DOCSLIB.ORG

Appendix B Pamela Smart Achievements & Certifications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Appendix B Pamela Smart Achievements & Certifications Appendix B Pamela Smart Achievements & Certifications Certifications and Achievements for Pamela Smart Page Academic Degrees 1. Master of Arts – English, Summa Cum Laude (Mercy College, 2003) ............................................B5 2. Master of Science of Law, Summa Cum Laude (Southern California University for Professional Services, 2001) .............................................................................................................B6 a. Southern California University Transcript ........................................................................B7 Academic Achievements 3. Completion of Unit 1 – Clinical Pastoral Education (St. John’s Episcopal Services, NY, 2007).....B8 4. Certificate in Criminal Justice, Summa Cum Laude (University of Alabama, 1997) .......................B9 5. Certificate of Completion, Teaching Apprenticeship (New York State Dep’t. of Labor, 1997) ....B10 6. Certificates of Achievement, Distinguished Achievement as Teaching Aide (2011) ....................B11 7. Certificates of Achievement, Distinguished Achievement as Teaching Aide (2009) ....................B12 8. Certificates of Achievement, Distinguished Achievement as Pre-GED Teaching Aide (2008) ....B13 9. Certificates of Achievement, Distinguished Achievement as Teaching Aide (2007) ...................B14 10. Certificates of Achievement, Distinguished Achievement as Teaching Aide (2006) ....................B15 11. Certificate of Achievement, with Distinction, Civil Rights Movement Course (CUNY, 1995) .....B16 12. Certificate of Merit, Completion of Legal Research and Law Library Course (1995) ..................B17 13. Certificate of Completion, Peer Facilitator (Aids, Counseling & Education (“ACE”) Program, BB2012) ..........................................................................................................................B18 14. Certificate of Completion, HIV/AID Information Course (ACE Program, 2007) .........................B19 Volunteer Work 15. Certificate of Appreciation (Volunteer Tutoring Program, 2013) ..................................................B20 16. Certificate of Participation (Volunteer Tutoring Program, 2012) ...................................................B21 17. Letter of Gratitude (Volunteer Tutoring Program, 2012) ................................................................B22 18. Certificate of Recognition, Exceptional Dedication (Volunteer Tutoring Program, 2012) ............B23 19. Certificate of Recognition, Outstanding Tutoring (Volunteer Tutoring Program, 1998) ..............B24 20. Certificate Honoring Service to Academic Department (Bedford Hills Education Department) ...B25 21. Presider Training Certificate (2010) ...............................................................................................B26 22. Certificate for Achieving Goals and Objectives in Therapeutic Program (Step Up/Network Program, 2005) ................................................................................................................................B27 23. Certificate of Achievement, Outreach Tutoring (BHCF Academic Department, 2009) .................B28 24. Certificate of Appreciation for Valuable Contributions (College Bound Programs, 1999) ............B29 B-i 25. Certificate in Recognition, Donations to American Red Cross Haiti Relief Fund (American Red Cross, 2010) ...........................................................................................................B30 26. Certificate of Appreciation, Gift to United Negro College Fund (UNCF, 2008)............................B31 Group Participation 27. Certificate of Achievement, Public Speaking and Communication (Rehabilitation Through the Arts, 2017) .........................................................................................B32 28. Certificate of Achievement, “Amazing Grace” Intensive One Year Rehearsal & Performance Project (Rehabilitation Through the Arts, 2013) .............................................................................B33 29. Certificate of Participation, Rites of Passage Classes (Community Chaplain, 2009-2010) ............B34 30. Guarded Angels Softball Award, Outstanding Performance and Contribution to the Team (Father O’Shea, Head Coach, 2003) ...............................................................................................B35 31. Softball Award (Outstanding Sportsmanship, 2002) ......................................................................B36 32. Athletic Award, Volleyball (Bedford Hills Education Center, 1996) .............................................B37 33. Athletic Award, Weight Lifting (Bedford Hills Education Center, 1996) ......................................B38 34. Certificates of Participation, AIDS Walkathon (ACE Program, 2011)...........................................B39 35. Certificates of Participation, AIDS Walkathon (ACE Program, 2010)...........................................B40 36. Certificates of Participation, AIDS Walkathon (ACE Program, 2009)...........................................B41 37. Certificates of Participation, AIDS Walkathon (ACE Program, 2008)...........................................B42 38. Membership (New York State Defenders Association) ..................................................................B43 Programs Attended 39. Certificate of Discipleship (Guiding Light Interdenominational Church, 2012) ............................B44 40. Certificate of Achievement, Worship Planning Training (Church Services, 2011) ........................B45 41. Certificate of Achievement, Broadway Cabaret (Rehabilitation Through the Arts, 2016) ............B46 42. Certificate of Achievement, Devising Theater (Rehabilitation Through the Arts, 2016) ...............B47 43. Certificate of Achievement, Love: Familial, Friendship, Spiritual, Romantic (Rehabilitation Through the Arts, 2014) .........................................................................................B48 44. Certificate of Achievement, Committed RTA Participation (Rehabilitation Through the Arts, 201B1-2012) .............................................................................B49 45. Certificate of Achievement, Committed RTA Participation (Rehabilitation Through the Arts, 2010-2011) ................................................................................B50 46. Certificate of Achievement, Commendable Participation in Exploring Mythology – Summer Session (Rehabilitation Through the Arts, 2011) .............................................................B51 47. Certificate of Achievement, The Tempest (Rehabilitation Through the Arts, 2010) ......................B52 48. Certificate of Achievement, Art & The Individual (Rehabilitation Through the Arts, 2009) .........B53 B-ii 49. Certificate of Achievement, “The Syringa Tree” Creative Discovery Workshop (Rehabilitation Through the Arts, 2009) .........................................................................................B54 50. Certificate of Achievement, 12-Week Discovery Course (Rehabilitation Through the Arts, 2009) .........................................................................................B55 51. Certificate of Achievement, 12-Week Discovery Course (Rehabilitation Through the Arts, 2008) .........................................................................................B56 52. Certificate of Recognition, Endurance, Faith, and Strength (Church Services, 2007) ....................B57 53. Certificate of Completion, Advanced Court in Nonviolent Conflict Resolution, (The Alternatives to Violence Project, Inc., 2000)..........................................................................B58 54. Certificate of Completion, Down On Violence (The Anti-Violence Program, 2000) ....................B59 55. Certificate of Completion, Anger And You (The Anger Management Program, 2000) .................B60 56. Certificate of Completion, Basic Course in Nonviolent Conflict Resolution, (The Alternatives to Violence Project, Inc., 2000)..........................................................................B61 57. Certificate of Achievement, Academic I.P.A. Training (1995) ......................................................B62 58. Certificate of Participation, Money Addiction Program (Volunteer Services, 1994) .....................B63 59. Certificate of Appreciation, ICP Therapeutic Aide (Church Services, 1994) .................................B64 Inmate Progress Reports 60. Inmate Progress Report (Family Violence – Excellent – 7/2013) ...................................................B65 61. Inmate Progress Report (Pre-GED – Excellent – 4/2012) ..............................................................B66 62. Inmate Progress Report (Pre-GED – Excellent – 3/2012) ..............................................................B67 63. Inmate Progress Report (Pre-GED – Excellent – 11/2010) ............................................................B68 64. Inmate Progress Report (Pre-GED – Excellent – 9/2010) ..............................................................B69 65. Inmate Progress Report (Pre-GED – Excellent – 5/2009) ..............................................................B70 66. Inmate Progress Report (Pre-GED – Excellent – 2/2009) ..............................................................B71 67. Inmate Progress Report (Teacher Aide/Volunteer Tutoring Program – Excellent – 6/1999) .........B72 68. Educational Evaluation (Pre-GED – Teacher Aide – Excellent – 5/1999) .....................................B73 69. Educational Evaluation (Pre-GED
