Social Networks Enabling Matrimonial Information Services in India
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HINDU WEDDING by Dipti Desai All Images Provided by Dipti Desai Copyright 2006
2 HINDU WEDDING By Dipti Desai All images provided by Dipti Desai Copyright 2006 Published by Henna Page Publications, a division of TapDancing Lizard LLC 4237 Klein Ave. Stow, Ohio 44224 USA All rights reserved. Printed in the United States of America No part of this book may be used or reproduced in any manner without written permission except in the case of brief quotations embodied in critical articles or reviews. Henna artists may freely use these patterns as inspiration for their own hand-drawn henna work. Library of Congress Cataloging in-Publication Data Dipti Desai Hindu Wedding Henna Traditions Weddings Hindu Traditions Copyright © 2006 Dipti Desai Tapdancinglizard.com This book is provided to you free by The Henna Page and Mehandi.com 3 Hindu Wedding © 2006 Dipti Desai Terms of use: you must agree to these terms to download, print, and use this book. All rights reserved. Terms of use for personal use: You may not sell, offer for sale, exchange or otherwise transfer this publication without the express written permission of the publisher. You may make one (1) printed copy of this publication for your personal use. You may use the patterns as inspiration for hand rendered ephemeral body decoration. You may not sell, lend, give away or otherwise transfer this copy to any other person for any reason without the express written permission of the publisher. You may make one (1) electronic copy of this publication for archival purposes. Except for the one (1) permitted print copies and the one (1) archival copy, you may not make any other copy of this publication in whole or in part in any form without the express written permission of the publisher. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Uncorrected/Not for Publication – 21.05.2012 1B/11.05/Lp-Skc
1 Uncorrected/Not for Publication – 21.05.2012 2 Uncorrected/Not for Publication – 21.05.2012 3 Uncorrected/Not for Publication – 21.05.2012 4 Uncorrected/Not for Publication – 21.05.2012 5 Uncorrected/Not for Publication – 21.05.2012 ASC-PB/11.00/1A The House met at eleven of the clock, MR. CHAIRMAN in the Chair. ----- संख्या : 621 ी मोहमद अली खान : सर, सूरज की शुआओं से बरक़ी पैदावार के िलए दूसरी िरयासत के मुकाबले आन्धर् देश म ज्यादा मौके ह। आन्धर् देश पावर पैदा करने म पूरे भारत म बेट िरयासत है, िजसकी चेबर ऑफ कॉमसर् और लािंनग कमीशन ने भी तारीफ की है। म मरकज़ी सरकार से यह जानना चाहता हूं िक आन्धर् देश म बरक़ी पैदावार इतेमाल करने के िलए इतने अच्छे मौके ह तो 12व पंचसाला लान म solar boom को बढ़ाने के िलए वह क्या टेस ले रही है? खुसूसन आन्धर् देश के िलए सोलर लाटं लगाने के िलए जो ाइवेट कपनी से बात हो रही है, उसके बारे म सरकार का क्या कहना है? جناب محمد علی خان : سر، سورج کی شعاعوں سے برقی پيداوار کے لئے دوسری رياستوں کے مقابلے ميں زياده مواقع ہيں۔ آندھرا پرديش پاور پيدا کرنے ميں پورے بھارت ميں بيسٹ رياست ہے، جس کی چيمبر آف کامرس اور پﻻننگ کميشن نے بھی تعريف کی ہے۔ ميں مرکزی سرکار سے يہ جاننا چاہتا ہوں کہ آندھرا پرديش ميں برقی پيداوار استعمال کرنے کے لئے اتنے اچھے مواقع ہيں تو 12ويں پنچ سالہ پﻻن ميں سولر بوم کو بﮍھانے کے لئے کيا اسٹيپس لے رہی ہے؟ خصوصا آندھرا پرديش کے لئے سولر پﻻنٹ لگانے کے لئے جو پرائيوٹ کمپنی سے بات ہو رہی ہے، اس کے بارے ميں سرکار کا کيا کہنا ہے؟ 6 Uncorrected/Not for Publication – 21.05.2012 संख्या 621 (कर्मागत) ी रघुनन्दन शमार् : सर, ...(यवधान). -
Exploring the World of Faith and Belief in Lambeth
Exploring the World of Faith and Belief in Lambeth Key Stages 1 & 2 The Lambeth Agreed Syllabus for Religious Education Exploring the World of Faith and Belief in Lambeth Key Stages 1 & 2 Introduction and Programmes of Study ........................................... 3 Statutory Faith Content .....................................................................10 Buddhism .....................................................................................11 Christianity .....................................................................................12 Hinduism .......................................................................................15 Islam .............................................................................................16 Judaism ........................................................................................17 Sikhism .........................................................................................18 Statutory Thematic Units ..................................................................19 Key Stage 1 Celebrations ..................................................................................... 20 Who am I? / Belonging ..................................................................... 30 Key Stage 2 Where did the World begin? ............................................................. 42 Weddings ......................................................................................... 49 Peace .............................................................................................. -
“That's Not Real India”
