Ned Kelly and the Kelly Gang

Total Page:16

File Type:pdf, Size:1020Kb

Ned Kelly and the Kelly Gang Ned Kelly and the Kelly Gang Use the words below to fill in the missing information. Glenrowan Inn life armour Ellen Quinn banks legend bushranger bravery unprotected outlawed surviving letter friends hanged awarded Australia’s most famous is Ned Kelly. Edward ‘Ned’ Kelly was born in Beveridge, Victoria in 1855. Ned’s mother was and his father was John ‘Red’ Kelly, an ex-convict. He was their eldest son of eight children. As a child, Ned rescued another boy from drowning. The boy’s family him a green silk sash in recognition of his . Red Kelly died when Ned was young and Ned was left to provide for the family. He worked cutting timber, breaking in horses, mustering cattle and fencing. During his teenage years, Ned got in trouble with the police. In 1878, Ned felt that his mother was put in prison wrongfully and he was being harassed by the police, so he went into the bush to hide. Together with his brother Dan and two others, Joe Byrne and Steve Hart, they became the Kelly Gang. The Gang was after killing three policemen at Stringybark Creek. This meant that they could be shot on sight by anybody at any time. For two years, the Gang robbed and avoided being captured. At the Jerilderie Bank robbery in 1879, with the help of Joe, Ned wrote a famous telling his side of the story. Many struggling small farmers of north-east Victoria felt they understood the Gang’s actions. It has been said that most of the takings from his famous bank robberies went to help his supporters, so many say Ned was an Australian Robin Hood. Then, in June 1880, some of the Kelly Gang visited a friend and shot him dead for talking to the police. The Kelly Gang was finally cornered at the . The police surrounded the pub and there was a gun battle from 27th to 28th June, 1880. The Gang wore suits of that they had made to protect themselves. Each suit was made from the thick metal parts of a farmer’s plough and weighed about 44 kilograms. Ned Kelly left the inn during the night, but returned the next morning to help his . Ned wore the green sash under his metal armour that protected him from the police for a while. Eventually, he was shot where his legs were , then the police captured him. The inn was set on fire by the police with Steve Hart, Joe Byrne (shot and killed earlier) and Dan Kelly inside. It burnt down, leaving Ned the only member of the Gang. Page 1 of 3 Ned was found guilty of murder. When he was sentenced to death, more than 30,000 people signed a petition asking for a reprieve, however, he was on 11th November 1880 at Melbourne Gaol. Newspapers reported that his famous last words were, ‘ah well, I suppose it has come to this’ or ‘such is ’. Ned refused to surrender, hated the police treating people badly, gave reasons for his crimes, wanted justice for poor settlers and was loyal to his friends. These actions have helped create the Kelly . Do you think Ned Kelly was a hero or a criminal? Explain your answer. Page 2 of 3 Answers Australia’s most famous bushranger is Ned Kelly. Edward ‘Ned’ Kelly was born in Beveridge, Victoria in 1855. Ned’s mother was Ellen Quinn and his father was John ‘Red’ Kelly, an ex- convict. He was their eldest son of eight children. As a child, Ned rescued another boy from drowning. The boy’s family awarded him a green silk sash in recognition of his bravery. Red Kelly died when Ned was young and Ned was left to provide for the family. He worked cutting timber, breaking in horses, mustering cattle and fencing. During his teenage years, Ned got in trouble with the police. In 1878, Ned felt that his mother was put in prison wrongfully and he was being harassed by the police, so he went into the bush to hide. Together with his brother Dan and two others, Joe Byrne and Steve Hart, they became the Kelly Gang. The Gang was outlawed after killing three policemen at Stringybark Creek. This meant that they could be shot on sight by anybody at any time. For two years, the Gang robbed banks and avoided being captured. At the Jerilderie Bank robbery in 1879, with the help of Joe, Ned wrote a famous letter telling his side of the story. Many struggling small farmers of north-east Victoria felt they understood the Gang’s actions. It has been said that most of the takings from his famous bank robberies went to help his supporters, so many say Ned was an Australian Robin Hood. Then, in June 1880, some of the Kelly Gang visited a friend and shot him dead for talking to the police. The Kelly Gang was finally cornered at the Glenrowan Inn. The police surrounded the pub and there was a gun battle from 27th to 28th June, 1880. The Gang wore suits of armour that they had made to protect themselves. Each suit was made from the thick metal parts of a farmer’s plough and weighed about 44 kilograms. Ned Kelly left the inn during the night, but returned the next morning to help his friends. Ned wore the green sash under his metal armour that protected him from the police for a while. Eventually, he was shot where his legs were unprotected, then the police captured him. The inn was set on fire by the police with Steve Hart, Joe Byrne (shot and killed earlier) and Dan Kelly inside. It burnt down, leaving Ned the only surviving member of the Gang. Ned was found guilty of murder. When he was sentenced to death, more than 30,000 people signed a petition asking for a reprieve, however, he was hanged on 11th November 1880 at Melbourne Gaol. Newspapers reported that his famous last words were, ‘ah well, I suppose it has come to this’ or ‘such is life’. Ned refused to surrender, hated the police treating people badly, gave reasons for his crimes, wanted justice for poor settlers and was loyal to his friends. These actions have helped create the Kelly legend. Page 3 of 3.
