Some Account of Parish Clerks, More Especially of the Ancient

Total Page:16

File Type:pdf, Size:1020Kb

Some Account of Parish Clerks, More Especially of the Ancient CORNELL UNIVERSITY LIBRARY ALBERT & CHARLES HULL MEMORIAL ENDOWMENT ^°'^lliii?i?lrflHRL,?LP,?riSD..,c!erka. more espe 3 1924 029 olln 343 302 Overs DATE DUE Cornell University Library The original of tinis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029343302 PARISH CLERKS. SOME ACCOUNT OF PARISH CLERKS, MORE ESPECIALLY OF THE ANCIENT FRATERNITY (BRETHERNE AND SISTERNE), OF g. NlCHOI^ftg, NOW KNOWN AS THE WORSHIPFUL COMPANY OF PARISH CLERKS. Compiled for the Company by JAMES CHRISTIE, Chaplain to the North Eastern Hospital, Tottenham, formerly Curate of S. Bartholomew, Cripplegate. privately printed, 1893. BV CT3+- /\in Mi LONDON: Printed for the Worshipful Company of Parish Cierks by JAIVIES VINCENT, Parish Clerk of St. Botolph, Aidersgate, 18, Little Britain, E.C., Printer to the Company. ic^Act'r~, 'Q3wJ-:i3v%u ci' I'^nvsVi Cje.irW^ v TO JAMES GEORGE WHITE, Esq., Deputy for the Ward of Walbrook, Parish Clerk and Organist of St. Swithin's, London Stone, MASTER, AND TO THE WARDENS AND COURT OF ASSISTANTS, OF THE PARISH CLERKS' COMPANY, this volume is dedicated by the compiler. PREFACE. This compilation was undertaken at the request of members of the Parish Clerks' Company. Its bulk is considerably greater than was at first intended, but as different items of information bearing on the subject came to hand, it was thought best to embody them in the volume so as to form a permanent record of what had been collected on this subject. What is new deals chiefly with the Charters and Ordinances of this ancient Fraternity (see with the numbers pp. 23—30) ; and rank of those who were associated with or joined the Fraternity as shewn in the old Bede Roll belonging to the Company (see pp. 30—56) ; with the property held by them before Act i. Ed. VI, seizing the property of Fraternities (see pp. 76—98 and pp. 113, 114, 120, and 121). Pages 76 to 98 shew also the difficulty which constantly cropped up when a Fraternity had no license to hold property. The later history of the Company is principally derived from the Company's Minute Books which begin in 1610. The Compiler returns his thanks to the Library Committee of the Corporation for permission to examine the records under their care, and to R. R. Sharpe, Esq., D.C.L.,, Records Clerk for his kindness in pointing out where information was to be found, and his ready help in deciphering some of the older Preface {continued). records, to the Court of the Parish Clerks' Company for their allowing ready access to the different records and gifts under their charge, and to Mr. Richard Perkins, Parish Clerk of S. Augustine and S. Faith, Sub. -Librarian of Sion College, for many helpful suggestions and for many references both as to Clerks in General and Parish Clerks in particular. As the volume is intended for members of the Company, many particulars are inserted in the latter part which are of more interest to members than to the public generally. Yet the Compiler is not without hope that this account of the Clerks may be found to possess a certain interest for others as well, and may be found of use as repertory of facts concerning Clerks and their office such as has not hitherto been available in a collected form. —. 7 CONTENTS. WHO WERE THE CLERKS? Pages. English Ordinal—Rise and Names of Minor Orders—Derivation of Clerk—Clerks in the early English Church—Order for setting apart the Minor Orders and their duties from Egbert's Pontifical —Tonsure the mark of the Clerk—Age of Admission . i — LEGISLATION AS TO CLERKS. Canon of Merida—Hincmar of Rheims—Walter of Orleans—Leo, Bishop of Rome—Married Clerks—English Canons of 1232, 1237, 1281, and 1287—Cardinal Bona on decay of Minor Orders 7—14 QUALIFICATIONS AND DUTIES OF THE CLERKS. Aqu£e-Bajulus—Knowledge Required—Vestments and Duties Maister Parish Clerks—Conducts—Application of discipline to Clerks—Duties of Clerks from Parish Records of S. Stephen, Coleman Street . 