Article Journal of Communication Inquiry 0(0) 1–29 “That’s Not Real India”: ! The Author(s) 2016 Reprints and permissions: sagepub.com/journalsPermissions.nav Responses to Women’s DOI: 10.1177/0196859916638648 Portrayals in Indian jci.sagepub.com Soap Operas Indira S. Somani1 and Marissa J. Doshi2 Abstract This study examined the portrayal of women on Indian soap operas through content analysis. Quotes from in-depth interviews of 100 Asian Indians (50 couples) from five major metropolitan areas, NY, DC, SF, Chicago, and Houston, who watch Indian television (imported from India) via the satellite dish or cable, were used in this study. Researchers uncovered specific themes, such as Portrayal of women, Heterosexual Romance and Intimacy, and Joint Family, and analyzed these themes against the theoretical framework of cultural proximity. The authors explained that the role of Indian women being created in Indian serials did not reflect the image of Indian women the participants remembered when they migrated to the United States in the 1960s. The image of Indian women that was being portrayed was that of a “vamp” or someone manipulative and not family-oriented. Therefore, the cultural proximity of the Indian soap operas was disrupted by the negative portrayal of Indian women to a particular generation of Indian immigrants in the United States. The participants appreciated the image of a modern Indian woman, as long as she still maintained traditional values. Further, these portrayals reminded these participants that they were cultural outsiders in modern India. Keywords critical and cultural studies, diasporic identity, gender and media, qualitative research methods, satellite television 1Howard University, Washington, DC, USA 2Hope College, Holland, MI, USA Corresponding Author: Indira S. -
Ritu Weds Chandni, Yali 2020) Books
ACTIVITY GUIDE FOR EDUCATORS ISBN-13: 978-1949528947 (Hardcover), 978-1949528930 (Paperback), 978-1949528923 (eBook) Ayesha is excited to attend her cousin Ritu’s wedding. She can’t wait to dance at the baraat ceremony! But not everyone is happy that Ritu is marrying her girlfriend Chandni. Some have even vowed to stop the celebrations. Will Ayesha be able to save her cousin’s big day? Centering Ayesha’s love for her cousin as much as it showcases Ritu and Chandni’s love for each other, this warmhearted debut from Ameya Narvankar A 2021 Notable Social Studies Trade Book for celebrates the power of young voices to stand up Young People against prejudice and bigotry. A 2021 ALA Rise: A Feminist Book Project’s Top “Simultaneously confronts homophobia and celebrates Ten Book child-powered change in Hindu communities: a delight.” - Kirkus Reviews (STARRED) A 2020 Kirkus Reviews’ Best Picture Book “With a dearth of picture books authentically addressing marriage traditions within the South Asian community, and particularly LGBTQ+ couples, this is a welcome attempt at rectification.” - School Library Journal “...a lively procession of jewel tones and golden yellows... to stand up for love against hate.” - Foreword Reviews Yali Books A NOTE FROM THE AUTHOR To change society’s mind, we need to appeal to people’s hearts. To do this, we need more people to hear our stories. So, keep reading and sharing and educating those around you. To my fellow desis, let us not pass on the fear of ‘log kya kahenge?’ to future generations. his book centers Ayesha’s love for her Instead, let us inspire our children to stand up didi as much as it showcases Ritu and for what is compassionate and just. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance. -
Indian Weddings in Malta - Impacts and Perspectives
Indian Weddings in Malta - impacts and perspectives Helena May Micallef Bachelor’s Thesis Degree Programme in Culinary Management 2017 Abstract Date Author(s) Helena May Micallef Degree programme Bachelor Degree Programme in Culinary Management Report/thesis title Number of pages Indian Weddings in Malta – impacts and perspective and appendix pages 60 + 3 The idea behind this title is purely for my own interest, as I believe this could be a very beneficial niche market for the Maltese Tourism Industry. It all started due to the fact that the Institute was approached by a destination management company to assist in a huge up market Indian pre-wedding held on the island. This gave an opportunity to not just the students involved but also myself as a lecturer in such subjects, to experience a whole new approach to weddings and special events. The pre-wedding lasted for a total of three days, but the organisation and the planning behind it was something else. The involvement of various entities during this event was vast, which also gave rise to a huge influx of revenue being generated, thus helping the contribution to the Maltese economy. It has to be mentioned that the type of pre-wedding which occurred was a high-end wedding, where both families aided and assisted in the financial back up of the whole event. In fact, they not only brought their own chefs and cooks, but also had their own wedding planners, who were brought purposely to organise the pre-wedding accord- ing to their traditions and culture. This is also another aspect of the thesis. -
“Means of Connecting the Contemporary Indo-Fijian Women Towards the Imaginary Homeland.”
