Youth Culture 2021

Total Page:16

File Type:pdf, Size:1020Kb

Youth Culture 2021 Youth Culture 2021 We unpack some of the big ideas and cutting-edge developments that will shape youth culture in 2021, from the swelling influence of NFTs to quiltcore and the rise of squad investing Quentin Humphrey 03.11.21 · 20 minutes Team Rolfes Analysis In this report, we explore the key ideas and themes set to impact youth culture in 2021 as young consumers evolve in the era of coronavirus. A year aer the coronavirus shook society to its core, it has become abundantly clear that the lockdown has psychologically and materially shied the behaviour of young consumers worldwide. In 2020 youth across the globe lost economic opportunities, missed traditional milestones and forfeited relationships at a pivotal time for forming identity. A report by the Center for Generational Kinetics found that since the start of Covid-19, 36% of Gen Z are feeling stressed about saving money while 35% are stressed about supporting their basic needs. While this unprecedented time has brought on endless setbacks, it has also given rise to new movements, communities and brands. As we look ahead to a post-pandemic era, many are predicting the next few years could see young people compensating for the experiences they missed out on. As a result of the pandemic, youth have a renewed appreciation for friends and family and will carry this deep need for connection through as a defining characteristic. Second Life Youth culture in 2021 will be marked by 'micropreneurship', (the process of building small-scale entrepreneurial endeavours enabled by a new generation of technology platforms and tools), authentic community engagement, creative experimentation and alternative means of instruction. 1 Index From a growing interest in snail mail to the rise of a new creator economy, this report identies the six key themes: 1. NFT power: a resurgence in cryptocurrency gives rise to digital collectibles Michael Thorpe LaTurbo Avedon 2. Tactile language: the creative renaissance evolves DIY behaviours 3. Social finance: a new wave of fintech turns finance social 4. Cultural teleportation: curious and inclusive youth dive into global cultures 5. Streetcare: streetwear takes on a deeper approach to social justice and charitable efforts 6. Nostalgic media and grey93 @skylarhand communication: youth build new connections with nostalgic mediums 2 NFT power Cryptocurrency-powered NFTs (non-fungible tokens) have quickly become one of the most discussed topics in 2021, fuelling a new creator economy and pushing society closer into the metaverse. NFTs are one-of-a-kind digital collectibles that represent a unique good or asset typically minted on the Ethereum blockchain. The bounds of these collectibles are limitless and include everything from decentralised domain names and virtual gaming items to tweets and memes. Similarly to trading cards, todayʼs NFTs can be bought and sold by collectors. The most prevalent NFTs today are digital works oen referred to as crypto art. Explosive adoption: a recent report by DappRadar found that NFTs had their best sales month ever in February. Digital art sales grew by 2,800% in 2020, with the total value of the NFT market reaching $250m. Niy Gateway, a popular NFT marketplace, publicly launched in March 2020, helping creators sell more than $12m of digital art and collectibles. Digital ownership revolution: NFTs are bringing more young creators and consumers into the digital asset world than Bitcoin has so far. NFTs are giving rise to digital drop culture, which combines multiple kinds of cutting- edge business models and technologies including digital scarcity, drop culture, blockchain and cryptocurrency – into direct-to-fan transactions Nifty Gateway that makes real money for artists involved. NFTs also make it possible for super-fans to make money by owning content that can appreciate in value, evolving the passion economy. 3 Community care: NFTs can be used for Digital drop culture: an emerging app called Eco-NFTs: Ethereum, the second-largest community campaigns as well. In November Aglet has been likened to "the Pokémon Go for cryptocurrency in the world by market value, 2020 Calvin Liu, investor at Divergence Ventures, sneakerheads". The platform allows players to operates via a proof-of-work consensus model, bought an NFT from CGI influencer Lil Miquela collect virtual sneakers by walking around which incentivises burning huge amounts of to raise more than $82k for the Black Girls Code outside, and plans to eventually allow its users energy in order to “mine” new tokens. In charity. In January, cryptocurrency evangelist and brand partners to launch their own virtual March Zora, a popular NFT marketplace for Mai Fujimoto, known commonly as Miss Bitcoin, retail stores in the app. This new model could musicians, announced it was starting to combat partnered with blockchain gaming ecosystem have serious implications for the growing Ethereumʼs emissions cost through a dedicated Enjin to launch Japanʼs first NFT charity project. metaverse. carbon offset. This will be a crucial addition for artists interested in fighting the climate crisis. 