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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
Finding Neverland
BARRIE AND THE BOYS 0. BARRIE AND THE BOYS - Story Preface 1. J.M. BARRIE - EARLY LIFE 2. MARY ANSELL BARRIE 3. SYLVIA LLEWELYN DAVIES 4. PETER PAN IS BORN 5. OPENING NIGHT 6. TRAGEDY STRIKES 7. BARRIE AND THE BOYS 8. CHARLES FROHMAN 9. SCENES FROM LIFE 10. THE REST OF THE STORY Barrie and the Llewelyn-Davies boys visited Scourie Lodge, Sutherland—in northwestern Scotland—during August of 1911. In this group image we see Barrie with four of the boys together with their hostess. In the back row: George Llewelyn Davies (age 18), the Duchess of Sutherland and Peter Llewelyn Davies (age 14). In the front row: Nico Llewelyn Davies (age 7), J. M. Barrie (age 51) and Michael Llewelyn Davies (age 11). Online via Andrew Birkin and his J.M. Barrie website. After their mother's death, the five Llewelyn-Davies boys were alone. Who would take them in? Be a parent to them? Provide for their financial needs? Neither side of the family was really able to help. In 1976, Nico recalled the relief with which his uncles and aunts greeted Barrie's offer of assistance: ...none of them [the children's uncles and aunts] could really do anything approaching the amount that this little Scots wizard could do round the corner. He'd got more money than any of us and he's an awfully nice little man. He's a kind man. They all liked him a good deal. And he quite clearly had adored both my father and mother and was very fond of us boys. -
Published Version
PUBLISHED VERSION Maggie Tonkin From 'Peter Panic' to proto-modernism: the case of J.M. Barrie Changing the Victorian Subject, 2014 / Tonkin, M., Treagus, M., Seys, M., Crozier De Rosa, S. (ed./s), pp.259-281 © 2014 The Contributors This work is licenced under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc-nd/4.0 or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for the copying, distribution, display and performance of this work for non-commercial purposes providing the work is clearly attributed to the copyright holders. Address all inquiries to the Director at the above address. PERMISSIONS http://creativecommons.org/licenses/by-nc-nd/4.0/ http://hdl.handle.net/2440/84284 13 From ‘Peter Panic’ to proto-Modernism: the case of J.M. Barrie Maggie Tonkin The author may be dead as far as Roland Barthes is concerned, but the news is yet to hit the street. Probably nothing speaks more loudly of the gap between academic literary criticism and the culture of reading outside the academy than the latter’s continuing obsession with the author. Barthes’s claim that the author is neither the originator nor the final determiner of textual meaning has assumed the status of orthodoxy in scholarly poetics. Whilst the early austerity has faded somewhat, such that discussion of the historical specificity of the author is no longer scorned in literary studies, the Romantic privileging of the author as the ‘fully intentional, fully sentient source of the literary text, as authority for and limitation on the “proliferating” meanings of the text’, as Andrew Bennett puts it (55), has never regained its former currency. -
Quarterly 2 · 2009
