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The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Manuel II Palaiologos' Point of View
The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska − University of Łódź, Faculty of Philosophy and History Department of Medieval History, 90-219 Łódź, 27a Kamińskiego St. REVIEWERS Maciej Salamon, Jerzy Strzelczyk INITIATING EDITOR Iwona Gos PUBLISHING EDITOR-PROOFREADER Tomasz Fisiak NATIVE SPEAKERS Kevin Magee, François Nachin TECHNICAL EDITOR Leonora Wojciechowska TYPESETTING AND COVER DESIGN Katarzyna Turkowska Cover Image: Last_Judgment_by_F.Kavertzas_(1640-41) commons.wikimedia.org Printed directly from camera-ready materials provided to the Łódź University Press This publication is not for sale © Copyright by Małgorzata Dąbrowska, Łódź 2017 © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 Published by Łódź University Press First edition. W.07385.16.0.M ISBN 978-83-8088-091-7 e-ISBN 978-83-8088-092-4 Printing sheets 20.0 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] tel. (42) 665 58 63 CONTENTS Preface 7 Acknowledgements 9 CHAPTER ONE The Palaiologoi Themselves and Their Western Connections L’attitude probyzantine de Saint Louis et les opinions des sources françaises concernant cette question 15 Is There any Room on the Bosporus for a Latin Lady? 37 Byzantine Empresses’ Mediations in the Feud between the Palaiologoi (13th–15th Centuries) 53 Family Ethos at the Imperial Court of the Palaiologos in the Light of the Testimony by Theodore of Montferrat 69 Ought One to Marry? Manuel II Palaiologos’ Point of View 81 Sophia of Montferrat or the History of One Face 99 “Vasilissa, ergo gaude...” Cleopa Malatesta’s Byzantine CV 123 Hellenism at the Court of the Despots of Mistra in the First Half of the 15th Century 135 4 • 5 The Power of Virtue. -
Silk, Power and Diplomacy in Byzantium
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1992 Silk, Power And Diplomacy In Byzantium Anna Maria Muthesius University of Cambridge Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Muthesius, Anna Maria, "Silk, Power And Diplomacy In Byzantium" (1992). Textile Society of America Symposium Proceedings. 580. https://digitalcommons.unl.edu/tsaconf/580 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile Society of America Proceedings 1992 99 SILK, POWER AND DIPLOMACY IN BYZANTIUM DR. ANNA MARIA MUTHESIUS F. S. A. Senior Lecturer WSCAD Farnham, Fellow Commoner, Lucy Cavendish College, University of Cambridge, Lady Margaret Road, Cambridge CB3 OBU, England. Introduction In Byzantium between the fourth and the twelfth century, a hierarchy of silken splendour was established across social, artistic, religious, economic and political boundaries. On one level silk was a decorative fabric socially exploited for its aesthetic qualities. On another level it was prized as a fabric fit for furnishing the House of God. Above all though, the Imperial house was intent to raise what was essentially a valuable economic -
Niketas Choniates
GUIDE TO BYZANTINE HISTORICAL WRITING This handy reference guide makes it easier to access and understand histories written in Greek between 600 and 1480 CE. Covering classi• cizing histories that continued ancient Greek traditions of historiog• raphy, sweeping, fast-paced "chronicle"-type histories, and dozens of idiosyncratic historical texts, it distills the results of complex, multilin• gual, specialist scholarship into clear explanations of the basic infor• mation needed to approach each medieval Greek history. It provides a sound basis for further research on each text by describing what we know about the time of composition, content covered by the history, authorship, extant manuscripts, previous editions and translations, and basic bibliography. Even-handed explanations of scholarly debates give readers the information they need to assess controversies independently. A comprehensive introduction orients students and nonspecialists to the traditions and methods of Byzantine historical writing. It will prove an invaluable timesaver for Byzantinists and an essential gateway for classicists, western medievalists, and students. LEONORA NEVILLE is a historian of Byzantine culture and society. Her work on Byzantine historical writing has dealt with how Byzantine authors interacted with classical models of history writing and culture and tried to shape contemporary opinion by writing history. She is the author of Anna Komnene: The Life and Work of a Medieval Historian (2016), Heroes and Romans in Twelfih- Century Byzantium: The Material for History of Nikephoros Bryennios (Cambridge University Press, 2012), and Authority in Byzantine Provincial Society: p$o—lloo (Cambridge University Press, 2004). She is Vilas Distinguished Achievement Professor and the John W. and Jeanne M. -