14— 18 APPOINTMENT AND PAYMENT OF PARISH CLERKS. Offerings for Parish Clerks—Theory and Practice of Appointment Institution—Notarial Instrument of Institution—Difficulties in Recovering Dues—Arrangements for Dues in S. Margaret's, Lothbury .. .. .. .. .. .. 18—23 PARISH CLERKS AS A FRATERNITY OR GUILD. Purpose, Kinds and Charters of Guilds—Probable Origin of Parish Clerks' Guild—Charter of 1442—Petition to King from ' Maister Parish Clerks '—Amended Charters of 1449 and 1475 23—30 . —— Contents {continued^. THE BEDE ROLL OF THE FRATERNITY. Description and Date of Bede Roll—Names of Kings, Princes, Nobles, Gentlemen, Bishops, Abbots and Abbesses, Priors and Prioresses, Deans, and London Priests, Heralds, City and Provincial Dignitaries —Admissions and Deaths—Honorary Titles—Bede—Bede Roll—Bidding Prayer—Analysis of Bede Roll and Names of Masters of the Fraternity 1447-1523 .. 30—56 ST. NICHOLAS, PATRON OF THE GUILD. St. Nicholas—Boy Bishop's Service—Parish Clerks at Skinner's Well and Clerkenwell—Bartle Fair—Boy Bishop's Services Forbidden and Resumed .. .. .. .. 56—65 ORDINANCES OF THE GUILD OF PARISH CLERKS, 1529. Masters' Election, Account and Charge — Wardens Election and Charge—Variance between Officers—The Dinner Day Auditors—Quarterage—Quarterly and other Assemblies Parish Clerks not Members of the Fraternity—Disobedience to Rules—Admission to Brotherhood—.\lms and Almshouses Oath on Admission to Fraternity . 65 76 THE PROPERTY OF THE FRATERNITY. Summary of Deeds from 1274 to 1472—Property in Bishopsgate—In S. Leonard, East Cheap—In S. George's, Botolph Lane Whitecross Street Property—Enfield Property—Difficulty in holding Property without License—Curious Justification of a Father after Death—Bonds on Property—Seizure of Property under i Ed. VI—Dispute and Decision—Sympathy of City Site and Description of Hall— Toulrain Smith on i Ed. VI. Appendix of Documents from Augmentation Office, . &c. 76—98 . —— Contents (continued^. WILLIAM ROPER, ESQ., AND HIS GIFT TO THE PARISH CLERKS. Account of Roper—Offer of Gift to Merchant Taylors' Company—Offer Declined, but Accepted by Parish Clerks . PARISH CLERKS AND THE FREEDOM OF THE CITY. Certain Number Admitted under Conditions—Exemptions—Refusal " of Admission (1524) —Clerks "Free" and Clerks " Forein before the Court of Aldermen—Agreement—Result of i Ed. VI.—Ordinances of 1 5 5 3—Clerks as Clerks Deprived of Freedom of City—Appendix of Extracts from City Records illustrating this Chapter .. .. .. .. .. -. 103—120 CHARTERS AND ORDINANCES SUBSEQUENT TO 1608. Ordinances of 1610 (?) — State of the Company—New Charter Expenses. 120 126 Charter of 1636—Charter and Ordinances of 1640— . — PUBLIC DUTIES IMPOSED BY THE CORPORATION. Service at the Guildhall Chapel at Election of Lord Mayor—Election of 1553—First notice of this Service—Election of 1554 Order of 1624—Clerks' expenses—Ordinances of 1640—Re- turns of Deceased Freemen—Order of 1546, of 1553, of 1555, of 1614, of 1626—Difficulty in complying with order after tire of i655—Suspensions of payment and fines—latest notice 1732. 126— 132 BILLS OF MORTALITY. Reference in Ordinances of 1553 as to these returns being made heretofore—Weekly Bills of 1528 (?) 1532 (?) 