60Th Monterey Jazz Festival
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Mariella Cassar
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 Creative Responses to Maltese Culture and Identity: Case Study and Portfolio of Compositions Cassar, Mariella http://hdl.handle.net/10026.1/3112 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS by MARIELLA CASSAR A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY University College Falmouth Incorporating Dartington College of Arts January 2014 MARIELLA CASSAR CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS Abstract The aim of this thesis is to explore the relationship between place, identity and musical practice. The study is inspired by Malta’s history and culture. This work presents a portfolio of seven musical compositions with a written component that highlights the historical and socio-cultural issues that had a bearing on the works presented. -
Dossier De Presse
rec tdic iph cseé uqp, luoJ Dossier de presse ieuo e"rn rAMH qka uas iDrs laie stfl eral saS tb cir oJea naev cvta oaei c"nl t,cl éqo ,uma aipv ulae tegc onp bril aeé pgdt tieh isDo sthr érae Fefd oae uvr reYt tcoi hlus West ose rmes lufd http://www.amr-geneve.ch/amr-jazz-festival dseo (itn Compilation des groupes du festival disponible sur demande qcPt uiaB Contact médias: Leïla Kramis [email protected], tél: 022 716 56 37/ 078 793 50 72 aeo tnla AMR / Sud des Alpes rsob 10, rue des Alpes, 1201 Genève iAFa T + 41 22 716 56 30 / F + 41 22 716 56 39 èbrM mdea eosa 35e AMR Jazz Festival – dossier de presse 1 mul oM., nbH Table des matières I. L’AMR EN BREF....................................................................................................................................... 3 II. SURVOL DES CONCERTS..................................................................................................................... 4 III. DOSSIERS ARTISTIQUES..................................................................................................................... 5 PARALOG.............................................................................................................................................. 5 JOE LOVANO QUARTET...................................................................................................................... 7 PLAISTOW........................................................................................................................................... 10 J KLEBA............................................................................................................................................ -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Herbie Hancock Trio with Ron Carter + Tony Williams Mp3, Flac, Wma
Herbie Hancock Trio Herbie Hancock Trio With Ron Carter + Tony Williams mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Herbie Hancock Trio With Ron Carter + Tony Williams Country: Japan Released: 1996 Style: Bop MP3 version RAR size: 1365 mb FLAC version RAR size: 1171 mb WMA version RAR size: 1381 mb Rating: 4.3 Votes: 854 Other Formats: APE AUD MP4 MIDI VOX RA AC3 Tracklist Hide Credits Stablemates 1 11:06 Written-By – B. Golson* Dolphin Dance 2 10:18 Written-By – H. Hancock* A Slight Smile 3 9:04 Written-By – R. Carter* That Old Black Magic 4 8:34 Written-By – Harold Arlen, Johnny Mercer La Maison Gorée 5 6:42 Written-By – T. Williams* Companies, etc. Manufactured By – Sony Music Entertainment (Japan) Inc. Recorded At – CBS/Sony Shinanomachi Studio Credits Artwork [Assistant] – Genji Shingyoku Artwork, Design [Graphic] – Akio Nimbari Coordinator [Cbs/sony Staff] – Hideharu Ebina Coordinator [Production] – Tony Meilandt Double Bass – Ron Carter Drums – Tony Williams* Engineer [Assistant] – Kunihiko Ohno, Tetsuro Tomita Engineer [For Herbie Hancock] – Bryan Bell Liner Notes – 藤本史昭* Photography By [Artist] – Hiro Ito Photography By [Cover] – Kaoru Hirono Piano – Herbie Hancock Producer – David Rubinson Recorded By – Tom Suzuki Technician [Equipment] – Lee Ethier Notes Recorded at CBS/Sony Shinanomachi Studio, Tokyo, Japan on July 27, 1981 by Sony PCM-1600 Digital Recording System Manufactured by CBS Sony Inc. (Tokyo Japan) Barcode and Other Identifiers Barcode: 988009917290 Rights Society: JASRAC Other versions Category Artist -
From Vintage Collectors and Mixology Fans to Surf, Rockabilly and Punk Music Scenesters, the Escapist Vibes of the Tiki Scene Still Have a Strong Hold on Los Angeles