Recommended publications
  • Classroom Ideas Available Classroom Ideas Available
    Walker Books Classroom Ideas The Dog on the *Notes may be downloaded and printed for Tuckerbox regular classroom use only. Ph +61 2 9517 9577 Walker Books Australia Fax +61 2 9517 9997 Author: Corinne Fenton Locked Bag 22 Illustrator: Peter Gouldthorpe Newtown, N.S.W., 2042 ISBN: 9781922077462 These notes were created by Steve Spargo. ARRP: $16.95 For enquiries please contact: NZRRP: $18.99 [email protected] January 2013 Notes © 2012 Walker Books Australia Pty. Ltd. All Rights Reserved Outline: The legend that was to become The Dog on the Tuckerbox was created in the 1850s with a poem written by an author using the pen name of “Bowyang Yorke”. The poem was later amended and titled “Nine Miles from Gundagai” and was promoted as being written by Jack Moses. Its popularity spread but really caught Australians’ imaginations when it was released as a song in 1937 by Jack O’Hagan. The Dog on the Tuckerbox is the story of Australia’s early pioneers and their endeavours to open up land for white settlement. It is about the bullockies who transported supplies over makeshift trails – often encountering raised river levels or getting their wagons bogged in the muddy tracks. On these occasions, the bullocky (or teamster) would have to leave his wagon and load in search for help. The bullocky’s dog was left to guard the tuckerbox and his mas- ter’s belongings until the bullocky returned. This is a story about a dog called Lady and her devotion and loyalty to her master, a bullocky or teamster who goes by the name of Bill.
    [Show full text]
  • Heritage of the Birdsville and Strzelecki Tracks
    Department for Environment and Heritage Heritage of the Birdsville and Strzelecki Tracks Part of the Far North & Far West Region (Region 13) Historical Research Pty Ltd Adelaide in association with Austral Archaeology Pty Ltd Lyn Leader-Elliott Iris Iwanicki December 2002 Frontispiece Woolshed, Cordillo Downs Station (SHP:009) The Birdsville & Strzelecki Tracks Heritage Survey was financed by the South Australian Government (through the State Heritage Fund) and the Commonwealth of Australia (through the Australian Heritage Commission). It was carried out by heritage consultants Historical Research Pty Ltd, in association with Austral Archaeology Pty Ltd, Lyn Leader-Elliott and Iris Iwanicki between April 2001 and December 2002. The views expressed in this publication are not necessarily those of the South Australian Government or the Commonwealth of Australia and they do not accept responsibility for any advice or information in relation to this material. All recommendations are the opinions of the heritage consultants Historical Research Pty Ltd (or their subconsultants) and may not necessarily be acted upon by the State Heritage Authority or the Australian Heritage Commission. Information presented in this document may be copied for non-commercial purposes including for personal or educational uses. Reproduction for purposes other than those given above requires written permission from the South Australian Government or the Commonwealth of Australia. Requests and enquiries should be addressed to either the Manager, Heritage Branch, Department for Environment and Heritage, GPO Box 1047, Adelaide, SA, 5001, or email [email protected], or the Manager, Copyright Services, Info Access, GPO Box 1920, Canberra, ACT, 2601, or email [email protected].
