ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy

Total Page:16

File Type:pdf, Size:1020Kb

ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy Kotsur and Deanne Bray broadwayworld.com/los-angeles/article/ARRIVAL-DEPARTURE-Love-Story-to-Star-Married-Deaf-Actors-Troy-Kotsur-and- Deanne-Bray-20180614 June 14, 2018 by BWW News Desk Jun. 14, 2018 An unforgettable love story inspired by one of the most romantic movies of all time. Stephen Sachs directs Deaf actors Deanne Bray (Sue Thomas: F.B.Eye, Heroes) and Troy Kotsur (title role in Cyrano at the Fountain, Big River on Broadway) in Sachs' newest play, inspired by the screenplay for Noël Coward's Brief Encounter. The world premiere of Arrival & Departure will open on July 14 and continue through September 30 at the Fountain Theatre. The cast also features hearing actors Jessica Jade Andres, Adam Burch,Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myersand Stasha Surdyke. In Sachs' new spin on the classic 1945 British film, a Deaf man (Kotsur) and a hard-of-hearing woman (Bray), two married strangers, meet accidentally in a New York City subway station. As their casual friendship develops into something deeper, each is forced to confront how their simmering relationship could forever change their lives and the lives of those they love. "A train station is a place of transition, a place people go when they're on their way to someplace else," notes Sachs. "'Arrival & Departure' is not only a travel term. It expresses the journey of change that the people in this play are experiencing. What happens when you find your soul mate, but the circumstances of life get in the way?" Kostsur and Bray are married in real life, and Sachs wrote the play with them in mind. "This is my valentine to the two of them," he says. "But the characters they portray aren't the only ones seeking human connection in the play. Other storylines interweave through the piece. Each character has a reason to reach out to someone." The 1945 classic film Brief Encounter, directed by David Lean with a screenplay by Noël Coward and starring Celia Johnson and Trevor Howard, was named "the most romantic film ever made" according to 101 industry experts polled by Time Out London. The Film Society of Lincoln Center named it "one of the most achingly romantic films ever made." 1/4 The play is performed simultaneously in spoken English and American Sign Language with additional use of open captioning, so that both Deaf and hearing audiences can enjoy the production. The creative team for Arrival & Departure includes set designer Matthew G. Hill, lighting designer Donny Jackson, video designer Nick Santiago, composer and sound designer Peter Bayne, costume designer Michael Mullen, prop master Michael Navarro, movement director Gary Franco and ASL masters Lisa Hermatz and Jevon Whetter. The production stage manager is Emily Lehrer. Simon Levy, Deborah Culver and James Bennett produce for the Fountain Theatre. Executive producers are Karen Kondazian; Diana Buckhantz and The Vladimir and Araxia Buckhantz Foundation; and Carrie Chassin and Jochen Haber. Producing underwriters include Dorothy and Stanley Wolpert; Suzanne and Don Zachary; Lois Tandy; Debbi and Ashley Posner; and The Howard and Helen Family Foundation. Arrival & Departure is supported, in part, by generous grants from the David Lee Foundation, the Los Angeles County Arts Commission and the Los Angeles Department of Cultural Affairs. Deanne Bray was born deaf and has been bilingual in American Sign Language and English since the age of two. She kicked off her acting career in 1991 at the Fountain Theatre, where Stephen Sachs directed her in One Flew Over the Cuckoo's Nest. Bray is best known for the title role in Sue Thomas: F.B.Eye, which ran for three seasons on the PAX network. She has appeared in numerous TV shows, including a recurring role on NBC's Heroes alongside Milo Ventimiglia and Masi Oka. On stage, Deanne has been seen in Deaf West Theatre productions of Big River, Sleeping Beauty Wakes and My Sister in This House. A graduate of Gallaudet University, she has a Masters in Sign Language Education and a California K-12 Teaching Credential from CSUN. She currently teaches ASL at Oak Park High School. Troy Kotsur has been acting and directing for over 24 years, earning multiple awards for his work on stage. Deaf since birth, he attended Gallaudet University, where he played basketball for three years before leaving to become a professional actor