A Guide for the Teaching and Learning of History in Australian Schools by Tony Taylor and Carmel Young
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Ned Kelly and the Kelly Gang
Ned Kelly and the Kelly Gang Use the words below to fill in the missing information. Glenrowan Inn life armour Ellen Quinn banks legend bushranger bravery unprotected outlawed surviving letter friends hanged awarded Australia’s most famous is Ned Kelly. Edward ‘Ned’ Kelly was born in Beveridge, Victoria in 1855. Ned’s mother was and his father was John ‘Red’ Kelly, an ex-convict. He was their eldest son of eight children. As a child, Ned rescued another boy from drowning. The boy’s family him a green silk sash in recognition of his . Red Kelly died when Ned was young and Ned was left to provide for the family. He worked cutting timber, breaking in horses, mustering cattle and fencing. During his teenage years, Ned got in trouble with the police. In 1878, Ned felt that his mother was put in prison wrongfully and he was being harassed by the police, so he went into the bush to hide. Together with his brother Dan and two others, Joe Byrne and Steve Hart, they became the Kelly Gang. The Gang was after killing three policemen at Stringybark Creek. This meant that they could be shot on sight by anybody at any time. For two years, the Gang robbed and avoided being captured. At the Jerilderie Bank robbery in 1879, with the help of Joe, Ned wrote a famous telling his side of the story. Many struggling small farmers of north-east Victoria felt they understood the Gang’s actions. It has been said that most of the takings from his famous bank robberies went to help his supporters, so many say Ned was an Australian Robin Hood. -
Ghosts of Ned Kelly: Peter Carey’S True History and the Myths That Haunt Us
Ghosts of Ned Kelly: Peter Carey’s True History and the myths that haunt us Marija Pericic Master of Arts School of Communication and Cultural Studies Faculty of Arts The University of Melbourne November 2011 Submitted in total fulfillment of the requirements of the degree of Master of Arts (by Thesis Only). Abstract Ned Kelly has been an emblem of Australian national identity for over 130 years. This thesis examines Peter Carey’s reimagination of the Kelly myth in True History of the Kelly Gang (2000). It considers our continued investment in Ned Kelly and what our interpretations of him reveal about Australian identity. The paper explores how Carey’s departure from the traditional Kelly reveals the underlying anxieties about Australianness and masculinity that existed at the time of the novel’s publication, a time during which Australia was reassessing its colonial history. The first chapter of the paper examines True History’s complication of cultural memory. It argues that by problematising Kelly’s Irish cultural memory, our own cultural memory of Kelly is similarly challenged. The second chapter examines Carey’s construction of Kelly’s Irishness more deeply. It argues that Carey’s Kelly is not the emblem of politicised Irishness based on resistance to imperial Britain common to Kelly narratives. Instead, he is less politically aware and also claims a transnational identity. The third chapter explores how Carey’s Kelly diverges from key aspects of the Australian heroic ideal he is used to represent: hetero-masculinity, mateship and heroic failure. Carey’s most striking divergence comes from his unsettling of gender and sexual codes. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
UQFL91 Sir J K Murray Collection
FRYER LIBRARY Manuscript Finding Aid UQFL91 Sir J K Murray Collection Size 10 boxes, 3 Albums, 2 parcels Contents Correspondence, pocket appointment diaries, scientific and technical papers, notes, transcripts of lectures, photographs and other material principally relating to Murray’s activities in Papua New Guinea Biography Sir Jack Keith Murray was born in 1889 in Brighton, Victoria. He was appointed principal of the Queensland State Agricultural College (Gatton) in 1923 and became a professor of Agriculture at the University of Queensland in 1929. He served as a colonel in the army in World War II and was commanding officer of the 25th (Darling Downs) Battalion in 1940. In September 1945 he was appointed Administrator of the Australian territories of Papua and New Guinea, after the military administration left. He retired from that position in 1952. He was appointed to the University of Queensland Senate in 1953 and died in 1980. Notes Open access The photographs in the collection were rehoused in albums in 2019 and the photographs listed at item level. See item lists under albums 1 – 3. Box 1 1 visitor’s book, 1 May 1951 to 11 April 1957 Pocket diaries for 1964, 1968, 1969, 1971, 1972 (2), 1973 (2) Burton, Rev. J.W., The pioneer: the story of Dr. George Brown, Literature and Home Organization Dept., Methodist Overseas Missions, (n.d.) Folder of correspondence From Rev. S.J. Rankin to Col. Murray. 16 Sept. 1975, re Murray’s visit to New Guinea for Independence Celebrations. N.W. Briton, Director of Queensland Agricultural College, 23 June 1976. re naming of college library building as the ’J.K. -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son. -
Australia's National Heritage