Anna Komnene: a Woman of Power Without a Crown Anna Alioto Marquette University
Marquette University e-Publications@Marquette Jablonowski Award (Best Undergraduate Research History Department Paper, History) 12-1-2011 Anna Komnene: A Woman of Power Without a Crown Anna Alioto Marquette University 2012 winner of the Jablonowski Award for best undergraduate research paper, awarded by the Department of History. Anna Komnene: A Woman of Power Without a Crown Anna Alioto History 3210: Middle Ages Term Paper 12/01/11 Dr. Knox 1 1 Barrett, Tracy. Anna of Byzantium. (New York: Delacorte, 1999), cover. Anna Komnene: A Woman of Power without a Crown “Time…sweeps up and carries away with it everything that has seen the light of day and plunges it into utter darkness…”2 Anna Komnene’s opening statement to her book, The Alexiad, paints a very vivid picture for her readers. This motivation inspired Anna to write The Alexiad, a historical narrative about her father and her life growing up in Constantinople. Although it was written later in life, it reflects her earlier years filled with political turmoil, foreign invasions and increasing conflicts with Western Europe. She compliments her father’s accomplishments and adds in her own thoughts which not only reflect her intelligence but also her increasing power during her father’s reign as the first born child. Surrounded by influential and powerful women such as Maria of Alania, her grandmother, Anna Dalassene and her mother, Irene Doukaina, it is no surprise that Anna grew up not only as a strong and independent woman but as an influential player in Byzantine politics regardless of her gender. She set her goal high: to rule Byzantium with her husband, Nicephoros Bryennios. -
Περίληψη : Constantine XI Palaiologos (1449-1453), Born in 1405, Son of Manuel II and the Serbian Princess Helena Dragas, Was the Last Byzantine Emperor
IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Radic Radivoj Μετάφραση : Radic Radivoj , (γλωσσ.επιμ. αγγλ.) Lees Christopher (18/8/2008) Για παραπομπή : Radic Radivoj , "Constantine XI Palaiologos", 2008, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη URL: <http://www.ehw.gr/l.aspx?id=12317> Περίληψη : Constantine XI Palaiologos (1449-1453), born in 1405, son of Manuel II and the Serbian Princess Helena Dragas, was the last Byzantine Emperor. During his time, the Byzantine Empire encompassed only Constantinople and its immediate surroundings and parts of Greece. As regent, he took over for his brother John VIII on two occasions, 1423-1424 and 1437-1440, when John traveled to the West. He had the appanage on the Peloponnesus, which was the most vital part of the Byzantine Empire at the time. As an emperor, since 1449, for political reasons he was the advocate for the union believing that it was the only way to save the fragile empire. He married twice and was widowed both times, with no children. He was killed in 1453 while defending Constantinople from the Ottoman attack. Άλλα Ονόματα Constantine XI Dragas Τόπος και Χρόνος Γέννησης January 8, 1405, Constantinople Τόπος και Χρόνος Θανάτου May 29, 1453, Constantinople Κύρια Ιδιότητα emperor 1. Introduction Constantine XI Palaiologos was the fourth of the six surviving sons of Manuel II and the Serbian Princess Helena Dragas. Besides them, the imperial couple had two more sons and two daughters who died in childhood from plague (one of the deceased sons had also been named Constantine). He was born on January 8, 1405, in Constantinople. The Byzantine Empire, which during his time encompassed only Constantinople with its immediate surroundings and parts of Greece, was compared for many reasons to a frail body with a humongous head – Constantinople. -
RECONCILING NIKEPHOROS BRYENNIOS' MATERIALS for a HISTORY a Thesis Submitted in Partial Fulfillme
THE SONG REMAINS THE SAME: RECONCILING NIKEPHOROS BRYENNIOS’ MATERIALS FOR A HISTORY A thesis submitted in partial fulfillment of the Requirements for the degree of Master of Humanities By JAMES GILMER M.A., American Public University System, 2012 2019 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL [August 22nd, 2019] I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY JAMES GILMER ENTITLED The Song Remains the Same: Reconciling Nikephoros Bryennios’ Materials for a History BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF HUMANITIES. Jeannette Marchand, PhD Thesis Director Valerie Stoker, PhD Director, Master of Humanities Program Committee on Final Examination: [Jeannette Marchand, PhD] [Paul Lockhart, PhD] [Aaron