4 The images on the left are some of the most relevant NFT use cases in recent months. A new creator-friendly economy: NFTs are accelerating the trend of creators monetising directly with their fans. These blockchain collectibles create a decentralised marketplace for creators without platform intermediaries taking a sizeable cut of earnings, ownership or Axie Innity even controlling how the digital work is @loganpaul Rarible An NFT in the guise of a plot of virtual land on distributed. Marketplaces powered by In February, Logan Paul partnered with peer- Actor and entertainer Lindsay Lohan minted blockchain marketplace and gaming platform NFTs open up new revenue streams for to-peer exchange Bondly to sell 1,772 NFTs and sold her rst NFT, dubbed Lightning, for Axie Innity sold for a record-breaking $1.5m for approximately $3.5m in sales more than $50k via the Rarible platform (888.25 Ethereum) in February creators; anytime digital work is resold the original creator automatically gets a percentage of those secondary sales. Authenticity awareness: importantly, all NFT transactions are public, transparent and governed by code on the blockchain – a big shi from the creator economy we know today. Several platforms are emerging to assist artists on their NFT journey. Verisart for instance is a blockchain verification NBA Top Shot Kings of Leon platform for artists. Other web platforms Beeple like OpenSea and Rarible allow the In 2019 the NBA partnered with Vancouver- Kings of Leon became the rst band to release based blockchain company Dapper Labs to a new album in the form of an NFT. The album, In February, British auction house Christie's budding crypto community to connect, launch NBA Top Shot – collectible NFT titled When You See Yourself, was unveiled via hosted a sale from the artists' collection, transact and authenticate their assets. highlights that have garnered $230m as of three types of tokens as part of a series called marking the rst time NFT art was sold at an March NFT Yourself auction house 5 Tactile language A new set of tactile and craft-focused youth are emerging, as quarantine hobbies evolve into new lifestyles and rituals. The global cras market is expected to value $48bn by 2025, as DIY design continues to seed itself deep into the lives of curious and creative youth. Rise of sew bros and crochet queens: the creative renaissance birthed by the pandemic has given rise to a growing cohort of tactile, cra-focused youth. Many young consumers took this opportunity to make masks while stuck indoors, and got submerged into the art of sewing. As lockdown measures loomed, Google searches for "sewing machines" jumped 400% in the US, with department store John Lewis reporting that sales of them had risen by 127% in April 2020. The r/sewing community on Reddit is steadily growing and becoming increasingly diverse. One reddit user u/SanneChan shared “Good to see more attention for the wastefulness of fast fashion and how sewing can be more sustainable. I hope more male sewists will lead to more high quality masculine sewing patterns.” The recent movement has broken free of historical stereotypes that sewing, embroidery, and needlepoint are exclusively done by women. The future of Michael Thorpe sewing will move beyond gender roles in favour of appreciation for the cra and understanding of its alignment with slow consumption. 6 The tuing boom: artist Tim Eads, Instagram accounts like Quiltcore: the quilted patchwork He shared with Esquire: “Sewing who operates Tuing Gun, shared @imakerugs, @locarpet_cra, movement in fashion has been has been very beneficial to my with Vice in August 2020 that his @unwelcome.mats and @rugg.ratz championed in recent seasons by mental health. Donʼt get me wrong, business has grown three times are building sustainable businesses brands like Greg Lauren and Emily some projects can be draining and since lockdown began in March through commissions for their Bode. Newly established brand annoying. But when Iʼm creating 2020. This stems from established textile work. Stan, launched in 2020 by 23-year- something, I donʼt have to really and emerging fibre artists, Today #rugtiktok has more than old artist and surfer Tristan worry about any outside noise. Just furniture designers, entrepreneurs, 202m views, while #tutheworld Detwiler, is also building on me and my machine is a perfect and influencers who are all has passed 33m views. 22-year-old fashionʼs move toward upcycled combo.” fuelling a tuing boom. Claire Molenda has become a clothing and has already drawn Quiltcore is also informing artistic Creative brand builders like Sean #rugtiktok sensation for her comparisons to Bode with its one- pursuits. 27-year-old Brown and Bailey Goldberg kicked surrealist rug designs. Her rug- of-a-kind quilted garments. Massachusetts-based textile artist off the rug rush prior to the making videos have received more The power of quiltcore lies in its Michael Thorpe produces large- implementation of lockdown than a million views to date, and in ability to marry sustainability and scale portraits using quilting measures.