AUSTRALIA’S australia’s national heritage © Commonwealth of Australia, 2010 Published by the Australian Government Department of the Environment, Water, Heritage and the Arts ISBN: 978-1-921733-02-4 Information in this document may be copied for personal use or published for educational purposes, provided that any extracts are fully acknowledged. Heritage Division Australian Government Department of the Environment, Water, Heritage and the Arts GPO Box 787 Canberra ACT 2601 Australia Email [email protected] Phone 1800 803 772 Images used throughout are © Department of the Environment, Water, Heritage and the Arts and associated photographers unless otherwise noted. Front cover images courtesy: Botanic Gardens Trust, Joe Shemesh, Brickendon Estate, Stuart Cohen, iStockphoto Back cover: AGAD, GBRMPA, iStockphoto “Our heritage provides an enduring golden thread that binds our diverse past with our life today and the stories of tomorrow.” Anonymous Willandra Lakes Region II AUSTRALIA’S NATIONAL HERITAGE A message from the Minister Welcome to the second edition of Australia’s National Heritage celebrating the 87 special places on Australia’s National Heritage List. Australia’s heritage places are a source of great national pride. Each and every site tells a unique Australian story. These places and stories have laid the foundations of our shared national identity upon which our communities are built. The treasured places and their stories featured throughout this book represent Australia’s remarkably diverse natural environment. Places such as the Glass House Mountains and the picturesque Australian Alps. Other places celebrate Australia’s Aboriginal and Torres Strait Islander culture—the world’s oldest continuous culture on earth—through places such as the Brewarrina Fish Traps and Mount William Stone Hatchet Quarry. -
Ned Kelly's Last Words: “Ah, Well, I Suppose”
Ned Kelly’s Last Words: “Ah, Well, I Suppose” Dr. Stuart E. Dawson ∗ (Monash University) Abstract: It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. This is a key part of a prevalent Kelly mythology that has been subject to little serious critique. Yet the attribution of the phrase ‘Such is life’ to Kelly is pure fiction. Analysis of the reportage of the day reveals Kelly’s actual last words, and explains how they were transmuted by one journalist into the catchy expression quoted as fact by many historians. It shows that the image of Kelly standing tall and defiant, saying ‘Such is life’ as the rope was placed around his neck, is nothing but a highly romanticised myth. In fact, Kelly came to an ignominious, mumbling end on the scaffold, a far cry from popular legend. Keywords: Ned Kelly, Edward Kelly, Kelly Gang, Ned Kelly facts, Ned Kelly bushranger, Ned Kelly museum, Old Melbourne Gaol, famous last words. It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. 1 To television producer, Paul Terry, “the fatalistic and courageous ‘Such is life’ has become synonymous with Ned and everything he stood for”. 2 The claim has been relayed in Australian history texts and is commonly taught as fact to school children. 3 In Peter Carey’s Booker Prize-winning novel True History of the ∗ I wish to thank Sharon Hollingsworth for her valuable input and detailed discussion throughout the writing of this article, and Caroline Oxley of the Victoria Police Museum for copies of several historic documents. -
Processes of Policy Mobility in the Governance of Volcanic Risk
1 Processes of Policy Mobility in the Governance of Volcanic Risk Graeme Alexander William Sinclair Lancaster Environment Centre Lancaster University Lancaster LA1 4YQ UK Submitted 2019 This thesis is submitted for the degree of Doctor of Philosophy. 2 Statement of Declaration I hereby declare that the content of this PhD thesis is my own work except where otherwise specified by reference or acknowledgement, and has not been previously submitted for any other degree or qualification. Graeme A.W. Sinclair 3 Abstract —National and regional governments are responsible for the development of public policy for volcanic risk reduction (VRR) within their territories. However, practices vary significantly between jurisdictions. A priority of the international volcanological community is the identification and promotion of improved VRR through collaborative knowledge exchange. This project investigates the role of knowledge exchange in the development of VRR. The theories and methods of policy mobility studies are used to identify and explore how, why, where and with what effects international exchanges of knowledge have shaped this area of public policy. Analyses have been performed through the construction of narrative histories. This project details the development of social apparatus for VRR worldwide, depicted as a global policy field on three levels - the global (macro) level; the national (meso) level; and at individual volcanoes (the micro level). The narratives track the transition from a historical absence of VRR policy through the global proliferation of a reactive 'emergency management' approach, to the emergence of an alternative based on long-term planning and community empowerment that has circulated at the macro level, but struggled to translate into practice. -
Schofield R 2017.Pdf
School of Media, Culture and Creative Arts The Dissenter and Anti-authoritarian Aspects of Australian History and Character that Inform the Moral Ambiguity that Marks Australian Crime Fiction Robert James Schofield This thesis is presented for the Degree of Doctor of Philosophy of Curtin University November 2017 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. 2 CONTENTS DECLARATION 2 ABSTRACT 4 THE GRASS MUD HORSE: A NOVEL 7 Exegesis: The dissenter and anti-authoritarian aspects of Australian history and character that inform the moral ambiguity that marks Australian crime fiction 314 Chapter 1: Introduction 314 Chapter 2: Towards a definition of Noir 324 Chapter 3: Robbery Under Arms by Rolfe Boldrewood 334 Chapter 4: The Forger’s wife by John Lang 366 Chapter 5: Mark Brown’s wife by Charles de Boos 375 Chapter 6: Irralie’s Bushranger by E.W. Hornung 383 Chapter 7: Wanted by the Police by Henry Lawson 393 Chapter 8: Summary and Conclusion 401 References 405 END 409 3 ABSTRACT This thesis consists of two distinct but related parts: a creative component, the novel ‘The Grass Mud Horse’, and an exegesis. Both will attempt to answer the question: How has the moral ambiguity that marks both colonial and contemporary Australian crime fiction been informed and influenced by the dissenter and anti- authoritarian aspects of Australian history and character? Crime fiction has a long tradition in Australian culture, ensured by its Western origins as a penal colony. -
