American Classics Paul Schoenfield
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Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Paul Schoenfield's' Refractory'method of Composition: a Study Of
Paul Schoenfield's 'Refractory' Method of Composition: A Study of Refractions and Sha’atnez A document submitted to the Graduate School of The University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by DoYeon Kim B.M., College-Conservatory of Music of The University of Cincinnati, 2011 M.M., Eastman School of Music of The University of Rochester, 2013 Committee Chair: Professor Yehuda Hanani Abstract Paul Schoenfield (b.1947) is a contemporary American composer whose works draw on jazz, folk music, klezmer, and a deep knowledge of classical tradition. This document examines Schoenfield’s characteristic techniques of recasting and redirecting preexisting musical materials through diverse musical styles, genres, and influences as a coherent compositional method. I call this method ‘refraction’, taking the term from the first of the pieces I analyze here: Refractions, a trio for Clarinet, Cello and Piano written in 2006, which centers on melodies from Mozart’s Le nozze di Figaro (The Marriage of Figaro). I will also trace the ‘refraction’ method through Sha’atnez, a trio for Violin, Cello and Piano (2013), which is based on two well-known melodies: “Pria ch’io l’impegno” from Joseph Weigl’s opera L’amor marinaro, ossia il corsaro (also known as the “Weigl tune,” best known for its appearance in the third movement of Beethoven’s Trio for Piano, Clarinet, and Cello in B-flat Major, Op.11 (‘Gassenhauer’)); and the Russian-Ukrainian folk song “Dark Eyes (Очи чёрные).” By tracing the ‘refraction’ method as it is used to generate these two works, this study offers a unified approach to understanding Schoenfield’s compositional process; in doing so, the study both makes his music more accessible for scholarly examination and introduces enjoyable new works to the chamber music repertoire. -
MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions
CAL PERFORMANCES PRESENTS ORCHESTRA ROSTER Saturday, March 20, 2010, 8pm MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions Moscow State Radio Symphony Orchestra Robert Cole, conductor Robert Cole, conductor Violin I Cello Bassoon with Igor Khvalev, Concertmaster Alexey Shulgin, Principal Evgeny Evstafyev, Principal Alexander Sinchuk, piano Alexader Torsukov Alla Makova Mikhail Velichenko Elena Abdullina Liubov Kotsiubenko and Liudmila Zhukova Alexander Koptsov Horn Julian Schwarz, cello Igor Kiselenko Yulia Tretiakova Nikolay Kumarin, Principal Tatiana Revedinskaya Tatiana Barykina Dmitry Babintsev Julia Maklakova Mikhail Yakovlev Dmitri Kouznetsov PROGRAM Evgeniya Badaeva Lyubov Kozhemiatova Victor Platonov Boris Markosyan Sergey Zheltov Nataliya Mikhalkina Double Bass Vladimir Efimenko Pyotr Il’yich Tchaikovsky (1840–1893) Romeo and Juliet, Fantasy-Overture Yury Zhogas Evseviy Kirnitskiy, Principal Natalia Alexeeva Andrey Knyazev Trumpet (1869; rev. 1870, 1880) Olena Kostaniants German Chernyavskiy Evgeny Kudryavtsev, Principal Ekaterina Khoroshilova Vladimir Prikhodko Yury Poliakov Alexandr Serdyukov Nikolay Aseev Serge Rachmaninoff (1873–1943) Rhapsody on a Theme of Paganini Violin II Svetlana Rodionovskaya Nikita Tokarev for Piano and Orchestra, Op. 43 (1934) Nina Rumyantseva, Principal Alexander Sinchuk, piano Mikhail Karapetyan Flute Trombone Leonid Tobolev Vladimir Maydanovich, Principal Konstantin Baev, Principal Anna Venina Albert Ratsbaum Alexander -
The Contributions of Leonard Bernstein and Frederick Fennell to the World of Music
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music Ryan James Dore University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Dore, Ryan James, "The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music" (2014). Open Access Theses & Dissertations. 1611. https://digitalcommons.utep.edu/open_etd/1611 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC RYAN JAMES DORE Department of Music APPROVED: Ron Hufstader, Ph.D., Chair Lorenzo Candelaria, Ph.D. Kim Bauer, MFA. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Ryan Dore 2014 Dedication To my parents without whom my schooling and higher education would not be possible. To my fiancé Anna, for surviving 2 years of long distance. To all of my previous band directors, your influence inspired me to become a music educator. To God, you have guided my steps and continue to direct my life. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC by RYAN JAMES DORE, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO May 2014 Acknowledgements I would like to acknowledge my advisor Dr. -
