DOCSLIB.ORG

All-State Festival Concert

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
All-State Festival Concert THE MISSOURI MUSIC EDUCATORS ASSOCIATION IN COOPERATION WITH Missouri Bandmasters Association | Missouri Association for Jazz Education American String Teachers Association | American Choral Directors Association PRESENTS THE ALL-STATE FESTIVAL CONCERT MISSOURI MUSIC EDUCATORS 78TH ANNUAL IN-SERVICE WORKSHOP/CONFERENCE CREATIVITY AND INNOVATION JANUARY 30, 2016 TAN-TAR-A RESORT & GOLF CLUB LAKE OZARK, MISSOURI All-State Concert Program provided by: J.W. PEPPER & SONS, INC. 7103 Ohms Lane | Edina, MN 55439 800/345-6296 | www.jwpepper.com 1 Missouri Chapter of the American String Teachers Association presents the 2016 Missouri All-State Orchestra January 30, 2016 12:30 p.m. PROGRAM Academic Festival Overture, Op. 80 .......................................................................................................................Johannes Brahms IMSLP Four Dance Episodes from Rodeo ............................................................................................................................. Aaron Copland Buckaroo Holiday Corral Nocturne Saturday Night Waltz Hoedown Boosey & Hawkes Danzón No. 2.................................................................................................................................................................Arturo Márquez Peer Music Classical Publishers Douglas Droste - Conductor About the Conductor Conductor Douglas Droste is recognized as possessing “obvious joy” for making music and a “sure sense of timing” when on the podium. Those under his baton routinely acknowledge his in-depth musical interpretations, keen sense of communication, and personable ability to empower musicians. Droste is the Artistic Director of the Muncie Symphony Orchestra and Director of Orchestras at Ball State University. Droste has led dynamic performances with the MSO and has been praised for his innovative programming. He has conducted performances of Scott Routenberg’s Concerto for Jazz Violin and Orchestra featuring Christian Howes, Michael Torke’s Ash, Michael Shapiro and Victor Cheng’s Identity: Zhongshang Zhuang, Concerto for Guzheng and Orchestra featuring Su Chang, pieces by Tan Dun and Bright Sheng, and recently commissioned Joe Deninzon’s Concerto for Rock Violin and Orchestra. Droste has also led passionate performances of traditional repertoire such as Beethoven’s Symphony No. 9, Debussy’s La Mer, Bartok’s Concerto for Orchestra, Respighi’s Pines of Rome, and Mozart’s Symphony No. 35. Believing that community engagement is critical for orchestras, Droste has helped establish new concerts such as the Martin Luther King Jr. Memorial Family Concert, a Sensory Friendly concert for children with special needs, and a Toddler Pops concert. He helped initiate the development of the new MSO Family Series including co-creating/producing the popular Young People’s Concert, “Music is Science!” Droste continues to program accessible pops concerts with artists such as the groundbreaking string trio, Time for Three, the Ball State University “Pride of Mid-America” Marching Band, and local blues/gospel singer-songwriter, Jennie DeVoe. Droste resides in Muncie and regularly speaks to area civic organizations. At Ball State, Droste conducts the Ball State Symphony Orchestra (BSSO) and oversees the orchestral conducting program. Recent performances with the BSSO have included Franck’s Symphony in D Minor, Saint-Saëns’s Symphony No. 3 Organ, and Elgar’s Enigma Variations. Droste also leads the opera orchestra. He recently conducted Puccini’s La Bohème and Massenet’s Werther. Always seeking unique collaborations, the BSSO has combined with the BSU Jazz Ensemble on two occasions: a dual performance of the Nutcracker Suites by Piotr Ilyich Tchaikovsky and Duke Ellington; and the first live performance of Oliver Nelson’s The Kennedy Dream since the original recording release in 1967. In 2014, Droste and jazz violinist Christian Howes were invited by the U.S. Embassy in Ukraine to perform and teach as part of an ongoing cultural exchange and engagement. Droste guest conducted the INSO-Lviv Symphony Orchestra in a goodwill concert entitled “Music from the New World” and gave