Philanthropy Report 2011-12
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Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
Family Histories from the Banda Traditional Area, Brong-Ahafo
Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana 1986 Recorded by: Ann Stahl, Assistant Professor Department of Anthropology State University of New York, Binghamton Binghamton, NY USA Translated by: James Anane, Project Director Nafaanra Literacy Project Banda-Ahenkro Brong-Ahafo Region, Ghana First Circulated 1989 Reissued with Photos & Additional Histories 2011 DEDICATION This collection is dedicated to the elderly people and Elders of Banda -- those remarkable men and women who are repositories of stories about the past. The people of Banda have in their midst individuals who are exceptional sources of information about the history of the Banda peoples. Most of these people are elderly, and it is hoped that the younger generations of Banda will pause to listen, to take notice and remember the traditons of previous generations. i A Note on 2011 Reissue of “Family Histories from the Banda Traditional Area” Most of the family histories in this volume were first circulated in a typescript booklet produced in 1989 based on interviews conducted as part of a family history project conducted with the research assistance of Mr. James Anane in 1986. The archaeological project that followed our family history research has now spanned more than two decades. While in Banda conducting archaeological research in 2009, I was asked by individuals in the community if it would be possible to reissue the family history booklet because the original printing had limited circulation and many of the original copies lost or misplaced. Over the years while pursuing archaeological research, additional families had requested that their family histories be included if a revised version of the booklet was ever produced. -
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa. -
Din to the Akan Naming Ceremony
“Odenkyem da nsuo mu nso ohome mframa” “The Crocodile lives in water, but breathes air not water” (know your identity, know your function) Din To The Akan Naming Ceremony The name is an essential component of the spiritual anatomy of the Afurakani/Afuraitkaitnit (African) person. It confirms identity. Thus, from time immemorial Afurakanu/Afuraitkaitnut (Africans) have taught, with respect to the sacredness of the name, "Truly, without a name the Afurakani/Afuraitkaitnit (African) human does not exist." The name is a group of sounds---sounds/vibrations grouped together in a unique way. Power from the sounds/vibrations of a properly given name moves throughout the spirit of the Afurakani/Afuraitkaitnit (African) person when heard or spoken. The spirit responds to this power, stirring within the person an awareness of their unique purpose in life and of the potential they possess to carry out that purpose. As the purpose of one's life is given to him or her by The Supreme Being before birth, we recognize our unique purpose, our destiny in Creation, to be a divine purpose, a divine destiny. We define our purpose, our destiny, as the divine function we are to execute in this world. Thus the name, the power-carrying indicator of our divine function, has always been and continues to be most sacred to us. When heard or spoken, it aligns us with our Divine nature. It is within this context that the naming ceremonies of Afurakani/Afuraitkaitnit (African) people must be viewed. The din to (naming ceremony) of the Akan people of West Afuraka/Afuraitkait (Africa) is expressive of these principles. -
Working the Democracy: the Long Fight for the Ballot from Ida to Stacey
Social Education 84(4), p. 214–218 ©2020 National Council for the Social Studies Working the Democracy: The Long Fight for the Ballot from Ida to Stacey Jennifer Sdunzik and Chrystal S. Johnson After a 72-year struggle, the Nineteenth Amendment to the U.S. Constitution granted whose interests should be represented, American women the right to vote in 1920. Coupled with the Fifteenth Amendment, and ultimately what policies will be which extended voting rights to African American men, the ratification of the implemented at the local and national Nineteenth Amendment transformed the power and potency of the American electorate. levels. At a quick glance, childhoods par- Yet for those on the periphery—be Given the dearth of Black women’s tially spent in Mississippi