    [Show full text]
  • Ghosts of Ned Kelly: Peter Carey’S True History and the Myths That Haunt Us
    Ghosts of Ned Kelly: Peter Carey’s True History and the myths that haunt us Marija Pericic Master of Arts School of Communication and Cultural Studies Faculty of Arts The University of Melbourne November 2011 Submitted in total fulfillment of the requirements of the degree of Master of Arts (by Thesis Only). Abstract Ned Kelly has been an emblem of Australian national identity for over 130 years. This thesis examines Peter Carey’s reimagination of the Kelly myth in True History of the Kelly Gang (2000). It considers our continued investment in Ned Kelly and what our interpretations of him reveal about Australian identity. The paper explores how Carey’s departure from the traditional Kelly reveals the underlying anxieties about Australianness and masculinity that existed at the time of the novel’s publication, a time during which Australia was reassessing its colonial history. The first chapter of the paper examines True History’s complication of cultural memory. It argues that by problematising Kelly’s Irish cultural memory, our own cultural memory of Kelly is similarly challenged. The second chapter examines Carey’s construction of Kelly’s Irishness more deeply. It argues that Carey’s Kelly is not the emblem of politicised Irishness based on resistance to imperial Britain common to Kelly narratives. Instead, he is less politically aware and also claims a transnational identity. The third chapter explores how Carey’s Kelly diverges from key aspects of the Australian heroic ideal he is used to represent: hetero-masculinity, mateship and heroic failure. Carey’s most striking divergence comes from his unsettling of gender and sexual codes.
    [Show full text]
  • Victorian Heritage Database Place Details - 5/10/2021 STRINGYBARK CREEK SITE
    Victorian Heritage Database place details - 5/10/2021 STRINGYBARK CREEK SITE Location: STRINGYBARK CREEK ROAD and TATONG-TOLMIE ROAD ARCHERTON, BENALLA RURAL CITY Victorian Heritage Register (VHR) Number: H2205 Listing Authority: VHR Extent of Registration: NOTICE OF REGISTRATION As Executive Director for the purpose of the Heritage Act 1995, I give notice under section 46 that the Victorian Heritage Register is amended by including the Heritage Register Number 2205 in the categories described as Heritage Place and Archaeological Place. Stringybark Creek Site Stringybark Creek Road and Tatong-Tolmie Road Archerton Benalla Rural City EXTENT 1. All of the land marked L1 on Diagram 2205 held by the Executive Director being an area of approximately 28 hectares bounded on the west by Stringybark Creek Road and to the north by the Tatong-Tolmie 1 Road and to the east by a bush track which runs more or less parallel to Stringybark Creek and to the south by the 800 m contour line and being part of Crown Allotment 38A, Parish of Toombullup. Dated 7 September 2009 JimGard'ner Acting Executive Director [Victoria Government Gazette G 37 10 September 2009 2398] Statement of Significance: Stringybark Creek was the location where three police officers were shot and killed by Ned Kelly on 26 October 1878. Following the deaths of the Mansfield police officers Lonigan, Scanlan and Kennedy, the Kelly Gang became the most wanted outlaws in Australia in the late 19th century. The shootings at Stringybark Creek precipitated the events of the Kelly Outbreak, which reached a climax at Glenrowan in June 1880.
    [Show full text]
  • Stgd/Ned Kelly A4 . March
    NED KELLY Study Guide by Robert Lewis and Geraldine Carrodus ED KELLY IS A RE-TELLING OF THE WELL-KNOWN STORY OF THE LAST AUSTRALIAN OUTLAW. BASED ON THE NOVEL OUR SUNSHINE BY ROBERT DREWE, THE FILM REPRESENTS ANOTHER CHAPTER IN NAUSTRALIA’S CONTINUING FASCINATION WITH THE ‘HERO’ OF GLENROWAN. The fi lm explores a range of themes The criminals are at large and are armed including justice, oppression, relation- and dangerous. People are encouraged ships, trust and betrayal, family loyalty, not to resist the criminals if they see the meaning of heroism and the nature them, but to report their whereabouts of guilt and innocence. It also offers an immediately to the nearest police sta- interesting perspective on the social tion. structure of rural Victoria in the nine- teenth century, and the ways in which • What are your reactions to this traditional Irish/English tensions and four police was searching for the known story? hatreds were played out in the Austral- criminals. The police were ambushed by • Who has your sympathy? ian colonies. the criminals and shot down when they • Why do you react in this way? tried to resist. Ned Kelly has the potential to be a very This ‘news flash’ is based on a real valuable resource for students of History, The three murdered police have all left event—the ambush of a party of four English, Australian Studies, Media and wives and children behind. policemen by the Kelly gang in 1878, at Film Studies, and Religious Education. Stringybark Creek. Ned Kelly killed three The gang was wanted for a previous of the police, while a fourth escaped.