with the National Theatre of the Deaf. In 1994, Troy moved to Los Angeles and joined the company of Deaf West Theatre, where he has performed in countless productions. His television guest-starring roles include Criminal Minds, Scrubs, CSI: NY and Sue Thomas F.B.Eye in a recurring role (starring alongside Deanne Bray) that became a fan-favorite. In film, he stars in Wild Prairie Rose and in the upcoming Inside Track, and he has had notable supporting roles in The Number 23 with Jim Carrey, Universal Signs and Father's Day Breakfast.He directed the award-winning independent film No Ordinary Hero: The Superdeafy Movie, the first film in the history of SAG commercial feature films to be directed by a Deaf director and to be executive-produced exclusively by Deaf executive producers. Troy's stage credits include the Tony Award-winning run of Big River on Broadway, as well as starring roles in Deaf West Theatre productions of American Buffalo (Los Angeles Drama Critics Circle Award nominee), Our Townat The Pasadena Playhouse, Cyrano at the Fountain (L.A. Drama Critic's Circle Award for best actor, Ovation Award nominee), A Streetcar Named Desire (L.A. Drama Critics Circle and LA Weekly awards) and Of Mice and Men (LA Weekly Award for best actor). 2/4 Stephen Sachs is an award-winning playwright, director, producer and the co-artistic director of the Fountain Theatre, which he co-founded with Deborah Culver in 1990. He recently adapted and directed a celebrity reading of the screenplay for All the President's Men at Los Angeles City Hall starring Bradley Whitford, Joshua Malina and Jeff Perry. His stage adaptation of Claudia Rankine's Citizen: An American Lyric (Stage Raw Award at Fountain Theatre) inaugurated Center Theatre Group's Block Party at the Kirk Douglas Theatre and was chosen to represent Los Angeles theater for Grand Park's new Our L.A. Voices Arts Festival. His playBakersfield Mist enjoyed a three-month run on London's West End starring Kathleen Turner and is now being produced in regional theaters across the country, translated into other languages and performed worldwide. Other plays include Cyrano (L.A. Drama Critics Circle Award, Best Adaptation), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse, Canadian Stage Company, L.A. Drama Critics Circle Award), Central Avenue (PEN USA Literary Award finalist), Sweet Nothing in My Ear (PEN USA Literary Award finalist) and several others. He wrote the teleplay for Sweet Nothing in My Ear for Hallmark Hall of Fame which aired on CBS starring Marlee Matlin and Jeff Daniels. Sachs' directing credits My Name is Asher Lev (L.A. premiere); Athol Fugard's The Blue Iris(U.S. premiere); Bakersfield Mist (world premiere); Completeness by Itamar Moses, starring Jason Ritter; Side Man starring Christine Lahti; The Train Driver by Athol Fugard (U.S. premiere); Conor McPherson's Shining City (L.A. premiere); the world premiere of Fugard's Exits and Entrances at the Fountain (Ovation Award, L.A. Drama Critics Circle Award) and off-Broadway at Primary Stages; Fugard's The Road to Mecca (L.A. premiere); Arthur Miller's After the Fall (Ovation Award); Sweet Nothing in My Ear (world premiere); Hippolytos, inaugurating the outdoor classical theater at the Getty Villa in Malibu; and many others. Sachs was recently honored with a Certificate of Commendation from the Los Angeles City Council for "his visionary contributions to the cultural life of Los Angeles." The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain'sCitizen: An American Lyric in Center Theatre Group's Block Party at the Kirk Douglas Theatre and again, this year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President's Men at Los Angeles City Hall. The Fountain's most recent production, The Chosen, enjoyed rave reviews and ran for five sold-out months. Arrival & Departure runs July 14 through September 30,with performances on Fridays and Saturdays at 8 p.m.;Sundays at 2 p.m.; and Mondays at 8 p.m. (dark July 16,Aug. 4, Aug. 27 and Sept. 3). Three preview performances take place on Wednesday, July 11; Thursday, July 12; andFriday, July 13, all at 8 p.m. Tickets range from $20-$40;Pay-What-You-Want seating is available every Mondaynight in addition to regular seating (subject to availability).The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair 3/4 accessible. Patrons are invited to relax before and after the show at the Fountain's indoor/outdoor café. For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com. 4/4.