might be the they people of color, women, the poor, voices in the historical memory of the only common denominator of these two and working class—the quest to exer- long civil rights struggle, we explore the women, as they were born in drastically cise civic rights through the ballot box stories of two African American women different times and seemed to fight dras- has remained contested to this day. In who harnessed the discourse of democ- tically different battles. Whereas Wells- the late nineteenth century and into the racy and patriotism to argue for equality Barnett is best known for her crusade twentieth, white fear of a new electorate and justice. Both women formed coali- against lynchings in the South and her of formerly enslaved Black men spurred tions that challenged the patriarchal work in documenting the racial vio- public officials to implement policies boundaries limiting who can be elected, lence of the 1890s in publications such that essentially nullified the Fifteenth as Southern Horrors and A Red Record,1 Amendment for African Americans in she was also instrumental in paving the the South. -
Directory of Church Members
CENTRAL BUSINESS SCHOOL BACHELOR OF SCIENCE IN AGRIBUSINESS MANAGEMENT AFFUL, DESMOND ANTO-DUAH, JOSEPH ANTWI, PRINCE BAAPEGNE, ALFRED BROBBEY, ELISHA COLE, ADELAIDE YEBOAH DANQUAH, JAMES DWOMMOH-MENSAH, HENDRICK EYISON, PATRICK GARIBA, NANA AYISHA KEDADOR, GIDEON KONLAN, ABRAHAM BIMIIB KYEI, SMITH NKOKOLO MASSAMBA, ANGELTY OBENG-AGYEI, MICHAEL OGAR, MARY OCHUOLE CENTRAL BUSINESS SCHOOL BACHELOR OF SCIENCE IN AGRIBUSINESS MANAGEMENT (WEEKEND) ARHIN , JOHN ARTHUR, MARK RAYMOND FIAGBOR, MABEL KUUDAAR, EUNICE NII-OBLIE OKAI, SAMUEL CENTRAL BUSINESS SCHOOL BACHELOR OF SCIENCE IN BANKING AND FINANCE ABDULAI, RASHIDA ASAMOAH-TOPEN, LOIS SAFOA ADAMS, EMMA ASANTE, PRINCE ADDAI, CHARLOTTE DZIFA ASANTE-BOAMAH, LISA ADDO, DELIGHT YAYRA ASIAMAH, CHARLES OBENG ALHASSAN , ABDUL GAFARU ASSEFUAH, WILFRED ALLOTEY, JENNIFER ADUKWEI ATEAH, OHEMAA AKOSUA AMANKRAH, PERPETUAL BAKU, EVELYN AMISSAH, AGNES BESSEY, BERTHA KORKOR AMPOFO, ALFRED GYAKYI BLAY, EMMA CENTRAL BUSINESS SCHOOL BACHELOR OF SCIENCE IN BANKING AND FINANCE BONNEY, MAVIS BONZUA BONSU, GLADYS OSEI DIAWUO, EMMANUELLA KYERE DOGBE, HARRIET DOMFEH, BELINDA MAAME AGYEIWAA ESHUN, FELICITY NKUMAH FRIMPONG, JERRY ASIEDU JOHN HILL, JOHN JOHN-CHUKWU, PATIENCE KOTEY, SEPHIATU NAA-DEI KUSI, CAROLINE ADUSA LARTEY, EDWARD MEBAH, JOYCELINE NEIZER, ESSUAH NIMAKO, EMELIA OSABUTEY, CANDICE LADGER OWUSU-ANTWI, KWABENA PARKINS, ADRIANA PREMPEH, EMMANUELLA KONADU QUAINOO, PIUS FIIFI QUAYSON, ISAAC ACHEAMPONG SMITH KOOMSON, BERYL TANNOR, ADWOA BOADUWAA TETTEH, EDWARD TORDMAN, EMMANUELLA CENTRAL BUSINESS SCHOOL BACHELOR -
Martin Luther King
Martin Luther King http://blog.biographyonline.net/2009/01/famous-black-people-who-changed-world.html http://www.history.com/topics/black-history/martin-luther-king-jr Nelson Mandela http://blog.biographyonline.net/2009/01/famous-black-people-who-changed-world.html http://www.history.com/topics/nelson-mandela Muhammad Ali http://blog.biographyonline.net/2009/01/famous-black-people-who-changed-world.html http://www.biography.com/people/muhammad-ali-9181165 Jackie Robinson http://www.history.com/topics/black-history/jackie-robinson https://www.historicacanada.ca/content/heritage-minutes/jackie-robinson Malcom X http://blog.biographyonline.net/2009/01/famous-black-people-who-changed-world.html http://www.history.com/topics/black-history/malcolm-x Rosa Parks http://blog.biographyonline.net/2009/01/famous-black-people-who-changed-world.html http://www.history.com/topics/black-history/rosa-parks Harriet Tubman http://womenshistory.about.com/od/harriettubman/a/tubman_slavery.html http://www.history.com/topics/black-history/harriet-tubman http://www.youtube.com/embed/nQ2Kbk4QTGU Jessie Owens https://www.biographyonline.net/sport/athletics/jesse-owens.html https://www.biography.com/people/jesse-owens-9431142 http://www.history.com/news/10-things-you-may-not-know-about-jesse-owens https://www.youtube.com/watch?v=U5DNJdVboLo Oprah Winfrey https://www.biography.com/people/oprah-winfrey-9534419 https://www.biographyonline.net/humanitarian/oprah-winfrey.html https://www.youtube.com/watch?v=Xf8i5iLCYEM Jay Z https://www.thefamouspeople.com/profiles/shawn-corey-carter-1772.php -
Brown V. Topeka Board of Education Oral History Collection at the Kansas State Historical Society