Load more

Recommended publications
  • Petition Form and Materials in Support of Pamela Smart's
    PETITION FORM AND MATERIALS IN SUPPORT OF PAMELA SMART’S PETITION FOR COMMUTATION OF SENTENCE Date February 26, 2018 FRIED, FRANK, HARRIS, SHRIVER & JACOBSON LLP Robert E. Juceam One New York Plaza New York, New York 10004 (212) 859-8000 Of Counsel: Amelia Gordon Matthew Joseph Katherine St. Romain 801 17th Street, NW Washington, DC 20006 (202) 639-7000 TABLE OF CONTENTS Tab I. Pardon Petition Form and Supporting Letters ...........................................................1 II. Memorandum in Support ..........................................................................................2 III. Appendix A – Letters & Signatures of Support .........................................................A IV. Appendix B – Pamela Smart Achievements & Certifications ...................................B V. Appendix C – Governors’ Recent Life-Without-Parole Commutations ....................C VI. Appendix D – Steve Cain & Associates, Tape Lab Report .......................................D VII. Appendix E – Exhibits to the Memorandum………................................................. E INFORMATION REQUIRED WITH PARDON PETITION Full Name: _____________________________________________________________________Pamela A. Smart Residence: _____________________________________________________________________Bedford Hills Correctional Facility for Women, 247 Harris Rd, Bedford Hills, NY 10507 (Street) (Town or City) Date of Birth: ___________________________August 16, 1967 (age: 50) Marital Status: Are you married? ________________________________________No
    [Show full text]
  • Fenton Bailey & Randy Barbato
    LA ‘14 Friday, 12/05 The Paramount Theater at Paramount Studios Los Angeles, CA 30 1 2 CONGRATULATIONS ON YOUR 2014 IDA AWARDS NOMINATION BEST LIMITED SERIES ©2014 Showtime Networks Inc. All rights reserved. 3 YEAR OF LIVING DANGEROUSLY - Showtime_YOLD_IDA_NomAd_FIN.indd 1 project: IDA NOMINATION FP 4C AD trim: 8.5" x 11" bleed: 8.75" x 11.25" mo#: 310940 FIN 11/13/14 4:52 PM client: SHOWTIME safe: 7.5" x 10" mech: 100% print: 100% date: 11/13/14 Our Sponsors luminary sponsor platinum sponsors gold sponsors silver sponsors bronze sponsors Law Offices of Larry Verbit Entertainment Law 4 pearl sponsors BIRDSTREET PRODUCTIONS media sponsor 5 RED FIRE FILMS honors and supports this year’s IDA Emerging Filmmaker. Congratulations to Darius Clark Monroe from Houston, Texas. redfirefilmsllc.com 6 December 5, 2014 SCHEDULE AWARDS CEREMONY 7:00 PM HOST: CAROL LEIFER Welcome Reception Celebrating 30 Years of the IDA Documentary Awards 30 Year Tribute Reel LOCATION: Bronson Plaza David L. Wolper Student Documentary Award 8:00 PM ABCNEWS VideoSource Award Awards Ceremony Pare Lorentz Award Best Curated Series Award LOCATION: Paramount Theater Emerging Documentary Filmmaker Award sponsored by Red Fire Films and Modern VideoFilm 9:30 PM Best Short Form Series Award After Party Preservation And Scholarship Award Sponsored by SHOWTIME® HUMANITAS Documentary Award LOCATION: Bronson Plaza Best Episodic Series Award Best Limited Series Award Pioneer Award Creative Recognition Awards: Best Cinematography presented by Canon Best Editing Best Music Best Writing
    [Show full text]
  • Directed by ​Jeremiah Zagar Starring​Evan Rosado, Isaiah Kristian