Recommended publications
  • 40 Cultural Shifts Shaping Our World
    EDGES, 2021 40 Cultural Shifts Shaping Our World JANUARY 2021 ©2021 TBWA\Worldwide. All rights reserved. Proprietary and Confidential YEAR ZERO Every January brings talk of fresh starts, exciting trends, Within this story, you will find 40 meaningful cultural shifts and cultural phenomena. But this time, the implications shaping our world. These shifts are born from a global process are much larger. The pandemic has precipitated a that emphasizes the expertise of over 300 TBWA “Culture cosmic reshuffle of global realities, social norms and Spotters”—leveraging insight from Bogota to Berlin, Kigali to individual beliefs. A world is ending, and another is being Kuala Lumpur, New Delhi to New York. born. 2021 isn’t just another year, it’s Year Zero. And so this isn’t just a trend report. It’s a glimpse into a new chapter of our history. Culture is fast, often confusing, and sometimes misleading. We hope that these Edges bring optimism, inspiration for growth, and a clear direction forward. Culture is our story. And more In the face of seismic change, we find ourselves torn than ever before, it’s up to us to write a chapter we’ll be proud of. between fight and flight, dark and light, between the pullback of conservatism and the push forward of imagination. Radical transformation is never Welcome to 2021. Welcome to Year Zero. comfortable, but brighter tomorrows are ahead. Our 2021 Edges tell this hopeful story in six chapters: Chaos. Preservation. Advancement. Identity. Liberation. Rebirth. ©2021 TBWA\Worldwide. All rights reserved. Proprietary and Confidential Edges must be rooted in human values, be 1 recognizable through consumer behaviors, and lead to clear business implications.
    [Show full text]
  • Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand
    Contents 2 The Frame & Arts 4 Samsung Collection 6 Curation Story Artist Profiles 8 Bohnchang Koo 10 Luisa Lambri 12 ruby onyinyechi amanze 14 Todd Eberle 16 Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand 22 Samsung Collection at a Glance 29 Art Store Gallery Partners 30 ALBERTINA 32 Artspace 34 LUMAS 36 MAGNUM PHOTOS 38 Museo Del Prado Collection 40 Saatchi Art 42 Sedition 44 How to Use 46 My Collection 50 The Frame Specifications Tommy Clarke, Playa Shoreline (2015) 1 The Frame & ArtsArt The Frame. Art when it's off, TV when it's on. Introducing The Frame, a TV that elegantly enables you to make anye spac more welcoming, more entertaining and more inspiring. Turn on The Frame in TV mode and watch a beautiful 4K UHD Smart TV with outstanding detail and picture quality. Turn off and you seamlessly switch into Art Mode, transforming The Frame into a unique work of art that enriches your living space. The Frame with Walnut Customizable Frame Scott Ramsay, Mana Pools Bee-Eaters (2015) Curated art for your inspiration. Destined to expand your horizons, The Frame’s Art Mode showcases selections of museum-quality artwork professionally curated for you in the exclusive Samsung Collection and online Art Store. Or use My Collection Art Mode TV Mode to display cherished photos of special moments with family and friends. The perfect mode for any mood, Art Mode introduces TV with a sense of your own inimitable style and a knack for enhancing any décor. The Frame, Designed for your space. 2 The Frame 3 The Frame grants you exclusive access to 100 remarkable artworks across 10 categories from 37 renowned artists from the four corners of the world.