a conducting master class to young Ukrainian conductors. Other recent guest conducting includes the Columbus Symphony and BalletMet Columbus’s production of The Nutcracker, the orchestras of Oklahoma City, Tulsa, Midland-Odessa; and the Amarillo Virtuosi Chamber Orchestra on an all-Bach concert, performing as violin/leader on Brandenburg Concerto No. 1. Demonstrating his versatility, Droste has conducted pops concerts with artists such as Ben Folds, The Flaming Lips, Pink Martini, Michael Cavanaugh, John Pizzarelli, and Emily Drennan. A dedicated advocate of music education, Droste regularly conducts youth orchestras and presents in-service conference sessions throughout the country. He is active as a clinician and adjudicator for school orchestras and festivals, and is affiliated with organizations such as Yamaha, Music For All, American String Teachers Association, Festival Disney, and Perform International. A talented violinist, Droste has performed with the orchestras of Oklahoma City, Tulsa, Nashville, Memphis, Lubbock, and the Lancaster Festival (OH). He is a former student of John Gilbert and the late Michael Davis. Droste is also skilled on viola and trumpet, and has sung with a variety of choral ensembles. Droste has held positions at Oklahoma State University, Oklahoma City Philharmonic, Oklahoma Youth Symphony, Austin Peay State University, and Liberty Union-Thurston School District (OH). Droste studied conducting at the Pierre Monteux School, the Oregon Bach Festival with Helmuth Rilling, as well as at other prominent conducting seminars. His primary conducting mentors include Gary Lewis, Larry Rachleff, and Michael Jinbo. Droste holds degrees from The Ohio State University and Texas Tech University. 2 2016 Missouri All-State Orchestra Number in ( ) indicates previous number of years in All-State Orchestra or other All-State Ensemble *Member of American String Teachers Association or Missouri Bandmasters Association + Tri-M Member Instrument Name Grade School Director VIOLIN I Jacob Barber 12 Thomas Jefferson Ind. Day John Atteberry Liam Carroll (2) 12 Rockhurst Michael Kern Solveig Geenen 9 Hickman Megan Maddaleno* Cindy Geng (1)+ 11 Ladue Twinda Murry Charles Hamilton (1) 10 Kirkwood Patrick Jackson* Haydn Jones 11 Principia Martha Stitzel Joseph Kim (2) 11 Hickman Megan Maddaleno* Gajan Kumar (3)+ 12 Parkway Central Joseph Bradley Cindy Liao 10 Summit Christian Acad. Michelle Nagy Liya Liu+ 9 Parkway Central Joseph Bradley Adam Martin (2) 12 John Burroughs Robert Carter* Claire Millett+ 11 Clayton Daniel Henderson* April Moon 9 Parkway Central Joseph Bradley Zachary Oyster 11 Clayton Daniel Henderson* Julia Riew 11 John Burroughs Robert Carter* Christine Shao (1) 11 Lafayette Joseph Gutowski* Michelle Tang (3) 12 John Burroughs Robert Carter* Ellie Tomasson (1)+ 11 Clayton Daniel Henderson* VIOLIN II Alexa Birt (3)+ 12 Barstow Bruce Dickerson* Isabella Boshara 12 Kirkwood Patrick Jackson* Arnold Chen (2) 12 Rock Bridge Alison Schmidt Isadora Comens (1)+ 12 Notre Dame de Sion Elizabeth Mulkey Grace Crockett 10 Ladue Twinda Murry Leanne Dang (1)+ 10 Lindbergh Alex Chang* David Decker (1)+ 10 Kirkwood Patrick Jackson* Royce Dong 12 Ladue Twinda Murry Leah Haynes (2) 11 Metro Marquita Reef Caroline Hunsaker 11 Cor Jesu Academy Emily Pankratz Sejoon Jun 9 Rock Bridge Alison Schmidt Selena Lee+ 11 John Burroughs Robert Carter* Anusha Manjunath (1) 10 Parkway Central Joseph Bradley Mary Park (1) 10 Hickman Megan Maddaleno* Luke Stange 9 Rockwood Summit John Mazar Hikari Umemori 9 Clayton Daniel Henderson* Jason Wan 9 Parkway West Ed Sandheinrich Jinghang Zhang (3)+ 12 Parkway Central Joseph Bradley Andrew Groesch (alt.) 12 St. Louis University H.S. Jeff Pottinger Nina Ruan (alt.) 10 Lafayette H.S. Joseph Gutowski* VIOLA Robert Bruce (1) 10 Lee’s Summit Carrie Turner Connor Brunig 11 Parkway West Ed Sandheinrich Michael Buckner 12 Parkway North Kenneth Rapini* Cecelia Cook (3) 12 Liberty Michelle Davis* Nathaniel Ho 11 Lafayette Joseph Gutowski* Shelby Johnson 12 Fort Zumwalt East Chris Torretta* Sharanya Kumar (2)+ 12 Parkway Central Joseph Bradley Sarah Mason (3) 12 Francis Howell Chris Miller Katherine Miller 11 Kirkwood Patrick Jackson* Joshua Neudorf 11 North Kansas City Barbara Miller Susan Robertson 11 Central (Springfield) Jacqueline Trtan* William Schatz (1) 11 Lafayette Joseph Gutowski* Jordyn Sengl 11 Fort Zumwalt West Daniel Mieloch Joanna Yu (2) 11 Rock Bridge Alison Schmidt Hannah Trammell (alt.) 11 Glendale Andy Johnston Zoe Moody (alt.) 10 Liberty Michelle Davis* CELLO Amy An (2)+ 11 Parkway Central Joseph Bradley Eric Cho (3)+ 12 Marquette James Nacy James Farquhar 12 Lee’s Summit Carrie Turner Anna Groesch 10 Cor Jesu Academy Emily Pankratz Julie Holzen (3)+ 12 Marquette James Nacy Nathan Hsu+ 11 Ladue Twinda Murry Dylan Lee (2)+ 12 John Burroughs Robert Carter* Claire Lin+ 10 Kirkwood Patrick Jackson* Jody Lin 9 Clayton Daniel Henderson* Bryce Lindaman 12 Liberty Michelle Davis* Madeline Mullen (1) 11 Barat Academy Katheryn Fenske Meredith Murphree 11 Kickapoo Rosanna Honeycutt 3 CELLO (CONT.) Bennett Shay-Zapien 10 Lee’s Summit West Kirt Mosier* Madison Tozier 11 Lee’s Summit Carrie Turner Jared Schwartz (alt.) 12 Lee’s Summit West Kirt Mosier* BASS Pieter Boswinkel (2) 11 Kirkwood Patrick Jackson* Dax Faulkingham (2) 11 Pattonville Michael Dunsmoor* Abby McCay (1) 11 John Burroughs Robert Carter*
Load more

Recommended publications
  • Creativity & Innovation
    MISSOURI MUSIC EDUCATORS 78TH ANNuaL IN-SERVICE WORKSHOP/CONFERENce CREATIVITY & INNOVATION JANUARY 27- 30, 2016 TAN-TAR-A RESORT & GOLF CLUB LAKE OZARK, MISSOURI 1 probably a tan tar a ad here? or nafme something or other 2 TABLE OF CONTENTS From the President .................................................................................4 Conference Schedule Wednesday ............................................................................................5 Thursday .................................................................................................7 All State Rehearsal Schedule ............................................................... 17 Friday .................................................................................................. 22 Saturday .............................................................................................. 37 All-State Concert Programs .................................................................. 40 Leadership MMEA Board of Directors/Administrative Personnel ............................44 MMEA Advisory Council .......................................................................45 District Leadership ...............................................................................46 Affiliate Organizations .........................................................................49 Supporting Organizations ...................................................................50 Schedule of Organization Business Meetings .....................................51 MMEA Past
    [Show full text]
  • Of Audiotape
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVID N. BAKER NEA Jazz Master (2000) Interviewee: David Baker (December 21, 1931 – March 26, 2016) Interviewer: Lida Baker with recording engineer Ken Kimery Date: June 19, 20, and 21, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 163 pp. Lida: This is Monday morning, June 19th, 2000. This is tape number one of the Smithsonian Jazz Oral History Project interview with David Baker. The interview is being conducted in Bloomington, Indiana, [in] Mr. Baker’s home. Let’s start with when and where you were born. David: [I was] born in Indianapolis, December 21st, 1931, on the east side, where I spent almost all my – when I lived in Indianapolis, most of my childhood life on the east side. I was born in 24th and Arsenal, which is near Douglas Park and near where many of the jazz musicians lived. The Montgomerys lived on that side of town. Freddie Hubbard, much later, on that side of town. And Russell Webster, who would be a local celebrity and wonderful player. [He] used to be a babysitter for us, even though he was not that much older. Gene Fowlkes also lived in that same block on 24th and Arsenal. Then we moved to various other places on the east side of Indianapolis, almost always never more than a block or two blocks away from where we had just moved, simply because families pretty much stayed on the same side of town; and if they moved, it was maybe to a larger place, or because the rent was more exorbitant, or something.
    [Show full text]
  • The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015
    The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015 2015 Annual LMEA Professional Development Conference John W. Stafford Hall of Fame Louisiana State University 2016 TEACHER OF THE YEAR DEGREE OFFERINGS CONGRATULATIONS TO LSU Bachelor of Arts in Music Master of Music ALUMNA KELLY M. STOMPS Bachelor of Music Master of Music Education Bachelor of Music Education Doctor of Musical Arts Minor in Music Doctor of Philosophy in Music BECOME A STUDENT! APPLICATION DEADLINES Undergraduate: Nov. 15 Graduate: Jan. 1 225-578-9291 music.lsu.edu/admissions WIND7991 CSVR Clarinet LMU.qxp_Layout 1 10/1/15 2:49 PM Page 1 THE LOUISIANA MUSICIAN PAGE 1 Demand a Higher Standard Introducing the NEW CSVR The Yamaha YCL-CSVR clarinet is the result of years of development dedicated to a clearly focused concept: crafting a Custom clarinet that has a beautiful sound, consistent quality, and an affordable price. Both student and professional clarinetists require a rich sound and comfortable playability. These qualities were combined with the high level of consistency that only Yamaha can provide, allowing clarinetists to demand a higher standard than ever before. • Redesigned keys offer comfortable, ergonomic hand placement. In addition, the new keys have thicker silver-plating for a dark and resonant sound quality. • Durable leather pads ensure a precise seal between pad and tone hole for ease of response throughout the entire range of the clarinet. • A new Custom barrel design provides the CSVR with a well-balanced response and rich, warm tonal colors that will elevate the progressing clarinetist’s playing.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • 2016 ASAA/First National Bank Alaska All-State Music Festival
    2016 ASAA/First National Bank Alaska All-State Music Festival Festival Participants Guest Conductors Gala Concert Schedule Participating Schools & Directors ASAAALASKA SCHOOL ACTIVITIES ASSOCIATION Win for Life ASAAALASKA SCHOOL ACTIVITIES ASSOCIATION Win for Life ASAAALASKA SCHOOL ACTIVITIES ASSOCIATION Win for Life In concert with community For nearly a century, our success has reeected a belief in Alaska’s youth. We’re proud to support the Alaska School Activities Association and students in communities throughout the state. Together, we’ll build Alaska’s bright future. Congratulations to all the 2016 ASAA/First National All State Music Festival participants. Image courtesy of ASAA FNBAlaska.com Welcome to the Festival Welcome to the 2016 ASAA/First National Bank It is no small task when trying to gather the partici- Alaska All-State High School Music Festival. pants and to coordinate this weekend’s rehearsals and concert. Many, many thanks go to those who Our Mission Statement: “The existence of this have been involved in the process of getting these Music Festival enables outstanding high school students from that first recording session to the musicians to participate as members of a select stage of West Anchorage High School Auditorium statewide band, choral or orchestra music in Anchorage, Alaska. Each of these stu- ensemble and promotes the highest stan- dents have been encouraged by a host dards of musicianship. It is the goal of parents, music directors, private of this activity to foster and inspire music teachers, adjudicators, peers, technical achievement, aesthetic un- siblings, school administrations and derstanding, and critical listening school boards who all realize the skills that allow for the culmination of power and influence that quality a final creative musical performance music can have in a young person’s of the highest artistic level.” life.
    [Show full text]
  • Full Score from the Original Manuscript
    Jazz Lines Publications Presents peter and the wolf Arranged by oliver nelson prepared by Dylan Canterbury, Rob DuBoff,and Jeffrey Sultanof full score from the original manuscript jlp-7400 Music by Sergei Prokofiev and Oliver Nelson Copyright © 1937 (Renewed) by G. Schirmer, Inc. (ASCAP) This arrangement © 2015 by G. Schirmer, Inc. (ASCAP) International Copyright Secured. All Rights Reserved. Used by Permission. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and is subject to criminal prosecution. Logos, Graphics, and Layout Copyright © 2015 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Oliver Nelson Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA oliver nelson series peter and the wolf (1966) Background: Oliver Edward Nelson was born on June 4, 1932 in St. Louis, into a musical family, as is often the case with jazz greats. His brother was a saxophonist who played with Cootie Williams and his sister was a singing pianist as well. He began to learn piano as a child, moving on to saxophone a few years later, and eventually played in what were then called “territory bands” in the St. Louis area. Johnny Hodges was his idol and he worked hard at becoming proficient at the alto saxophone before joining Louis Jordan’s big band as an altoist and arranger as the 1950s began. During the bulk of the decade he served in the Marines in the Far East and then returned to St.
    [Show full text]
  • RECORDINGS REPORTS: JAZZ Lps
    RECORDINGS REPORTS: JAZZ LPs PERSONNEL, DATA REPORT Leonard Feather: Encyclopedia of Jazz in This collection is a companion to Feather's latest book and part of a project intended to reveal the '60s, Vol. I: The Blues. Leonard Feather "the diversity of directions in which the jazz idiom has been moving during the Sixties." Oliver All-Stars; Jimmy Smith, organ; Wes Mont­ Nelson's arrangement of "St. Louis Blues" has something of the character of those Gil Evans did gomery, guitar; Grady Tate, drums; Count for Miles Davis, and it creates an autumnal backdrop for imaginative improvisation by Joe Newman Basie and his Orchestra; Johnny Hodges, on trumpet. There is an appropriate vehicle for Phil Woods's alto saxophone, and Newman appears alto saxophone; and Earl Hines, piano, in again in a dashing duel with Clark Terry on "John Brown's Blues." The material on the second quintet. Verve stereo, V6-8677, $5.79; mono, side, drawn from existing sessions, includes the Basie band playing a good arrangement by Eric V6-8677, $5.79. Dixon, the Montgomery-Smith trio performing in an excitingly predictable fashion, and Hines and Hodges collaborating like the masters they are in "C Jam Blues." Erroll Garner: That's My Kick,. Garner, The rhythmic strength of Garner's left hand is such that the addition of bongos and guitar to his piano; Wally Richardson or Art Ryerson, trio verges on the superfluous. Fortunately, they do not get in the way very much, and the set guitar; Herbie Lovelle or George Jenkins, proceeds with all his customary joie de vivre.
    [Show full text]
  • Ursula K. Le Guin – the Lathe of Heaven
    THE LATHE OF HEAVEN THE LATHE OF HEAVEN by Ursula K. Le Guin Copyright © 1971 by Ursula K. Le Guin, Published by arrangement with Charles Scribner's Sons, Library of Congress Catalog Card Number: 77-162760 First Avon printing, April, 1973, Sixth Printing eBook scanned & proofed by Binwiped 10-20-02 [v1.0] THE LATHE OF HEAVEN 1 Confucius and you are both dreams, and I who say you are dreams am a dream myself. This is a paradox. Tomorrow a wise man may explain it; that tomorrow will not be for ten file:///F|/rah/Ursula%20LeGuin/LeGuin,%20Urs...K%20-%20The%20Lathe%20Of%20Heaven%20[v1].htm (1 of 159) [7/17/03 11:37:28 PM] THE LATHE OF HEAVEN thousand generations. —Chuang Tse: II Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will. But here rise the stubborn continents. The shelves of gravel and the cliffs of rock break from water baldly into air, that dry, terrible outerspace of radiance and instability, where there is no support for life.
    [Show full text]
  • John Fitzgerald Kennedy Jr
    VerDate 11-MAY-2000 03:23 Aug 08, 2000 Jkt 010199 PO 00000 Frm 00001 Fmt 6602 Sfmt 6602 E:\WAISREPT\SD007.106 ATX006 PsN: ATX006 JOHN FITZGERALD KENNEDY JR. 1960 ±1999 MEMORIAL TRIBUTES IN THE ONE HUNDRED SIXTH CONGRESS OF THE UNITED STATES Printed by authority of S. Res. 161, 106th Congress Senate Document 106±7 U.S. GOVERNMENT PRINTING OFFICE WASHINGTON : 1999 VerDate 11-MAY-2000 03:23 Aug 08, 2000 Jkt 010199 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 E:\WAISREPT\SD007.106 ATX006 PsN: ATX006 Compiled under the direction of the Joint Committee on Printing VerDate 11-MAY-2000 03:23 Aug 08, 2000 Jkt 010199 PO 00000 Frm 00004 Fmt 6011 Sfmt 6011 E:\WAISREPT\SD007.106 ATX006 PsN: ATX006 CONTENTS Page Biography .................................................................................................. v Proceedings in the Senate: Prayer ................................................................................................. 3 Introduction of S. Res. 157 ............................................................... 4 Introduction of S. Res. 161 ............................................................... 5 Tributes by Senators: Boxer, Barbara, of California .................................................... 6 Byrd, Robert C., of West Virginia ............................................. 7 Daschle, Tom, of South Dakota ................................................. 9 Dodd, Christopher J., of Connecticut ....................................... 12 Dorgan, Byron L., of North Dakota .........................................