PMB Climate Change Finding
Pacific Manuscripts Bureau titles documenting Climate Change Compiled 13 January 2016 Short titles and some notes only. See PMB on-line database catalogue at http://asiapacific.anu.edu.au/pambu/catalogue/ for information sheets and detailed reel lists of documents microfilmed. The keywords used to search the PMB on-line database for this finding aid included climate, geology, flood, volcano, hurricane, cyclone, fish, whaling, temperature, rain, meteorology and weather. CLIMATE AU PMB MS 1020 Title: Journal of a survey slight by Caribou aircraft through Papua New Guinea Date(s): 1965 (Creation) Major W.G.R. Fleming Extent and medium: 1 reel; 35mm microfilm Description: Major Fleming was a member of the crew which undertook the survey flight. The entries are on a day-by-day basis describing the survey which took 17 days from Monday, 5 July to Wednesday, 21 July 1965. The survey party was to assess the suitability of certain airstrips in PNG for Caribou operations. They recorded details of local conditions, climate, terrain, local customs and the people and places encountered during the trip. They made a 'base' at Mt Hagen and travelled to many outlying areas - northwest to Green River, north to Angoram, east to Minj and south to Balimo and Wasua, visiting many other small settlements on the way. AU PMB MS 1030 Title: Personal journal of events aboard HMS Challenger Date(s): 1909 - 1910 (Creation) Charles Basil Norton Extent and medium: 1 reel; 35mm microfilm Description: Charles Basil Norton (1887-1968) was born in Worthing, Sussex. He joined the Royal Navy as a Boy 2nd Class on 13 January, 1902. -
Ned Kelly, the Aus Tralian Elizabethan Theatre Trust Unite a Fine Vigorous Actor with a Strong Imaginative Playwright
ELIZABETHAN THEATRE NEWTOWN NICHOLSON'S for TELEVISION NICHOLSON'S for RADIOGRAMS NICHOLSON'S /Of' RECORDS NICHOLSON'S fM PIANOS NICHOLSON'S fOf' INSTRUMENTS NICHOLSON'S fM SHEET MUSIC NICHOLSON'S fof' EASY TERMS NICHOLSON'S for THEATRE BOOKINGS 416 George St., Sydney. Phone BL 1641 ·rov GET THE BEST .f.T NICHOLSON'S'" The Australian Elizabethan Theatre Trust PATRON: HER MAJESTY THE QUEEN PRESIDENT ............... The Rt. Hon. Sir John Latham, G.C.M.G., Q.C. CHAIRMAN ......•.........................................................•.•.................... Dr. H. C. Coombs EXECUTIVE DIRECTOR ..............................................................•........... Hugh Hunt ADMINISTRATIVE OFFICER .............................................................. James Mills HON. SECRETARY .............................................................................. Maurice Parker STATE REPRESENTATIVES. ]xew South Wales .................................................................. Mr. C. J. A. Moses, C.B.E. ~ueensland ............................................................................................ Professor F. J. Schonell Western Australia ....................•.....................................•....•.•........... Professor F Alexander Victoria .....•....•....•....•..........•..........•....•........................................................... Mr. A. H. L. Gibson South Australia .....•....•....•....•....•....•....•....•............................................ Mr. L. C. Waterman Tasmania ····-···································································································· -
Transcript “The Jerilderie Letter” Original Letter Held by the State Library of Victoria
TRANSCRIPT “THE JERILDERIE LETTER” ORIGINAL LETTER HELD BY THE STATE LIBRARY OF VICTORIA Covering note on letterhead bearing the address "Wareena" Wangaratta: This is the document given to me by Ned Kelly when the Bank at Jerilderie was stuck-up in Feby 1879. Page 1 Dear Sir I wish to acquaint you with some of the occurrences of the present past and future. In or about the spring of 1870 the ground was very soft a hawker named Mr Gould got his waggon bogged between Greta and my mother's house on the eleven mile creek, the ground was that rotten it would bog a duck in places so Mr. Gould had abandon his waggon for fear of loosing his horses in the spewy ground. he was stopping at my Mother's awaiting finer or dryer weather Mr. McCormack and his wife. hawkers also were camped in Greta the mosquitoes were very bad which they generally are in a wet spring and to help them Page 2 Mr. Johns had a horse called Ruita Cruta although a gelding was as clever as old Wombat or any other Stallion at running horses away and taking them on his beat which was from Greta swamp to the seven mile creek consequently he enticed McCormack's horse away from Greta. Mr. Gould was up early feeding his horses heard a bell and seen McCormack horses for he knew the horse well he sent his boy to take him back to Greta. When McCormack's got the horse they came straight out to Goold and accused him of working the horse; this was false, and Goold was amazed at the idea I could not help laughing to hear Mrs.