    [Show full text]
  • BIS Hanoi Student Magazine
    NOVUS BIS Hanoi stud ent magazine CULTURE J A N U A R Y 2 0 2 1 Editorial Welcome to the 2nd issue of Novus, BIS’s student-led school magazine. Our objective is to bring you a new perspective on affairs which might have passed you by. In this issue, we invite you to engage with culture. It is indisputable that culture is a fundamental element of human life; it not only enriches life but also creates a connection between people. This fundamental nature relies on inspiration, which then becomes dispersed. Such sequence goes on and on, anytime and anywhere. Thus, it is inevitable that culture is created - unless humans stop thinking. When you define the term ‘culture’, it is likely that you will ponder an Interview with a Julliard Dance image of archaic historical products or traditional arts of a country. specialist However, if it brings people together and becomes a custom, it can be [page 18~22] considered as culture. New cultural affairs have sprung up in contemporary society - one example of this is K-Pop. If you are interested in how it became viral, see K-Pop Culture [page 3~4]. Another term which has developed in the recent COVID-19 era is Cottagecore, an aesthetic which celebrates rural life; see page 13~ 14 which provides a big picture of such Gen-Z subculture. Celebrating all the cultures which were created, it leads to an ultimate question of why culture is important. A key for that reason is provided in Why is culture important? [page 11~12].
    [Show full text]
  • Screenshots: Desire and Automated Image
    ScreenShots: Desire and Automated Image Symposium in Kunsthal Aarhus, March 8th from 10.00-16.00 Programme: 10.00–10.30: Arrival and Coffee 10.30-10.45: Welcome and Introduction by Beate Cegielska, Director of Galleri Image and Magdalena Tyżlik-Carver, curator of the exhibition/symposium and Assistant Professor at Aarhus University, Digital Design department. 10.45-11.30: Panel 1 (Chaired by Magdalena Ty żlik-Carver) Geoff Cox: “Seeing Machines and Social Desire”. Kristoffer Ørum: “It Sings for Us of What We Might Become”. 11.30-12.00: Q&A 12.00-13.15: Lunch Break 13.15-14.00: Panel 2 (Chaired by Søren Pold, AU) Katrina Sluis: “Fully Automated Luxury Photography Now!” Winnie Soon: “Operative Screenshots: Sorting The Photographic Slides With An Algorithm” 14.00-14.20 Q&A 14.20-14.50: Coffee break 14.50-15.25: Michael Mandiberg: “Excessive data, emotional data” +Q&A (Chaired by Lea Laura Michelsen, AU) 15.25-16.00: LaTurbo Avedon: “[layers, composites]” + Q&A (Chaired by Magdalena Tyżlik-Carver) 16.00: End of the Symposium 17.00-19.00: Opening of the exhibition in Galleri Image with the performance Drawing with Sound by Anna Ridler. You can also receive’ a tattoo art work as part of Sarah Shorr's installation of “Saving screens: Temporary Tattoos and other Methods” (*while supplies last). Abstracts: Geoff Cox, “Seeing Machines and Social Desire”: Seeing isn’t simply a case of objective optical projections but implies a point of view, or “Ways of Seeing” (John Berger). Referring to the ongoing project “Ways of Machine Seeing”, the talk will ask how developments in machine vision further unsettle the relations between what we see and know, and then extends this to generalised automation and “desiring machines”.