Recommended publications
  • Bradley Whitford and Rob Lowe [Intro Music]
    The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach.
    [Show full text]
  • No More 2 X 3.5" Ad Kerry Washington Stars in the Series Finale of “Scandal” Thursday on ABC
    2 x 2" ad 2 x 2" ad April 13 - 19, 2018 D A N E R A S C T H D B S P L 2 x 3" ad L M W Q I H U I L A K X C I T Your Key F X G N N O B L R V H S N K R To Buying R O C Y I M U Z H R W E I L F 2 x 3.5" ad V M I B R Y A N Z Y O B V S W and Selling! Q U G T E R I T N E C M A Y M S L F C L T E N T K H G L X B A L D P L Q J X D M E Q P G Y J E X C A F T E H V S X W M E W B A O B R O S N A N J E K L P E U G E Z K I R W E B T N X H T N B E N T L E Y Y T Y A H E N M Q R E Q N K G E M P B P G A L D E A N D F H Z U I R M L V U A W J V Z R X A W D U N 53rd Academy Of Country Music Awards on CBS (Words in parentheses not in puzzle) Place your classified (Miranda) Lambert (Luke) Bryan (Keith) Urban Solution on page 13 ad in the Waxahachie Daily (Reba) McEntire (Kenny) Chesney (Bebe) Rexha 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and (Jason) Aldean (Lady) Antebellum (Florida Georgia) Line Ellis County Trading Post! Word Search (Kelsea) Ballerini (Maren) Morris (Las) Vegas (Dierks) Bentley (Thomas) Rhett (MGM Grand Garden) Arena Call (972) 937-3310 © Zap2it A ‘Scandal’ no more 2 x 3.5" ad Kerry Washington stars in the series finale of “Scandal” Thursday on ABC.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Florida Repertory Theatre 2013-2014 Season
    FLORIDA REPERTORY THEATRE 2013-2014 SEASON HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS BY STEPHEN SACHS SPONSORED BY BERNESE DAVIS and GE FOUNDATION STARRING MICHELLE DAMATO*† • PATRICIA IDLETTE*† • CARRIE LUND*† • JO YANG* WITH STEPHANIE DAVIS • BETH HAELY • JONITA MARTIN • KATHLEEN MOYE AND FEATURING CAROLINA ESPARZA DIRECTED BY ROBERT CACIOPPO**† CHOREOGRAPHER CO-CHOREOGRAPHER CAROLINA ESPARZA CINDY-LEE OVERTON SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER † ROBERT F. WOLIN***† MATTHEW McCARTHY*** ROBERTA MALCOLM† SOUND DESIGNER PRODUCTION STAGE MANAGER ASST. STAGE MANAGERS TIM COBB AUDREY M. BROWN* JESSICA A. SHORT NICK TO The World Premiere of HEART SONG was produced at The Fountain Theatre, Los Angeles Deborah Lawlor and Stephen Sachs, Artistic Directors 2013-14 GRAND SEASON SPONSORS GE Foundation The Fred & Jean Allegretti Foundation • Bruce & Janet Bunch • Cheryl & David Copham Gholi & Georgia Darehshori • Ed & Ellie Fox • John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists.