Brown v. Topeka Board of Education Oral History Collection at the Kansas State Historical Society Manuscript Collection No. 251 Audio/Visual Collection No. 13 Finding aid prepared by Letha E. Johnson This collection consists of three sets of interviews. Hallmark Cards Inc. and the Shawnee County Historical Society funded the first set of interviews. The second set of interviews was funded through grants obtained by the Kansas State Historical Society and the Brown Foundation for Educational Excellence, Equity, and Research. The final set of interviews was funded in part by the National Park Service and the Kansas Humanities Council. KANSAS STATE HISTORICAL SOCIETY Topeka, Kansas 2000 Contact Reference staff Information Library & archives division Center for Historical Research KANSAS STATE HISTORICAL SOCIETY 6425 SW 6th Av. Topeka, Kansas 66615-1099 (785) 272-8681, ext. 117 E-mail: [email protected] Web site: http://www.kshs.org ©2001 Kansas State Historical Society Brown Vs. Topeka Board of Education at the Kansas State Historical Society Last update: 19 January 2017 CONTENTS OF THIS FINDING AID 1 DESCRIPTIVE INFORMATION ...................................................................... Page 1 1.1 Repository ................................................................................................. Page 1 1.2 Title ............................................................................................................ Page 1 1.3 Dates ........................................................................................................ -
Kinship and Change in Kumasi, Ghana
Legacies: Kinship and Change in Kumasi, Ghana By Carmen Asha Nave A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Anthropology University of Toronto © Copyright Carmen Nave 2015 Legacies: Kinship and Change in Kumasi Ghana Carmen Asha Nave Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract This study situates current kinship and inheritance practices among the matrilineal Asante within an analysis of cultural and legal change. Based on 18 months of fieldwork in Kumasi, Ghana, I analyze matrilineal kinship and marriage by considering the ways in which ongoing kin relations influence inheritance decision-making in conjunction with broadly shared notions of custom or law. I critically examine a supposed schism between “traditional” and “modern” inheritance to show various points of convergence between past and present notions of inheritance and kinship. I show that people incorporate the principles of both state inheritance law and local custom in multiple ways, not just to distribute property during decision-making about inheritance, but to assign responsibility for the care of the sick or of children and to distribute the funeral debts. In contemporary Ghana, the period of inheritance decision- making is a time when profound ethical ambiguities in kinship and social relations become apparent. To understand how inheritance is changing, I argue that analysts need to discard assumptions that matrilineal kinship and marriage is inherently harmful to women as well as assumptions about the progressive nature of social change. Instead, I argue that inheritance is an emergent process that combines both general cultural knowledge and the particular knowledge of a deceased individual’s life and relationships to produce decisions that assign responsibility and reform relations that have been disrupted by death. -
The Evolution of Fat Female Characters in Contemporary American Film a Thesis Presented to the Faculty Of
Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Laura E. Pohlman April 2016 © 2016 Laura E. Pohlman. All Rights Reserved. 2 This thesis titled Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film by LAURA E. POHLMAN has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract LAURA E. POHLMAN, M.A., April 2016, Film Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film Director of Thesis: Ofer Eliaz The purpose of this thesis is to elucidate the fluid conception of fat women within contemporary American culture from the early 1970s to the present. Due to their non- normative embodiment, fat women typically face denigration and marginalization. Most mainstream film narratives reify the negative social positioning of fat women, often through assimilationist characters that resign themselves to fatphobia or otherwise compensate for their fatness. On the flipside, carnival and camp narratives foster liberatory fat characterization, as exemplified by the figure of “the unruly woman.” In his portrayal of both assimilationist and liberationist women, Divine functions as a barometer for subsequent fat characterization. Overall, this thesis critiques fat assimilation, argues for the importance of fat liberation, and projects a future where fat acceptance becomes the norm. 4 Table of Contents Page Abstract .............................................................................................................................. -
