The Ship 2018 – 2019
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Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
7 Aristotle on Greatness of Soul
7 Aristotle on Greatness of Soul Roger Crisp n the recent revival of interest in Aristotelian ethics, relatively little attention has been paid to the virtue of greatness of soul (megalopsuchia). This is partly Ibecause of the focus on the more structurally central concepts of Aristotle’s theory, in particular happiness (eudaimonia) and virtue (aret¯e). But in fact a study of greatness of soul can reveal important insights into the overall shape of Aristotelian ethics, including the place of external goods and luck in the virtuous life, and the significance of “the noble” (to kalon). Further, Aristotle describes the great-souled person in more detail than any other, and calls greatness of soul a “sort of crown of the virtues” (NE IV.3.1124a1–2). Many have found aspects of the portrait of the great-souled person in the Nicomachean Ethics repellent or absurd, but that is no good reason for the student of Aristotle to shy away from it. In this chapter, I shall elucidate Aristotle’s account of greatness of soul, addressing some puzzles internal to that account and bringing out its place in, and implications for, the ethics of Aristotle and of those modern writers influenced by him. Greatness of Soul as a Virtue To understand greatness of soul as an Aristotelian virtue requires first understand- ing Aristotle’s conception of virtue itself. Aristotle distinguishes virtues into two classes – intellectual virtues and virtues of character – corresponding to distinct aspects of the human soul (NE I.13). Greatness of soul is a virtue of character, though, like all such virtues, it requires its possessor to have the intellectual virtue of practical wisdom (phron¯esis; NE VI.13). -
University of Dundee a Land of Opportunity?
University of Dundee A Land of Opportunity? Brown, Keith M.; Kennedy, Allan Published in: Journal of British Studies DOI: 10.1017/jbr.2018.113 Publication date: 2018 Document Version Peer reviewed version Link to publication in Discovery Research Portal Citation for published version (APA): Brown, K. M., & Kennedy, A. (2018). A Land of Opportunity? The Assimilation of Scottish Migrants in England, 1603-c.1762. Journal of British Studies, 57(4), 709-735. https://doi.org/10.1017/jbr.2018.113 General rights Copyright and moral rights for the publications made accessible in Discovery Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from Discovery Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 Accepted Manuscript. Final version available in Journal of British Studies via DOI 10.1017/jbr.2018.113 Word Count: 10,512 Word Count (inclusive of notes): 14,272 Land of Opportunity? The Assimilation of Scottish Migrants in England, 1603-c.1762 “The noblest prospect which a Scotchman ever sees, is the high road that leads him to England” Samuel Johnson1 I. -
Información Práctica Para La Estancia En Uganda
OFICINA ECONÓMICA Y COMERCIAL DE ESPAÑA EMBAJADA NAIROBI DE ESPAÑA INFORMACIÓN PRÁCTICA PARA LA ESTANCIA EN UGANDA ANTES DE LLEGAR A UGANDA Visado Para viajar a Uganda desde España se obtiene el visado a través de la embajada de Uganda en París. No se garantiza la obtención del visado en los aeropuertos de llegada o puestos fronterizos. Los requisitos para la obtención del visado son: 1. Pasaporte o documento de viaje con una validez mínima de 6 meses. 2. Dos solicitudes originales de visado completas y firmadas. 3. Dos fotografías tamaño pasaporte. 4. Copia del billete de ida y vuelta. 5. Reserva de hotel o carta de invitación de la institución ugandesa (se imprime, se firma y se escanea en color para ser enviada por e-mail al solicitante). 6. Las tasas del visado son: a. Visado ordinario o de turismo con validez de 30 días: 120€ b. Visado múltiple con validez de 6 a 12meses: 180€ c. Visado múltiple con validez de 24 meses: 225€ El coste de tramitación del visado incluye: envío por mensajería a la Embajada de Uganda en París, pago de la tasa consular del visado, transferencia del coste del visado y coste del regreso al domicilio del solicitante. Forma de pago: giro postal inmediato en Correos a nombre del Consulado Honorario de Uganda, indicando como referencia el nombre del solicitante/empresa/ONG. El importe debe llegar antes o al mismo tiempo que la documentación. Ninguna solicitud de visado será tramitada sin haber sido pagada. Contacto embajadas Embajada de Uganda (ubicada en París) Dirección: Avenue Raymond Poincaré 13, Paris, 75116 Teléfono: 00 33 (0)1 56 90 12 20 Fax: 00 33 (0)1 45 05 21 22 E-mail: [email protected] Página web: http://www.ugandaembassyparis.net/ 1 CBA BUILDING MARA & RAGATI ROADS, UPPER HILL P.O.B. -
Edith Cowan College Registered Agents List - January 2019