cover_GFQ_2_2009_neu_lila.qxp 29.04.2009 14:23 Uhr Seite 1 German Films Quarterly 2 · 2009 ADDRESSING THE ISSUES The German Producers Alliance A TENDANCY FOR EXTREME CONDITIONS Florian Gallenberger CREATING SOMETHING MAGIC Maria von Heland CINEMATIC DIVERSITY Film1 NEW FACETS OF A NICE LAD Kostja Ullmann GFQ_U2_Inh1.qxp 28.04.2009 19:35 Uhr Seite 1 In Competition ANTICHRIST by Lars von Trier German Co-Producer: Zentropa International/Cologne World Sales: TrustNordisk/Hvidovre In Competition INGLOURIOUS BASTERDS by Quentin Tarantino German Co-Producer: Studio Babelsberg/Potsdam World Sales: Universal Pictures International/Los Angeles In Competition THE WHITE RIBBON by Michael Haneke German Producer: X Filme Creative Pool/Berlin World Sales: Les Films du Losange/Paris Un Certain Regard EYES WIDE OPEN by Haim Tabakman German Co-Producer: Riva Film/Hamburg World Sales: Films Distribution/Paris Un Certain Regard FATHER OF MY CHILDREN by Mia Hansen-Løve German Co-Producer: 27 Films Production/Berlin World Sales: Les Films du Losange/Paris Un Certain Regard INDEPENDENCE by Raya Martin German Co-Producer: Razor Film/Berlin World Sales: Memento Films International/Paris Un Certain Regard THE WIND JOURNEYS by Ciro Guerra German Co-Producer: Razor Film/Berlin World Sales: Elle Driver/Paris GERMAN FILMS AND CO-PRODUCTIONS 2009 of the Cannes Film Festival in the official program GFQ_U2_Inh1.qxp 28.04.2009 19:35 Uhr Seite 2 Special Screening JAFFA by Keren Yedaya German Co-Producer: Rohfilm/Berlin & Leipzig World Sales: Rezo Films International/Paris -
Presskit HELL
presents HELL Directed by Tim Fehlbaum Starring Hannah Herzsprung, Lars Eidinger, Stipe Erceg, Lisa Vicari, Angela Winkler Executive Producer Roland Emmerich Produced by Thomas Wöbke, Gabriele Walther, Caligari Film- und Fernsehproduktion in coproduction with Ruth Waldburger, Vega film and Dr. Stefan Gärtner, SevenPictures film CAST Marie Hannah Herzsprung Phillip Lars Eidinger Tom Stipe Erceg Leonie Lisa Vicari The Farmer Angela Winkler CREW Director Tim Fehlbaum Script Tim Fehlbaum, Thomas Wöbke, Oliver Kahl Producer Thomas Wöbke, Gabriele M. Walther Executive Producer Roland Emmerich Co-Producer Ruth Waldburger Camera Markus Förderer Casting An Dorthe Braker Setdesign Heike Lange Costumes Leonie Leuenberger Editing Andreas Menn Music Lorenz Dangel TECHNICAL DETAILS Germany 2011 Running time: 90 min Format: 35mm, 1:2,35, Dolby Digital 5.1 CONTACT INTERNATIONAL PRESS Beta Cinema, Dorothee Stoewahse Tel: + 49 170 63 84 627 [email protected] CONTACT WORLD SALES Beta Cinema, Dirk Schuerhoff/Andreas Rothbauer Tel: + 49 89 67 34 69 80 Fax: + 49 89 67 34 69 888 [email protected] 2 For further information: Beta Cinema Press, Dorothee Stoewahse, Tel: + 49 89 67 34 69 15, Mobile: + 49 170 63 84 627 [email protected] , www.betacinema.com . Pictures and filmclips available on ftp.betafilm.com , username: ftppress01, password: 8uV7xG3tB SHORT SYNOPSIS It was once the source of life, light, and warmth. But now the sun has turned the entire world into baked and barren wasteland. Forests are scorched. Animal carcasses line the roads. Even the nights are dazzling bright. Marie, her little sister Leonie and Phillip are heading for the mountains in a car with covered windows. -
Phaldut Sharma Andrea Gordon
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phaldut Sharma Andrea Gordon Location: Greater London, United Kingdom Eye Colour: Brown Height: 5'7" (170 cm) Hair Colour: Black Weight: 10st. 0lb. (63.5 kg) Hair Length: Short Playing Age: 36 - 45 Voice Character: Friendly Appearance: Middle Eastern, Pakistani, Indian Voice Quality: Light Credits 2021, Television, Chief Constable Fraser, Sherwood, ITV / House, Lewis Arnold 2020, Television, TJ Weston, A Discovery of Witches, Bad Wolf / Sky 1, Jamie Donoughue 2020, Television, Ram (Series Regular), Unforgotten 4, ITV/ Mainstreet, Andy Wilson 2019, Feature Film, Moody, A Gift From Bob, Parkhouse Pictures, Charles Martin Smith 2019, Television, Sanji, Avenue 5, HBO, Armando Iannucci 2019, Television, Dr Lodge, The Accident, Channel 