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Of Greece, Its Islands
CHANDLERet al.: 255-314 - Studia dipterologica 12 (2005) Heft 2 ISSN 0945-3954 The Fungus Gnats (Diptera: Bolitophilidae, Diadocidiidae, Ditomyiidae , Keroplatidae and Mycetophilidae) of Greece, its islands and Cyprus [Die Pilzmiicken (Diptera: Bolitophilidae, Diadocidiidae, Ditomyiidae, Keroplatidae und Mycetophilidae) Griechenlands und seiner Inseln sowie Zypern4 1 by Peter J. CHANDLER, Dimitar N. BECHEV and Norbert CASPERS Mclksham (UK) Plovdiv (Bulgaria) Bechen (Gernlany) - - -. - ~ Abstract The spccics of fungu\ gnats (Bolitophilidae, Diadoc~dildae,Ditomyiidac. Keroplat~d:~eand Mycetophilidae) o~urringin Greece and Cyprus are reviewed. Altogether 201 species :Ire recorded, 189 for Greece and 69 for Cyprus. Of these 126 specie5 arc newly recorded fol. Greece and 36 arc newly recorded for Cyprus. The following new taxa arc described from Greece: Macrorrhyrtcha ibis spec. nov., M. pelargos spec. nov., M. laconica spec. nov., Macrocera critica spec. nov., Docosia cephaloniae spec. nov., D. enos spec. nov., D. pa- siphae spec. nov., Megophthalmidia illyrica spec. nov.. M. ionica spec. nov., M. pytho spec. nov., Mycomya thrakis spec. nov., Allocolocera scheria spec. nov., Sciophila pandora spec. nov., Ryrnosia labyrinthos spec. nov.; M. ill\,ric,cr is also recorded troln Croc~lia.The follow- ing ncw taa are described from Cyprus: Macrocera cypriaca spec. nov., Megophthalmidia alrzicola spec. nov., M. cedricola spec. nov. The following neu synonymies are propod: M!,c,c~r~iwrenuis I WXLKER,1856) = M. interniissa PL.ASSMA~N,l984 syn. nov., Plrror~rtr~1.illi.s- torri DLIFI>ZICKI,1889 = P rnciscr CASFERS,1991 syn. nov. A key is provided for thc western Palaearctic specie5 of M(ic-i.orrh~~~ic-IrciWI~~ERTZ. -
Laughter from Hades: Aristophanic Voice Today*
51 Ifigenija Radulović University of Novi Sad, Serbia Ismene Helen Radoulovits Petkovits National and Kapodistrian University of Athens, Greece Laughter from Hades: Aristophanic Voice Today The current Greek political situation again brings to light, and on stage, many ancient dramas. Contemporary Greek theatre professionals, not turning a blind eye to reality, have come up with ‘the revival’ of old texts, staging them in new circumstances. Aristophaniad is an original play with a subversive content inspired by Aristophanes and a contemporary street graffito reflecting contemporary Athenian life. It is a mixture of various comic and other dramatic elements, such as ancient comedy, grotesque, pantomime, musical, ballet, opera, standup, even circus. Additionally, staging methods developed by the Greek director, Karolos Koun (1908‐1987) are also evident in the production. Idea Theatre Company, exploiting excerpts from Aristophanes’ plays and starring the comediographer himself, manages to depict a fictional and real world in one. The performance starts with the rehearsal of Aristophanes’ new play, Poverty, which is in danger of being left unfinished since Hades plans to take Aristophanes to the Underworld. The play ends with Plutus. In the meantime, the performance entertains its audience, leading them to experience Aristotelian catharsis through laughter. This collective ‘purification’ of the soul is supposed to be mediated by laughter and provoked by references to serious life issues, given in comic mode and through a vast range of human emotions. The article deals with those comic features and supports the thesis that in spite of the fact that times change, people never cease to fight for a better society. -
Rock Falls in Delphi Archaeological Site, in Greece
Rockfalls occurred in the archaeological site of Delphi, Greece B. Christaras Aristotle University of Thessaloniki, School of Geology, Lab. of Engineering Geology and Hydrogeology, e-mail: [email protected] K. Vouvalidis Aristotle University of Thessaloniki, School of Geology, Dept. of Physical & Environmental Geography, e-mail: [email protected] M. - F. Papakonstantinou Ministry of Culture, Chief Archaeologist of I’ Ephorate of Prehistoric and Classical Antiquities, Delphi, e-mail: [email protected] ABSTRACT: In the present investigation, the safety of the northern slope of Delphi’s archaeological site in Greece was investigated against rockfalls. The area consists of limestone lying over flysch. Three possible rockfall rebound tracks, passing through the ancient stadium, and the theatre, were studied for different rock dimensions and tracks resulting that the more dangerous and difficult in retention rockfall track is that which crosses the stadium. The use of barriers was investigated accepting, finally, that a 2.5m-high metallic barrier could be installed along the northern steep slope for the protection of the archaeological site. KEY WORDS: ROCKFALLS, DELPHI, SLOP STABILITY, RESTRAINING BARRIERES 1. INTRODUCTION In the middle of September 2009, prolonged rainfall activated rockfalls from the upper sections of the archaeological site’s northern slope and fall downslope, out of the enclosure wall of the Sanctuary of Apollo, north of the Portico of Attalus. Rockfalls also occur in the stadium from 2003 onwards (Figure 1). The slope, consisting of limestone, is steep and heavily broken as a result of the existing tectonics. The rockfalls created dangerous conditions in the archaeological site regarding the safety of tourists, the staff of the ephorate and the protection of the monuments. -
The Rise and Fall of the 5/42 Regiment of Evzones: a Study on National Resistance and Civil War in Greece 1941-1944
The Rise and Fall of the 5/42 Regiment of Evzones: A Study on National Resistance and Civil War in Greece 1941-1944 ARGYRIOS MAMARELIS Thesis submitted in fulfillment of the requirements for the degree of Doctor in Philosophy The European Institute London School of Economics and Political Science 2003 i UMI Number: U613346 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U613346 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 9995 / 0/ -hoZ2 d X Abstract This thesis addresses a neglected dimension of Greece under German and Italian occupation and on the eve of civil war. Its contribution to the historiography of the period stems from the fact that it constitutes the first academic study of the third largest resistance organisation in Greece, the 5/42 regiment of evzones. The study of this national resistance organisation can thus extend our knowledge of the Greek resistance effort, the political relations between the main resistance groups, the conditions that led to the civil war and the domestic relevance of British policies. -
UN/LOCODE) for Greece
United Nations Code for Trade and Transport Locations (UN/LOCODE) for Greece N.B. To check the official, current database of UN/LOCODEs see: https://www.unece.org/cefact/locode/service/location.html UN/LOCODE Location Name State Functionality Status Coordinatesi GR 2NR Neon Rysion 54 Road terminal; Recognised location 4029N 02259E GR 5ZE Zervochórion 32 Road terminal; Recognised location 3924N 02033E GR 6TL Lití 54 Road terminal; Recognised location 4044N 02258E GR 9OP Dhílesi 03 Road terminal; Recognised location 3821N 02340E GR A8A Anixi A1 Road terminal; Recognised location 3808N 02352E GR AAI Ágioi Anárgyroi 31 Multimodal function, ICD etc.; Recognised location 3908N 02101E GR AAR Acharnes A1 Multimodal function, ICD etc.; Recognised location 3805N 02344E GR AAS Ágios Athanásios 54 Road terminal; Recognised location 4043N 02243E GR ABD Abdera 72 Road terminal; Recognised location 4056N 02458E GR ABO Ambelókipoi Road terminal; Recognised location 4028N 02118E GR ACH Akharnaí A1 Rail terminal; Road terminal; Approved by national 3805N 02344E government agency GR ACL Achladi Port; Code adopted by IATA or ECLAC 3853N 02249E GR ADA Amaliada 14 Road terminal; Recognised location 3748N 02121E GR ADI Livádia 31 Road terminal; Recognised location 3925N 02106E GR ADK Ano Diakopto 13 Road terminal; Recognised location 3808N 02214E GR ADL Adamas Milos 82 Port; Request under consideration 3643N 02426E GR ADO Áhdendron 54 Rail terminal; Road terminal; Recognised location 4040N 02236E GR AEF Agia Efimia Port; Code adopted by IATA or ECLAC 3818N -
Vlassis Caniaris
www.TeamGallery.com Vlassis Caniaris 1928 Born Athens, Greece Lives and works in Athens, Greece Education: 1959 School of Fine Arts, Rome, Italy 1950-1955 School of Fine Arts, Athens, Greece (studios of Umberto Argyros, Yiannis Pappas, Panos Sarafianos and Yiannis Moralis) 1949-1950 University of Athens, School of Medicine, Greece One Person Exhibitions: 2010 Galerie Giti Nourbakhsch, Berlin, Germany, As it was before the day before yesterday, so it will be the day after the day after tomorrow Art 41 Basel, Basel, Switzerland, Art Feature, Vlassis Caniaris (under the auspices of the Breeder) 2009 The Breeder, Athens, Greece Arnados School, Tinos, Greece, Genethlion Kalfayan Gallery, Athens, Greece, Arrivederci-Wilkommen 2008 Benaki Museum, Athens, Greece, Anniversary 2004 Municipal Art Gallery of Chania, Crete, Greece Zina Anastasiadou Gallery, Thessaloniki, Greece 2003 Foundation for Hellenic Culture, New York, United States 2000 State Museum of Contemporary Art, Thessaloniki, Greece, Retrospective Zina Anastasiadou Gallery, Thessaloniki, Greece 1999 National Gallery, Athens, Greece, Retrospective 1996 Aria Gallery, Argostaoll, Kefalona Island, Greece 1993 Galerie 3, Athens, Greece Team gallery, inc., 83 grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 1992 Staatliche Kunsthaus, Berlin, Germany 1991 Cultural Center Vafopoulou, Thessaloniki, Greece Paratiritis Gallery, Thessaloniki, Greece Karl Ernst Osthaus-Museum, Hagen, Germany 1989 Titanium Gallery, Athens, Greece Municipal Gallery, Patras, Greece -
Olympian Gods Tour Duration: 12 Days
12 Olympian Gods Tour Duration: 12 days Suggested Itinerary 3 overnights in Athens 2 overnights in Porto Heli Zeus – Hera – Poseidon – Demeter – Athena – Apollo – Artemis – Ares – Aphrodite – 2 overnights in Delphi Hephaestus – Hermes – Dionysus 2 overnights in Kalambaka 2 overnights in Thessaloniki Sites and Places of Interest in Athens Acropolis of Athens The Acropolis, and the Parthenon in particular, is the most characteristic monument of the ancient Greek civilization. Put the best of science, art and New Acropolis Museum philosophy together in one creation and you have the definitive monument The new Acropolis Museum has a total area of human civilization. of 25,000 square meters, with exhibition space of over 14,000 square meters, ten UNESCO calls it the symbol of World times more than that of the old museum Heritage. The world calls it the Athenian on the Hill of the Acropolis. Acropolis! The Acropolis Museum is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on its feet, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies on the archaeological site of Makrygianni and the ruins of a part of Roman and early Byzantine Athens. National Archaeological Museum of Athens The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Its abundant collections, with more than 11,000 exhibits, provide a panorama of Greek civilization from the beginnings of Prehistory to Late Antiquity. -
IFK Apologismos 2015-ENG Web.Indd
THE J. F. COSTOPOULOS FOUNDATION ESTABLISHED IN 1979 ANNUAL REPORT 2015 ATHENS IIFK_ApologismosFK_Apologismos 22015-ENG_web.indd015-ENG_web.indd 1 113/7/163/7/16 66:21:21 μ.μ. The J. F. Costopoulos Foundation would like to thank DDB for graciously offering the design of the Annual Report 2015. 2 IIFK_ApologismosFK_Apologismos 22015-ENG_web.indd015-ENG_web.indd 2 113/7/163/7/16 66:21:21 μ.μ. ANNUAL REPORT 2015 Portrait of John F. Costopoulos (Engraving by A. Tassos) IIFK_ApologismosFK_Apologismos 22015-ENG_web.indd015-ENG_web.indd 3 113/7/163/7/16 66:21:21 μ.μ. Brief History The J. F. Costopoulos Foundation, a non-profit charitable institution, was founded in 1979, on the occasion of the centenary of the Alpha Bank, then operating as Credit Bank, in memory of its founder John F. Costopoulos by its then Chairman, the late Spyros Costopoulos and his wife Eurydice. In accordance with its purpose, as it is stipulated by its Articles of Association and Operation, the Foundation continuously supports the safeguard and promotion of the Greek culture, literature and the arts both in Greece and abroad. 4 IIFK_ApologismosFK_Apologismos 22015-ENG_web.indd015-ENG_web.indd 4 113/7/163/7/16 66:21:21 μ.μ. The Board of Trustees Yannis S. Costopoulos Chairman Anastasia S. Costopoulos Vice-Chairman Demetrios P. Mantzounis Treasurer Thanos M. Veremis Trustee Theodoros N. Filaretos Trustee Hector P. Verykios Director Athanassios G. Efthimiopoulos Financial Services Assimina E. Strongili Magda N. Tzepkinli Secretariat Alpha Private Banking Financial Advisor Irene A. Orati Dimitra I. Tsangari Special Advisors 5 IIFK_ApologismosFK_Apologismos 22015-ENG_web.indd015-ENG_web.indd 5 113/7/163/7/16 66:21:21 μ.μ. -
Think Teen 2Nd Grade of Junior High School
001-004.qxp:01-18.qxp 11/13/08 6:16 PM Page 1 Think Teen 2nd Grade of Junior High School TEACHER’S BOOK (ΠΡΟΧΩΡΗΜΕΝΟΙ) 001-004.qxp:01-18.qxp 11/13/08 6:16 PM Page 2 ΣΥΓΓΡΑΦΕΙΣ Αλεξία Γιαννακοπούλου, Εκπαιδευτικός Γεωργία Γιαννακοπούλου, Εκπαιδευτικός Ευαγγελία Καραμπάση, Εκπαιδευτικός Θεώνη Σοφρωνά, Εκπαιδευτικός ΚΡΙΤΕΣ-ΑΞΙΟΛΟΓΗΤΕΣ Ουρανία Κοκκίνου, Μέλος ΕΕΔΙΠ 1, Πανεπιστημίου Θεσσαλίας Διονυσία Παπαδοπούλου, Σχολική Σύμβουλος Ανθούλα Φατούρου, Εκπαιδευτικός ΕΙΚΟΝΟΓΡΑΦΗΣΗ Ιωάννης Κοσμάς, Σκιτσογράφος-Εικονογράφος ΦΙΛΟΛΟΓΙΚΗ ΕΠΙΜΕΛΕΙΑ Χρυσάνθη Αυγέρου, Φιλόλογος ΥΠΕΥΘΥΝΟΣ ΤΟΥ ΜΑΘΗΜΑΤΟΣ Ιωσήφ Ε. Χρυσοχόος, Πάρεδρος ε.θ. του Παιδαγωγικού Ινστιτούτου ΥΠΕΥΘΥΝΗ ΥΠΟΕΡΓΟΥ Αλεξάνδρα Γρηγοριάδου, Τ. Πάρεδρος ε.θ. του Παιδαγωγικού Ινστιτούτου ΠΡΟΕΚΤΥΠΩΤΙΚΕΣ ΕΡΓΑΣΙΕΣ Γ´ Κ.Π.Σ. / ΕΠΕΑΕΚ II / Ενέργεια 2.2.1. / Κατηγορία Πράξεων 2.2.1.α: «Αναμόρφωση των προγραμμάτων σπουδών και συγγραφή νέων εκπαιδευτικών πακέτων» ΠΑΙΔΑΓΩΓΙΚΟ ΙΝΣΤΙΤΟΥΤΟ Δημήτριος Γ. Βλάχος Ομότιμος Καθηγητής του Α.Π.Θ. Πρόεδρος του Παιδαγωγικού Ινστιτούτου Πράξη με τίτλο: «Συγγραφή νέων βιβλίων και παραγωγή υποστηρικτικού εκπαιδευτικού υλικού με βάση το ΔΕΠΠΣ και τα ΑΠΣ για το Γυμνάσιο» Επιστημονικοί Υπεύθυνοι Έργου Αντώνιος Σ. Μπομπέτσης Σύμβουλος του Παιδαγωγικού Ινστιτούτου Γεώργιος Κ. Παληός Σύμβουλος του Παιδαγωγικού Ινστιτούτου Αναπληρωτές Επιστημονικοί Υπεύθυνοι Έργου Ιγνάτιος Ε. Χατζηευστρατίου Μόνιμος Πάρεδρος του Παιδαγωγικού Ινστιτούτου Γεώργιος Χαρ. Πολύζος Πάρεδρος ε.θ. του Παιδαγωγικού Ινστιτούτου Έργο συγχρηματοδοτούμενο 75% από το Ευρωπαϊκό Κοινωνικό Ταμείο και 25% από -
Pronunciation Booklet
PRONUNCIATION BOOKLET Word Phonetic pronunciation (mine) What Meaning (if known) Actual sacred space or enclosure attached to a temple of ab-are-ton Abaton Asclepius where those wanting to be cured slept Acayo a-key-owe Fictional character - a Spartan soldier Greek name meaning out of step/ill-timed Acropolis ac-rop-o-liss Actual fortified part of a city, normally built on a hill Actual ancient Greek King of Athens, father of the hero Aegeus ee-gee-us Greek name meaning protection Theseus Actual Ancient Greek name given to the public open space Agora ag-or-are Greek name meaning gathering place or assembly used for markets Agrias ag-ree-us Fictional character - Alexis' father, and King of Trachis Greek name of unknown meaning Aigai