    Directed by Jeremiah Zagar ​ Starring Evan Rosado, Isaiah Kristian, Josiah Gabriel ​ Raúl Castillo & Sheila Vand SUNDANCE FILM FESTIVAL SCREENINGS Saturday, Jan. 20th at 12:00pm - Library Center Theatre - World Premiere *Sunday, Jan. 21st at 1:00pm - Holiday Village, Cinema 4 - P&I* Monday, Jan. 22nd at 9:00am - The Ray Wednesday, Jan. 24th at 6:00pm. - Salt Lake City Library Theatre Thursday, Jan. 25th at 1:00pm - Redstone Cinema 2 Friday, Jan. 26th at 3:00pm - Sundance Mountain Resort Screening Room Saturday, January 27th at 2:30pm - Egyptian Theatre 2017 / 90 mins. / Drama / USA / Color / English Publicity Contacts Sales Contacts ​ PMK•BNC Cinetic Media Omar Gonzales/ [email protected] John Sloss / [email protected] ​ Sara Sampson/ [email protected] Eric Sloss / [email protected] ​ 212.373.6120 212.204.7979 LOGLINE Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. SYNOPSIS Us three. Us brothers. Us kings, inseparable. Three boys tear through their rural New York hometown, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to keep her youngest, Jonah, in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own. With a screenplay by Dan Kitrosser and Jeremiah Zagar based on the celebrated Justin Torres We the Animals novel, ​ is a visceral coming-of-age story propelled by layered performances from its astounding cast – including three talented, young first-time actors - and stunning animated sequences which bring Jonah’s torn inner world to life.
    [Show full text]
  • PDF MFA Social Documentary Film Dept Brochure
    Graduate Programs giving students the benefit of their expertise. The department Documentary also works to foster a direct line to the production professionals who will be their best network after graduation. film has changed SocDoc alumni have made an impressive impact. Alumni films have received more than a million dollars in production dramatically funding from Sundance Institute, ITVS, JustFilms/Ford Foundation, Jerome Foundation, CAAM, IDFA Bertha Fund, over the years, evolving into a fully realized art form. Growing Chicken & Egg Pictures, Tribeca Film Institute, Frameline audiences watch nonfiction in theaters, on TV and online and others. They have won an Emmy and the Student to see fresh global stories, and be inspired by the lives of Academy Award, and received multiple nominations. change-makers, artists and everyday people. These stories Alumni have been broadcast on TV, garnered industry delve into our history, inspire action and let us discover support via international film markets, received theatrical distant regions and our neighborhoods with a fresh eye. But, release in the U.S. and around the globe, received countless as evolutions in technology make it easier to create films, views online and played top-tier festivals including Berlin, more content competes for the opportunity to be seen. So it Sundance, IDFA, SXSW, Hot Docs, Busan and Tribeca. becomes vital to have the talent to produce a film that stands Now in our 12th year, MFA SocDoc is proud to inspire and out. Those with true fluency in the form—and a network of support the next generation of documentary filmmakers. A like-minded artists and mentors—have a crucial advantage.
    [Show full text]
  • Supplementary Memorandum in Support of February 26, 2018 Petition of Pamela Smart for Commutation of Sentence and Comment On
    SUPPLEMENTARY MEMORANDUM IN SUPPORT OF FEBRUARY 26, 2018 PETITION OF PAMELA SMART FOR COMMUTATION OF SENTENCE AND COMMENT ON RECOMMENDATION IN OPPOSITION OF THE ATTORNEY GENERAL OF NEW HAMPSHIRE Fried, Frank, Harris, Shriver & Jacobson LLP Robert E. Juceam One New York Plaza New York, New York 10004 (212) 859-8040 [email protected] Of Counsel Amelia Gordon Matthew Joseph Katherine. St. Romain Ronald Williams 807 17th Street, NW Washington, D.C. 20006 (202) 639-7000 I. Pamela Smart Never Had a Sentencing Hearing. Unlike the men who stood over Greg Smart and killed him by gunshot to the back of his head, all of whom are now on parole, Pamela Smart was sentenced to life imprisonment without the possibility of parole because of a legislatively mandated minimum sentence. She was 22 when convicted of accomplice to murder, has been incarcerated 28 years and remains so at Bedford Hills Correctional Facility. The judiciary never had an opportunity to determine whether the punishment fit the offender as well as the crime or whether it was inappropriately disparate from the sentence of the shooters or to give effect to the guidance of the New Hampshire Constitution (Pt. first, art. Xvii) that “the true design of all punishments [is] to reform, not to exterminate.” Executive Grace is the sole mechanism to individualize her punishment -- access to which is guaranteed to every New Hampshire citizen as of the present. II. Breadth of Support for the Petition. The State’s opposition attempts to discredit Ms. Smart’s wide-ranging support from the academic, celebrity, religious, philanthropic and other communities as well as decades of prison authorities and fellow inmates among others.
    [Show full text]
  • Kidman Does a Lot of Sucking in to Die for Fell's Point Fun Fest Brews
    October 10,1995 PAGE 9 Features Kidman Does a Lot of Sucking in To Die For by Nicole Kidman, not Helen Hunt. Citizen Kane in comparison. the characters are poorly developed; Jessica Greaves Suzanne is also not a teacher; she is The biggest crime that this mur- most of the jokes aren't funny; and Retriever Editorial Staff a narcissist who desperately wants der movie commits is that it wastes much of the dialogue leaves you Dateline, New Hampshire: A to get on television, and will liter- its potential. The idea that TV turns thinking, "Huh?" Additionally, the young high school teacher named ally do anything to make that hap- ordinary people into self-serving me- clothes and decorating are heavily Pamela Smart seduces a dipshit dia whores is certainly timely, reminiscent of The Brady Bunch. In student from her video produc- and could be the basis for a other words, if the bad writing doesn't tion class and convinces him "Matt Dillon ... is lucky that he provocative and funny movie. get you, the lime-green polyester will. and two of his friends to whack gets iced before the movie's over." To Die For, which is being The movie's actors are also her husband. touted in commercials as just wasted for the most part. Nicole Some of you may remember such a movie, does try a little bit Kidman, who gives an excellent this real-life soap opera from a few pen. Additionally, Suzanne is em- of ironic cultural critique, but succeeds performance, all things considered, years back, perhaps because you ployed as a weather girl for a local only in losing the audience's interest.
    [Show full text]
  • Cet Obscur Objet Du Désir Damien Detcheberry
    Gus Van Sant Prête à tout (1995) Cet obscur objet du désir Damien Detcheberry Revoir Prête à tout (1995) aujourd’hui renvoie immanquablement à l’étonnante parenthèse hollywoodienne de Gus Van Sant (1995-2000), et au questionnement de beaucoup sur un étrange choix de carrière venu court-circuiter des débuts prometteurs dans le cinéma américain indépendant. Première réalisation pour le compte d’une major – La Columbia –, premier film non scénarisé par Van Sant lui-même – le scénario est signé Buck Henry, scénariste vétéran responsable, entre autres, du Lauréat (1967) et de Catch 22 (1970) –, premier film mainstream en somme, Prête à tout esquive pourtant habilement les travers de la comédie hollywoodienne désincarnée. Bien plus qu’une réflexion singulière sur le quart d’heure warholien, Prête à tout s’affirme avant tout comme une œuvre vénéneuse et sensuelle sur la frustration du désir, révélant au grand public le pouvoir de séduction de Nicole Kidman, jusqu’ici limitée aux seconds rôles. Télescopages Prête à tout est l’adaptation du roman homonyme de Joyce Maynard, lui-même inspiré d’un fait divers survenu au début des années 90, celui de Pamela Smart, un professeur du New-Hampshire qui a séduit un de ses élèves et l’a convaincu d’assassiner son mari. Trois ans avant le procès-spectacle d’O.J. Simpson, celui de Pamela Smart a fait l’objet en Amérique d’une attention médiatique d’ampleur nationale. Cette sur-médiatisation a été absorbée dans le roman par le personnage de Suzanne Stone Maretto, une jeune arriviste qui comble son manque d’esprit par une volonté inébranlable à atteindre son rêve : devenir une journaliste vedette de la télévision.
    [Show full text]
  • Whose Life Is It Anyway: a Proposal to Redistribute Some of the Economic Benefits of Cameras in the Courtroom from Broadcasters to Crime Victims
    South Carolina Law Review Volume 49 Issue 1 Article 3 Fall 1997 Whose Life Is It Anyway: A Proposal to Redistribute Some of the Economic Benefits of Cameras in the Courtroom from Broadcasters to Crime Victims Stephen D. Easton Follow this and additional works at: https://scholarcommons.sc.edu/sclr Part of the Law Commons Recommended Citation Easton, Stephen D. (1997) "Whose Life Is It Anyway: A Proposal to Redistribute Some of the Economic Benefits of Cameras in the Courtroom from Broadcasters to Crime Victims," South Carolina Law Review: Vol. 49 : Iss. 1 , Article 3. Available at: https://scholarcommons.sc.edu/sclr/vol49/iss1/3 This Article is brought to you by the Law Reviews and Journals at Scholar Commons. It has been accepted for inclusion in South Carolina Law Review by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Easton: Whose Life Is It Anyway: A Proposal to Redistribute Some of the E SOUTH CAROLINA LAW REVIEW VOLUME 49 FALL 1997 NUMBER 1 WHOSE LIFE Is IT ANYWAY?: A PROPOSAL TO REDISTRIBUTE SOME OF THE ECONOMIC BENEFITS OF CAMERAS IN THE COURTROOM FROM BROADCASTERS TO CRIME VICTIMS STEPHEN D. EASTON* I. INTRODUCTION ................................. 2 II. CAMERAS IN THE COURTROOM ....................... 7 A. Cameras in Courtrooms:A Brief HistoricalPerspective ...... 8 1. The Pre-Television Era ....................... 8 2. ABA Canon 35 ............................ 9 3. Three States Allow Cameras..................... 10 4. Estes v. Texas: The United States Supreme Court Speaks 11 5. The FloridaExperiment ..................... 12 6. Chandler v. Florida: The Supreme Court Speaks Again . 12 7. The Few Become the Many ...................
    [Show full text]
  • Deconstructing the Image of the Female Journalist in the Film and Novel to Die For
    She’d Kill to Be Famous: Deconstructing the Image of the Female Journalist in the Film and Novel To Die For Courtney Kabot To Die For - Courtney Kabot 2 ABSTRACT You're not anybody in America unless you're on TV. On TV is where we learn about who we really are. Because what's the point of doing anything worthwhile if nobody's watching? And if people are watching, it makes you a better person. --Suzanne Stone1 All she wanted was a little attention. But aspiring television reporter Suzanne Stone got much more. Joyce Maynard’s novel To Die For, which was adapted into the Gus Van Sant movie, is a satire of television, journalists, and the price of fame. The protagonist Suzanne Stone is twenty-five years old, married, and has always dreamt of a career on television. But when she finds herself at a dead-end weather girl job at a local cable station, Stone decides to take matters into her own hands to make sure she gets her fame. She refuses to let anyone stand in her way— even her husband. Stone embodies characteristics that are often found in popular culture references of female reporters including narcissism and manipulation, and using sexuality and appearance to get ahead. To Die For explores some of the exaggerated or accurate representations of women journalists that are commonly found in movies, television, and literature. This image may be more than just a fictitious character in entertainment and may in influence the way viewers look at real female reporters in the media.
