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Body Heat Von Lawrence Kasdan Body Heat von Lawrence Kasdan Autor(en): Vian, Walt R. Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 24 (1982) Heft 124 PDF erstellt am: 26.09.2021 Persistenter Link: http://doi.org/10.5169/seals-867663 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. 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Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Kasdans BODY HEAT (oben), Wilders DOUBLE INDEMNITY (unten) Detail: Lichtführung in beiden Szenen beachten 44 BODY HEAT Der Mörder ist .immer der Gärtner - der Unterschied: im einen Fall weiss man's von Lawrence Rasdan zum vornherein, im andern wird dieses best-gehütete Geheimnis im allerletzten Moment preisgegeben; der eine Autor lässt sich in die Karten sehen, während der andere lieber Gott spielt. Als Schöpfer allmächtig in der Welt seiner Geschichte hat es ein Autor jederzeit in der Hand, welche Informationen er dem Zuschauer/Leser zuspielt: er kann ihn mit einem offenen Erzählprinzip am Stoff beteiligen oder durch ein autoritäres Erzählprinzip in die Unmündigkeit verdammen. Es ist keine Kunst, als Erzähler den Zuhörer an der Nase herumzuführen, ihn nach Lust Einige meiner Lieblingsfilme und Laune auf eine falsche entstanden in dieser Zeit, Fährte zu locken oder ihm im speziellen OUT OF THE die richtige zu suggerieren PAST von Jacques Tourneur schlimmstenfalls stellt und HUROER HY SWEET von sich die Frage, ob einer Edward Dmytryk. Ich finde THE sein Handwerk versteht, MALTESE FALCON ein wunderbares Hitchcock hat verächtlich Beispiel für einen von den whodunit (wer-hat's- Erstlingsfilm, weil er so ökonomisch getan) gesprochen, und in und geschlossen ist. der Tat bleibt, wo die Frage Und dann würde ich DOUBLE nach dem Wer dominiert, kaum INDEMNITY von Wilder nennen, Raum für das Wie, Warum und und von den neueren THE Weshalb. KILLING von Stanley Kubrick, ein anderer kleiner, dichter, Ned verliebt sich wunderbar leidenschaftlich in eine verheiratete zufriedenstellender Film. Frau und flüstert ihr zärtlich ins Ohr, selbstverständlich Von jetzt an will ich bei denke man nicht allen Drehbüchern, die ich einmal daran, den Ehemann schreibe, selbst Regie führen. umzubringen - es klingelt THE POSTMAN ALWAYS RINGS Lawrence Kasdan TWICE. Man beachte auch, wie 45 geschickt - das meine ich, entwickeln wird: Phyllis um Irrtümer auszuschliessen, oben auf dem Treppenabsatz, ironisch - die Erwartung des dominant und sinnlich, Neff Zuschauers gelenkt wird! Und unten und unterwürfig. wie sie dem Alten dann das Während Phyllis die Treppe Grab schaufeln, sagt sich hinunter auf ihn zukommt, der geneigte Zuschauer: hab knöpft sie ihr Kleid zu, und ich's mir doch gleich als sie vor einem Spiegel gedacht! Aber sicher na klar. stehen bleibt, ist der EINE Lawrence Kasdan muss sich Neff plötzlich von ZWEI gesagt haben: Auf den Postler Phyllis - optisch - allein - der mit Jack beherrscht. Er wird aber ihre Nicholson in der Hauptrolle Duplizität, ihre zwei ohnehin kürzlich wieder Gesichter, natürlich erst später geklingelt hat - ist bei einem im Film erkennen." (Sin- so heissen Thema wie BODY yard/Turner in "Billy Wilders HEAT kein Verlass, und Filme") schloss für dessen zweiten Luchino Visconti in OSSES- Teil mit DOUBLE INDEMNITY SIONE und Tay Garnett THE eine Lebensversicherung ab. in POSTMAN ALWAYS RINGS TWICE Lies: Freunde von Ned legen (von 1946) verlassen sich dem Zuschauer nah, plötzlich auf die dass