4, Sandra Goldbacher 2019, Television, Major Williams, The Singapore Grip, Mammoth Screen, Tom Vaughan 2018, Feature Film, Fixer, The Wedding Guest, Chisel Films, Michael Winterbottom 2018, Feature Film, The Butcher, David Copperfield, Free Range Films, Armando Iannucci 2018, Television, Tom, Hanna, Amazon/ Working Title / NBC, Various Directors 2017, Feature Film, Sanjeev, Dear Mr Vidal, Michael Hoffman 2017, Television, Chris, Back, Channel 4, Ben Palmer 2016, Stage, Sultan Mahmood, What Shadows, Birmingham Rep, Roxana Silbert 2016, Stage, Moazzam Begg / Choudhury, Another World: Losing Our Children To The Islamic State, National Theatre, Nicholas Kent 2016, Stage, AJ / Simon, Firebird, Trafalgar Studios, Ed Hall 2015, Stage, AJ/Simon, Firebird, Hampstead Theatre, Ed Hall 2015, Television, Mohamed Bangash, CUFFS, Tiger Aspect, Anthony Philipson 2014, Television, Leigh, Cucumber, Red for Channel 4, Alice Troughton 2012, Television, Umair Qassani, Hunted, BBC & HBO, Alrick Riley Television, A.J. -
Information & Bibliothek
DVD / Blu-Ray-Gesamtkatalog der Bibliothek / Catálogo Completo de DVDs e Blu-Rays da Biblioteca Abkürzungen / Abreviações: B = Buch / Roteiro; D = Darsteller / Atores; R = Regie / Diretor; UT = Untertitel / Legendas; dtsch. = deutsch / alemão; engl. = englisch / inglês; port. = portugiesisch / português; franz. = französisch / francês; russ. = russisch / russo; span. = spanisch / espanhol; chin. = chinesisch / chinês; jap. = japanisch / japonês; mehrsprach. = mehrsprachig / plurilingüe; M = Musiker / M úsico; Dir. = Dirigent / Regente; Inter. = Interprete / Intérprete; EST = Einheitssachtitel / Título Original; Zwischent. = Zwischentitel / Entretítulos ● = Audio + Untertitel deutsch / áudio e legendas em alemão Periodika / Periódicos ------------------------------- 05 Kub KuBus. - Bonn: Inter Nationes ● 68. Film 1: Eine Frage des Vertrauens - Die Auflösung des Deutschen Bundestags. Film 2: Stelen im Herzen Berlins - Das Denkmal für die ermordeten Juden Europas. - 2005. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus , 68) ● 69: Film 1: Im Vorwärtsgang - Frauenfußball in Deutschland. Film 2: Faktor X - Die Fraunhofer-Gesellschaft und die digitale Zukunft. - 2005.- DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 69) ● 70. Film 1: Wie deutsch darf man singen? Film 2: Traumberuf Dirigentin. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 70) ● 71. Film 1: Der Maler Jörg Immendorff. Film 2: Der junge deutsche Jazz. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 71) ● 72. Film 1: Die Kunst des Bierbrauens. Film 2: Fortschritt unter der Karosserie. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. -
Quarterly 4 · 2004
German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian -
Clothes, Linens and Washing-Lines in Film and Practice Steele
Bangor University DOCTOR OF PHILOSOPHY Reading Between the Lines: Clothes, Linens and Washing-Lines in Film and Practice Steele, Jennifer Award date: 2017 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Declaration and Consent Details of the Work I hereby agree to deposit the following item in the digital repository maintained by Bangor University and/or in any other repository authorized for use by Bangor University. Author Name: Jennifer Steele Title: Reading Between the Lines: Clothes, Linens and Washing-Lines in Film and Practice Supervisor/Department: Nathan Abrams, School of Creative Studies and Media Funding body (if any): None Qualification/Degree obtained: PhD This item is a product of my own research endeavours and is covered by the agreement below in which the item is referred to as “the Work”.