    [Show full text]
  • Women and Drugs •• Property Crimes by Women Offenders •• Prostitution and Sex Work •• Violent Crimes by Women Post, •• Women Who Kill Their Children
    SECTION VIII FemaleFemale OffendersOffenders andand TheirTheir CrimesCrimes distribute or Section Highlights •• Women and drugs •• Property crimes by women offenders •• Prostitution and sex work •• Violent crimes by women post, •• Women who kill their children omen engage in every type of criminal activity. Much like their male counterparts, females are involved in a variety of different types of crime. While female crimes of violence are highly sensationalized by the media, these crimescopy, are rare occurrences. Instead, the majority of female offending is made up of crimes Wthat are nonviolent in nature or are considered victimless crimes, such as drug abuse and sexually based offenses. Males have always engaged in greater numbers of criminal acts. However, women are becoming more involved in crime and the criminal justice system. Research over the past several decades has focused on the narrowing of the gender gap, which refers to the differences in male and female offending for different types of offenses. But what does this really mean?not Are women becoming more violent than they were in the past, as media reports have suggested? Is the rise in women’s incarceration a result of more women engaging in serious criminal acts? What contributes to these changes? How do we investigate these questions? In Section I, you learned about the changes in male and female crime participation over a 1-year and 10-year period,Do using arrest data from the Uniform Crime Reports. Using these same data, we can investigate the gender gap in offending. Table 8.1 compares the percentage of males and females in different offense types.
    [Show full text]
  • The Impact of College in a Maximum-Security Prison
    Collaborative Research by The Graduate Center of the City Un i versity of New Yo rk &Women in Prison at the Bedford Hills Correctional Facility S M THE IMPACT OF COLLEGE IN A MAXIMUM-SECURITY PRISON MICHELLE FINE, MARIA ELENA TORRE, KATHY BOUDIN, IRIS BOWEN, JUDITH CLARK, DONNA HYLT O N , MIGDALIA MARTINEZ, “MISSY”, ROSEMARIE A. ROBERTS, PAMELA SMART, DEBORA UPEGUI with a Re i n c a rceration Analysis conducted by The New Yo rk State De p a rtment of Correctional Se rv i c e s September 2001 CHANGING MINDS The Impact of College in a Maximum-Security Prison: Effects on Women in Prison, the Prison Environment, Reincarceration Rates and Post-Release Outcomes Table of Contents Page Preface by Helena Huang, Open Society Institute .....................................................i-iii Introduction..................................................................................................................1 Executive Summary of the Research Findings ...............................................................3 College Education in Prison ..........................................................................................4 The Women at BHCF: Who’s in College? .................................................................6 Research Design ............................................................................................................9 Methods.....................................................................................................................9 Results.........................................................................................................................13
    [Show full text]
  • MPAA-WDS-Satellite-1
    Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ) In the Matter of ) ) Distribution of the ) Docket No. 2012-7 CRB SD 1999-2009 ) (Phase II) 1999, 2000, 2001, 2002, 2003, 2004, ) 2005, 2006, 2007, 2008, and 2009 ) Satellite Royalty Funds ) ) WRITTEN DIRECT STATEMENT OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS VOLUME II OF II DESIGNATED PRIOR TESTIMONY Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Kimberly P. Nguyen D.C. Bar No. 996237 Naomi Straus D.C. Bar No. 1011753 MITCHELL SILBERBERG & KNUPP LLP 1818 N Street, NW, 8th Floor Washington, D.C. 20036 Telephone: (202) 355-7917 Facsimile: (202) 355-7887 [email protected] [email protected] Attorneys for MPAA-Represented May 9, 2014 Program Suppliers TABLE OF CONTENTS DESIGNATED PRIOR TESTIMONY Tab Marsha E. Kessler, Written Direct Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 30, 2012) (admitted as MPAA Exhibit 358) ........................................................................... A Marsha E. Kessler, Written Rebuttal Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 15, 2013) (admitted as MPAA Exhibit 359) ........................................................................... B Marsha E. Kessler, Oral Testimony, Docket No. 2008-2 CRB CD 2000-2003 (Phase II), Transcript pp. 94-221(June 3, 2013) ..................................................... C Paul B. Lindstrom, Written Direct Testimony, submitted in Docket No. 2008-2 CRB CD 2000-2003 (Phase II) (filed May 30, 2012) (admitted as MPAA Exhibit 363) ........................................................................... D Paul B. Lindstrom, Oral Testimony, Docket No., 2008-2 CRB CD 2000-2003 (Phase II), Transcript pp. 280-324 and 368-433 (June 3-4, 2013) ........................
    [Show full text]