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Bibliography Bibliography Primary Sources (Films) Arekti Premer Golpo. Dir. Kaushik Ganguly. Perf. Rituparno Ghosh, Chapal Bhaduri, Indraneil Sengupta and Jissu Sengupta. Cinemawala, 2010. DVD. Fire. Dir. Deepa Mehta. Perf. Shabana Azmi, Nandita Das, Kulbhushan Kharbanda and Javed Jaffrey. Kaleidoscope Entertainment, 1996. DVD. Mango Soufflé. Dir. Mahesh Dattani. Perf. Ankur Vikal, Atul Kulkarni, Denzil Smith, Faredoon "Dodo" Bhujwala, Heeba Shah, Rinkie Khanna and Sanjit Bedi. Lotus Piktures, 2002. DVD. My Brother Nikhil. Dir. Onirban Dhar. Perf. Sanjay Suri, Purab Kohli, Juhi Chawla, Victor Bannerjee and Lilite Dubey. Four Front Films. 2005. VCD. Sancharram. Dir. Ligy Pullappally. Perf. Sruuithi Menon and Suhasini Nair. Peccadillo Pictures, 2004. DVD. Yours Emotionally! Dir. Sridhar Rangayan. Perf. Prateek Gandhi and Jack Lamport. Solaris Pictures, 2006.DVD. Bomgay. Dir. Riyad Wadia & Jangu Sethna. Perf. Rahul Bose, Kushal Panjabi, R.Raj Rao. Wadia Movietone, 1996. DVD. Boys in the Band. Dir. William Friedkin. Perf. Kenneth Nelson, Peter White, Leonard Frey. Cinema Center Films – 1970. Online. Dostana. Dir. Tarun Mansukhani. Perf. John Abraham, Abhishekh Bachchan, Priyanka Chopra, Kiron Kher. Yash Raj Films. 2009 Mast Kalandar. Dir. Rahul Rawail. Perf. Dharmendra, Anupam Kher, Shakti Kapoor. 1991Online. Umbaratha. Dir.Jabbar Patel. Perf. Smita Patil, Girish Karnad.Sujata Chitra. 1984. Online. The Celluloid Closet. Dir. Rob Epstein, Jeffrey Friedman. Perf. Lily Tomlin, Tony Curtis, Susie Bright.1995. DVD. Aligarh. Dir. Hansal Mehta. Perf. Manoj Bajpayee, Rajkumar Rao. Eros Entertainment. Karma Pictures. 2016. 231 Secondary Sources Aaron, Michele. New queer cinema: a critical reader. New Jersey: Rutgers University Press, 2004. Print. Armstrong, Nancy. “Character, Closure, and Impressionist Fiction”. Criticism 19.4 (1977): 317-337. Print. Arunima, Gopinath. There comes papa: colonialism and the transformation of matriliny in Kerala, Malabar, c. 1850-1940. New Delhi: Orient Longman, 2003. Print. Bakshi and Sen. “A Room of hir own: the queer aesthetics of Rituparno Ghosh”. In Rituparno Ghosh: Cinema, Gender and Art (eds) Sangeeta Datta, Kaustav Bakshi, Rohit K. Dasgupta, 2015. 204-224. Print. Bakshi, Kaustav. “Arekti Premer Galpo: The Yesteryear Female Impersonator, the Post-Liberalize Transvestite and a „Queer‟Stereotype”. National Conference, ‗Gay Subculture: The Indian Projections‘, at Indian Institute of Advanced Studies, Shimla, 2012. Print. Barthes, Roland. Mythologies. 1957. Trans. Annette Lavers. New York: Hill and Wang (1972). Print. Bhaskaran, Suparna. Made in India: Decolonisation, Queer Sexualities, Transnational Projects. New York: Palgrave, 2004. Print. Bose, Brinda. “Introduction”. In Brinda Bose and Subhabrata Bhattacharya (eds)The Phobic and Erotic: Politics of Sexualities in Contemporary India. Pp. viii-xxxii. (2007). Print. Bose, Nandana. “From Superman to Shahenshah: Stardom and the Transnational Corporeality of Hritik Roshan”. In Figurations in Indian Films. (Eds.) Meheli Sen, Anustup Basu. NY: Palgrave Macmillan, 2013.Print. Branigan, Edward. Narrative Comprehension and Film. London: Routledge, 1992. Print. 232 Branigan, Edward. Point of View in the Cinema. A Theory of Narration and Subjectivity in Classical Film. Berlin: Mouton, 1984. Print. Brett Farmer. Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships. London: Duke University Press, 2000. Print. Butler, Judith. “Critically Queer”, in Bodies That Matter: On the Discursive Limits of ‗Sex‘. New York and London: Routledge, 1993. Print. Butler, Judith. “Imitation and Gender in Subordination”. Inside out: lesbian theories, gay theories, ed. by Diana Fuss, 13–31. (1991). Print. Butler, J. Gender Trouble: Feminism and the Subversion of Identity. New York and London: Routledge, 1990. Print. Chandler, Daniel. Semiotics: The basics. USA and Canada: Rouledge, 2002. Print. Comolli, Jean-Louis, and Jean Narboni. "Cinema/Criticism/Ideology". Film Theory and Criticism, 1969. Print. Datta, Aniruddha. “Transgender Narratives and Class Distinction in Rituparno Ghosh's later films”. In Rituparno Ghosh: Cinema, Gender and Art (eds) Sangeeta Datta, Kaustav Bakshi, Rohit K. Dasgupta, 2015. Print. Datta, Sangeeta, Kaustav Bakshi, and Rohit K. Dasgupta, eds. Rituparno Ghosh: Cinema, Gender and Art. New Delhi: Routledge, 2015. Print. Datta, Sangeeta. “Invoking love, death and elsewhere: searching the auteur in Rituparno Ghosh‟s Abhoman” in Rituparno Ghosh: Cinema, Gender and Art (eds) Sangeeta Datta, Kaustav Bakshi, Rohit K. Dasgupta.2015. Print. De Lauretis, T. “Queer Theory: Lesbian and Gay Sexualities. An Introduction”, Differences: A Journal of Feminist Cultural Studies 3:2, iii–xviii. (1991). Print. Deepa, V. N. “Queering Kerala: Reflections on Sahayatrika”. Because I have a Voice: The Politics of Alternative Sexualities in India (2005): 175-196.Print. Desai, J. “Homo on the Range: Mobile and Global Sexualities”. Social Text 20.(4) (Winter): 65-89. 2002. Print. Desai, J. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York: Routledge, 2004. Print. Devi, Shakuntala. The World of Homosexuals. New Delhi: Bell Books Edition. Vikas Publishing House Pvt. Ltd., 1977. Print. 233 Doty, Alexander. Flaming Classics: Queering the Film Canon. London/NYK. : Routledge, 2000. Print. Dowson, T.A. “Why Queer Archaeology? An Introduction”, World Archaeology 32:2, 161–5. 2000. Print. Dyer, R. Now You See It: Studies on Lesbian & Gay Film. London: Routledge, 1990. Print. Dyer, R. White. London: Routledge, 1997. Print Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976. Print. Foucault, Michel. “„Body/Power‟ and „Truth and Power‟” in C. Gordon (ed.) Michel Foucault: Power/Knowledge, U.K.: Harvester, 1980. Print. Foucault, Michel. The History of Sexuality, Volume I: An Introduction, trans. Robert Hurley. New York: Pantheon, 1978. Print. Fuss, D. “Inside/out”, in D. Fuss (ed.), Inside/Out: Lesbian Theories, Gay Theories. London and New York: Routledge, 1991. Print. Genette, Gérard. Narrative Discourse: An Essay in Method. Ithaca: Cornell University Press, 1983.Print. Ghosh, S. “Queer Pleasures for Queer People - Film television and Sexuality in India”, in R. Vanita (ed.) Queering India: Same sex love and eroticism in Indian culture and society. New York: Routledge, 2002. Print. Ghosh, S. “False Appearance and Mistaken Identities: The Phobic and the Erotic in Bombay Cinema‟s Queer Vision”. In Bose and Bhattacharya (Eds). The Phobic and the Erotic: The Politics of Sexualities in Contemporary India. Calcutta: Seagull Books. 