The Last Autumn in Legoland a Tragedy ______

Total Page:16

File Type:pdf, Size:1020Kb

The Last Autumn in Legoland a Tragedy ______ __________________ HANNA RUT CARLSSON THE LAST AUTUMN IN LEGOLAND A TRAGEDY __________________ SISTA HÖSTEN I LEGOLAND Norstedts 2019, 305 pages Sample translation of pages 5-69, by Saskia Vogel Norstedts Agency [email protected] [email protected] [email protected] Four acts: SAND, SUN, RAIN & SEA Dramatis personae: AMIR, oracle (if but an unorthodox one, the reader will just have to deal with it) KATJA, biology student MALIK, architect and father JOANNA, schoolchild and daughter ALICE, recently graduated literary scholar additionally MIRANDA and IRVING, Amir’s oracle colleagues LEO, SUSANNE and CLAIRE, fellow commune dwellers of Katja and Amir’s sanitation workers HALIMA and UBAH the young men MALTE, KONRAD and MADS various Copenhageners (extras) Scene: COPENHAGEN 2 SAND 3 row, row 4 IT IS THE LAST of all autumns. Far away in West Jutland a storm is tearing through the protected sand dunes. The Nature Conservation Commission’s signs are being tossed around by the wind; two past-season German tourists drive past without seeing them. Unwittingly, they park their motor home illegally in the middle of the beach. Beyond the thin walls the storm is yowling. Thundering masses of water come crashing across the beach: it is the sea. The sea, from which life comes, and to which life will once again return. But the German tourists can barely hear the waves. They’re being drowned out by the howling wind and the sand hammering against the motor home. Darkness falls and they heat stew up on the gas stove, play two rounds of Uno. The ruckus outside starts to settle and they make their bed believing that the storm has blown over, but in fact their motor home has been buried, packed in, become but a bulge in the raging darkness. The protected sand dunes rise up, whirl whining high into the air, and the next morning they roll in over Copenhagen. 5 THE ORACLES ARRIVE The oracles Amir, Miranda, and Irving walk down Nørrebrogade. It is dawn and very windy. The streets are almost empty. Amir walks along, writing on the wall next to him with a permanent marker, but puts it away when he spots two sanitation workers up ahead. Irving looks at Amir’s marker, Miranda’s painted nails, his own threadbare suit. IRVING: What a certifiably shitty job. MIRANDA: Don’t say that, it’s Amir’s first, after all. IRVING: But it’s not like we’re equipped. We’ve got nothing. No cult, no priesthood. MIRANDA: These are different times. IRVING: Not even a position of political power. Who’s even interested in receiving our message? MIRANDA: I have tons of followers on Instagram. Here, Amir, this is where you’ll be working. They stop outside of 5 King’s Kebab. AMIR: Wow. IRVING: Yeah, wow. No kidding. Irving takes in the graffitied building. 6 MIRANDA: Well well. So I guess none of us were supplied with an optimal human harbor this time around. Amir peeks in. AMIR: But imagine the difference we’ll be able to make. Finally they’ll be able to find out what’s going on. IRVING: I wouldn’t get your hopes up. AMIR: Why not? It went well for the last one, didn’t it? Everyone knows about the oceans rising now. Irving is about to speak, but something blows into his eye. MIRANDA: Come on, let’s go. The sand will be here soon. They move along. AMIR: Does it always feel so, so… Amir looks down at his new physical form. MIRANDA: (Smiling.) Yes. You’ll get used to it. IRVING: Just wait until you stub your toe. 7 WHEN THE SANDSTORM rolled in across Copenhagen it was early yet, and the Copenhageners hadn’t quite woken up. On Vesterbro the first grains of sand landed on a skylight high above Vesterbrogade, above a tidy, sparkling apartment—even rows of books, neatly folded clothes, chair pushed in at the desk, piles of equally spaced papers marked with names, Prometheus, Pandora, Medea. But Alice was tangled in her bed sheets. The grains of sand swished against the window, the mobile phone next to her lit up when a message arrived. Alice groaned as she reached for it, but she didn’t wake up. Her hand fumbled across the empty half of the bed beside her, stopped, and still asleep she curled back up. A new beam of light, new grains of sand against the glass, but she didn’t notice. Not yet. Not far away, among the much larger apartments on Fredericksberg, the first grains of sand landed in the drains and whooshed down the pipes towards the street. The wind found its way in through a half open window, past a blind, and made the papers pinned to the walls inside flutter. Sketches and drawings whispered and waved over a desk. In the double bed across the room Malik lay on his back, snoring and deaf to everything. But his ten-year-old daughter Joanna was woken by the pattering on her bedroom window. She lay there in her silk pajamas listening, waiting for an explanation that didn’t come. The sand pecked more and more persistently against the window and the pale morning light was starting to cast a strange hue. Eventually she crawled out of bed and pressed her nose to the window, trying to see what was there. 8 The wind swept its brown sand clouds across Jagtvej and the Nørrebro roundabout. Up on Nørrebro it blew past a black anarchist flag and in through an open window, where it strewed a few grains of sand on Katja’s bare thighs in someone else’s bed. She glanced at the grains, poking at them with a black-painted nail. She was far too tired to wonder where they’d come from, too tired even to keep herself awake, and yet the guy who was sitting on the windowsill rolling a cigarette kept on talking. “… and I mean, I don’t even think in terms of men or women or whatever, I treat all people equally, but then we were supposed to sit there talking about unconscious bias the whole afternoon, when we could’ve been out putting up stickers or doing anything else, right, so like that’s when they lost me…” Maybe it was just as well she went home. She could catch a few more hours of sleep, and she’d wanted to tackle her essay today. The guy said something about being easily offended and she was overwhelmed by a desire to read about habitat change among small mammals. She glanced at the floor, looking for her clothes, but it felt impolite to take her eyes off him. He gestured with the rolling paper. It didn’t seem like he’d ever finish with that cigarette. “… and that’s what I said: it’s all about perspective, isn’t it, there’s no reason to go around dividing people up on the inside when capitalism is the true enemy here…” Katja fixed her gaze on his lip piercing. It moved back and forth as he spoke. God, she was tired. “… and that’s how we could end fascism, stop wage slavery, put our foot down with these pigs, so they really get it once and for all, are you with me, if only people would stop treating these meetings like some fucking therapy session. Want some?” Katja blinked, loosed her gaze from the piercing, and watched as he reached a cigarette out to her. Oh, cigarettes. She wanted one so bad. “No thank you,” she said. “I’m trying to quit.” She decided the statement might as well be true. The guy shrugged and lit it himself. He drew a breath as if to keep going, but Katja got there first. 9 “I better run.” “Now? Already?” Katja climbed out of bed, grabbed her panties, and searched the floor for her T- shirt. “Yeah. It looks like we’re in for some bad weather.” The wind slammed the open window into the guy’s back as if to prove her point. She put on her pants and found her T-shirt under the bed, brushed some dust off, and pulled it over her head. “It was fun hanging with you,” the guy said. “It’s like you get me.” “For sure. Of course. See ya.” A quick hug by the window, then she was hurrying out through the party’s leftovers, stepping over two punks in the kitchen, dashing down the stairs, sticky with beer, and out onto the street. She was the lone cyclist on Nørrebrogade. Only two sanitation workers were out and about. 10 WHEN MALIK ROLLED the blind up everything was brown. The sun had long since risen, but its rays could barely reach the roofs or in through the apartment windows. He had to turn on the light in the bathroom when he went for a pee, and when he did his morning push-ups in front of the bedroom mirror his face was cast deep in shadow. It wasn’t a bad look, actually. Joanna was already awake, of course. He could hear her clattering on the keyboard before he reached her door. “Have you seen this weather, princess?” he said, leaning against the doorframe. “Shame it’s Saturday, huh? Otherwise school would definitely be canceled.” She looked up from her computer, cracked a smile, managing somehow to still look earnest. “Do you think it will be canceled on Monday?” she asked. “Because that’s when we’ll be getting the myths.” Malik yawned.
Recommended publications
  • Miserere: an Autumn Tale © 2011 by Teresa Frohock This Edition of Miserere: an Autumn Tale © 2011 by Night Shade Books
    MISERERE AN AUTUMN TALE MISERERE AN AUTUMN TALE † TERESA FROHOCK NIGHT SHADE BOOKS SAN FRANCISCO Miserere: An Autumn Tale © 2011 by Teresa Frohock This edition of Miserere: An Autumn Tale © 2011 by Night Shade Books Cover art by Michael C. Hayes Cover design by Rebecca Silvers Interior layout and design by Amy Popovich Edited by Jeremy Lassen All rights reserved First Edition Printed in Canada ISBN: 978-1-59780-289-5 E-ISBN: 978-1-59780-322-9 Night Shade Books Please visit us on the web at http://www.nightshadebooks.com Dedicated to my husband and best friend Dick Frohock PART I Haunted by ill angels only… —Edgar Allan Poe “Dream-Land” chapter one woerld in the sabbatical year 5873 ight shadows deepened when Lucian extinguished the candle Nbeside his bed. The cry from beyond his chamber ended too soon for him to determine its source. He sat on the edge of his mattress and listened for the noise to repeat itself. The hearth fire crackled. The blaze saturated the room with heat, but Catarina forbade open windows. His twin sister was always cold. Sweat crawled through his hair. He dared not move; he had no desire to draw attention to himself. The seconds ticked into minutes, but Lucian remained still. Listening. Sounds drifted upward from the room beneath his chamber. A man laughed too loudly with a thin note of hysteria edging his mirth. The sound gave Lucian goose bumps. Something—perhaps a vase or a mirror—shattered. Another peal of laughter clipped the air before indistinct voices murmured in approval.
    [Show full text]
  • Centring Mark Walsh Ebook V2
    C why mindfulness alone isn’t enough Mark Walsh Centring Why mindfulness alone isn’t enough. The definitive guide to managing stress with the body, for trainers, coaches and facilitators. by Mark Walsh and other members of the Embodied Facilitator Course community. “We are the first system we must learn to manage” - Stuart Heller “If you want to help someone, get yourself together” - Wendy Palmer First Published 2017 Copyright © Mark Walsh 2017 All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher or a licence from the Copyright Licensing Agency Limited. Details of such licences (for reprographic reproduction) may be obtained from the Copyright Licensing Agency Ltd of 90 Tottenham Court Road, London, W1P 0LP. A catalogue record of this book is available from the British Library !1 of 115! Acknowledgements 3 Introduction 5 Physiology 17 Ways to Centre 35 The Principles of Centring 59 The centred facilitator 85 Real-world Case Studies 93 Appendices & Resources 99 !2 of 115! Acknowledgements This book is strongly influenced by various embodiment teachers, particularly Paul Linden of Columbus, USA. I have also tried to credit other individual teachers where I have mentioned their techniques explicitly. Also, in twenty years of studying this content, with similar techniques being invented independently, and with many teachers cross-fertilising, it’s sometimes not clear in my own mind where things came from, so I’d like to apologise if I missed you out! Ultimately, embodiment is universal and I’ve never been a fan of trying to trademark being human, but dif- ferent teachers have worked out different pieces of the puzzle and have their own signature moves, and I would like to bow in their direction.