THE BEST TIKI DRINKS REVISITING GORDON PARKS’ CONTROVERSIAL PHOTO ESSAY TV’S FUTURE IS FEMALE ® AUGUST 2-8, 2019 / VOL. 41 / NO.37 / LAWEEKLY.COM From vintage collectors and mixology fans to surf, rockabilly and punk music scenesters, the escapist vibes of the tiki scene still have a strong hold on Los Angeles. And at Tiki Oasis in San Diego, everyone comes out to play. BY LINA LECARO 2 WEEKLY WEEKLY LA | A - , | | A WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. PAID ADVERTISEMENT 3 LA WEEKLY WEEKLY | A - , | | A THANK YOU, SENATOR DURAZO, FOR PUTTING PEOPLE BEFORE DRUG COMPANY PROFITS. WWW.LAWEEKLY.COM AARP thanks the members of the Senate Judiciary Committee for standing up for Californians and passing AB 824. This legislation would prohibit brand-name drug companies from paying generic manufacturers to delay the release of lower priced drugs. AARP strongly supports this important fi rst step towards ending the anti-competitive practices of big drug companies and lowering prescription drug prices for everyone. Too many people are struggling to make ends meet while the big drug companies continue to rake in billions. AARP encourages the entire Senate to pass AB 824, and put a stop to drug company price gouging. facebook.com/AARPCalifornia @AARPCA AARP.org/CA Paid For by AARP 4 L August 2-8, 2019 // Vol. -
Janiva Magness
Biografia from Detroit Janiva Magness Vincitrice di numerosi awards, Janiva Magness è una tra le più importanti voci blues e R’n’B della scena mondiale contemporanea. Carismatica perfomer, conosciuta per i suoi elettrizzanti shows, è una fonte inesauribile di energia e determinazione. La sua voce possiede una bellezza pura e sincera nata delle sue esperienze di vita. Ha ricevuto, nel 2009, il premio “B.B. King Entertainer Of The Year” - Blues Music Awards (la seconda donna al mondo dopo Koko Taylor ad averlo ri- cevuto), “Contemporary Blues Female Artist Of The Year” nel 2006 e 2007 e ben undici nominations ai Blues Music Awards. Slang Music Via S.Francesco, 3 - 25075 Nave (BS) Tel. 0302531536 - Fax 0302536348 - Cell. 3356715992 www.slangmusic.com - [email protected] USA Today dice di lei, “Magness è una blues star,” e The Philadelphia In- quirer, “Magness è una superba cantante dal potente sound soul-blues e dalla calda intensità.” Cavalcando le scene da oltre tre decadi, ha percorso migliaia di strada per esibirsi ben 150 notti all’anno in clubs, teatri e festivals in tutto il mondo. Il suo più lungo viaggio risale all’Aprile 2008 come ospite del Bluzapalooza, il primo tour blues mai realizzato per le truppe americane in missione nella zona tra Iraq e Kuwait, una grandissima esperienza per lei. “Il mio lavoro era un dono, una contatto umano per ricordare a questi soldati che non erano soli. Non riuscivo a pensare a nessun’altro che avesse bisogno più di loro di questo svago. Uno di loro mi disse – Mi ha fatto dimenticare per ben due ore di essere qui, grazie davvero! – questo non aveva prezzo.” Durante la sua carriera Janiva realizza una serie di album indipendenti, inclu- so due con l’etichetta Northern Blues, fino al suo straordinario debutto, nel 2008, con l’etichetta Alligator Records, What Love Will Do. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • November 10, 2008 Volume 4, Number 49 • $7.95
JazzWeek with airplay data powered by jazzweek.com • November 10, 2008 Volume 4, Number 49 • $7.95 Jazz Album No. 1: Javon Jackson, Once Smooth Album No. 1: Paul Hardcastle, Upon A Melody (Palmetto) Hardcastle 5 (Trippin’ ’N’ Rhythm) World Music No. 1: Bombay Dub Orchestra, 3 Smooth Single No. 1: Dave Koz, “Life In The Cities (Six Degrees) Fast Lane” (Capitol) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 11 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart. 6 Smooth Jazz Current Tracks. 13 Jazz Add Dates. 7 Smooth Jazz Station Panel. 14 Jazz Birthdays November 10 November 17 November 25 Paul Bley (1932) Barney Kessel (1923) Willie “The Lion” Smith (1897) Houston Person (1934) David Amram (1930) Willie Smith (1910) Andrew Cyrille (1939) Roswell Rudd (1935) Paul Desmond (1924) Hubert Laws (1939) Diana Krall (1964) Dick Wellstood (1927) November 11 Ben Allison (1966) Nat Adderley (1931) Hoagy Carmichael (1899) November 18 November 27 Gunther Schuller (1925) Johnny Mercer (1909) Eddie South (1904) Ernestine Anderson (1928) Claude Williamson (1926) Arild Andersen (1945) Marvin Hannibal Peterson (1948) Sheila Jordan (1928) Lyle Mays (1953) November 12 Don Cherry (1936) November 28 Buck Clayton (1911) Cindy Blackman (1959) George Wettling (1907) Charlie Mariano (1923) November 19 Gigi Gryce (1927) November 13 Tommy Dorsey (1905) Gato Barbieri (1934) Bennie Moten (1894) Vincent Herring (1964) Roy McCurdy (1936) Hampton Hawes (1928) November 20 November 29 Idris -
Brian Setzer Nitro Burnin' Funny Daddy Mp3, Flac, Wma