Wolpert] [Valerie Stoker, PhD] Barry Milligan, PhD Interim Dean of the Graduate School ABSTRACT Gilmer, James. M.Hum. Graduate Program, Wright State University, 2019. The Song Remains the Same: Reconciling Nikephoros Bryennios’ Materials for a History. The following thesis presents new perspectives on the representation of Byzantine generals during the eleventh century, focusing specifically on parallel representations of Nikephoros Bryennios the Elder. I will argue that Byzantine chroniclers routinely employed the language of Byzantine military manuals as a template to describe the generals who populate the pages of their works. This tendency created a shared language of praise and censure which chroniclers applied to the generals whose reputation they sought either to exalt or to tarnish. The career of Nikephoros Bryennios the Elder as it is presented in the History of Michael Attaleiates and the Materials for a History of Nikephoros Bryennios the Younger vividly demonstrates this tendency as Nikephoros Bryennios the Younger attempts to salvage the reputation of his grandfather. -
De Ceremoniis
Durham E-Theses Imperial ideology in middle Byzantine court culture: the evidence of Constantine porphyrogenitus's de ceremoniis Woodrow, Zoe Antonia How to cite: Woodrow, Zoe Antonia (2001) Imperial ideology in middle Byzantine court culture: the evidence of Constantine porphyrogenitus's de ceremoniis, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3969/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Imperial Ideology in Middle Byzantine Court Culture: The Evidence of Constantine Porphyrogenitus 's De Ceremoniis Zoe Antonia Woodrow PhD University of Durham Department of Theology 2001 The copyright of this thesis rests with the author. No quotation from it should be published in any form, including Electronic and the Internet, without the author's prior written consent. All information derived from this thesis -
Anna Comnena the Alexiad
Anna Comnena The Alexiad translated by Elizabeth A. S. Dawes In parentheses Publications Byzantine Series Cambridge, Ontario 2000 PREFACE I. Time in its irresistible and ceaseless flow carries along on its flood all created things, and drowns them in the depths of obscurity, no matter if they be quite unworthy of mention, or most noteworthy and important, and thus, as the tragedian says, Òhe brings from the darkness all things to the birth, and all things born envelops in the night.Ó But the tale of history forms a very strong bulwark against the stream of time, and to some extent checks its irresistible flow, and, of all things done in it, as many as history has taken over, it secures and binds together, and does not allow them to slip away into the abyss of oblivion. Now, I recognized this fact. I, Anna, the daughter of two royal personages, Alexius and Irene, born and bred in the purple. I was not ignorant of letters, for I carried my study of Greek to the highest pitch, and was also not unpractised in rhetoric; I perused the works of Aristotle and the dialogues of Plato carefully, and enriched my mind by the ÒquaternionÓ of learning. (I must let this out and it is not bragging to state what nature and my zeal for learning have given me, and the gifts which God apportioned to me at birth and time has contributed). However, to resumeÑI intend in this writing of mine to recount the deeds done by my father for they should certainly not be lost in silence, or swept away, as it were, on the current of time into the sea of forgetfulness, and I shall recount not only his achievements as Emperor, but also the services he rendered to various Emperors before he himself received the sceptre. -
Reconstructing the Image of an Empress in Middle Byzantine Constantinople: Gender in Byzantium, Psellos’ Empress Zoe and the Chapel of Christ Antiphonites”
Zulian, G. (2007) “Reconstructing the Image of an Empress in Middle Byzantine Constantinople: Gender in Byzantium, Psellos’ Empress Zoe and the Chapel of Christ Antiphonites”. Rosetta 2: 32-55. http://rosetta.bham.ac.uk/Issue_02/Zulian.htm Rosetta 2. http://rosetta.bham.ac.uk/Issue_02/Zulian.htm Reconstructing the Image of an Empress in Middle Byzantine Constantinople: Gender in Byzantium, Psellos’ Empress Zoe and the Chapel of Christ Antiphonites * Giulia Zulian Byzantine Studies, University of Birmingham Abstract In Byzantium the choice of a specific site for imperial patronage represented a means for the emperor and empress to make visible their own conceptions of rulership and the religious values that they wished to promote. However, in the case of female ruler, the issue is more complex, raising issues of gender with regard to the significance and the visibility itself of a woman’s ‘matronage’. 