ay-gay Greek name meaning place of goats Actual ancient first capital of Macedonia, now called Vergina Fictional character - Princess of Thermopylae, daughter of Greek name meaning helper and defender (can be male Alexis al-ex-us Agrias & Melina or female name) Amazonomachiai am-a-zon-e-mack-ee Plural of the battle of the Amazonomachy Portrayal of a mythical battle between the Amazons and Amazonomachy am-a-zon-e-mack-ee Amazon battle Ancient Greeks Amphissa am-f-iss-are Actual ancient city in Phocis, now known as Amfissa Greek name meaning surround Actual Ancient Greek jar or jug with two handles and a Amphora am-for-a From Greek word amphoreus meaning to bear narrow neck (singular) Amphorae am-for-i Actual plural of the Ancient Greek jars or jugs called amphora Amyntas arm-in-t-us Actual King of Macedonia Amyntas -
The Heritages of the Modern Greeks
The heritages of the modern Greeks PROFESSOR PETER MACKRIDGE Introduction poetry from the Mycenaeans, because they could make a fresh start with a clean slate. He presents the heritages of the What makes the heritages of the modern Greeks unique? modern Greeks as a burden – and in some cases even an They stand between East and West in the sense that they incubus – since their legacies from ancient Greece and belong neither to the Catholic and Protestant West nor to Byzantium continually threaten to dominate and the Muslim East; their Roman heritage is more eastern than overshadow them. western; yet they have been dominated by Catholic as well as Ottoman occupiers. Although I am against the concept of Greek (or any other) exceptionalism, I believe that when The nationalisation of the past foreigners deal with modern Greece they need to be sensitive The Greeks of the last 200 years have possessed ample to cultural differences, which are the result of specific historical material with which to form their national historical experiences. Especially in times of crisis such as identity. Compare the Germans, who for their ancient past the one the Greeks are going through today, the world – and have only Tacitus’ Germania, a brief and impressionistic especially Europe – needs to show sympathy and solidarity ethnography written by an outsider who warned that his with their plight. Nevertheless, this shouldn’t inhibit us aim was to comment on the Romans of his time as much as from looking critically at what Greeks – and I mean chiefly on the Germans. Tacitus left the modern Germans a great Greek intellectual and political elites – have made of their deal of leeway to invent and imagine their own antiquity. -
Performances of Ancient Greek Tragedy and Hellenikotita: the Making O F a Greek Aesthetic Style of Performance 1919-1967
Performances of Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style of Performance 1919-1967 Ioanna Roilou-Panagodimitrakopoulou M.A. in Theatre Strudies M.A. in Modem Drama Submitted for a Ph.D thesis Department of Theatre Studies Lancaster University March 2003 ProQuest Number: 11003681 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003681 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Performances o f Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style o f Performance 1919-1967 Ioanna Roilou-Panagodimittakopoulou M.A. in Theatre Studies, M.A. in Modem Drama Submitted for a Ph.D thesis Department a Theatre Studies Lancaster University March 2003 Abstract This t hesis s tudies t he p henomenon o f t he p roduction o ft ragedy i n G reece d uring t he period 1919-1967 in relation to the constitution of Greek culture during this period and the ideologem of hellenikotita. It argues that theatre in Greece through the productions of tragedy proposed an aesthetic framework of performances of tragedy that could be recognised as ‘purely Greek’ within which the styles of productions moved.