“Means of Connecting the Contemporary Indo-Fijian Women Towards the Imaginary Homeland.” Rohini Ronita Lata “Means of Connecting the Contemporary Indo-Fijian Women Towards the Imaginary Homeland.” by Rohini Ronita Lata A supervised research project submitted in partial fulfillment of the requirements for the degree of Master of Arts in Literature Copyright © 2009 by Rohini Ronita Lata School of Language Arts and Media, Faculty of Arts and Law The University of the South Pacific September, 2009 Acknowledgement I am indebted to a number of individuals with out whom this research would have been unattainable. Firstly, my supervisor, Dr. Mohit Prasad for his continuous patience and endurance with my drafts and his facilitation and insights which helped shape this thesis. Secondly, I would like to affectionately thank the Indo-Fijian women of the Samabula area (primary research) who assisted in the research by filling in the surveys and answering the questionnaires. Thirdly, my sincere gratitude to Ms. Shalini Prasad for her assistance in supplying me with the films which I required for this research and providing an overview of the Hindi satellite television’s daily-life drama series and Mr. Richard Ram for assisting in the typing of the script. My heart felt gratitude to Ms. Artika Narayan for her assistance in providing printouts of the research paper for the editing phase, facilitating with the page setup and constructing the graphical representations for the primary research and Ms. Maelin Bhagwan for her efforts in proofreading the research paper before the final submission. My deepest gratitude is reserved for my family and God without whom I would not have been able to ‘decorate in ink.’ Abstract The ‘Old Indo-Fijian Diaspora,’ of the indentured labourers who came to Fiji between 1879 and 1920 has been an important area of scholarship and research. -
Language, Literature and Culture of Western Odisha Tila Kumar
SOCIAL TRENDS1 Journal of the Department of Sociology of North Bengal University Vol. 5, 31 March 2018; ISSN: 2348-6538 UGC Approved Social Relationships Through Feminist Lens Jhuma Chakraborty Abstract: This paper endeavours to discuss two real life relationships from the perspective of two philosophers- Carol Gilligan, a renowned psychologist and philosopher and Simone de Beauvoir an existentialist philosopher. I will show how the readings of these relations become difficult from the perspectives of two philosophies. Both of them have critiqued the patriarchal top down structure like any other feminist and have explored and interpreted human relations from novel perspectives. Gilligan maintains that human beings are essentially related. Gilligan suggests that the entire relational network of a society can be sustained through care and empathetic listening of the voices of the ‘Other’. Beauvoir is an existentialist philosopher who maintains that human existence creates his/her being through freedom. One should go beyond the constraints of our contingent existence and give meaning to everyday relations through a never-ending venture of taking new projects. Keywords: Relational self, voice, empathetic listening, freedom, facticity. Introduction My paper focuses on two stories and their interpretation from feminist perspective. I am concerned with the ethical aspect of the two happenings. I want to discuss them from feminist perspective simply because patriarchal values will not appreciate the moral dilemma involved in these two stories. These are real life stories and are not a product of my imagination. The names of the characters are the only changes that I have made and the rest has been a description of what actually occurred. -
Vol. 5 March 2018 5.Pdf
SOCIAL TRENDS91 Journal of the Department of Sociology of North Bengal University Vol. 5, 31 March 2018; ISSN: 2348-6538 UGC Approved Gendered Bengali: Expectations and Challenges, in Ashapurna Devi’s ‘Chhayasurya’ and Partha Pratim Chowdhury’s Chhaya Surya [Chhayasurya], and Sharadindu Bandyopadhyay’s Dadar Kirti and Tarun Majumdar’s Dadar Kirti Anirban Ray Abstract: The paper offers a comparative study between two filmic ‘adaptations’ from two Bengali texts: (i) Chhaya Surya [Chhayasurya] (1963) adapted by Partha Pratim Chowdhury from Ashapurna Devi’s short story ‘Chhayasurya’ (1988[?]: 130–139), and (ii) Tarun Majumdar’s Dadar Kirti (1980), ‘adapted’ from the novella/novel Dadar Kirti by Sharadindu Bandyopadhyay ([1982] 2011: 259– 289). With close textual and filmic references, the paper explores (i) the conceptions of masculine and feminine and conflations of the two, (ii) artistic expressions internalizing gender as well as challenging it, (iii) male interactions interpreted by domestic women, and (iv) women’s interlocution in perspectives on heterosexual coupling and marriage. Keywords: Love, negotiated marriage, femininity, masculinity, effeminacy, artistic vocation, literature-film ‘adaptation.’ I. The Scope of the Paper A shift of conjugal responsibilities occurs from the parents to their married sons/daughters before and after the three-day event in negotiated (arranged) Indian (Bengali) marriages. Post-marriage, when the sons and daughters (who had yielded to the parental choice of locating the partner/bridegroom/ bride try to communicate the failure of compatibility to their parents, the parents argue that following the marriage it is their children’s responsibility to turn the coupling (fixed by the parents) into a successful affair.