1 From this perspective, this paper analyses the case of the chapel dedicated to Christ Antiphonetes which the empress Zoe (AD 1028 – ca. 1050), belonging to the last generation of the Macedonian dynasty, chose as her personal burial place. This study considers and discusses the most important sources which allow us to understand the significance of these expressions of imperial display and the meanings they convey. This paper addresses, in brief, an aspect of the public image of the empress Zoe (AD 1028 – ca. 1050), the last representative, together with her younger sister Theodora, of the Macedonian dynasty. In this analysis a series of aspects concerning the meaning of Zoe’s portrait are taken into consideration. Along with the images, metaphors and language used to build this image, provided by the eleventh century historian Michael * A recent contribution by Titos Papamastorakis, ‘The Empress Zoe’s Tomb’, in H AYTOKRATOPIA ΣE KPI ΣH (;). -
Hilsdale for Lucy
Conference on “Gender and Power in the Middle Ages” Center for the Study of Gender and Sexuality, University of Chicago, May 2017 “Byzantine Things and the Aspirations of Sovereignty: Gender, Power, and Materiality” Cecily Hilsdale ([email protected]) My presentation will consider the material and visual dimension of gender and power in Byzantium. More specifically I want to think about how objects and their imagery can often tell a different story about imperial diplomatic marriage than textual accounts alone. The two case studies I’ve selected are among the most potent material manifestations of secular and sacerdotal power: a crown and a liturgical vestment. The enamel diadem known today as the Royal Crown of Hungary was sent to Buda from Constantinople in the 11th century and the embroidered vestment known as the major sakkos of Metropolitan Photios was sent from the capital to Moscow in the early 15th century. Despite such pronounced differences in terms of chronology, material, and ritual context, both objects were occasioned by Byzantine diplomatic marriages, that is, marriage alliances with the royal houses of Buda and Moscow. My primary aim is to see how such objects hinge on and are imprinted by exogamous and endogamous kinship ties that were contingent and fraught. We ultimately know very little about the two brides themselves, but the sumptuous objects that were occasioned by their marriages stand as potent symbols of secular and sacred authority even today. And both the crown and the vestment can tell us a great deal about imperial diplomatic marriage in addition to the corresponding textual accounts. -
Defection Across the Border of Islam and Christianity: Apostasy and Cross-Cultural Interaction in Byzantine-Seljuk Relations
Defection across the Border of Islam and Christianity: Apostasy and Cross-Cultural Interaction in Byzantine-Seljuk Relations By Alexander D. Beihammer Not a word of goodbye, not even a note She gone with the man In the long black coat. (Bob Dylan, “Man in the Long Black Coat”) An Islamic coffin discovered in the church of Maria Spilaiotissa near the old Seljuk capital of Konya in central Anatolia bears the following Greek inscrip- tion: “Here lies the descendant of men born in the purple, Michael Amiraslan, the grandson of the great-grandson of the blessed emperor born in the purple, Kyr John Komnenos Maurozomes, the son of the humble John Komnenos.”1 This text, dated November 1, 6809 (a.d. 1297), can be characterized as a relic of a family tradition of Greek dignitaries at the Seljuk court who for generations had maintained their Christian faith and the memory of their imperial ancestry. Paul Wittek, who published and thoroughly examined the inscription in the 1930s, reconstructed a genealogical tree of the family, whose roots go back to the Byz- antine aristocracy of the late twelfth century. But I am not concerned here with the validity of his arguments. More interesting at present is the fact that the in- scription constitutes a monument in stone to a particular mode of political be- havior that occurred with increasing frequency from the second half of the elev- enth century until the end of the Nicaean Empire and that, therefore, can be deemed a typical feature of Byzantine-Seljuk relations during this period. I refer to the decision members of the Byzantine ruling class made from time to time to sever existing social bonds based on kinship, loyalty, as well as ethnic and reli- Earlier versions of this paper were presented at a CIHS session organized by the Society for the Study of the Crusades and the Latin East in Sydney 2005 (University of New South Wales) and at a symposium in honor of Prof.