    [Show full text]
  • On the Shoulders of Giants: How Aaron Sorkin's Sports Night
    ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez Abstract Aaron Sorkin’s Sports Night focuses on the events that unfold in the newsroom of a nightly sports highlight show. The impulse of the series stems from the relationships amongst the show’s two anchors, three producers and its managing editor. As individuals, the journalists are smart, talented and dedicated in their professional lives. Yet, despite their capabilities and professionalism, each echoes characteristics and faces problems similar to those of journalists in classic popular culture. They often put the job over their personal lives and struggle when faced with the consequences. But in the end, they always tend to band together as a newsroom family. * * * “Five minutes to air. First team in the studio.1” The voice echoes through the newsroom at 10:55 p.m. It is the nightly wake-up call for the Sports Night team. Journalists both in front of the camera and in the control room scramble as the clock ticks toward show time. And then it starts. The one thing that gives the journalists a home, a family and a sense of accomplishment. ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez 2 The team of anchors and producers creates a nightly, one-hour highlight show from New York, “the most magnificent city in the world.
    [Show full text]
  • The Modern Representation of African-American Woman Based on the Character of Olivia Pope in Tv Series’ Scandal Season 1
    THE MODERN REPRESENTATION OF AFRICAN-AMERICAN WOMAN BASED ON THE CHARACTER OF OLIVIA POPE IN TV SERIES’ SCANDAL SEASON 1 A THESIS In Partial Fulfillment of the Requirement for The Bachelor Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: DENISSA LALITYA 13020113190063 ENGLISH DEPARTMENT FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY 2017 PRONOUNCEMENT The writer honestly confirms that she compiles this thesis by herself and without taking any results from other researchers in S-1, S-2, S-3, and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, June 2017 Denissa Lalitya i MOTTO AND DEDICATION “Keep yourselves far from envy; because it eats up and takes away good actions, like a fire eats up and burns wood.” - Prophet Muhammad “Believe you can and you’re halfway there” - Theodore Roosevelt “Two roads diverged in a wood, and I—I took the one less traveled by, and that has made all the difference.” - Robert Frost “You can never cross the ocean until you have the courage to lose sight of the shore.” - Christopher Columbus “There is absolutely nothing that can be taken for granted in this world.” - Robert Anton Wilson I proudly dedicate this thesis to my family and friends who surround me with unconditional love, encourage me to be a better version of myself, and teach me lot of life-lessons and priceless moments. Thank you for being a blessing in disguise. ii THE MODERN REPRESENTATION OF AFRICAN-AMERICAN WOMAN BASED ON THE CHARACTER OF OLIVIA POPE IN TV SERIES’ SCANDAL SEASON 1 Written by : DENISSA LALITYA NIM : 13020113190063 is approved by thesis advisor, on July 24, 2017 Thesis Advisor, Retno Wulandari, S.S., M.A.
    [Show full text]
  • Moving Technology Ethics at the Forefront of Society, Organisations and Governments 41 2
    BRIDGERTON SERIES AS A PARADIGM OF FEMINIST CO-CREATION OF THE TELEVISION AUDIENCE Graciela Padilla-Castillo, Aysel Zeynalova, Asunción Bernárdez-Rodal Complutense University of Madrid (Spain) [email protected]; [email protected]; [email protected] INTRODUCTION Bridgerton is a television series created by Chris Van Dusen, produced by Chris Van Dusen, Betsy Beers and Shonda Rhimes. Its first season premiered worldwide on 25 December 2020 on Netflix. The first season has eight episodes, as is the norm for all Netflix series, and a second season is already confirmed thanks to the fact that it racked up 82 million views in the first month of its premiere (Zorrilla, 2021). If it follows the structure of the collection of novels written by Julia Quinn, from which the original idea stems, the series could have up to 8 seasons, as there are 8 different books, each centred on the 8 Bridgerton children. The action takes place in London, around 1810, among the high society parties. It begins with the presentation of the young brides to the Queen of England and the appearance of a gossip bulletin, signed by an anonymous author: Lady Whistledown. The plot, which at first sight does not seem very original, is adapted to our reality, offering original and necessary touches that form the basis of this investigation. On-screen, Shonda Rhimes innovates once again with a choral and multiracial cast, which she has previously imposed on all her series and which made her stand out especially from the first season of Grey's Anatomy onwards. Rhimes proposes blind casting so that actors and actresses are not chosen on the basis of physical characteristics imposed by the script.