    [Show full text]
  • Towards Post-Digital Aesthetics
    S A J _ 2015 _ 7 _ original scientific article approval date 25 07 2015 UDK BROJEVI: 72.038.53 COBISS.SR-ID 220470284 TOWARDS POST-DIGITAL AESTHETICS A B S T R A C T Over the past decades, digital technology and media had firmly integrated into almost all areas of contemporary culture and society. In this context, the Internet, computers or mobile phones are no longer considered products of new media, but instead are taken for granted. With this background in mind, this paper suggests taking a post-digital perspective on today’s media society. The concept of post-digital refers to an aesthetics that no longer regards digital technology as a revolutionary phenomenon, but instead as a normal aspect of people’s daily life. More precisely, post-digital aesthetics deals with an environment where digital technology became such a commonplace that its existence is frequently no longer acknowledged. Based on the analysis of contemporary artworks and practices inspired by their surroundings, this paper aims to bring those phenomena into consciousness that became unnoticeable in the contemporary digital environment. For this purpose, this investigation goes beyond the formal- aesthetic analysis, but instead focuses on the investigation of the receptive act. Concretely, post-digital aesthetics seeks to describe and analyze the changing modes of perception affected by the increased digitization of one’s surroundings. In the context of this analysis, aesthetics is thus understood not as the goal per se, but rather as the means to enhance the understanding of contemporary digital culture. Anna Daudrich 213 KEY WORDS Friedrich-Alexander-Universität Erlangen-Nürnberg POST-DIGITAL DIGITAL TECHNOLOGY AESTHETICS CHANGED PERCEPTION S A J _ 2015 _ 7 _ INTRODUCTION Over the past decades, digital technology and media had firmly integrated into almost all areas of contemporary culture and society.
    [Show full text]
  • Morning Mirror / Evening Mirror by Laturbo Avedon Launches on the Whitney’S Artport
    Screenshot of Morning Mirror / Evening Mirror at sunrise MORNING MIRROR / EVENING MIRROR BY LATURBO AVEDON LAUNCHES ON THE WHITNEY’S ARTPORT NEW YORK, MARCH 4, 2021—The Whitney Museum of American Art today announced the debut of Morning Mirror / Evening Mirror by LaTurbo Avedon on artport, the Whitney’s portal to Internet art and online gallery space for commissions of net art. Morning Mirror / Evening Mirror is a Sunrise/Sunset project—a series of Internet art projects commissioned by the Whitney specifically for whitney.org to mark sunset and sunrise in New York City every day. For this project, LaTurbo Avedon created fourteen videos, which depict digital flythroughs of a 3-D apartment, that play within the frame of a virtual mirror that is overlaid on whitney.org. Seven distinct scenes, for sunrise and sunset, respectively, are shuffled for playback each day, offering glimpses into the apartment inhabited by Avedon's virtual selves. Functioning as both a surface for reflection and a window into a different world, Avedon’s mirror presents whitney.org visitors with a variety of scenes, from nature flourishing across living rooms to green screens and stage lights consuming the home studio. Visitors anywhere on whitney.org during sunset or sunrise will experience Morning Mirror / Evening Mirror. “The experience of virtual existence lies at the core of LaTurbo's practice," said Christiane Paul, adjunct curator of digital art at the Whitney Museum. "This work feels particularly resonant in our current moment of heightened physical seclusion and increased digital engagement. On a daily basis, we see ourselves mirrored in online environments where the private physical spaces in which we lead our often-isolated existence are inserted into the public virtual world.” For the past ten years, LaTurbo Avedon has worked exclusively as an avatar, spending thousands of hours on the creation and exploration of virtual worlds and identities.