Edith Cowan College Registered Agents List - January 2019 Agent Name Main Email Phone Address City State/Province Post Code Country Study Care - Tirana [email protected] Abdyl Frasheri Street Tirana 1000 Albania Bridge Blue Pty Ltd - Albania [email protected] 377 45 255 988 K2-No.6 Rruga Naim Frashëri Tiranë 1001 Albania Follow Me 4 English [email protected] 213 554 122 834 Cite 20 Aout 1955, N.59, Oued El Romane El Achour Algiers 16000 Algeria MasterWise Algeria [email protected] 213 021 27 4999 116 Boulevard Des Martyrs el Madania Algiers 16075 Algeria Latino Australia Education - Buenos Aires [email protected] 54 11 4811 8633 Riobamba 972 4-C / Capital Federal Buenos Aires 1618 Argentina CW International Education [email protected] 54 11 4801 0867 J.F. Segui 3967 Piso 6 A (1425) Buenos Aires C1057AAG Argentina Mundo Joven Travel Shop - Buenos Aires [email protected] 54 11 43143000 Marcelo T. de Alvear 818. Ciudad de Buenos Aires. (C1058AAL) Buenos Aires Argentina TEDUCAustralia - Buenos Aires [email protected] 25 de Mayo 252 2-B Vicente Lopez Provincia de Buenos Aires Buenos Aires Argentina Latino Australia Education - Mendoza [email protected] 54 261 439 0478 R. Obligado 37 - Oficina S3 Godoy Cruz Mendoza Argentina Bada Education Centre - Canberra [email protected] 61 2 6262 6969 Room 1, 175 City walk, Canberra city Canberra ACT 2601 Australia KOKOS International - Canberra [email protected] 61 2 6247 1658 Suite 1, 134 Bunda Street Canberra -
07 Abstracts Volume
AAbstractsbstracts VVolumeolume Growth, Conservation and Responsibility Promoting Good Governance and Corporate Stewardship through Impact Assessment 27th Annual Conference International Association for Impact Assessment 3-9 June 2007 COEX Convention Center Seoul, Korea - IAIA07 Abstracts Volume - Notes This document contains the abstracts for papers and posters presented at IAIA07, “Growth, Conservation and Responsibility: Promoting Good Governance and Corporate Stewardship through Impact Assessment,” the 27th annual conference of the International Association for Impact Assessment. Abstracts and updates received by IAIA online per submission and updating guidelines and with the presenting author registered in full on or before 15 March 2007 are included. Abstracts, as available, are arranged in alphabetical order by the presenting (first) author. Abstracts have been formatted for style consistency and minimally edited; otherwise, text and contact information are generally reproduced as submitted by the author(s). Full proceedings are published on CD-ROM following the conference. Authors Bruch, Carl........................................................ 44 A Bultink, Benno............................. 91, 92, 101, 102 Bunteongjit, Kannikar........................................ 55 Abate, Asferachew............................................11 Burdge, Rabel................................................... 20 Abordi, Marco....................................................17 Burke, Marshall.............................................. -
The Ship 2014/2015
A more unusual focus in your magazine this College St Anne’s year: architecture and the engineering skills that make our modern buildings possible. The start of our new building made this an obvious choice, but from there we go on to look at engineering as a career and at the failures and University of Oxford follies of megaprojects around the world. Not that we are without the usual literary content, this year even wider in range and more honoured by awards than ever. And, as always, thanks to the generosity and skills of our contributors, St Anne’s College Record a variety of content and experience that we hope will entertain, inspire – and at times maybe shock you. My thanks to the many people who made this issue possible, in particular Kate Davy, without whose support it could not happen. Hope you enjoy it – and keep the ideas coming; we need 2014 – 2015 them! - Number 104 - The Ship Annual Publication of the St Anne’s Society 2014 – 2015 The Ship St Anne’s College 2014 – 2015 Woodstock Road Oxford OX2 6HS UK The Ship +44 (0) 1865 274800 [email protected] 2014 – 2015 www.st-annes.ox.ac.uk St Anne’s College St Anne’s College Alumnae log-in area Development Office Contacts: Lost alumnae Register for the log-in area of our website Over the years the College has lost touch (available at https://www.alumniweb.ox.ac. Jules Foster with some of our alumnae. We would very uk/st-annes) to connect with other alumnae, Director of Development much like to re-establish contact, and receive our latest news and updates, and +44 (0)1865 284536 invite them back to our events and send send in your latest news and updates. -
PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
Roger Crisp While Several Excellent Books on Sidgwick Have Been