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]
  • 17 Students for ‘17 for More See Pages 4-9 Switch to Paper Straws by ASHA JOHNSTON Straw Again on Their Website, Thelast- Plasticstraw.Org
    PAGE 10 NEWS PAGE 14 MUSIC PAGE 15 REVIEW CLIMATE ZEALOUSY CHANGE BRINGS NEW SUSHI ON THE AFFECTS SOUND TO MONTEREY BAY EDUCATION AND MONTEREY COMMUNITY the Carmel Sandpiper A CARMEL HIGH SCHOOL STUDENT PUBLICATION VOLUME XXXVII OCTOBER 2017 www.thesandpiper.org MUSIC SCENE Alumni make their mark on the music world BY ALEX POLETTI With cello in hand, Rushad Eggleston dances across the stage of the school he once called home. Be- hind him is the Carmel High School orchestra, a group of musicians who could very well follow in his foot- steps to join the many Carmel alumni working in the music industry. From the pep band to the pit orchestra, the pres- ence of the music department can be felt throughout all of Carmel High School. After leaving an impression on campus during their tenure at the high school, many alumni continue to pursue careers in the music. Perhaps no alum is more well-known than Egg- leston, who was nominated for a Grammy in 2002 as part of the group Fiddlers 4. After this work, the ‘97 CHS grad released two albums with the progressive bluegrass band Crooked Still. The artist went solo in 2007 and has since produced three more albums span- ning a variety of genres including punk rock and chil- dren’s music. Eggleston made another splash recently: his video entitled “I Love Tofu,” has garnered over 1 million views on Facebook. In this video, the jazz musician plays on his cello and attached kazoo while using a fork taped to his bow to eat the titular soy product.
    [Show full text]
  • 1970-04-04 Article About the Poppy Campus Tour Pages 1-33 and 35
    APRIL 4, 1970 $1.00 SEVENTY-SIXTH YEAR The International Music -Record -Tape Newsweekly COIN MACHINE oar PAGES 39 TO 42 Tight Playlist Is '69 Is Seen as Pop Theater New Myth, Poll Charges Top Disk Sales Medium for Acts By CLAUDE HALL By MIKE GROSS NEW YORK-The record in- a Top 40 station of today has 57 Year in Britain NEW YORK - "Pop -Thea- which appeared in the tennis dustry has long claimed that sin- records on its playlist that it ter" is emerging as a new en- scene in Antonioni's film "Blow gles sales were severely hurt by plays. By RICHARD ROBSON tertainment concept for live Up," will be titles "U-Pop the advent of the tight playlist. WTRY in the tri -city area of presentations by rock musicians. Pantomime." The show in- But a Billboard survey of more Albany, Troy, and Schenectady, LONDON - Although fig- It's a format in which the mu- cludes mime, projections and than 100 key Top 40 radio sta- N.Y., publishes a playlist for dis- ures for December have yet to sic is complemented by a thea- original music written by mem- tions coast -to -coast has just re- tribution to the record stores in be published, it looks as though trical production which encom- bers of the Incredible String vealed that the tight playlist is the area of 30 records, plus three 1969 was a record sales year passes pantomime or plot or Band. The music will be re- a myth. One hundred and fifteen records that are picked to be for the British record industry.
    [Show full text]
  • Adventists Believe That Education Has the Goal of Preparing Students Sfor the Present and the Future Life As Outlined by Ellen G
    • EVENTH-DAY Adventists believe that education has the goal of preparing students Sfor the present and the future life as outlined by Ellen G. White in Education, Page 13. Secular education focuses only on the life in this world. Thus we cannot rely on that system to fulfill our goals. The only hope of a future life is in Jesus Christ. So if the future life is important to us, then our education must place Jesus in a central position. Students are at the time in life when they are most ready to absorb thoughts and develop positive feelings about Jesus. These thoughts and feelings are the basis of religion. In the absence of such content, other ideas and feelings will be absorbed that will produce a different kind of religion. Everyone has some kind of religion, that is, some basic ideas and feelings that are the determining force in decision-making and lifestyle. And if there is a different kind of religion, then there also is a different kind of person. For students to attend classes in a school where the name of Jesus cannot be heard, except in oath, is to lose the most religion-absorbing hours of life. Contrast that situation with a school day that opens with prayer and devotional thoughts, continues with Bible classes, and Christian teachers infusing the other classes and the whole day with Christian principles. It is not only the future life that is affected by the Gospel of Jesus. The direction of Why education for the present life is also changed by making Jesus central.