Brian Setzer Nitro Burnin' Funny Daddy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nitro Burnin' Funny Daddy Country: US Released: 2003 Style: Rock & Roll, Rockabilly MP3 version RAR size: 1911 mb FLAC version RAR size: 1698 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 452 Other Formats: DMF MP1 AU DXD AUD ADX MOD Tracklist Hide Credits 1-1 Sixty Years 1-2 Don't Trust A Woman (In A Black Cadillac) 1-3 When The Bells Don't Chime 1-4 That Someone Just Ain't You 1-5 Rat Pack Boogie 1-6 Ring, Ring, Ring 1-7 Drink Whiskey And Shut Up 1-8 Smokin' N' Burnin' Wild Wind 1-9 Written-By – Terry Gilkyson 1-10 St. Jude To Be Loved 1-11 Written-By – McGinnis*, Jones*, Goodloe*, Munson*, Goodloe* 1-12 When The Bells Don't Chime (Banjo Mix) 2-1 Luck Be A Lady Credits Bass – Johnny "Spaz" Hatton* Drums – Bernie Dresel Guitar, Guitar [Banjo] – Brian Setzer Mixed By – Chris Lord-Alge Producer – Dave Darling Vocals – Brian Setzer Other versions Category Artist Title (Format) Label Category Country Year Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 US 2003 Setzer (CD, Album) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy Surfdog PR-4022-2 PR-4022-2 US 2003 Setzer (CD, Album, Promo) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy TFCK-87313 Toy's Factory TFCK-87313 Unknown Setzer (CD, Album, Unofficial) Related Music albums to Nitro Burnin' Funny Daddy by Brian Setzer Brian Setzer - The Strayed Cat Various - Surfdog Records Film & TV Priorities 2004 The Brian Setzer Orchestra - Vavoom! Brian Setzer Orchestra - Jump Jive an' Wail The Brian Setzer Orchestra - Dig That Crazy Christmas The Brian Setzer Orchestra - Live In Japan Brian Setzer - The Knife Feels Like Justice The Brian Setzer Orchestra - The Dirty Boogie Stray Cats - Rumble In Brixton Brian Setzer Orchestra - Dig That Crazy Christmas. -
WGLT Program Guide, June-July, 1999
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 6-1-1999 WGLT Program Guide, June-July, 1999 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, June-July, 1999" (1999). WGLT Program Guides. 166. https://ir.library.illinoisstate.edu/wgltpg/166 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. GLT-lllinois Power Summer Concert '99 Mark your calendar for Saturday, June 26th. GL T and Illinois Power are planning the ultimate free outdoor jazz and blues concert. It will be held from 4:00 to 9:00 PM on the grounds of the McLean County Law & Justice Center in downtown Bloomington on Saturday, June 26th. GLT/IP Summer Concert '99 will kick off at 4:00 with Deanna Bogart's sassy blues, followed at around 6:00 by the Duke Robillard Band's unique mix of jazz & blues. Finally, beginning around 7:45, the night's headliner, the Freddy Cole Quartet, will present their sophisticated brand of jazz. Freddy Cole is the younger brother of Nat King Cole and the uncle of Natalie Cole, and a star in his own right. GL T General Manager Bruce Bergethon is "thrilled to have GL T involved with bringing this caliber of jazz and blues to central Illinois. -
Respectability and the Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press Carla Marie Rupp CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/74 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Respectability and The Modern Jazz Quartet: Some Cultural Aspects of Its Image and Legacy As Seen Through the Press By Carla Marie Rupp Submitted in Partial Fulfillment of the Requirements for the M.A. Degree The City College of New York Thesis Adviser, Prof. Barbara R. Hanning The Department of Music Fall Term 2010 2 CONTENTS ACKNOWLEDGMENTS 3 1. INTRODUCTION 5 2. RESPECTABILITY THROUGH DRESS 22 3. PERFECTION IN PRESENTATION 29 4. CHANGING THE VENUE FROM NIGHT CLUB TO CONCERT HALL 34 5. PROFESSIONALISM OF THE MJQ 43 6. PERSONAL CONCLUDING REMARKS 48 BIBLIOGRAPHY 54 3 Acknowledgements I would like to give a big thanks of gratitude and applause to the incredible Professor Barbara R. Hanning for being my thesis advisor! Her dedication, personal editing, attention to detail and accuracy, kindness and help were invaluable in completing this project on the MJQ. As Chair of the Music Department, she advised me on my BFA requirements in music at City College. And now--some years later with Professor Hanning's encouragement, wisdom and editing--I am thrilled to complete my M.A. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Permalink https://escholarship.org/uc/item/8tt2s60p Author Blake, George Kaeser Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by George Kaeser Blake Committee in charge: Professor Timothy Cooley, Co-Chair Professor George Lipsitz, Co-Chair Professor Gaye Theresa Johnson Professor Dick Hebdige September 2017 The dissertation of George Kaeser Blake is approved. ____________________________________________ Dick Hebdige ____________________________________________ Gaye Theresa Johnson ____________________________________________ George Lipsitz, Committee Co-Chair ____________________________________________ Timothy Cooley, Committee Co-Chair September 2017 Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Copyright © 2017 by George Kaeser Blake iii ACKNOWLEDGEMENTS I would first like to thank my incredible committee: