John Harry Grainger Architect and Civil Engineer Brian Allison
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Planning Committee
MINUTES PLANNING COMMITTEE 25 OCTOBER 2016 APPROVED FOR RELEASE ------------------------------------ MARTIN MILEHAM CHIEF EXECUTIVE OFFICER I:\CPS\ADMIN SERVICES\COMMITTEES\5. PLANNING\PL161025 - MINUTES.DOCX PLANNING COMMITTEE INDEX Item Description Page PL164/16 DECLARATION OF OPENING 1 PL165/16 APOLOGIES AND MEMBERS ON LEAVE OF ABSENCE 2 PL166/16 QUESTION TIME FOR THE PUBLIC 2 PL167/16 CONFIRMATION OF MINUTES 2 PL168/16 CORRESPONDENCE 2 PL169/16 DISCLOSURE OF MEMBERS’ INTERESTS 2 PL170/16 MATTERS FOR WHICH THE MEETING MAY BE CLOSED 2 PL171/16 8/90 (LOT 8 ON SP 58159) TERRACE ROAD, EAST PERTH – PROPOSED ALFRESCO AREA AND MODIFICATIONS TO HOURS AND SIGNAGE FOR APPROVED ‘LOCAL SHOP’ 3 PL172/16 MATCHED FUNDING BUSINESS GRANT – 2016/17 PROGRAM – BABOOSHKA BAR 18 PL173/16 EVENT – WELLINGTON SQUARE – CHINESE CULTURAL WORKS PRESENTS PERTH FESTIVAL OF LIGHTS 21 PL174/16 INVESTIGATION OF FOOD AND BEVERAGES PREPARATION WITHIN ALFRESCO DINING AREAS 28 PL175/16 EXPANDED CITY OF PERTH BOUNDARY – SUBIACO FOOD BUSINESSES – ALFRESCO AREAS (COUNCIL POLICY 14.4 – ALFRESCO DINING POLICY 2000) 36 PL176/16 PROPOSED STREET NAME FOR THE RIGHT OF WAY – 111-121 NEWCASTLE STREET PERTH 38 PL177/16 PROPOSED ENTRY OF GRAND CENTRAL HOTEL – 379 WELLINGTON STREET, PERTH IN THE CITY PLANNING SCHEME NO. 2 HERITAGE LIST 41 PL178/16 PROPOSED PERMANENT HERITAGE REGISTRATION OF P23847 EDITH COWAN’S HOUSE AND SKINNER GALLERY (FMR) 31 MALCOLM STREET PERTH, IN THE STATE HERITAGE REGISTER. 50 PL179/16 REVIEW OF THE STATE GOVERNMENT DRAFT TRANSPORT @ 3.5 MILLION - PERTH TRANSPORT PLAN 53 PL180/16 REVISED CYCLE PLAN IMPLEMENTATION PROGRAM 2016-2021 58 I:\CPS\ADMIN SERVICES\COMMITTEES\5. -
Nominal Roll Project
The University of Western Australia and the Second World War Nominal Roll Project Remembering the service of staff, students and graduates of UWA UWA Historical Society With support from UWA Convocation Authors Dr Margaret Warburton Dr Joan Pope OAM Acknowledgements Elizabeth Borrello Wendy Birman Terry Larder Dr John Meyer Dr Fran Pesich Elizabeth Rowlands James Stevens Winthrop Professor Marc Tennant St George’s College UWA Convocation UWA Archives Further Information Australian Dictionary of Biography http://adb.anu.edu.au/ Australians at War Film Archive http://australiansatwarfilmarchive.unsw.edu.au/ Commonwealth War Graves Commission https://www.cwgc.org/ Australian War Memorial (AWM) https://www.awm.gov.au/ Department of Veterans’ Affairs https://www.dva.gov.au/ Edward de Courcy Clarke Earth Science Museum UWA https://www.earthmuseum.see.uwa.edu.au/ Highgate RSL Hall of Honour https://highgate-rsl.org.au/hall-of-honour/ National Archives of Australia https://www.naa.gov.au/ National Centre of Biography https://history.cass.anu.edu.au/centres/ncb Obituaries Australia http://oa.anu.edu.au/ Presbyterian Ladies College Archive https://www.plc.wa.edu.au/news-categories/resources/ Scotch College Archives https://archives.scotch.wa.edu.au/pages/home.php St George’s College Archives https://www.stgeorges-windsor.org/archives/ Trove https://trove.nla.gov.au/ UWA Archives https://www.uwa.edu.au/library/find-resources/records-and-archives UWA Historical Society https://www.web.uwa.edu.au/uwahs UWA Historical Society (UWAHS) The University -
Concrete: a Western Australian Tradition
Concrete: A Western Australian tradition Andrew Murray University of Melbourne Abstract In 1961, The Hale School Memorial Hall was completed in Perth, Western Australia. While Jennifer Taylor credits the building with the introduction of béton brut into Australia she also described the building as a “strangely isolated example”, not joined by a similar work until the completion of the Social Sciences Building at Flinders University, Adelaide in 1969. Yet in the period between these two buildings Australia saw a wide range of béton brut experiments carried out which laid the ground work for the materials widespread acceptance in the 1970s. This paper contends that rather than being an isolated example the Hale School Memorial Hall spurred on a wave of béton brut buildings in Western Australia throughout the 1960s, constituting what could be considered a regional tradition. Ian Molyneux has previously identified the key role that concrete played in Western Australia during this period, suggesting that it is the use of concrete, particularly off- form concrete, which constitutes the most visible and significant contribution that Western Australia made to contemporary Australian architecture. However, to date this contribution has received little scholarly attention. This paper then sets out to chart a nascent history of béton brut buildings in the 1960s in Western Australia. It examines a decade of material and formal experimentation looking particularly at the key role that recent graduates, publications, and the construction industry played in the formation of this tradition. 378 Introduction Jennifer Taylor wrote in Australian Architecture since 1960 on the introduction of béton brut concrete into Australia. -
News from the Collections
News from the collections Grainger Museum reopening Melbourne Conservatorium of The Grainger Museum officially Music; Dr Peter Tregear of Monash re-opened on Friday 15 October, University; and Brian Allison and following a seven-year closure. Astrid Krautschneider, Curators of Over the past few years substantial the Grainger Museum. conservation works were carried out The Grainger Museum is located on the heritage-registered building on Royal Parade, near Gate 13, under the supervision of conservation Parkville Campus. The opening architects Lovell Chen, along with hours are Tuesday to Friday 1pm to improvements to the facilities for 4.30pm and Sunday 1pm to 4.30pm. visitors, collections and staff. The new Closed Monday and Saturday, public suite of exhibitions, curated by the holidays and Christmas through Grainger Museum staff and designed January. Percy’s Café is open 8am to by Lucy Bannyan of Bannyan Wood 5pm, Monday to Friday. For further Design, explore Grainger’s life, times information or to join the mailing list and work. Funding was provided see www.grainger.unimelb.edu.au. by the University, the University Library, the University Annual MacPherson, Ormond Professor of G.W.L. Marshall-Hall: Appeal, bequests and donors. The Music and Director of the Melbourne A symposium guest speaker at the launch was Conservatorium of Music. Professor The collections of the Grainger Professor Malcolm Gillies, Vice- Gillies’ keynote paper ‘Grainger Museum provide an invaluable Chancellor of London Metropolitan 50 years on’ explored Percy Grainger’s research resource that extend far University and a leading Grainger current place in both the world of beyond the life and music of Percy scholar. -
A Search for Understanding: the Architecture of R.J. Ferguson
A Search for Understanding: The Architecture of R.J. Ferguson. Andrew Marshall Murray ORCID: 0000-0002-6199-8666 Submitted in total fulfilment of the requirements for the degree of: Master of Philosophy January 2018 Melbourne School of Design. Faculty of Architecture, Building and Planning. The University of Melbourne 1 Abstract. This thesis is an historical study examining the work of Western Australian architect Ronald Jack (Gus) Ferguson (1931-). It argues that the regional practice of R.J Ferguson was one developed out of a global postwar “anxiety” over the role of architecture in a rapidly changing world, and is the result of a complex interplay of geo-political factors specific to Western Australia. Following an extensive tour of Africa, Europe and Asia between 1957 and 1960, Ferguson set out on what he termed a “search for architectural understanding”: seeking out lessons and principles drawn from a variety of traditional architectural practices as a way to mediate this anxiety. Motivated by Perth’s geographic isolation, Ferguson’s search involved extensive travel, research and application, resulting in a practice that relied on evolving relationships between regional and global traditions. Through an exploration of Ferguson’s work between 1960 and 1975, this study contributes to a better understanding of the conditions which directly affected his practice, including geography, harsh climatic conditions, an active local discourse, and the pragmatics of construction. The thesis explores three key campus projects: the Hale School Memorial Hall (1961); The University of Western Australia campus buildings, including the Law School (1967), the Sports Centre (1970), and the Student Guild (1972); and Murdoch University, Stage One (1975). -
2018 Annual Report
2018 annual report 1 AMaGA Victoria Contents About Australian Museums and Galleries Association Victoria About the Australian Museums and Galleries Association Victoria ......................................................2 Mission: Enabling museums and their Treasurer’s Report ..................................................................................................................................3 President’s Report ..................................................................................................................................4 people to develop their capacity to inspire Executive Director’s Report ................................................................................................................ 5-6 and engage their communities. Management ....................................................................................................................................... 7-8 Awards, Forum and Events .............................................................................................................. 9-10 Statement of Purpose Membership Forum in Melbourne. Both are curated to Communications ...................................................................................................................................11 Australian Museums and Galleries AMaGA Victoria represents approximately appeal to a broad audience, from large Association Victoria, provides professional one third of AMaGA’s total membership. It State institutions to small volunteer-run INSITE ...................................................................................................................................................12 -
The Grainger Museum in Its Museological and Historical Contexts
THE GRAINGER MUSEUM IN ITS MUSEOLOGICAL AND HISTORICAL CONTEXTS Belinda Jane Nemec Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy February 2006 The Australian Centre The University of Melbourne Produced on archival quality paper ABSTRACT This thesis examines the Grainger Museum at the University of Melbourne in the context of the history of museums, particularly those in Europe, the United States and Australia, during the lifetime of its creator, Percy Aldridge Grainger (1882–1961). Drawing on the collection of the Grainger Museum itself, and on both primary and secondary sources relating to museum development in the late nineteenth and first half of the twentieth centuries, the thesis demonstrates that the Grainger Museum reflects many of the concerns of museums of Grainger’s day, especially of the years prior to his relocation to the United States in 1914. Many of those concerns were products of the nationalistic endeavours arising from political upheavals and redefinitions in nineteenth-century Europe, the imperialism which reached its zenith by the First World War, and the racialist beliefs, hierarchies and anxieties accompanying that imperialism. In particular, Grainger’s lifelong concern with racial identity manifested in hierarchical and evolutionary museum interpretations typical of his earlier years. I explore the paradox of Grainger’s admiration for the musical and material culture of the racial ‘other’ and his racially supremacist views, and the way he presented these two apparently conflicting ideologies in his Museum. In elucidating Grainger’s motives for establishing a museum, I argue that Grainger was raised in a social and cultural milieu in which collecting, classifying and displaying cultural material was a popular practice. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 350 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to postal submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. AUTHOR THANKS ACKNOWLEDGMENTS Climate map data adapted from Peel MC, Anthony Ham Finlayson BL & McMahon TA (2007) ‘Updated Thanks to Maryanne Netto for sending me World Map of the Köppen-Geiger Climate to such wonderful places – your legacy will Classification’, Hydrology and Earth System endure. To co-authors Trent and Kate who Sciences, 11, 163344. brought such excellence to the book. To David Andrew for so many wise wildlife tips. And to Cover photograph: Loch Ard Gorge, Port every person whom I met along the road – Campbell National Park, David South/Alamy. -
EDNIE-BROWN Colin Wilshire
Colin Ednie-Brown c.1930 (SLWA 006999D cropped) Colin Wilshire Ednie-Brown (1894-1960) was born 4 November 1894 at Strathfield, NSW. Colin’s grandfather had occupied ‘the position of a doctor of forestry in the old world’, and Colin’s father, John, was also educated in forestry, at Edinburgh, Scotland. John was recruited at a young age as the Conservator of Forests in Canada, then moved to the same position in South Australia, on to New South Wales, and from 1895 was Conservator of Forests in Western Australia. Unfortunately John died aged only 49 at his Forrest Street, Cottesloe residence Homebush in October 1899, leaving wife Bertha Amelia and three young children - son Ken, daughter Glen and Colin, not yet five years old. Fremantle based architect Frederick William Burwell called tenders for a new residence at Davies Road, Claremont for Mrs Ednie-Brown in February 1902, and it appears the young family resided there for a number of years. With the connection to Scotland from his father, it is not surprising to find that the earliest family record of Colin’s tertiary education was at the University of Edinburgh - where it is noted as his having successfully studied ‘Botany – Lectures and Practical’ in the academic year 1913–1914. The First World War of 1914-1918 interrupted Colin’s forestry studies and he sought to enlist, but was rejected for active service as being medically unfit, although the Ednie-Brown family has general service medals indicating that he was involved in war efforts. His architectural ambitions appear to first emerge when, writing from his mother’s West Perth address late in 1918, he enquired of the Chamber of Commerce, San Francisco, as to the opportunities for an architectural education in California. -
Duo-Art Piano, and to See His Collection Across the Street from a Park
FRONT ROW (L-R): Mel Septon, Kathy Stone, Richard VanMetre, Margaret Bisberg, Dan Stotte, ROW 4 (L-R): Robert Dumas, Mike Barnhart, Brian Meeder, Harold Ball, Miriam Hanscom, Allen Dreyfuss, Val Saari, Kay Overfield, Liz Barnhart, Kathryn Dumas, Shirley Nix, Beverly Ball, Jody Trittipo, Lyn Mercy, Jerry Golmanavich, Weslay Neff, Dennis Eiland, Jackie Dupon, Carol Veome, Margery Sanford, Charlene Torer, Jan Ham Hal Estry, John Washburn, Barbara Washburn, Elsa Pekarek, Joe Pekarek, Betty Canada, Marilyn Udell, Alice Scheelar, Rochelle Mercer ROW 2 (L-R): Leroy Schumacher, Betty Schumacher, Bill Blair, Jean Hurley, Marilyn Juckett, Ern Fisk, Janet Tallent, Christy Counterman, Donna Counterman, Donna Estry, Row 5 (L-R): John Ham, Richard Reutlinger, Bill Dean, Don Ellison, Jay Albert, Alvin Wulfekuhl, Anita Johnson, Mary Pollock, Joan Haughawout, Mary Ellen Connor, Florie Hirsch, Judy Wulfekuhl, George Cunningham, Peter Tallent, John Mercy, Sharyn Cunningham, Dawn Pumphrey, Fran Willyard, Selmer Nielsen, Earl Scheelar Howard Wyman, Cliff Juckett, Beverly Brabb, Tony Austin, Jeff Brabb, Dick Leis, Julian Dyer, Dottie McMenamy, Mike Walter, Dixie Leis, Ralph Saari, Holly Walter, Roy Beltz, ROW 3 (L-R): Bill Baab, Paul Dietz, Dorothy Olds, Hedy Dietz, Bob Hill, Paddy Austin, Mike Boyd, Frank Nix, Steve Rattle, Dick Merchant, Mary Merchant, Bob Taylor, Joe Orens, Betty Golmanavich, Sherri Neff, Cindy Eiland, Galen Bird, Linda Bird, Judy Chisnell, Rollie Chisnell, Dave Reichert, Ron Conner, Ervin Canada, Terry Haughawout, Bill Pumphrey, Raymond Palmer, Maury Willyard, Norb Torer Howard Sanford, Norb Overfield, Herb Mercer. Chlca_o's Finest Product .. ---~~ The Schulz Electric Expression Piano Carefully made of especially selected materials, is of the utmost importance in producing an appreciation of real piano music. -