    [Show full text]
  • The Dogs of March
    Dartmouth College Dartmouth Digital Commons Open Dartmouth: Peer-reviewed articles by Dartmouth faculty Faculty Work 1979 The Dogs of March Ernest Hebert Dartmouth College, [email protected] Follow this and additional works at: https://digitalcommons.dartmouth.edu/facoa Dartmouth Digital Commons Citation Hebert, Ernest, "The Dogs of March" (1979). Open Dartmouth: Peer-reviewed articles by Dartmouth faculty. 3954. https://digitalcommons.dartmouth.edu/facoa/3954 This Book is brought to you for free and open access by the Faculty Work at Dartmouth Digital Commons. It has been accepted for inclusion in Open Dartmouth: Peer-reviewed articles by Dartmouth faculty by an authorized administrator of Dartmouth Digital Commons. For more information, please contact [email protected]. THE DOGS OF MARCH the darby chronicles The Dogs of March A Little More Than Kin Whisper My Name The Passion of Estelle Jordan Live Free or Die Spoonwood Howard Elman’s Farewell fiction Mad Boys The Old American Never Back Down I Love U nonfiction New Hampshire Patterns with Jon Gilbert Fox TheDogsofMarch_0874517192.pdf 6 6/4/2014 12:57:53 PM ERNEST HEBERT m DOGS of MARCH UNIVERSITY PRESS OF NEW ENGLAND Hanover and London University Press of New England www.upne.com © 1979 Ernest Hebert All rights reserved Manufactured in the United States of America First University Press of New England paperback edition published in 1995. The Dogs of March was first published in 1979 by The Viking Press and simultaneously published in Canada by Penguin Books Canada Limited. For permission to reproduce any of the material in this book, contact Permissions, University Press of New England, One Court Street, Suite 250, Lebanon NH 03766; or visit www.upne.com Paperback ISBN: 978-1-61168-707-1 Ebook ISBN: 978-1-61168-709-5 Library of Congress Control Number: 2014940299 Acknowledgment is made to Alfred A.
    [Show full text]
  • Sommaire Catalogue Jazz / Blues Octobre 2011
    SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
    [Show full text]
  • Jazzletter 93024--O24-O November 1996 Vol
    '3" ~->.>. GCH6’ L665 P.O. BOX 24-O Ojai, Calif. Jazzletter 93024--O24-O November 1996 _ Vol. 15 No. 11 Of Ms and Men well: nacion, inflacion, and so forth. Portuguese, which derives fi'om Spanish, uses a tilde vowel in such words, pronounced as a When discussion of “ebonics” began in Oakland, California, nasal, which gives you words such as nacao. Most words ending alarming Jesse Jackson and other black leaders, I took it that the in -y exist in French with the e acute, é, replacing the y and Oakland School District wanted teachers to learn “ebonics” in pronounced “ay”: cite, liberté, and so on. And ifyou substitute -ad order to teach “standard” English to black children. for the é ofFrench and the -y of English, you get the Spanish I did not at first catch a clause (since abandoned) in the school word, as in libertad. (In Portuguese: libertade.) district’s declaration: that “ebonics” was a separate language You have seen the circumflex mark, an inverted v, over vowels genetically tracing back to Africa. I presume that Jackson and in French. It does nothing to alter pronunciation, which is why the others instantly detected the landmine in that premise. If it were government of France tried to abandon it a few years ago, only to true, Americans of Italian ancestry would manifest a predilection encounter severe opposition, and rightly so. That mark is useful. for that language, German Americans for German, and the like. It Why is it used? For the same reason we use the apostrophe in isn’t that there isn’t a black southem dialect.
    [Show full text]