1535 and 1537— Ordinance of 1553—Order of 1555—Plague of 1563—Order to ——— Contents {continued'). Clerks as to burying ground—Alteration in form of 15 7° Christenings added 1579—Plagues of 1582 and 1592—Bill of 1603—1604 eight out-parishes added—1609 to be delivered to the Lord Mayor, &c., by eight o'clock on Thursday morning Captain Graunt on Bills of Mortality. How were the bills drawn up—Parishes subsequently added—Bills at first tempo- rary—Act of 1653—Difficulties in obtaining correct returns- Attempts to improve them 1735, 1751, 1753-55, 1758, 1789 —Agitation for more correct bills—Dr. Burrowes—Secretary of State—Bill of 18 19—Registration Committee—Bills cease 1858—The Infant Poor Act, 2nd and 7th George III Returns cease in 1844 132— 148 PARISH CLERKS AND FUNERALS. Clerks and Funeral Pageants—Rules of 1553—Divergencies on accession of Elizabeth—Stricter party prevail—Cripplegate fight over Clerks—Clerks' place taken by Christ's Hospital Boys, afterwards by Charity Children of Paiish . 148— 1 56 PARISH CLERKS ELECTION AND OTHER DINNERS. Ordinance of 1529 as to Election Dinner—Of 1553—Processions of 1554? I555i 15561 1560 and 1562—Ordinance of 1610 and 1640 —Orders as to dinners 1626 and 1789—Charter Day Dinner Church Procession and sermon—Ceased in i865 .. .. 156—165 PARISH CLERKS SINCE THE REFORMATION. Clerks Rights not interfered with—Clerks in English Prayer Book 1549 and 1662—Visitation Articles of Hooper, Grindal, Sandys, and Aylmer—Patent to appoint Parish Clerks—Whitgift's comments on it—Canon 1604—Clerks Wages in Charters 1636 and 1640—Clerk of Bishopsgate and Churchwardens—Petition to Parliament—Irish Canon 1634—Visitation Articles of Williams and Wren—Clerks' Ales—" Office " of Parish Clerks not a "Service" or "Employment"—Parish Clerks "Vest- ment"—Conflict between Temporal and Spiritual Courts Act of 1844 .. .. .. .. .. .. 165— 177 Contents {continued'). PARISH clerks' hall AFTER 1562. Broad Lane Vintry lease renewed 1628 —Carpenter, Joiner, Brick- layer and Cook—Burned to ground in l556—New Hall off Wood Street— First Meeling in Hall 1671— Fire ot 1765 ... 177—i8r TENANTS OF THE HALL, AND ALTERATIONS SUBSE- QUENT TO 1825. Tenants—Basketmakers, Fruiterers, Tinplate Workers, Porters, Stewards of Religious Societies, Fanmakers—In 1761 let for commercial purposes till 1848— Dispute as to lights in the Golden Shears or Izaak Walton—Present state of Hall ... 181— 187 PRINTING PRESS. License of 1626 for Printing Press—Successive Printers, Hodgkinson, Cotes, Cotes, Cotes, Clarke (Story of the Cophin maker), Motte, Humphreys, and Rivington 187—193 ORGAN AND PSALMODY.
Recommended publications
  • A Reappraisal of the Feast of Fools: Interaction and Reciprocity Between the Clerical and the Secular
    A Reappraisal of the Feast of Fools: Interaction and Reciprocity between the Clerical and the Secular A Reappraisal of the Feast of Fools: Interaction and Reciprocity between the Clerical and the Secular MA Thesis History: Europe 1000-1800 Thesis Supervisor: Dr. p.c.m. Peter Hoppenbrouwers Due Date: 31/08/2019 Number of Credits: 20 Number of Words: 18.513 Name: Sokratis Vekris Student Number: 2254379 Address: Vasileiou 8, 15237, Athens, Greece Telephone number: +30 6948078458 E-mail address: [email protected] 1 A Reappraisal of the Feast of Fools: Interaction and Reciprocity between the Clerical and the Secular Table of Contents 1. Introduction p. 3 - 11 2. What Counts as Feast of Fools? p. 12 - 28 2.1. Tracing the Origins p. 12 - 14 2.2. Essential Features p. 14 - 19 2.3. Regional Variations p. 19 - 23 2.4. Contemporary Perception of the “Feast of Fools” p. 24 – 28 3. Lay and Clerical Interaction p. 29 - 48 3.1. Inviting the Laity p. 29 - 37 3.2. Clerical Participation in the Parallel Lay Festivities p. 38 - 48 4. Conclusion p. 49 5. Bibliography p. 50 - 53 2 A Reappraisal of the Feast of Fools: Interaction and Reciprocity between the Clerical and the Secular Introduction At the end of the eleventh century various regions of Northern France witnessed the emergence of what is arguably the most controversial ecclesiastical liturgy in the history of Catholic Christianity: The Feast of Fools. The first surviving notice of the feast comes from a learned theologian of Paris named Joannes Belethus (1135-1182), written in the period between 1160 and 1164.