    [Show full text]
  • 2.02: in the Shadow of Two Gunmen, Part II Guests: Michael O’Neill and Bradley Whitford
    The West Wing Weekly 2.02: In the Shadow of Two Gunmen, Part II Guests: Michael O’Neill and Bradley Whitford [Intro music] JOSH: You’re listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. This is Part 2 of our two-part episode discussing the two- part episode "In the Shadow of Two Gunmen.” Coming up later, we’ll be joined by Bradley Whitford, who played Deputy Chief of Staff Joshua Lyman. But first, we’re going to start the episode off with an interview with Michael O’Neill. JOSH: Of course, on The West Wing , Michael plays one of our favorite recurring characters, Special Agent Ron Butterfield, the head of President Bartlet’s Secret Service protection detail. Hey Michael. MICHAEL: Hey Josh, Hrishi. How are you guys? JOSH: Oh man, it’s good to talk to you. HRISHI: Yeah, thanks so much for joining us. JOSH: We’ve been enjoying you all season. We’ve thus far discussed only the first season of The West Wing . I guess I’m curious, to start, to know... how did you get involved in the show? MICHAEL: I went in to audition for the head of the president’s detail of the Secret Service. Chris Misiano was directing that episode, and Aaron wasn’t either inclined or able to make that particular audition and I screwed it up the first time. You know, you didn’t fool around with Aaron’s language. It was really beautifully drawn but it was very, very specific, and I stumbled over it.
    [Show full text]
  • "Election Night" Guest: Clark Gregg [Intro
    The West Wing Weekly 4.07: "Election Night" Guest: Clark Gregg [Intro Music] JOSH: You're listening to the West Wing Weekly. Welcome back. I'm Joshua Malina. HRISHI: And I'm Hrishikesh Hirway. Today we're talking about episode 7 of season 4, "Election Night". JOSH: It was written by Aaron Sorkin, the story’s by David Gerken and David Handelman, David Handelman, a friend of mine, and it was directed by Lesli Linka Glatter. Terrific director with whom I've worked on more than one occasion. It first aired, oh, all I wrote down was that it first aired, and you know what? I feel like that's good enough. [Hrishi laughing] JOSH: You don't care when it aired. It aired in 2002. HRISHI: No, I like knowing that it aired on November 6, 2002, which I think is a nice detail because it lines up with actual election week. JOSH: Indeed. HRISHI: Here's the synopsis from Warner Brothers. The official synopsis. I like this because of the way they talk about you. JOSH: Oh. HRISHI: Well, your character. "On election day Bartlet and his staff begin counting eXit poll votes across the country. In a conservative California congressional district the results have important implications for Sam and a maverick democratic campaign manager, Will Bailey." JOSH: I like the sound of that. HRISHI: "Meanwhile Donna meets an intriguing Navy Lt. Commander, Jack Reese, who has been transferred to the White House as Deputy Military Aide." JOSH: Played by Jack Nicholson impersonator, Christian Slater. Just kidding. If you're listening you're your own man and you're a terrific actor.
    [Show full text]
  • From the Artistic Directors
    From the Artistic Directors As the weather cools down, the Fountain stays hot. For the second consecutive year, the Fountain Theatre is offering you the Los Angeles Premiere of a recent Pulitzer Prize winning play. Last season, we proudly produced the second production of Martyna Majok’s poignant Cost of Living, following the New York premiere at Manhattan Theatre Club. We are thrilled to now share Stephen Adly Guirgis’ funny and powerful Between Riverside and Crazy. These back-to-back prize winners demonstrate how the Fountain aims to always provide you with theatre of the highest quality on our intimate stage. Stephen Adly Guirgis is widely considered to be one of the most distinctive voices to have emerged from New York theater in decades. This acclaimed and award-winning playwright humbly admits, “A play is not a cure for cancer. The best play in the world is not going to make peace. But it’s going to create a community to perform it, and it’s going to be performed for a community, and when those communities are spicy, when there’s different ingredients in the pot, that, to me, is the most beautiful thing.” In Guirgis’ delightful new play, a fiery group of misfits and outcasts discover how to become a family in a cavernous rent-controlled apartment on Riverside Drive. No matter how down and out his characters are, or how challenging their circumstances, they have faith in the possibility of grace and redemption. Guirgis writes with such humor and truth and humanity, it permeates all aspects of this marvelous play.