    [Show full text]
  • Key West’S Artisan Market
    INSIDE WEEK OF NOVEMBER 23-29, 2017 www.FloridaWeekly.com Vol. 2, No. 34 • FREE KEYWEST Bartender of the week Dean Warden: From bar to baritone. A6 Dinners, events eat offer excitement me and edge to traditionally boring celebration BY LAURA RICHARDSON Florida Weekly Correspondent DON’T CARE WHAT ANY Noël-crooning chanteuse has Top picks to say about the winter sea- Check out our calendar and top son — to me, picks to do this week including Thanks- the annual Turkey Turnabout and giving is more. A8-9 Ithe real most wonder- ful time of the year. When else are you allowed — nay, encour- aged — to gorge yourself on a week’s INSIDE: worth of food, walk A list of spots around with your pants unbuttoned (or, my sartorial to make turkey preference, the stretchiest pants day more fun Local music you own), and yell at the televi- on the island. Kelly Norman: The woman behind sion while impossibly burly dudes throw the music. A16 SEE THANKSGIVING, A10 A10 ERIC RADDATZ PHOTO ILLUSTRATION / FLORIDA WEEKLY PHOTO ILLUSTRATION ERIC RADDATZ Key West’s Artisan Market BY LAURA RICHARDSON do a cartwheel or two). Florida Weekly Correspondent Yes, we know it’s Sunday. We know it’s early. We know you went out last night, Every three weeks, early on Sunday probably imbibed a little more than you morning, magic happens in the parking lot intended to and ended up at Bobby’s Mon- of the Restaurant Store at 1111 Eaton St. As key Bar at 2 a.m. singing sappy love songs soon as the sun rises, tents appear out of and making new best friends you’ll never nowhere and the Artisan Market springs to remember.
    [Show full text]
  • Podcasting Second Edition
    Podcast Solutions The Complete Guide to Audio and Video Podcasting Second Edition Michael W. Geoghegan and Dan Klass Podcast Solutions: The Complete Guide to Audio and Video Podcasting, Second Edition Copyright © 2007 by Michael W. Geoghegan and Dan Klass All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner and the publisher. ISBN-13 (pbk): 978-1-59059-905-1 ISBN-10 (pbk): 1-59059-905-5 Printed and bound in the United States of America 9 8 7 6 5 4 3 2 1 Trademarked names may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, we use the names only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. Distributed to the book trade worldwide by Springer-Verlag New York, Inc., 233 Spring Street, 6th Floor, New York, NY 10013. Phone 1-800-SPRINGER, fax 201-348-4505, e-mail [email protected], or visit www.springeronline.com. For information on translations, please contact Apress directly at 2855 Telegraph Avenue, Suite 600, Berkeley, CA 94705. Phone 510-549-5930, fax 510-549-5939, e-mail [email protected], or visit www.apress.com. The information in this book is distributed on an “as is” basis, without warranty. Although every precaution has been taken in the preparation of this work, neither the author(s) nor Apress shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the information contained in this work.
    [Show full text]
  • Faith' in a Good Song (Ed)...Oldies Are Goodies
    NEWSPAPER $L25 ART Sen. McClellan Committee Questionnaire To Labels... NY Times Sets Music Publishing Co.; Murray Deutch President ...Restoring `Faith' In A Good Song (Ed). ...Oldies Are Goodies On The Charts ... Kip Cohen Heads A&R At A&M...BeII/Mickie Most Ties Ind 4 Acts BILLY PRESTON: LIVING IN H;GH 'CIRCLES' www.americanradiohistory.com "Just Don't Want to Be Lone1y.''45867 And neither did twenty of the hottest R&B and Top -40 stations in the country. It started-like many another R&B crossover hit-in Detroit. Ronnie Dyson's "Just Don't Want to Be Lonely" went Top -5 at WCHB and WJLB.Then CKLW and WCAR picked it up for Top -40 play and the explosion began. And it's still going on. Seventeen more major stations are in on it solidly, in Philadelphia, Baltimore, Washington, Los Angeles, Pittsburgh, Cleveland, Jacksonville, Milwaukee, Little Rock, Dayton, Louisville, Jackson, Indianapolis, Richmond, and Annapolis. And the list grows daily. 'Just Don't Want to Be Lonely," from Ronnie Dyson to all his friends. Togetherness On Columbia Records www.americanradiohistory.com 1/!'1 THE INTERNATIONAL MUSIC -RECORD WEEKLY %iivii Vol. XXXV - Number 9/August 18, 1973 Publication Office/119 West 57th Street, New York, New York 10019/Telephone: Judson 6-2640/Cable Address Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial CHRISTIE BARTER Restoring 'Faith' West Coast Manager Editorial New York KENNY KERNER ARTY GOODMAN In A Good Song DON DROSSELL Hollywood RON BARON BARRY McGOFFIN Research For many music publishers today, their association with a writer MIKE MARTUCCI Research Manager who is also a performer is not merely an added dividend in the BOBBY SIEGEL area of exposure of material, it is, indeed, a matter of survival.
