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Frederic Chopin's Intrduction and Polonaise Brillante, Op. 3, Pyotr I

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Frederic Chopin's Intrduction and Polonaise Brillante, Op. 3, Pyotr I Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 A Comparison of Original and Performer's Editions: Frédéric Chopin's Introduction and Polonaise Brillante, Op. 3 Pyotr Ilyich Tchaikovsky's Concerto in B-Flat Major, G. 482 Jayoung Kim Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A COMPARISON OF ORIGINAL AND PERFORMER‟S EDITIONS: FRÉDÉRIC CHOPIN‟S INTRODUCTION AND POLONAISE BRILLANTE, OP. 3 PYOTR ILYICH TCHAIKOVSKY‟S VARIATIONS ON A ROCOCO THEME, OP. 33 LUIGI BOCCHERINI‟S CONCERTO IN B-FLAT MAJOR, G. 482 By JAYOUNG KIM A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2010 The members of the committee approve the treatise of Jayoung Kim defended on July 2, 2010. __________________________________ Gregory Sauer Professor Directing Treatise __________________________________ Evan Jones University Representative __________________________________ Pamela Ryan Committee Member The Graduate School has verified and approved the above-named committee members. ii ACKNOWLEDGEMENTS I am deeply indebted to Gregory Sauer, my major professor, not only for his advice and support for this treatise, but for his help in every aspect of my professional development. I am particularly thankful to the members of my committee, Dr. Evan Jones and Dr. Pamela Ryan for their invaluable assistance during the course of this project. I express my sincere appreciation to Katherine Geeseman, who offered valuable comments and tremendous help in editing the work. Also, I would like to express my heartfelt thanks to my dearest and trusted friend, Rang Hee Kim whose encouraging and persistent support has brought out the best in all of my endeavors. And last, but certainly not least, I would like to thank my parents, for without their love and support none of this would have been possible. iii TABLE OF CONTENTS LIST OF TABLES ........................................................................................................................ v LIST OF MUSICAL EXAMPLES ............................................................................................. vi ABSTRACT....... ............................................................................................................................ x INTRODUCTION..........................................................................................................................1 1. CHOPIN’S INTRODUCTION AND POLONAISE BRILLANTE, OP. 3 Background ......................................................................................................................3 Biography .........................................................................................................................5 Frédéric Chopin ...................................................................................................5 Emanuel Feuermann ............................................................................................7 Maurice Gendron .................................................................................................8 Comparison ......................................................................................................................9 2. TCHAIKOVSKY’S VARIATIONS ON A ROCOCO THEME, OP. 33 Background ....................................................................................................................34 Biography .......................................................................................................................36 Pyotr Ilyich Tchaikovsky ...................................................................................36 Wilhelm Fitzenhagen .........................................................................................38 Comparison ....................................................................................................................39 3. BOCCHERINI’S CONCERTO IN B-FLAT MAJOR, G. 482 Background ....................................................................................................................53 Biography .......................................................................................................................54 Luigi Boccherini ................................................................................................54 Friedrich Wilhelm Grützmacher ........................................................................55 Comparison ....................................................................................................................56 CONCLUSION ...........................................................................................................................79 BIBLIOGRAPHY .......................................................................................................................80 BIOGRAPHICAL SKETCH .....................................................................................................84 iv LIST OF TABLES Table 1-1: The structure of the polonaise ............................................................... 14 Table 1-2: The structure of Section C ..................................................................... 20 Table 2-1: The order of variations in the original and Fitzenhagen‟s editions ....... 39 Table 2-2: The dynamic differences in variation II ................................................ 44 Table 3-1: The structure of the first movement ...................................................... 56 Table 3-2: The structure of the third movement in the original edition .................. 68 Table 3-3: The structure of the third movement in Grützmacher‟s edition ............ 68 v LIST OF MUSICAL EXAMPLES Example 1.1: Gendron‟s edition, mm. 1-8 .............................................................. 10 Example 1.2: The original and Gendron‟s editions, m. 24 ..................................... 10 Example 1.3: The original and Gendron‟s editions, mm. 25-30 ............................. 11 Example 1.4: The original and Gendron‟s editions, mm. 31-32 ............................. 11 Example 1.5: The original and Gendron‟s editions, mm. 33-36 ............................. 12 Example 1.6: The original, Feuermann‟s, and Gendron‟s editions, cadenzas ........ 13 Example 1.7: Polonaise rhythm .............................................................................. 14 Example 1.8: The original, Feuermann‟s, and Gendron‟s editions, mm. 49-54 ..... 15 Example 1.9: The original and Feuermann‟s editions, mm. 65-70 ......................... 16 Example 1.10: The original and Feuermann‟s editions, mm. 72-75 ....................... 17 Example 1.11: Gendron‟s edition, mm. 68-71 ........................................................ 17 Example 1.12: Gendron‟s edition, mm. 72-76 ........................................................ 18 Example 1.13: The original and Gendron‟s editions, mm. 76-81 ........................... 19 Example 1.14: Gendron‟s edition, mm. 80-87 ........................................................ 20 Example 1.15: The original edition, mm. 112-113, Gendron‟s edition, mm. 104-105 .................................................... 21 Example 1.16: The original and Feuermann‟s editions, mm. 113-122 ................... 22 Example 1.17: Gendron‟s edition, mm. 111-114 .................................................... 23 Example 1.18: The original and Feuermann‟s editions, mm. 123-126, Gendron‟s edition, mm. 115-118 .................................................... 23 Example 1.19: The original and Feuermann‟s editions, mm. 126-134 ................... 24 Example 1.20: Gendron‟s edition, mm. 119-126 .................................................... 25 vi Example 1.21: The original edition, mm. 147-148, Gendron‟s edition mm. 139-140 ..................................................... 25 Example 1.22: The original edition, mm. 182-185 ................................................. 26 Example 1.23: Feuermann‟s edition, mm. 176-182 ................................................ 26 Example 1.24: Gendron‟s edition, mm. 163-168 .................................................... 27 Example 1.25: The original edition, mm.185-186, Gendron‟s edition, mm. 169-170 .................................................... 27 Example 1.26: Feuermann‟s edition, mm. 185-186, 203-204 ................................ 28 Example 1.27: The original and Feuermann‟s editions, mm. 215-216 ................... 28 Example 1.28: The original edition, mm. 218-222, Feuermann‟s edition, mm. 216-221 ................................................ 29 Example 1.29: The original edition, mm. 223-231, Feuermann‟s edition, mm. 225-231 ................................................ 30 Example 1.30: Gendron‟s edition, mm. 171-174 .................................................... 31 Example 1.31: Gendron‟s edition, mm. 178-184 .................................................... 31 Example 1.32: Gendron‟s edition, mm. 184-197 .................................................... 32 Example 2.1: The original edition, mm. 184-186 ................................................... 41 Example 2.2: Fitzenhagen‟s edition, Thema ........................................................... 42 Example 2.3: The original and Fitzenhagen‟s editions, mm. 54-61 ....................... 43 Example 2.4: The original edition, var. III, Fitzenhagen‟s edition, var. VI ..........
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