    [Show full text]
  • Premiere History Dorset Theatre Festival
    DORSET THEATRE FESTIVAL PREMIERE HISTORY WORLD PREMIERES Emmy Winner Judd Hirsch and Janet Zarish The Novelist - Theresa Rebeck, 2010 starring in the World Premiere of The Whore and Mr. Moore The W hor e and M r . M oor e - M i chael Cr i stofer , 20 12............ The World Premiere of Out of the City written by Out of the City - Lesli e Ayvazi an , 20 14................................................................................ and starring award-winning The Way of the World - Theresa Rebeck, 2016 playwright, Leslie (Edgerton Foundation New Play Award-Winner) Ayvazian The World Premiere of Dow nstair s - Ther esa Rebeck , 20 17..................................... Downstairs starring Tim and Tyne Daly Mrs. Christie - Heidi Armbruster, 2019 Dig - Ther esa Rebeck , 20 19................................................................................................ The World Premiere of (Edgerton Foundation New Play Award-Winner) Dig starring Jeffrey Bean and Andrea Syglowski REGIONAL PREMIERES (2nd or 3rd Productions) The Pavilion - Craig Wright, 2010 Superior Donuts starring Stephen Payne and James When Something Wonderful Ends - Sherry Kramer, 2010 Smith III Super ior Donuts - Tr acy Letts, 20 11..................................... The Whipping Man starring Calvin Dutton, Michael Good People -David Lindsay Abaire, 2012 Simpson, Brian Anthony Wilson The W hipping M an - M atthew Lopez, 20 13........................................................................... Clybourne Park - Bruce Norris, 2013 Intimate Apparel starring Marinda Anderson and Chantal Travels with Mark Twain - Ron Crawford, 2014 Jean Pierre I ntimate Appar el - Lyn n Nottage, 20 15................................ Sherlock Holmes and the Case of the Jersey Lily - Katie Forgette, 2015 Outside Mullingar - John Patrick Shanley, 2015 Dear Elizabeth starring Andrea Syglowski and Chris Henry Coffey The Adventures of Tom Sawyer - Laura Eason, 2015 Dear Elizabeth - Sar ah Ruhl, 20 16......................................
    [Show full text]
  • Ricardo Pérez González
    ® E WORLD PREMIER BY Z WRITTEN R RICARDO PÉREZ GONZÁLEFEB MA BY DIRECTED BAL 26 22 DAVID MENDIZÁ T EAT DON’E S TH MANGO from the desk of Loretta Greco WELCOME TO MAGIC. WE’RE SO HAPPY YOU’RE HERE. I can think of no better way to begin the New Year than by introducing Ricardo Pérez González as we unveil the world premiere of his wickedly funny tragedy, Don’t Eat the Mangos, with you, the Bay’s most adventurous new play audience! Mangos is a quintessential Magic play. It is brave. It insists on seeking and speaking truths that few dare to acknowledge, let alone speak aloud so that we may heal. It embraces the messy and never-ending business of growing up and learning to be true to oneself, while wrestling with the ever-evolving idea of home and our obligation to it. It is a play that manages to vividly introduce us to a whole new world—at the same time enabling us to recognize ourselves anew. I was captivated by this coexistence of the new and the familiar within only the frst few pages, as Ricardo transported me to his family neighborhood in Carolina, Puerto Rico, as three grown sisters argue as only sisters can—tag-teaming over shared history as rapidly as they shift from Spanish to English. I knew these women down to my core. I recognized their restlessness, no holds barred criticism of one another, and, yes, their complicated love—for each other, for familia, for home. I was fascinated by Ricardo’s interrogation of our patriarchal paradigms and the way he explores the reliability of memory—especially our perceptions of shared experiences and the unique individual truths we forge in order to survive.
    [Show full text]