    [Show full text]
  • Vestiges of Midsummer Ritual in Motets for John the Baptist
    Early Music History (2011) Volume 30. Cambridge University Press doi:10.1017/S0261127911000027 M A A Email: [email protected] FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan festival of Midsummer, the celebration of the summer solstice. Allusions to popular solstitial practices including the lighting of bonfires and the public criticism of authority, in addition to the cultural awareness of the sun’s power on this day, conspicuously surface in these motets, particularly when viewed through the lens of the tenor. The study suggests the further obfuscation of sacred and secular poles in the motet through attentiveness to images of popular, pre-Christian rituals that survive in these polyphonic works. In the northern French village of Jumièges from the late Middle Ages to the middle of the nineteenth century, a peculiar fraternal ritual took place. Each year on the evening of the twenty-third of June, the Brotherhood of the Green Wolf chose its new chief. Arrayed in a brimless green hat in the shape of a cone, the elected master led the men to a priest and choir; Portions of this study were read at the Medieval and Renaissance Conference at the Institut für Musikwissenschaft, University of Vienna, 8–11 August 2007 and at the University of Chicago’s Medieval Workshop on 19 May 2006.
    [Show full text]
  • George Abbot 1562-1633 Archbishop of Canterbury
    English Book Owners in the Seventeenth Century: A Work in Progress Listing How much do we really know about patterns and impacts of book ownership in Britain in the seventeenth century? How well equipped are we to answer questions such as the following?: • What was a typical private library, in terms of size and content, in the seventeenth century? • How does the answer to that question vary according to occupation, social status, etc? • How does the answer vary over time? – how different are ownership patterns in the middle of the century from those of the beginning, and how different are they again at the end? Having sound answers to these questions will contribute significantly to our understanding of print culture and the history of the book more widely during this period. Our current state of knowledge is both imperfect, and fragmented. There is no directory or comprehensive reference source on seventeenth-century British book owners, although there are numerous studies of individual collectors. There are well-known names who are regularly cited in this context – Cotton, Dering, Pepys – and accepted wisdom as to collections which were particularly interesting or outstanding, but there is much in this area that deserves to be challenged. Private Libraries in Renaissance England and Books in Cambridge Inventories have developed a more comprehensive approach to a particular (academic) kind of owner, but they are largely focused on the sixteenth century. Sears Jayne, Library Catalogues of the English Renaissance, extends coverage to 1640, based on book lists found in a variety of manuscript sources. Evidence of book ownership in this period is manifested in a variety of ways, which need to be brought together if we are to develop that fuller picture.
    [Show full text]
  • 224 Book Reviews a Bibliographical Primer, Editorial Guide, and Textual
    224 Book Reviews A Bibliographical Primer, Editorial Guide, and Textual Introduction might be a more accurate (not to say verbose) title in hindsight, the reality is that ‘bibliography’ is simply not as sexy a term as ‘reading’. The book’s extensive discussion of other dramatists, with half of its illustrations gleaned from out- side the Shakespeare corpus, clearly indicates that Giddens’ subject-matter is far more than just ‘Shakespearean’ in the limited sense that a reader might intimate from the title alone. In much the same way, Lukas Erne’s Shake- speare’s Modern Collaborators (London and New York, 2008) functions as a superb primer on editorial theory and practice in general as much as it offers a persuasively argued mission statement for the continued importance of editing Shakespeare in particular. Indeed, one could easily teach a gradu- ate seminar on editing early modern drama, and not just Shakespeare, with Giddens and Erne as set texts. Neither book should be judged by its title. In conclusion, How to Read a Shakespearean Play Text is a solid but gen- tle introduction to the bibliographical and textual principles, methods, and issues most relevant to the study of early modern drama in print. It is not a substitute for the lengthier bibliographical tomes of Bowers, Greg, Gaskell, McKerrow and the like, nor does it claim to offer an exhaustive treatment of its subject. Giddens writes in an engaging, straightforward style that will not alienate a student readership (as many of the earlier handbooks may do). At the same time, the content is in no way diluted or reduced to appeal to a lay audience.
