 - DOC NYC, America’s largest documentary festival, celebrating its 11th edition November 11-19, announced the honorees for its annual Visionaries Tribute, which will take place as an online event on December 10. Lifetime Achievement honors will be ​ ​ presented to Sam Pollard and Jean Tsien. The Robert and Anne Drew Award for ​ ​ ​ ​ ​ Documentary Excellence will go to Alexander Nanau (Collective, newly added to the festival’s ​ ​ ​ ​ ​ lineup) and the Leading Light Award will go to Yvonne Welbon, founder of Sisters in Cinema. ​ ​ ​ ​ “This year’s Lifetime Achievement recipients are behind two of the year’s most timely films - Sam Pollard as director of MLK/FBI and Jean Tsien as producer of 76 Days,” said DOC NYC’s ​ ​ ​ ​ Artistic Director Thom Powers. “Both Sam and Jean are revered not only for their talent but also their generosity in mentoring others. We are also thrilled to honor Alexander Nanau for his feats of observational filmmaking, including his latest, Collective, and Yvonne Welbon for her ​ ​ exemplary work behind the scenes championing women filmmakers.” Films by honorees screening as part of DOC NYC this year are: MLK/FBI, which examines J. ​ ​ Edgar Hoover’s relentless campaign of surveillance and harassment against Martin Luther King, Jr.; 76 Days, an immersive look at life under COVID-19 lockdown in Wuhan, China, focused on ​ ​ front-line hospital workers and their patients; Collective, which follows a journalistic investigation ​ ​ into a Romanian political scandal that reaches the upper levels of government; and Unapologetic, executive produced by Welbon and supported by Sisters in Cinema, which ​ profiles two passionate young Black activists in Chicago.
    [Show full text]
  • Orpheu Et Al. Modernism, Women, and the War
    Orpheu et al. Modernism, Women, and the War M. Irene Ramalho-Santos* Keywords Little magazines, Poetry, Modernism, The Great War, Society, Sexual mores. Abstract The article takes off from Orpheu, the little magazine at the origin of Portuguese modernism, to reflect, from a comparative perspective, on the development of modernist poetry in the context of the Great War and the social changes evolving during the first decades of the twentieth century on both sides of the Atlantic. Palavras-chave “Little magazines,” Poesia, Modernismo, A Grande Guerra, Sociedade, Costumes sexuais. Resumo O artigo parte de Orpheu, a revista que dá origem ao modernismo português, para reflectir, numa perspectiva comparada, soBre o desenvolvimento da poesia modernista no contexto da Grande Guerra e das mudanças sociais emergentes nas primeiras décadas do século XX dos dois lados do Atlântico. * Universidade de CoimBra; University of Wisconsin-Madison. Ramalho Santos Orpheu et al. It is frequently repeated in the relevant scholarship that Western literary and artistic modernism started in little magazines.1 The useful online Modernist Journals Project (Brown University / Tulsa University), dealing so far only with American and British magazines, uses as its epigraph the much quoted phrase: “modernism began in the magazines”, see SCHOLES and WULFMAN (2010) and BROOKER and THACKER (2009-2013). With two issues published in 1915 and a third one stopped that same year in the galley proofs for lack of funding, the Portuguese little magazine Orpheu inaugurated modernism in Portugal pretty much at the same time as all the other major little magazines in Europe and the United States. This is interesting, given the proverbial belatedness of Portuguese accomplishments, and no less interesting the fact that, like everywhere else, Orpheu was followed, in Portugal as well, By a number of other little magazines.
    [Show full text]
  • Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
    Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs.
    [Show full text]
  • DIETING Does It Really Work? “Everyone Knows Diets Don’T Work
    NEWSLETTER OF THE UCLA CENTER FOR THE DEC07 STUDY OF WOMEN BY A. JANET TOMIYAMA CSW DIETING Does it really work? “Everyone knows diets don’t work. All they do is stress you out.” This judgment, uttered by the inimitable Oprah Winfrey, characterizes a vast number of women’s experiences with dieting. The weight comes off initially and then seems to rebound right back, making the entire miserable experience for naught. The common perception that diets don’t work seems to be acknowledged (if not accepted) by women everywhere. Contrast this to the world of medical research, which operates on the “calories in, calories out” principle. If one reduces the calories going into one’s body and increases the calories that are burned, the net loss in calories must necessarily lead to weight loss. To the medical world, this is biology, and biology is irrefutable. This is why a vast number of physicians recommend dieting as a treatment for obesity and why a large body of medical research exists that puts people on low-calorie restrictive diets to treat obesity. I, along with my advisor Traci Mann and other collaborators, noticed this contradiction and decided to figure out once and for all whether calorie-restricting 1 DEC07 IN THIS ISSUE , 3-4 4-8 9-2 DEPARTMENTS Faculty Notes: News . .17 2 DEC07 DIRECTOR’S COMMENTARY Bloody Footprints: Turning Advertising to Activism This fall, CSW’s programming focused on and the sexual exploitation of women . economy, and accessibility of Galindo’s art and activism and featured, among Galindo uses her body for these actions, work .
    [Show full text]