    [Show full text]
  • Sidney Nolan's Ned Kelly
    Sidney Nolan's Ned Kelly The Ned Kelly paintings in the National Gallery of Australia With essays by Murray Bail and Andrew Sayers City Gallery_JWELLINGTON australia Te \Vliare Toi ■ national gallery of 7 © National Gallery of Australia 2002 Cataloguing-in-publication data This publication accompanies the exhibition Copyright of texts remains SIDNEY NOLAN'S NED KELLY SERIES with the authors Nolan, Sidney, Sir, 1917-1992. City Gallery Wellington, New Zealand Sidney Nolan's Ned Kelly: the Ned Kelly 22 February-19 May 2002 All rights reserved. No part of this publication paintings in the National Gallery of Australia. Part of the New Zealand Festival 2002 may be reproduced or transmitted in any form or by any means, electronic or Bibliography. mechanical, including photocopying, ISBN O 642 54195 7. Presented by recording or any information storage and retrieval system, without permission 1. Kelly, Ned, 1855-1880 - Portraits - Exhibitions. in writing from the publisher. 2. Nolan, Sidney, Sir, 1917-1992 - Exhibitions. EllERNST & YOUNG 3. National Gallery of Australia - Exhibitions. Co-published by the 4. Painting, Modern - 20th century - National Gallery of Australia, Canberra Australia - Exhibitions. 5. Painting, RUSSELL M�VEAGH and City Gallery Wellington, New Zealand Australian - 20th century - Exhibitions. I. Bail, Murray, 1941- . II. Sayers, Andrew. Produced by the Publications Department III. National Gallery of Australia. IV. Title. of the National Gallery of Australia Tele�erm NEW ZEALAND Designer Kirsty Morrison 759.994 Editor Karen
    [Show full text]
  • Peter Carey's Ned Kelly 1855-1880
    CHAPTER FIVE AN OUTLAW IN FICTIONAL BIOGRAPHY: PETER CAREY’S NED KELLY 1855-1880 Strength of voice and clarity of context Peter Carey’s True History of the Kelly Gang is an outspoken book. The strength of its feeling comes from the way in which Carey draws the reader into the world of a Catholic Irish family in a Protestant, rural area of Victorian Australia by means of a totally credible rendering of the voice of Ned Kelly (1855-1880). Full account is given of the historical and cultural background of the ‘Kelly Rebellion’. Carey tells the story of an individual; but, as the title indicates, the focus is not just on one man. The first-person narrative tells how the Kelly Gang came into being as a social phenomenon, how the men were pushed so far that they outlawed themselves and came together behind Kelly’s name, with a degree of support from their families and the wider community, and then depicts their own horror-laden realization that there was probably no way back into society after that decision. The importance of the value of truth in the narrative is indicated by the inclusion of ‘true’ in the title. Carey convinces because he portrays Kelly in a series of classic tropes (that of Oedipus, the peon farmer who will be oppressed no longer, the virgin lover, and the rebel leader).1 These tropes are timeless and are present in the myths of most cultures in one form or another: they are constantly referred to in films and in popular literature.
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • THOTKG Production Notes Final REVISED FINAL
    SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son.
    [Show full text]
  • Australia's National Heritage
    AUSTRALIA’S australia’s national heritage © Commonwealth of Australia, 2010 Published by the Australian Government Department of the Environment, Water, Heritage and the Arts ISBN: 978-1-921733-02-4 Information in this document may be copied for personal use or published for educational purposes, provided that any extracts are fully acknowledged. Heritage Division Australian Government Department of the Environment, Water, Heritage and the Arts GPO Box 787 Canberra ACT 2601 Australia Email [email protected] Phone 1800 803 772 Images used throughout are © Department of the Environment, Water, Heritage and the Arts and associated photographers unless otherwise noted. Front cover images courtesy: Botanic Gardens Trust, Joe Shemesh, Brickendon Estate, Stuart Cohen, iStockphoto Back cover: AGAD, GBRMPA, iStockphoto “Our heritage provides an enduring golden thread that binds our diverse past with our life today and the stories of tomorrow.” Anonymous Willandra Lakes Region II AUSTRALIA’S NATIONAL HERITAGE A message from the Minister Welcome to the second edition of Australia’s National Heritage celebrating the 87 special places on Australia’s National Heritage List. Australia’s heritage places are a source of great national pride. Each and every site tells a unique Australian story. These places and stories have laid the foundations of our shared national identity upon which our communities are built. The treasured places and their stories featured throughout this book represent Australia’s remarkably diverse natural environment. Places such as the Glass House Mountains and the picturesque Australian Alps. Other places celebrate Australia’s Aboriginal and Torres Strait Islander culture—the world’s oldest continuous culture on earth—through places such as the Brewarrina Fish Traps and Mount William Stone Hatchet Quarry.