    [Show full text]
  • The Medieval European Stage, 500-1550 Edited by William Tydeman Index More Information
    Cambridge University Press 978-0-521-10084-7 - The Medieval European Stage, 500-1550 Edited by William Tydeman Index More information Index In a work of this scope it is clearly impracticable to list supplementary details for every entry. Priority has therefore been given to highlighting items of particular theatrical significance. Geographical locations adopt their present-day affiliation; dates are ad unless otherwise stated. Aalborg, Denmark 649 feintes devised for 315; Confrérie de la Aaron (Old Testament priest) 104, 571 Passion (1541) canvasses for actors and Abbeville, France, play-text bought (1452) 294 stages 288; procurator-general derides Abbots Bromley, England, Hobby Horse and performers (1542) 289, 330 Horn Dance 635–6 Adam and Eve, featured 38–9, 148, 149, 191, Aberdeen, Scotland, pre-1500 records retained 192, 193, 201, 220, 247, 360, 388, 389, 534; 207 Anglo-Norman Adam 150–1, costumes for Abele spelen [ingenious plays] 194, 489, 513; at 171–2, instructions to presenters 176, taken Arnhem 514 to Hell 174; Brussels Bliscapen cast 535; Abraham (Old Testament patriarch) 168, 172, Florence: occupy float in Festa 459; Greek 216, 220, 288, 345, 389, 391, 517, 533 Fall play 182–3; Innsbruck Easter Play: Abramo of Souzdal, Bishop (fl. 1440), on Adam sings and speaks 365; Norwich Florentine spectacles 12, 454–9 Grocers’ pageant: costumes and properties accidents, Bautzen (1413) 401; Beverley 218–19; Redentin Easter Play: both speak, (c. 1220) 181; Dunstable (c. 1100) 170–1; Adam sings 367; Zerbst: ‘naked with twigs’ Florence (1304) 430; Metz (1437) 346–7; 391 Paris (1380, 1384) 285; Seurre (1496) 303 Adam de la Halle (‘le Bossu’) (c.
    [Show full text]
  • Records Ofearfvq English Drama
    1980 :1 A newsletter published by University of Toronto Press in association with Erindale College, University of Toronto and Manchester University Press . JoAnna Dutka, editor Records ofEarfvq English Drama In this issue are Ian Lancashire's biennial bibliography of books and articles on records of drama and minstrelsy, and A .F. Johnston's list of errata and disputed readings of names in the York volumes. IAN LANCASHIRE Annotated bibliography of printed records of early British drama and minstrelsy for 1978-9 This list includes publications up to 1980 that concern records of performers and performance, but it does not notice material treating play-texts or music as such, and general or unannotated bibliographies . Works on musical, antiquarian, local, and even archaeological history figure as large here as those on theatre history . The format of this biennial bibliography is similar to that of Harrison T . Meserole's computerized Shakespeare bibliography. Literary journal titles are abbreviated as they appear in the annual MLA bibliography . My annotations are not intended to be evaluative ; they aim to abstract concisely records information or arguments and tend to be fuller for items presenting fresh evidence than for items analyzing already published records . I have tried to render faithfully the essentials of each publica- tion, but at times I will have missed the point or misstated it: for these errors I ask the indulgence of both author and user . Inevitably I will also have failed to notice some relevant publications, for interesting information is to be found in the most unlikely titles; my search could not be complete, and I was limited practically in the materials available to me up to January 1980.
    [Show full text]
  • Herefordcathedralitw 0000000
    12 13 14 15 2 1 3 16 17 18 4 5 21 20 19 6 7 8 22 1111 24 9 1010 23 OLD HEREFORDIANS’ CLUB NEWSLETTER 2011 OH News From the Development Office: President’s Report 2011 Look Forward, Look Back, Remember and Dream Another year has passed and ‘In an old, old cathedral city, there was an old, old the Old Herefordians’ Club school. In the old, old school there was an old, old staircase and up the old, old staircase the new continues to move forward Development Office lived! And it has been an eventful in a strong position first year!’ through its committee, Firstly, may Chris and I take this opportunity of thanking you contact with members and all for making us feel so welcome. We have been amazed by financially. your support and friendliness, and we both see this openness and community spirit as two of the main hallmarks of HCS. It is The OH day last year with your fantastic support that so much has been achieved fell over a particularly and accomplished. bad spell of weather In December, we opened the dedicated OH History Room which saw many of where students, staff and OH alike can see items of the day’s events being memorabilia, including a wide selection of uniforms, and cancelled. There was, photographs. Additionally, the room contains copies of HCS however a great and OH Magazines over the years and through these we have been able to archive details of people’s time at the school. Our turnout at the lunch thanks go to Chloe Gilbert (OH 2011) for her help with the and the opening of the archive this summer.