Truncation of Some Akan Personal Names
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/276087553 Truncation of SOme Akan Personal Names Article in Gema Online Journal of Language Studies · February 2015 DOI: 10.17576/GEMA-2015-1501-09 CITATION READS 1 180 1 author: Kwasi Adomako University of Education, Winneba 8 PUBLICATIONS 11 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Akan loanwords in Ga-Dangme sub-family View project All content following this page was uploaded by Kwasi Adomako on 31 May 2015. The user has requested enhancement of the downloaded file. GEMA Online® Journal of Language Studies 143 Volume 15(1), February 2015 Truncation of Some Akan Personal Names Kwasi Adomako [email protected] University of Education, Winneba, Ghana ABSTRACT This paper examines some morphophonological processes in Akan personal names with focus on the former process. The morphological processes of truncation of some indigenous personal names identified among the Akan (Asante) ethnic group of Ghana are discussed. The paper critically looks at some of these postlexical morpheme boundary processes in some Akan personal names realized in the truncated form when two personal names interact. In naming a child in a typical Akan, specifically in Asante‟s custom, a family name is given to the child in addition to his/her „God-given‟ name or day-name. We observe truncation and some phonological processes such as vowel harmony, compensatory lengthening, etc. at the morpheme boundaries in casual speech context. These morphophonological processes would be analyzed within the Optimality Theory framework where it would be claimed that there is templatic constraint that demands that the base surname minimally surfaces as disyllable irrespective of the syllable size of the base surname. -
We're All So Blessed to Live the Lives That We Do. I Realize
Photo by: Kwaku Alston “We’re all so blessed to live the lives that we do. I realize that we didn’t get here alone. So many people have helped pave this road for all of us. I would like to pay tribute and honor some of those who’ve come before and have been a Bridge to Now, all legends in entertainment and civil rights, a prestigious group of women I admire and respect. I would be so happy if you could join me in honoring and celebrating them.” —Oprah Dr. Dorothy Height, civil rights activist Yolanda Adams, singer Iman, model Diana Ross, singer Debbie Allen, actress-dancer Janet Jackson, singer Valerie Simpson, singer-composer Dr. Maya Angelou, author Judith Jamison, dancer-choreographer Naomi Sims, model Ashanti, singer Beverly Johnson, model Anna Deavere Smith, Tyra Banks, model Alicia Keys, singer actress-playwright Angela Bassett, actress Chaka Khan, singer Susan L. Taylor, editorial director, Essence Kathleen Battle, opera singer Coretta Scott King, civil rights activist Tina Turner, singer Halle Berry, actress Gayle King, editor at large, Cicely Tyson, actress Mary J. Blige, singer O, The Oprah Magazine Dionne Warwick, singer Shirley Caesar, singer Gladys Knight, singer Nancy Wilson, singer Naomi Campbell, model Patti LaBelle, singer Oprah Winfrey Mariah Carey, singer Darnell Martin, director-screenwriter Alfre Woodard, actress Diahann Carroll, actress-singer Audra McDonald, actress-singer The Legends Unable to Attend Elizabeth Catlett, artist Terry McMillan, author Melba Moore, actress-singer Katherine Dunham, Pearl Cleage, poet-playwright choreographer-dancer Brandy Norwood, actress-singer Natalie Cole, singer Aretha Franklin, singer Ruby Dee, actress Michelle Obama, community affairs executive Nikki Giovanni, poet Kimberly Elise, actress Suzan-Lori Parks, playwright Lena Horne, actress-singer Missy Elliot, rap artist Suzanne de Passe, producer-writer Toni Morrison, author Roberta Flack, singer Leontyne Price, opera singer Rosa Parks, civil rights activist Pam Grier, actress Phylicia Rashad, actress Alice Walker, author Della Reese, actress-singer.