    [Show full text]
  • Honors Program Course Guide Spring 2021
    HONORS PROGRAM COURSE GUIDE SPRING 2021 TO PLAN YOUR SPRING 2021 ACADEMIC SCHEDULE, IT MAKES SENSE TO BEGIN WITH THE HONORS COURSE GUIDE! As usual, we’ve included the Honors courses open to all Honors students, regardless of school, college or major; we haven’t included Honors courses restricted to specific majors (you’ll know about them if you are in one of those majors). Reminder: This is not the final word on Honors courses for spring. We’ll post new versions of the Guide in the Honors Bulletin as we gather more information regarding days/times and professors—and new courses soon to be approved. HONORS PROGRAM COURSE GUIDE SPRING 2021 HONORS ANALYTICAL READING & WRITING ..................................................................................................4 ANALYTICAL READING & WRITING (ENGLISH 0902.01) 4 ANALYTICAL READING & WRITING (ENGLISH 0902.02) 4 HONORS INTELLECTUAL HERITAGE I: THE GOOD LIFE 4 HONORS INTELLECTUAL HERITAGE II: THE COMMON GOOD 5 HONORS GEN EDS..........................................................................................................................................6 ARTS GEN EDS 6 MUSICAL CULTURES OF THE WORLD (WORLD MUSIC) (MUSIC STUDIES 0909.01) .................................................................... 6 SHAKESPEARE IN THE MOVIES (ENGLISH 0922.01) ............................................................................................................................. 7 ART OF SACRED SPACE (GREEK & ROMAN CLASSICS 0903.01) .........................................................................................................
    [Show full text]
  • Selling and Collecting Art in the Network Society
    PAU | PAU WAELDER SELLING AND COLLECTING ART IN THE NETWORK SOCIETY NETWORK THE IN ART COLLECTING AND SELLING PhD Dissertation SELLING AND COLLECTING ART IN THE NETWORK SOCIETY Information and Knowledge Society INTERACTIONS Doctoral Programme AMONG Internet Interdisciplinary Institute(IN3) Universitat Oberta de Catalunya (UOC) CONTEMPORARY ART NEW MEDIA AND THE ART MARKET Pau Waelder Thesis Directors Dr. Pau Alsina Dr. Natàlia Cantó Milà PhD Dissertation SELLING AND COLLECTING ART IN THE NETWORK SOCIETY INTERACTIONS AMONG CONTEMPORARY ART, NEW MEDIA, AND THE ART MARKET PhD candidate Pau Waelder Thesis Directors Dr. Pau Alsina Dr. Natàlia Cantó Milà Thesis Committee Dr. Francesc Nuñez Mosteo Dr. Raquel Rennó Information and Knowledge Society Doctoral Programme Internet Interdisciplinary Institute(IN3) Universitat Oberta de Catalunya (UOC) Barcelona, October 19, 2015 To my brother David, who taught me what computers can do. Cover image: Promotional image of the DAD screen displaying the artwork Schwarm (2014) by Andreas Nicolas Fischer. Photo: Emin Sassi. Courtesy of DAD, the Digital Art Device, 2015. Selling and collecting art in the network society. Interactions among contemporary art, new media and the art market by Pau Waelder is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. ACKNOWLEDGEMENTS The present dissertation stems from my professional experience as art critic and curator, Sassoon, Shu-Lea Cheang, Lynn Hershmann-Leeson, Philippe Riss, Magdalena Sawon as well as my research in the context of the Information and Knowledge Society Doctoral and Tamas Banovich, Kelani Nichole, Jereme Mongeon, Thierry Fournier, Nick D’Arcy- Programme at the Internet Interdisciplinary Institute (IN3) – Universitat Oberta de Fox, Clara Boj and Diego Díaz, Varvara Guljajeva and Mar Canet, along with all the artists Catalunya.