Eighteenth Season 2009 2010 Orchestra Management
Russian Diversions R. Joseph Scott Conductor & Music Director eighteenth season 2009 2010 Orchestra Management Board of Directors elcome to today’s performance of the Sammamish Symphony Orchestra Founding Director will join forces with four other area Joyce Cunningham Sammamish Symphony Orchestra. W groups to perform Mozart’s immortal Music Director & Conductor As I celebrate my 11th year with this group Requiem. It is a great honor to our R. Joseph Scott of talented musicians, it is gratifying to Orchestra to be asked back for this refl ect upon the remarkable growth of the special event. President Miranda Thorpe Orchestra. The dedication and diligence of each member is evident in the ever- The Sammamish Symphony Vice-President improving artistry displayed in each Orchestra’s 2009/2010 season off ers Deborah McCormick performance. Our achievements have been a dynamic array of music selections from traditional works to new Treasurer recognized in the invitation from Northwest Pat Hebner Associated Arts to participate again in a favorites. The entire family will enjoy special appearance at Benaroya Hall. The performances such as Holst’s The Secretary Planets, Rimski-Korsakov’s Russian Cathy Grindle Easter Overture, and Beethoven’s Triple Concerto for Piano, Violin, Dennis Helppie Andy Hill Cello and Orchestra (featuring Myrl Venter world-class soloists from the Seatt le Tim Winter Symphony and Finisterra trio), as well as a host of popular music included on our Holiday Pops concert in December Honorary Board Members Don Gerend and our American West Pops concert Mayor, City of Sammamish in June. Be sure to visit our website at www.sammamishsymphony.org for Cheryl Pfl ug a complete listing of works presented Washington State Senator this season. -
FOR IMMEDIATE RELEASE Music at Kohl Mansion Presents VIOLINS OF
FOR IMMEDIATE RELEASE Music at Kohl Mansion Presents VIOLINS OF HOPE SAN FRANCISCO BAY AREA A Priceless Collection of 50 Restored Holocaust-Era Violins Set for West Coast Debut in Eight-Week Residency January 16 – March 15, 2020 Uniting 42 San Francisco Bay Area Organizations With Concerts, Exhibitions, Lectures, Films, Interfaith Services and Community Forums; Special Commemoration of International Holocaust Remembrance Day, Coinciding with 75th Anniversary of the Liberation of Auschwitz, Set for January 27 at San Francisco’s Congregation Emanu-El Program Highlights Include Commissioned World Premiere by Jake Heggie and Gene Scheer, Intonations: Songs from the Violins of Hope, Featuring Mezzo-Soprano Sasha Cooke, Violinist Daniel Hope and String Quartet; “Along the Trade Route” Concerts of Folk and Klezmer Traditions with Cookie Segelstein; Exhibitions at War Memorial Veterans Gallery, Peninsula JCC and New Museum Los Gatos; Performances with the Violins of Hope by New Century Chamber Orchestra, San Francisco Symphony, Oakland Symphony, Peninsula Symphony, and Bay Area Rainbow Symphony www.violinsofhopesfba.org SAN FRANCISCO, CA (November 22, 2019) — The Violins of Hope, a priceless collection of recovered and meticulously restored instruments from the Holocaust era, including instruments that were played by prisoner-musicians in the ghettos and labor/death camps, will make their West Coast debut in an eight-week residency of robust content beginning January 16 through March 15. While the collection currently includes 86 recovered Holocaust-era -
Noteson the Program