book reviews 233 Roger Crisp The Cosmos of Duty: Henry Sidgwick’s Methods of Ethics (Oxford: Oxford University Press, 2015), 234 pp. isbn: 9780198716358. Hardback: £35.00. While several excellent books on Sidgwick have been published in recent years, The Cosmos of Duty is the first comprehensive study of Sidgwick’s masterpiece, The Methods of Ethics (me). This book will obviously be of interest to Sidgwick scholars and those who do research on the history of ethics. But given the con- tinuing relevance of Sidgwick’s arguments, as well as Crisp’s fruitful engage- ment with current literature on topics such as non-naturalism, hedonism, and virtue ethics, anyone with a general interest in moral philosophy would benefit from reading this book. To alleviate problems presented by the complicated structure of the Meth- ods, Crisp adopts a thematic approach; each chapter is devoted to a topic (or topics) explored in various places throughout Sidgwick’s treatise. The book begins with a helpful elucidation of the general framework of Sidgwick’s project, including his views on metaethics, moral concepts, and the aims of philosophical ethics (Chapter 1). Crisp argues that while Sidgwick might have done better to frame the book as about ultimate principles rather than meth- ods, he was right to focus on the triad of utilitarianism, deontology, and ego- ism (pp. 21–28). One of the chief merits of the book is its detailed coverage of parts of the Methods that do not always receive adequate attention, such as Sidgwick’s discussion of free will (Chapter 2) and his accounts of virtue and the individual virtues respectively (Chapters 5 and 6). -
Download Publication
Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Press Release
PRESS RELEASE Shakespeare’s Globe announces full casting for Edward II and After Edward 18 December 2018 Shakespeare’s Globe is delighted to announce the full cast for Christopher Marlowe’s Edward II, directed by Nick Bagnall, and for Tom Stuart’s new play After Edward, directed by Brendan O’Hea. Examining ancestral relationships and notions of identity, sexuality and power, Marlowe’s Edward II sees King Edward recall his lover, Gaveston, from banishment, setting in motion a chain of events that culminate in some of the most shocking scenes in early modern theatre. Tom Stuart’s new play After Edward, written specifically for the Sam Wanamaker Playhouse in response to Edward II, sees Edward return to the stage alone, bloodied and confused. He has no idea where he is, or how he got here, but he does have an ominous feeling that something is wrong. Performed by the same cast of actors, Edward II opens in the Sam Wanamaker Playhouse on Thursday 7 February, followed by After Edward on Thursday 21 March. Tom Stuart, writer of After Edward, will play the titular role in both productions. Tom has appeared as an actor at Shakespeare’s Globe in many productions including The Broken Heart, The Changeling (2015), Romeo & Juliet (2009) and Much Ado About Nothing (2007). He performed in the Battersea Arts Centre’s production of Edward II in 2008. His screen credits include Tinker Tailor Soldier Spy, People Just Do Nothing (BBC), Psychobitches (Sky Arts), and A Good Year. Tom has been working in film, television and theatre as an actor for 14 years. -
1 INTRODUCTION Symposium on David Phillips's Sidgwickian Ethics Henry Sidgwick's the Methods of Ethics Has Many Admirers. In
1 INTRODUCTION Symposium on David Phillips’s Sidgwickian Ethics Henry Sidgwick’s The Methods of Ethics has many admirers. In the foreword to the Hackett edition of the book, John Rawls claims that of the works devoted to defending classical utilitarianism The Methods of Ethics is “the most philosophically profound.” More recently, in On What Matters, Derek Parfit states that The Methods of Ethics is the best book on ethics ever written, since it contains “the largest number of true and important claims.” Despite these accolades, there exist only a small number of attempts to systematically engage with the ethical doctrines in The Methods of Ethics, including F. H. Hayward’s The Ethical Philosophy of Sidgwick: Nine Essays, Critical and Expository, chapter six of C. D. Broad’s Five Types of Ethical Theory, and J. B. Schneewind’s Sidgwick’s Ethics and Victorian Moral Philosophy. Each of these rewards repeated study, but they are no longer current. In the nearly four decades since Schneewind’s book was written, there have been many innovations in philosophical ethics. In addition, a good number of excellent article- and chapter-length discussions of specific doctrines in Sidgwick have appeared, as has Bart Schultz’s monumental achievement, Henry Sidgwick: Eye of the Universe. An Intellectual Biography, that treats of Sidgwick’s life and entire corpus. This has for some time represented an opportunity for a new systematic book-length treatment of Sidgwick’s ethics and its relation to contemporary work in meta-ethics and normative ethics. David Phillips’s newly published Sidgwickian Ethics (2011) has exploited this opportunity.