    [Show full text]
  • Tribute to Peter Whitehead
    TRIBUTE TO PETER WHITEHEAD SYMPATHY FOR THE DEVIL A TRIBUTE TO PETER WHITEHEAD THE PERCEPTION OF LIFE Von Ed Halter «Eine Kultur in der Krise begünstigt die Entwicklung der Individualität; Zeit hallen, unbewusst, in der Mode einer jüngeren Generation tief im Inneren wiegen die Dinge nicht mehr schwer genug, um das wider: Hosen mit leichtem Schlag bei einem Mädchen, ein biss- Oberflächenspiel der Erfahrung zu verlangsamen. Wenn sich eine Kultur, chen zottelige lange Haare bei einem Jungen, eine Referenz auf hypothetisch, bis zur völligen Krise entwickeln könnte, dann ließe sich einen Moment, der nur vage als Vergangenheit erkannt wird. alles zum Ausdruck bringen und nichts wäre wahr.» (Philip Rieff, 1970) Eine dünne Kette von Beweisen, dass das Leben einst anders ge- lebt wurde. Vielen Menschen, die nach 1960 geboren worden sind, wurden Das sind die Launen der marktbasierten Erinnerung. «An- die gesellschaftspolitischen Ereignisse dieses Jahrzehnts im statt von oben herab eine gefriergetrocknete Version der Nachhinein als bloße Schlagworte vermittelt: Mai ’68, Flower Geschichte zu verbreiten», schrieb Susan Sontag 1975, regelt Power, «Make Love Not War». Die Bezeichnung «liberal» etwa die westliche Gesellschaft «solche Fragen, indem sie abwartet, kommt heute in der US-Politik fast einer üblen Nachrede bis Geschmackszyklen die Kontroverse herausfiltern». Und gleich, und wenn diejenigen, die rechts stehen, heutige Anti- doch bleiben die 60er Jahre eine harte Nuss, die erst noch Kriegs-Bemühungen kritisieren, werfen sie den Demonstranten verdaut
    [Show full text]
  • Polygram 1983-1992
    AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT
    [Show full text]
  • December 1983
    Cover Photo by Ebet Roberts FEATURES CARL PALMER Despite his many years in the business, Carl Palmer has managed to remain enthusiastic and innovative in his approach to music. Here, he discusses such topics as the differences between being a member of Asia and being the drummer with Emerson, Lake & Palmer, and his approach to drum solos. b y R i c k M a t t i n g l y 8 Photo by Ebet Roberts SIMON KIRKE e t R o b e r t s First coming to prominence with the group Free, and then moving on to Bad Company, Simon Kirke has established himself as one of those drummers who has been a role model for other drummers. He talks about his background, his drumming, and his current P h o t o b y E b activities. by Simon Goodwin 14 ANTHONY J.CIRONE A percussionist with the San Francisco Symphony, a teacher at San Jose State College, and a composer of percussion music, Cirone discusses his classical training at Juilliard, his teaching methods, careers in music today, and his personal philosophy for leading a well-integrated and diverse life-style. by Rick Mattingly 18 DRUM COMPUTERS A Comparative Look by Bob Saydlowski, Jr. 24 r e g T o l a n d d n a l o T g e r J.R. MITCHELL Creative Survival P h o t o b y G G y b o t o h P by Scott K. Fish 28 STRICTLY TECHNIQUE PORTRAITS COLUMNS Focus on Bass Drum Kwaku Dadey 94 by Paul R.
    [Show full text]