11-04 Myers.qxp_Layout 1 10/23/15 2:45 PM Page 27 NOTES ON THE PROGRAM By James M. Keller, Program Annotator The Leni and Peter May Chair Divertimento in D major, K.125a/136 Horn Concerto No. 2 in E-flat major, K.417 Serenade No. 10 in B-flat major, Gran Partita, K.361/370a Wolfgang Amadeus Mozart ust what is this piece supposed to be, any - Then, too, this work has long been claimed Jway, this Divertimento in D major ? It’s one as a piece of chamber music, and among the of three roughly similar works that, in the com - available recordings music lovers will find poser’s manuscript, are headed with the words readings by such revered ensembles as the “di Wolfgango Amadeo Mozart Salisburgo 1772.” That leaves no doubt that Mozart wrote all three IN SHORT in his hometown of Salzburg (Italianized as “Salisburgo”), and historical evidence suggests Born: January 27, 1756, in Salzburg, Austria that they must date from the early months of that year — when he was 15 going on 16, and a Died : December 5, 1791, in Vienna decade along in his composing career. Each of the three pieces is also headed with the inscrip - Works composed and premiered: Diverti - tion Divertimento I (or II or III), but that is writ - mento, composed early in 1772, in Salzburg; ten in a hand other than Mozart’s. It was in no premiere unknown. Horn Concerto No. 2 com - way unreasonable to call such pieces diverti - pleted in Vienna on May 27, 1783; premiere un - mentos; the term had no very specific meaning known. -
Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible. -
Music of Remembrance Concert Powell-Heller Conference: “Women
S’dremlen feygl (Birds Sit Drowsing) Music: traditional Text: Lea Rudnitska (b. Kalwarija, Lithuania, 1916 – d. Majdanek, 1943) Shtiler, Shtiler (Quiet, Quiet) Music: Aleksander Volkoviski Mina Miller, Artistic Director (b. Vilna, 1931) Music of Remembrance Concert Text: Shmerke Kaczerginski (b. Vilna, 1908 – d. 1954) in conjunction with the Julia Benzinger, mezzo soprano Powell-Heller Conference: Mikhail Shmidt, violin Laura DeLuca, clarinet Walter Gray, cello Jonathan Green, double bass “Women and the Holocaust” Arrangement: Diana Rosenblum October 17, 2016 7:00 p.m. Intermission Eastvold Concert Hall, Pacific Lutheran University Another Sunrise* (2012) Jake Heggie Libretto by Gene Scheer Based on the story of Krystyna Zywulska (b. Lodz, 1914 – d. Düsseldorf, 1992) Sarah Davis, soprano Erich Parce, director This Music of Remembrance commission was made possible by a generous gift from the Clovis Foundation, Mary Winton Green, Jonathan Green & Brenda Berry Out of Darkness (finale)* (2016) Jake Heggie Poetry written in Auschwitz by Krystyna Zywulska (translation: Gene Scheer) Sarah Davis, soprano Julia Benzinger, mezzo soprano Erich Parce, baritone Laura DeLuca, clarinet Mikhail Shmidt, violin Walter Gray, cello Jonathan Green, double bass Jessica Choe, piano Music of Remembrance (MOR) fills a unique role throughout the world by remembering the Holocaust through music with concert performances, *Works commissioned by Music of Remembrance educational programs, recordings and commissions of new works. www.musicofremembrance.org | [email protected] About the Music Program From the Lodz Ghetto David Beigelman - violinist, conductor and composer – was imprisoned in the Lodz Introductory Remarks Ghetto. Under the ghetto’s conditions of unimaginable oppression and suffering, he composed the Dybbuk Dances. -
Trio Sobrenna
presents A Fourth-Year Recital Trio Sobrenna Sophia Park, violin Brent Davis, cello Anna Wang, piano Saturday, May 1, 2021 3:30 pm Old Cabell Hall University of Virginia Recital Program Trio Sobrenna Piano Trio in G Major Claude Debussy (1862-1918) I. Andantino con molto allegro II. Scherzo: Moderato con allegro III. Andante espressivo IV. Finale: Appassionato Café Music Paul Schoenfield (b. 1947) I. Allegro II. Rubato. Andante moderato III. Presto ~Intermission~ Piano Trio No. 2 in E-Flat Major, Op. 100 Franz Schubert (1797-1828) I. Allegro II. Andante con moto III. Scherzo: Allegro moderato IV. Allegro moderato This recital is funded by the University of Virginia Office of Undergraduate Research through the University Award for Projects in the Arts. The Projects in the Arts award is intended to expand students’ opportunities for creative expression and showcase significant accomplishments in the arts. The program funds outstanding undergraduate projects in the arts to be carried out in the summer and the upcoming academic year. About the Performers Since forming in 2017, Trio Sobrenna – violinist Sophia Park, cellist Brent Davis, and pianist Anna Wang – has worked together in the Chamber Music Seminar program at UVA for a full eight semesters, receiving coachings from Professors David Sariti, Adam Carter, Daniel Sender, and Ayn Balija. Within the program, the trio has studied a variety of pieces, including works by Felix Mendelssohn, Johannes Brahms, Anton Arensky, and Antonín Dvořák. The ensemble has also performed in masterclasses with Professor John D’earth of the University of Virginia, Susanna Klein of Virginia Commonwealth University, as well as László Pólus and László Holics of the University of Pécs. -