2007: 417-436. Print. Ghosh, S. Fire. New Delhi: Orient Publishing, 2010. Print. Giannetti, Louis. Understanding Movies. 7th Edition. New Jersey: Prentice Hall, 1996. Print. Giffney, N. “Denormatizing Queer Theory: More than (Simply) Lesbian and Gay Studies”, Feminist Theory 5:1, 73–8. 2004. Print. Gokulsing, K M, and Wimal Dissanayake. Indian Popular Cinema: A Narrative of Cultural Change. Stoke-on-Trent: Trentham, 2004. Print. 234 Gopinath, Gayatri. “Local sites/global contexts: The transnational trajectories of Deepa Mehta‟s Fire”. Queer Globalizations: Citizenship and the afterlife of colonialism (2002): 149-161. Print. Gopinath, Gayatri. “Queering Bollywood: Alternative sexualities in popular Indian cinema”. Journal of Homosexuality 39.3-4 (2000): 283-297.Print. Gopinath, Gayatri. “Queer Regions: Locating Lesbians in Sancharram”. In A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies, (eds.) George E. Haggerty and Molly McGarry, 341-354. Malden: Blackwell, 2007. Print. Gopinath, Gayatri. Impossible Desires: Queer Diasporas and South Asian Public Cultures. Durham: Duke University Press. 2005. Print. Gopinath, Gayatri. “On Fire.” GLQ: A Journal of Lesbian and Gay Studies, 1998 4:4. 631-636. Print. Grossman, Andrew. Queer Asian cinema: Shadows in the Shade. Psychology Press, 2000. Print. Gupta, Alok. “Englishpur ki Kothi,” in Because I Have a Voice: Queer Politics in India, ed. Arvind Narrain and Gautam Bhan. New Delhi: Yoda Press, 2005, 119. Hall, D.E. Queer Theories. New York: Palgrave Macmillan, 2003. Print. Hall, Stuart. “Cultural Identity and Diaspora”. in Patrick Williams and Chrisman. (Eds) Colonial Discourse and Post-colonial Theory: a Reader. London: Harvester Wheat sheaf, 1994. 392-401. Print. Halperin, D.M. Saint Foucault: Towards a Gay Hagiography. New York: Oxford University Press, 1995. Print. Halperin, David M. “Is There a History of Sexuality?” The Lesbian and Gay Studies Reader. Ed. Henry Abelove. New York: Routledge, 1993. 416-26. Print. Hocquenghem, Guy. Homosexual desire. Duke University Press, 1993. Print. Hunt, S. and Andrew K. T. Yip (Eds). The Ashgate Research Companion to Contemporary Religion and Sexuality. Ashgate Publishing Ltd., 2012. Print. John M and Janaki Nair. (eds) A Question of Silence. New Delhi: Kali for Women, 2000. Print. Kapur, Ratna. “Too Hot to Handle: The Cultural Politics of „Fire‟”. Feminist Review (2000): 53-64. Print. 235 Kaur, Gurpreet. The Issue of Lesbianism in Contemporary Indian Films: A Comparative Study of Transnational, Bollywood and Regional Films. Diss. National University of Singapore, 2010. Print. Kavi, Ashok Row. “The Changing Image of the Hero in Hindi Films”. In A. Grossman (Ed) Queer Asian Cinema: Shadows in the Shade. New York: Harrington Park Press, 2000:307-312. Print. Khayatt, D. “Toward a queer identity”. Sexualities 5:4, 487–501.2002. Print. Kishwar, M. 1998. “Naïve outpouring of a self hating Indian: Deepa Mehta‟s Fire”. Manushi.109
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