    [Show full text]
  • Ned Kelly's Eyes
    EnterText 7.2 CLIFF FORSHAW Ned Kelly’s Eyes i. Image That’s him, that awkward shadow, that black, that’s Ned. He’s painted out as if already dead. Sometimes, it’s just a blank, that slit for eyes. You look right through the man to clear blue skies. Sometimes, that void’s red-tinged with fire or dawn: the burbling billy-can, the day’s first yawn. Sometimes, the clouds in that gash blush with dusk: sky buries its burning cheek down in the dust. Sometimes, there’s a flash of silver, say sardines: that peeled-back strip you’ve keyed along the tin. He has no eyes in the back of his head, of course. Sometimes, he rides away (Black gun. Black horse.) into another picture. What’s forged by smith from black’s still fire-lit then, and riding into myth. ii. Poster Boy You’ve seen those Sidney Nolan paintings? Gawky uniforms riding shotgun through red or ochre. Bush. In the gums, a bucketed head: Ned’s helmet, that famous, awkward square of black. Wild whites, eyes dotted, peepers trapped in its narrow slit. I heard he did the first while on the run: AWOL. Lying low. Military Police. Cliff Forshaw: Ned Kelly’s Eyes 54 EnterText 7.2 Those wartime letters, the Captain’s uncracked morse obliterating words and where you are. Seems like the censor’s ink has blacked Ned’s face or cut it out to hang on a WANTED poster. It grows a beard while registers ping rewards, show cash racked up in magnitudes of zeroes: the price above that head dolorous with silver haloes.
    [Show full text]
  • Twenty One Australian Bushrangers and Their Irish Connections
    TWENTY ONE AUSTRALIAN BUSHRANGERS AND THEIR IRISH CONNECTIONS FATHER–JAMES KENNIFF FROM IRELAND–CAME FREE TO NSW. AFTER ONE BOOK WRITTEN ON PATRICK AND JAMES HARRY POWER CALLED (JNR) WERE CONVICTED FATHER – THOMAS SCOTT OF CATTLE STEALING AN ANGLICAN CLERGYMAN ALL THE FAMILY MOVED CAPTAIN MOONLITE FROM RATHFRILAND IN CO. THE BUSHRANGER TO QUEENSLAND BUT (1842-1880) DOWN WHERE ANDREW HARRY POWER THE BROTHERS WERE MARTIN CASH ANDREW GEORGE SCOTT WAS BORN. HARRY POWER TUTOR OF NED KELLY AGAIN CONVICTED. (1819-1891) BY PASSEY AND DEAN LATER THEY TOOK UP A MOTHER - JESSIE JEFFARIES 1991 LARGE GRAZING LEASE FROM THE SAME AREA. AT UPPER WARRIGO NEAR MARYBOROUGH IN SOUTHERN QUEELSLAND ANDREW TRAINED AS AN ENGINEER IN LONDON INSTEAD OF BECOMING A MOTHER – MARY CLERGYMAN AS HIS FATHER WISHED. THE FAMILY MOVED TO NEW (1810-1878) STAPLETON BORN NSW. PATRICK KENNIFF JAMES KENNIFF ZEALAND IN 1861, WHERE ANDREW BECAME AN OFFICER IN THE MAORI PRISON PHOTO (1863-1903) WARS AND WAS WOUNDED IN BOTH LEGS. HE WAS COURT MARSHALLED (1869-1940) BORN 1810 IN ENISCORTHY CO. WEXFORD AND GOT INTO TROUBLE IN 1828 FOR MALINGERING BUT WAS NOT CONVICTED. IN 1868 HE MOVED TO THE KENNIFF BROTHERS STARTED OFF AS CATTLE DUFFERS AND SPENT TIME FOR SHOOTING A RIVAL SUITOR AND TRANSPORTED TO NSW FOR 7 YEARS. MELBOURNE AND BEGAN HIS STUDIES FOR THE CLERGY. HE WAS SENT TO BORN HENRY JOHNSTON (JOHNSON) IN CO. WATERFORD C.1820. HE MIGRATED TO ENGLAND BUT GOT CAUGHT IN JAIL IN NSW. AFTER MOVING WITH THE REST OF THE FAMILY INCLUDING STEALING A SADDLE AND BRIDLE (SOME SAY IT WAS SHOES) AND TRANSPORTED TO VAN DIEMENS LAND FOR 7 HE WORKED OUT HIS SENTENCE BUT GOT INTO TROUBLE FOR BRANDING BROTHERS THOMAS AND JOHN TO QUEENSLAND, THEY RACED HORSES THE GOLDFIELDS BUT GOT MIXED UP IN A BANK SWINDLE AND WAS SENT TO PRISON.
    [Show full text]