NEW YORK PHILHARMONIC 10,000Th CONCERT
' ■ w NEW YORK PHILHARMONIC 10,000th CONCERT NEW YORK PHILHARMONIC 10,000th CONCERT Sunday, March 7,1982, 5:00 pm Mahler Symphony No. 2 (Resurrection) Zubin Mehta, Music Director and Conductor Kathleen Battle, soprano Maureen Forrester, contralto Westminster Choir, Joseph Flummerfelt, director CONTENTS The First 9,999 Concerts.................................... 2 Bernstein, Boulez, Mehta By Herbert Kupferberg.................................................. 5 New York Philharmonic: The Tradition of Greatness Continues By Howard Shanet........................................................ 8 Gustav Mahler and the New York Philharmonic............................... 14 Contemporary Music and the New York Philharmonic............................... 15 AVERY FISHER HALL, LINCOLN CENTER THE FIRST 9,999 CONCERTS The population of New York City in NEW YORK PHILHARMONIC: 1982 is 20 times what it was in 1842; the each of them. To survey them is to Philharmonic’s listeners today are define the current richness of the 10,000 times as many as they were in that organization: THE TRADITION OF GREATNESS CONTINUES The Subscription Concerts au dience, though not the largest of the their diversity they reflect the varied en Battle, David Britton, Montserrat aballé, Jennifer Jones, Christa Lud- in Avery Fisher Hall. As for television, it ig, Jessye Norman, and Frederica von is estimated that six million people Stade. (Another whole category across the country saw and heard the like - the < iductors. those chosen Philharmonic in a single televised per formance when the celebrated come dian Danny Kaye conducted the Or chestra recently in a Pension Fund benefit concert; and in a season's quota who is Music Director, of "Live from Lincoln Center" and other telecasts by the Philharmonic 20 are presented elsewhere in this publi million watchers may enjoy the Or chestra's performances in their homes. -
Redefining the Role of a Classical Player
CONQUER YOUR SPECIAL FOCUS: AUGUSTIN HADELICH’S UPPER-POSITION ANXIETIES GREAT TEACHERS ON TEACHING DEPENDABLE 1723 STRAD GERARD REDEFINING THE ROLE SCHWARZ’ OF A CLASSICAL ALL-STARS PLAYER TAKE IT TO TELEVISION IMPERFECTION VS. IMITATION: THE MAKINGS OF A MASTERPIECE NILS ØKLAND EXPLORES THE August 2017 No. 268 HARDANGER FIDDLE’S StringsMagazine.com FLEXIBLE VOICE 001_Cover copy.indd 1 6/22/17 4:49 PM FEATURES SPECIAL FOCUS Great Teachers on Teaching 16 Star Power 36 T e All-Star Orchestra Play It Again, shines in a new season Viola. And Again. By Cristina Schreil On orchestra excerpts and the unconditional love of music By Atar Arad 40 The Impossible 22 Dream The Eye of the Beholder Tackling the everyday struggle Imperfection may just be the thing of teaching that separates true art from imitation intonation By James N. McKean By Robert Gillespie 44 Finding the Right Balance Producing transcendent 26 musical moments— Fire and Ice and the need to Cellist Seth Parker Woods on his keep track of my inf uences and inspiration, and students’ thumbs the trajectory of his artistic adventure By Karine Georgian By T omas May 46 Constant Evolution On the development of my teaching approach to the opening of the Sibelius Concerto By Almita Vamos 32 Nordic Tracks Nils Økland explores the many voices of his Hardanger f ddle By Bob Doerschuk AUGUST 2017 VOLUME XXXII, NUMBER 1, ISSUE 268 COVER: SETH PARKER WOODS WOODS—MICHAEL YU; ØKLAND—FREDERIC BOUDIN; GEORGIAN—KATE MOUNT PHOTO: MICHAEL YU StringsMagazine.com 5 005-009_TOC&EdNote.indd 5 6/22/17 1:10 PM EDITOR’S NOTE Karine Georgian StringsMagazine.com CONTENT DEVELOPMENT Editor Megan Westberg Managing Editor Stephanie Powell Production Manager Hugh O’Connor Contributing Editors Cristina Schreil, James N.