Lady-Wunderbar den ganz Darstellung einer Leidenschaft, die den Herzensbrecher leidenschaftslos auf ihrem Schachbrett Protagonisten zum Verhängnis wird erzählt wird zwar herumschiebt. Und siehe da - - aber der Zuschauer dachte man sich's doch! linear, wird nie getäuscht und kann Neds body schmachtet hinter die anteilnehmend Gittern, während das Entwicklung Teufelsweib Matty Walker in der mitverfolgen. Bucht von was-weiss-ich-Aca- Kasdan zeigt einen Provinz- pulco in der Sonne liegt - Playboy beim Aufriss - die body heat betreibt. schöne Einstellung, als Ned Matty zum ersten Mal sieht, Billy Wilder lässt sich bei wie sie sich ganz in Weiss DOUBLE INDEMNITY in die Karten aus der Menge löst und aus sehen: aus einer Brustwunde der Tiefe auf ihn zukommt, blutend kommt Neff in könnte grosses Kino sein: sein Büro, greift zum Dicta- wenn sie auf festen Beinen phon, erzählt seine stünde, etwa Ned erinnert Geschichte - und wie sie sich im Gefängnis daran -; endet, darüber besteht kein der Zuschauer langweilt Zweifel. In der Rückblende sich, Kasdan rennt auf die die erste Begegnung, der Bühne und verkündet: Moment Zuschauer sieht "ein Bild, das mal Leute, ich sage Euch, es die Beziehung so hinstellt, wird noch spannend werden, wie sie sich dann wirklich bleibt schön sitzen, bald 46 kommt ein Mord. Kasdan legt eher für ein gutes Dutzend seine Hauptdarsteller auf Spielfilme, bevor er seine den Boden, ins Bett, in die erste Regie Ubernahm und Badewanne, lässt sie hatte schliesslich für DOUBLE keuchen, stöhnen und natürlich INDEMNITY eine Buchvorlage schwitzen (BODY HEAT!) und von James M.Cain und als ruft vom Balkon, weil das Drehbuchmitarbeiter Raymond kaum überzeugt: was soll ich Chandler. Lawrence Kasdan denn machen Leute, so machen dagegen hatte "während des die das hundertmal am Tag, Studiums plötzlich eine Idee ist das etwa keine Leidenschaft? zu einem Film und schrieb Ehemanns Leiche ist das Drehbuch" - kurz darauf: beseitigt, die Zuschauer "doch er wollte mehr, er gähnen erneut, Kasdan rennt wollte selbst Regie fuhren" erneut auf die Bühne: Hallo (Presseunterlagen). Als Freunde, was haltet Ihr Fingerübung mag BODY HEAT angehen davon, wenn ich Euch sage, - mehr nicht. dass ich Euch reingelegt habe: Walt R.Vian vielleicht war das doch keine Leidenschaft sondern kalte Berechnung - findet Ihr das nicht spannend? Kasdan mag zwar das Wunderkind sein, als das er gefeiert wird, Talent sei ihm noch nicht einmal abgesprochen. Das mag ausreichen, um einen Film herzustellen - für grosses Kino reicht es (offensichtlich) nicht! Wunderkinder werden verhätschelt; Die wichtigsten DATEN zu: "Handwerk" dagegen, BODY HEAT so wusste der Volksmund Regie: Lawrence Kasdan dereinst, "hat goldenen Boden". Drehbuch: Lawrence Kasdan; Kaaera: In die Pfanne gehauenes THE Richard H.Kline; Schnitt: Carol POSTMAN ALWAYS RINGS TWICE Littleton; Nusik: John Barry. und DOUBLE INDEMNITIY, mit Darsteller: Williaa Hurt (Ned ranziger Butter von eigenen Raeine), Kathleen Turner (Natty Gnaden angerührt, wird keine Kalker), Richard Crenna (Ed Köstlichkeit. Halker), Ted Danson (Peter Lowen- Irgendwo ist es natürlich stein), J.A.Preston (Oscar Grace), ungerecht: Wilder hat als Nickey Rourke (Teddy Lewis), ua. "Gohst writer" an gut fünfzig Produktion: Ladd Company; Filmen mitgewirkt, bevor Produzent: Fred T.Gallo. er ein Drehbuch schreiben Land: USA, Jahr:1981, Länge: 110min durfte; schrieb dann Drehbü- Verleih: Harner Bros. 47.
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