John Stuart Coll (1926-2016) Was Born 11
1 Stuart Coll at St George’s Terrace, Perth in 1949 (Stuart Coll jnr) John Stuart Coll (1926-2016) was born 11 June 1926 at 11 Gresham Street in Victoria Park, to parents of Scottish (Glasgow) origins William and Elizabeth (nee Kirwan) Coll, later living at 45 Gresham Street. The Colls had emigrated to Australia and initially attempted farming in the south-west of WA, before moving to suburban Perth where Bill Coll worked as a blacksmith, then a fireman, and Elizabeth was a seamstress. Stuart, as he was known, had two sisters - Elizabeth (b.1924), and Patricia (b.1929). From these modest origins he went to primary school at East Victoria Park, and then on to Perth Modern School. Stuart attempted to sign-up for Second World War (1939-1945) service after he turned eighteen, but was refused, and he initially had thoughts of pursuing a teaching career. Instead, the nineteen year old elected to enrol in the newly- founded (1946) five year architecture course at Perth Technical College (PTC), whilst enjoying a cadetship with the WA Public Works Department (PWD). Prior to the Second World War, architectural students who did not receive academic training overseas or in other States, had been obliged to train in WA under a system of indenture to individual architects. The products of this system of architectural education were trained rather than educated and clearly bore the marks of the architect who trained them. During the war it could be foreseen that great demands would be placed on the building industry when peace eventuated, and in 1946 William (Bill) Robertson (with Arnold Camerer) inaugurated the first academic architectural course at PTC. -
Collections6.Pdf
University of Melbourne Issue 6, June 2010 COLLECTIONS University of Melbourne Collections Issue 6, June 2010 University of Melbourne Collections succeeds University of Melbourne Library Journal, published from 1993 to December 2005. University of Melbourne Collections is produced by the Cultural Collections Group and the Publications Team, University of Melbourne Library. Editor: Dr Belinda Nemec Assistant editor: Stephanie Jaehrling Design concept: 3 Deep Design Design implementation: Jacqueline Barnett Advisory committee: Shane Cahill, Dr Alison Inglis, Robyn Krause-Hale, Jock Murphy, Associate Professor Robyn Sloggett Published by the University Library University of Melbourne Victoria 3010 Australia Telephone (03) 8344 0269 Email [email protected] © The University of Melbourne 2010 ISSN 1835-6028 (Print) ISSN 1836-0408 (Online) All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. The views expressed herein are those of individuals and not necessarily those of the University of Melbourne. Note to contributors: Contributions relating to one or more of the cultural collections of the University of Melbourne are welcome. Please contact the editor, Belinda Nemec, on (03) 8344 0269 or [email protected]. For more information on the cultural collections see www.unimelb.edu.au/culturalcollections. Additional copies of University of Melbourne Collections are available for $20 plus postage and handling. Please contact the editor. Subscription to University of Melbourne Collections is one of the many benefits of membership of the Friends of the Baillieu Library, Grainger Museum Members and Members of the Ian Potter Museum of Art. See www.unimelb.edu.au/culturalcollections/ links/friends.html Front cover: Illustration from Violet Teague and Geraldine Rede, Night fall in the ti-tree (illustrated book, designed, illustrated, printed and hand-bound by the artists; colour woodcut; 32 pages, printed image 24.4 x 17.4 cm), London: Elkin Matthews, 1906.