    [Show full text]
  • Transfer Download Simulations in Hyperspace June 15, 2018 – May 1, 2019
    April 10, 2018 FOR IMMEDIATE RELEASE TRANSFER DOWNLOAD SIMULATIONS IN HYPERSPACE JUNE 15, 2018 – MAY 1, 2019 SANTA FE, NM – Art House is pleased to present TRANSFER Download, a survey of new digital art by an international roster of contemporary artists, selected by New York-based curator Kelani Nichole in collaboration with the Carl & Marilynn Thoma Art Foundation. The exhibition is showcased in an interactive display chamber called a hyperspace, an immersive projection area controlled by visitors who can select from a menu of artworks to view. TRANSFER Download brings together the latest generation of artists who engage with powerful technologies of 3D animation software, gaming engines, and algorithmic simulation. The exhibition opens in concert with the Currents New Media Festival (June 8-24), during which Art House is a participating venue. Artists in the exhibition include AES+F (Moscow); LaTurbo Avedon (The Internet); Claudia Hart (New York/Chicago); Rollin Leonard (Los Angeles); Sabrina Ratte (Montreal); and Theo Triantafyllidis (Los Angeles); Rick Silva and Nicolas Sasson (Pacific Northwest); Carla Gannis (New York); Daniel Temkin (New York); Alex McLeod (Toronto); and Harvey Moon (San Francisco). A full list of artists and works will be released this spring. 1 On Sunday, June 10 at 1pm, curator Kelani Nichole gives a free public talk at SITE Santa Fe as part of the opening weekend of the Currents New Media Festival. Titled “The Networked Avant-garde,” her talk is presented by the Thoma Foundation in partnership with SITE Santa Fe and Currents New Media. Nichole discusses how the internet has changed the way that artists produce and share work, and how experimental galleries and institutions are disrupting the infrastructure of the art world.
    [Show full text]
  • The Innovators Issue Table of Contents
    In partnership with 51 Trailblazers, Dreamers, and Pioneers Transforming the Art Industry The Swift, Cruel, Incredible Rise of Amoako Boafo How COVID-19 Forced Auction Houses to Reinvent Themselves The Innovators Issue Table of Contents 4 57 81 Marketplace What Does a Post- Data Dive COVID Auction by Julia Halperin • What sold at the height of the House Look Like? COVID-19 shutdown? by Eileen Kinsella • Which country’s art • 3 top collectors on what they market was hardest hit? buy (and why) The global shutdown threw • What price points proved the live auction business into • The top 10 lots of 2020 (so far) most resilient? disarray, depleting traditional in every major category houses of expected revenue. • Who are today’s most Here’s how they’re evolving to bankable artists? 25 survive. The Innovators List 65 91 At a time of unprecedented How Amoako Art Is an Asset. change, we scoured the globe Boafo Became the Here’s How to to bring you 51 people who are Breakout Star of Make Sure It changing the way the art market Works for You functions—and will play a big a Pandemic Year role in shaping its future. In partnership with the by Nate Freeman ART Resources Team at Morgan Stanley The Ghanaian painter has become the art industry’s • A guide to how the art market newest obsession. Now, he’s relates to financial markets committed to seizing control of his own market. • Morgan Stanley’s ART Resources Team on how to integrate art into your portfolio 2 Editors’ Letter The COVID-19 pandemic has forced the art world to reckon with quite a few
    [Show full text]
  • Luxury Fashion on Tiktok 29
    The Fashion Fandom Is Exploding On TikTok Right Now: How Can Brands Tap Into It? YOU MIGHT’VE THOUGHT THE BEST TIME FOR FASHION BRANDS TO BE ON TIKTOK WAS LAST YEAR, BUT FASHION CONTENT IS ACTUALLY SEEING THE FASTEST GROWTH RIGHT NOW. Gen Z accounts for 40% of global consumers. 60% of TikTok’s 689 million users are Gen Z. And with TikTok introducing a number of new 40% shopping features, how can fashion brands make sure they’re at the forefront of what’s set to be the next big social commerce platform? 60% of TikTok’s 689 million users are Gen Z. In our latest Fanbytes report, we share some of the key insights, tips and considerations for brand-side fashion marketers seeking to tap into the fashion fandom on TikTok. Specifically, you’ll get: An undeniable understanding that TikTok is the future for fashion brands. How Fanbytes can help your brand tap into Gen Z culture and trends like a pro. A knack for analysing viral TikTok trends and knowing how users inherently think and behave. An exclusive insider look into Fanbytes’ state-of-the-art TikTok analytics tool and viral alerting system that helps us predict the future by identifying upcoming trends. CONTENTS Introduction Who Are Fanbytes? 5 How We Gather Our Insights 6 An Introduction To Gen Z & Fashion On TikTok 8 TikTok & Fashion Sustainability On TikTok 12 Fast Fashion On TikTok 20 Luxury Fashion On TikTok 29 Conclusion Summary 35 Get in touch 36 PAGE 5 WHO ARE FANBYTES? Fanbytes is widely recognised for creating successful Gen Z social and influencer strategies for fashion brands such as Vestiaire Collective, Boohoo & River Island.