    [Show full text]
  • Third Bishop of the Diocese of Amarillo
    806-383-2243 + Fax 806-383-8452 P. O. Box 5644 + Amarillo, TX 79117-5644 Museum 806-381-9866 + Email: [email protected] THE CATHOLIC HISTORICAL SOCIETY Diocese of Amarillo 806-383-2243 + Fax 806-383-8452 P. O. Box 5644 + Amarillo, TX 79117-5644 Museum Ext. 120 or 118 Email: [email protected] NEW VOLUME ONE SPRING 2017 Third Bishop of the Diocese of Amarillo Museum... in process... Catholic Historical Society Officers/Board Members Bishop Patrick Zurek - Honorary Chair Bishop FitzSimon was born in San Antonio on Jan. 31, 1895, and Susan Garner - President/Editor was baptized in St. Mary’s church, receiving the name Laurence Julius. Msgr. Norbert Kuehler - Vice-President His parents were Dr. and Mrs. John Carmen Salamy - Secretary Thomas FitzSimon. Dr. FitzSimon, a native of Dublin, Ireland, was a Ann Weld - BoardTreasurer/Curator graduate of the Chicago school of pharmacy and of the Memphis Col- Larry Gray lege of medicine. He came to San Jim Jordan Antonio in 1890. In 1996 he moved John Jordan Jan McCoy to Castroville, where he remained Peggy Newcomb until his death in 1924. Mrs. Fitz- Rev. Tony Neuch Simon, who later in life entered the Rev. Francisco Perez Catholic Church as a convert from Rev. Scott Raef Lutheranism, was born in Ham- Sandy Riney burg, Germany. Inside: The Hereford POW’s Theodora Okelmann FitzSimon Memphis college of medicine... Bishop FitzSimon’s father is in the third Bishop’s Mother row marked with an x. Castroville, a small town in Medina County 25 miles west of San Antonio, became the residence of the FitzSimon Family in 1896.
    [Show full text]
  • Church and Community in Bristol During the Sixteenth Century
    CHURCH AND COMMUNITY IN BRISTOL DURING THE SIXTEENTH CENTURY by JOSEPH BETTEY BRISTOL RECORD SOCIETY, UNIVERSITY OF BRISTOL 1983 L ' Cl-f- 3 @ t_3NETT CA BRISTOL RECORD SOCIETY CHURCH AND COMMUNITY IN BRISTOL Hon. General Editor PROFESSOR PATRICK McGRATH DURING THE SIXTEENTH CENTURY Hon. Secretary Mr. DAVID LARGE Hon. Treasurer Miss MARY E. WILLIAMS by JOSEPH BETTEY Church and Community in Bristol during the Sixteenth Century is based on a Public Lecture given by Dr. Joseph Bettey in the University of Bristol in December 1982. This lecture was the second in a series of bi-annual lectures arranged by Bristol Record Society. The first lecture in the series was Radicalism in Bristol in the Nineteenth Century by David Large. Copies of these two Occasional Papers may be obtained from the Honorary Secretary, Bristol Record Society, University of Bristol, or from Dr. Joseph Bettey, Department of Extra-Mural Studies, 32 Tyndall's Park Road, Bristol BS8 lHR. The pamphlets cost £1.00 each (add 20p for postage and packing). Copies may also be obtained from the Porter's Lodge of the Wills Memorial Building. Bristol Record Society is at present publishing every year a volume of documents relating to the history of Bristol. The volume for 1983 will be The Port of Bristol 1848- 1888. The volume is issued free to members. '"' The annual subscription is £3.00 for private members, £5.00 for institutional members in the U.K., and £7.00 for institutional members outside the U.K. Details of membership and list of publications may be obtained from David Large, Hon.