    [Show full text]
  • NET ART 2 Eng 3.Indd
    )LUVWSXEOLVKHGLQ&]HFK5HSXEOLFE\3DVWLFKH)LOP]]V2ORPRXFZLWKWKH¿QDQFLDO support of the Ministry of Culture of the Czech Republic. ISBN 978-80-87662-07-6 (1st English edition) ISBN 978-80-87662-06-9 (1st Czech edition) 2nd English edition, print-on-demand ISBN 978-80-87662-24-3 (colour) ISBN 978-80-87662-23-6 (reduced black & white version) Selection © Marie Meixnerová, 2014 Translation © Helena Fikerová, Barbora Greplová, Magda Hrabálková, Marie Meixnerová, 0LFKDHODâWDɣRYi &RYHU5DGLP0ČVtF PAF, z.s. and Link Editions, 2019 The print-on-demand version is printed and distributed by: Lulu.com www.lulu.com ISBN 978-80-87662-24-3 #mm Net Art—Internet Art in the Virtual and Physical Space of Its Presentation Internet art (Net art) is perceived as an important area of contemporary art that has become the subject of scholarly interest. In the course of its more WKDQWZHQW\¿YH\HDUKLVWRU\LWKDVFKDQJHGFRQVLGHUDEO\DQGWKHYDULRXV approaches of theoreticians, critics and authors towards Internet art have DOVRGHYHORSHG7KLVHQVXUHVWKDWDGH¿QLWHDQVZHUWRWKHTXHVWLRQÄ:KDWLV Net art?“ is impossible. Does Net art represent immaterial art that can only be displayed in the online environment? Does its name refer to the medium it uses, such as Video art or /DQGDUW GH¿QLWLRQE\PHGLXP ",VLWWKHDUWRIÄ1HWL]HQV³WKHLQKDELWDQWVRI WKH,QWHUQHW VRFLRFXOWXUDOGH¿QLWLRQ "'RHVLWFRQFHUQWKHFROOHFWLYHSURFHVV DUWZRUNVDQGVRFLDOVFXOSWXUHVPDGHHYHQEHIRUHWKHDGYHQWRIWKH:RUOG :LGH:HE"&DQZHLQFOXGHDWZHHWRUDVWHHOSLSHJDOOHU\LQVWDOODWLRQLQVSLUHG by the Internet under its heading? Is Net art synonymous with Net.art and networked art? Is it an art movement or an art form? Does Net art represent a historical period of contemporary art? This book aims to provide a starting SRLQWLQWKHVHDUFKIRUDQVZHUVWRWKHVHDQGVLPLODUTXHVWLRQVFRQFHUQLQJWKH existence of Internet art. The choice of essays in the anthology #mm Net Art—Internet Art in the Virtual and Physical Space of Its Presentation was based on my professional experience.
    [Show full text]