    [Show full text]
  • MUSICIANS and COMMONERS in LATE MEDIEVAL LONDON Simon
    ABSTRACT Title of Dissertation: MUSICIANS AND COMMONERS IN LATE MEDIEVAL LONDON Simon Polson, Doctor of Philosophy, 2020 Dissertation directed by: Professor Barbara Haggh-Huglo School of Music This dissertation examines music making in late medieval London (c.1300-c.1550) from the commoners’ perspective, and with this emphasis, does not discuss royal or monastic musical ensembles or music in aristocratic households, nor does it examine the music of St Paul’s Cathedral in detail. This shifts the focus from mensurally notated, pre-composed music towards monophony and extemporized polyphony which, unnotated, was realized in performance. These kinds of music more than any others were those made by medieval musicians and heard by commoners; through a study of archival documents and their printed editions, including account books, chronicles and other sources, the dissertation identifies the events at which musicians performed and commoners encountered music: civic and royal processions; the Midsummer Watches; processions of criminals with “rough music”; liturgical feast days, and at associated meals. It also locates the music of daily life in the streets and in many dozens of parish churches. The extant notated music from medieval London is mostly in chant books. No complete extant source of polyphony survives, but neither would such a source accurately represent a musical culture in which mensural polyphony and notated music itself were inaccessible to most. Used with methodological caution, documents from London reveal details where little notated music survives and describe or hint at the music that commoners knew. Also examined are two songs (“Sovereign Lord Welcome Ye Be,” “Row the bote Norman”) with surviving texts that may be original.
    [Show full text]
  • Review of Sacred Folly by Max Harris
    224 Book Reviews A Bibliographical Primer, Editorial Guide, and Textual Introduction might be a more accurate (not to say verbose) title in hindsight, the reality is that ‘bibliography’ is simply not as sexy a term as ‘reading’. The book’s extensive discussion of other dramatists, with half of its illustrations gleaned from out- side the Shakespeare corpus, clearly indicates that Giddens’ subject-matter is far more than just ‘Shakespearean’ in the limited sense that a reader might intimate from the title alone. In much the same way, Lukas Erne’s Shake- speare’s Modern Collaborators (London and New York, 2008) functions as a superb primer on editorial theory and practice in general as much as it offers a persuasively argued mission statement for the continued importance of editing Shakespeare in particular. Indeed, one could easily teach a gradu- ate seminar on editing early modern drama, and not just Shakespeare, with Giddens and Erne as set texts. Neither book should be judged by its title. In conclusion, How to Read a Shakespearean Play Text is a solid but gen- tle introduction to the bibliographical and textual principles, methods, and issues most relevant to the study of early modern drama in print. It is not a substitute for the lengthier bibliographical tomes of Bowers, Greg, Gaskell, McKerrow and the like, nor does it claim to offer an exhaustive treatment of its subject. Giddens writes in an engaging, straightforward style that will not alienate a student readership (as many of the earlier handbooks may do). At the same time, the content is in no way diluted or reduced to appeal to a lay audience.
    [Show full text]
  • George Abbot 1562-1633 Archbishop of Canterbury
    English book owners in the seventeenth century: a work in progress listing How much do we really know about patterns and impacts of book ownership in Britain in the seventeenth century? How well equipped are we to answer questions such as the following?: • What was a typical private library, in terms of size and content, in the seventeenth century? • How does the answer to that question vary according to occupation, social status, etc? • How does the answer vary over time? – how different are ownership patterns in the middle of the century from those of the beginning, and how different are they again at the end? Having sound answers to these questions will contribute significantly to our understanding of print culture and the history of the book more widely during this period. Our current state of knowledge is both imperfect, and fragmented. There is no directory or comprehensive reference source on seventeenth-century British book owners, although there are numerous studies of individual collectors. There are well-known names who are regularly cited in this context – Cotton, Dering, Pepys – and accepted wisdom as to collections which were particularly interesting or outstanding, but there is much in this area that deserves to be challenged. Private Libraries in Renaissance England and Books in Cambridge Inventories have developed a more comprehensive approach to a particular (academic) kind of owner, but they are largely focused on the sixteenth century. Sears Jayne, Library Catalogues of the English Renaissance, extends coverage to 1640, based on book lists found in a variety of manuscript sources. The Cambridge History of Libraries in Britain and Ireland (2006) contains much relevant information in this field, summarising existing scholarship, and references to this have been included in individual entries below where appropriate.
    [Show full text]